Subject Heading: Humphrey, G. (George), 1773-1831? > Ownership

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1. A coronation stool [graphic].

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: [not before 19 July 1821]
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 51. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "The Queen sits in profile to the right on a huge crown, her left foot on a footstool. She partly hides her face ... behind a fan inscribed C; in her right hand is a handkerchief. She is fat, very décolletée ..., with monstrous ostrich feathers in her hair."--British Museum online catalogue, description of a later state
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Early state of a print published 21 July 1821 by G. Humphrey with the expanded title "A coronation stool, of repentance"; in addition to having a shorter title, this early state lacks the grimace on the Queen's face, the jewelry around her neck and on her hands, and the patterns on her dress and on the carpet beneath her. For the published state, see no. 14197 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Mounted on page 51 of: George Humphrey shop album.
Publisher:: G. Humphrey
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):: Crowns, Fans (Accessories), Feathers, Handkerchiefs, Obesity, Sitting, and Stools
Found in:: Lewis Walpole Library > A coronation stool [graphic].

2. The expostulation [graphic].

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: Jany. 15, 1821.
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 49. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "An elderly suitor in old-fashioned dress (right) and a youngish fashionably dressed woman (left) sit on upright chairs, the only furniture visible in an elegant room. He looks towards her with a gesture of deprecating reproach; she bends towards him, holding at arm's length to the left a cross and chain taken from an open jewel-box which she holds. A French window is behind her, through which appear the tops of hollyhocks. A descending staircase is seen through an open door on the extreme right. On the wall are whole length portraits of elderly husbands in well-known plays: Sir Peter Teazle ['Sch. for Scandal']; Lord Ogleby [Colman and Garrick, 'Clandestine Marriage']; [Da]vid Dawe [Cumberland, 'Wheel of Fortune']."--British Museum online catalogue
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below image, two on either side of title: When late I attempted your pity to move, why seemed you so deaf to my prayers, perhaps it was right to dissemble your love; but why did you kick me down stairs., Mounted on page 49 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 24.3 x 34.5 cm., and Sheet trimmed within plate mark.
Publisher:: Published by G. Humphrey, 27 St. James's Street
Subject (Topic):: Courtship, Interiors, Chairs, Floor coverings, Draperies, Necklaces, Jewelry boxes, Windows, Hollyhocks, and Stairways
Found in:: Lewis Walpole Library > The expostulation [graphic].

3. The R-l libertine reclaimed, or, The anticipation of a reconciliation [graphic]

Creator:: Marks, John Lewis, printmaker
Published / Created:: [approximately February 1821]
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 48. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "George IV sits on the throne with Caroline beside him; his arm is round her shoulders and he turns to her to say: "(He that findeth a wife findeth good.) My dear Q***n, If constancy & love can make any amends for my past follies, I still may hope of a Reconciliation, do not go abroad again, to stay at home, is a great sign of the loyalty of marriage. ''Beneath the glitt'ring weight of crowns he'd groan", "Unless the genial bed relieve the throne." You may depend on it, I have turn'd up all those wanton Devils, I am sick of fat, I think no better of them than M. Raggou's Mistress who was whore to the whole troop. "A worthy Woman, saith Solomon is a Crown to her Husband!" He is caricatured, wearing royal robes and ruff. The Queen, who wears a small crown and royal robes, is handsome, affectionate, and unrecognizable. Her foot is on the royal footstool, and the crown is beside her. Leaning against the dais is an open book: 'Proverbs. She will do him good not evil all the days of her Life.' In the foreground (right) lies a portfolio of 'Bought up Caricatures'. On a projecting print is 'Marks fect', which serves as signature. The King's left arm is extended towards a crowd of angry and weeping women who are in a landscape which serves as background. Five in the forefront wear coronets. These say: "Oh! the wicked deceiver he shall know that women are either Angels or Devils"; "Oh! the Jerry Sneak" [from Foote's 'Mayor of Garratt']; "Let me come past, let me come past I'm going to drown'd myself"; "I shall hang myself"; "I wont go home to the Old Stick of my husband he can do nothing for me"; "Who would have thougt [sic] it after I experienced so much of his favour." One of the undifferentiated crowd says: "I shall go to the Magdalen" [asylum]. In the background are tiny figures: on the left a woman hangs from the branch of a rotten tree, above water in which one woman is almost submerged; another is about to plunge in, while a third runs towards it. On a hill on the right six lean and antlered men wearing court-suits dance holding hands; one says: "Dance away my Bucks, we shall have all our Ribs returned.""--British Museum online catalogue
Alternative Title:: Royal libertine reclaimed, or, The anticipation of a reconciliation and Anticipation of a reconciliation
Description:: Title etched below image., Signed by the printmaker in lower right portion of image., Date of publication from the British Museum catalogue., Mounted on page 48 of: George Humphrey shop album., and 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.9 x 35 cm, on sheet 27.8 x 44.7 cm.
Publisher:: Pubd. by J.L. Marks, 37 Prince's St., Soho
Subject (Name):: George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):: Marriage, Adultery, Thrones. 2 lctgm, Podiums. 2 lctgm, Crowns. 2 lctgm, Robes. 2 lctgm, Books. 2 lctgm, Crowds. 2 lctgm, Crying. 2 lctgm, and Antlers. 2 lctgm
Found in:: Lewis Walpole Library > The R-l libertine reclaimed, or, The anticipation of a reconciliation [graphic]

4. Lucifera's procession Fairy-Queen. [graphic]

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: May 12, 1821.
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 46. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:: Published by G. Humphrey, 27 St. James's St.
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
Subject (Topic):: Parades & processions, Carriages & coaches, Coach drivers, Whips, Bottles, Wine, Bags, Cannons, Wash tubs, Tents, Coats of arms, Devil, Donkeys, Robes, Banners, Liberty cap, Pipes (Smoking), Swine, Wolves, Brooms & brushes, Lions, Armor, Torches, Camels, and Newspapers
Found in:: Lewis Walpole Library > Lucifera's procession Fairy-Queen. [graphic]

5. All my eye [graphic]

Creator:: Cruikshank, Robert, 1789-1856, printmaker
Published / Created:: [May 1821]
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 45. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "A parody of G. Cruikshank's 'My Eye', see British Museum Satires No. 14168. The eye is as before but much enlarged, filling the design. It contains a printing-press, inscribed 'Radical Press', and on it rests the Queen's bust portrait wreathed in laurel, closely copied from British Museum Satires No. 14150. Below the eye: 'See Hone's eulogium on the Radical Press. I'll watch them [him] tame. Shakespeare' ['Othello', III. iii; quoted in British Museum Satires No. 14168]."--British Museum online catalogue
Description:: Title etched at top of image., Text at bottom of image: See Hone's eulogium on the Radical Press., Text in lower right corner of image: I'll watch them tame. Shakspeare., Sheet trimmed within plate mark., and Mounted on page 45 of: George Humphrey shop album.
Publisher:: Pubd. May 1821 by G. Humphrey, 27 St. James's St., London
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):: Eyes and Printing presses
Found in:: Lewis Walpole Library > All my eye [graphic]

6. Caroline Fair, or, Mat Pudding and his mountebank [graphic].

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: April 16, 1821.
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 45. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:: Mat Pudding and his mountebank
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 45 of: George Humphrey shop album.
Publisher:: Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):: John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
Found in:: Lewis Walpole Library > Caroline Fair, or, Mat Pudding and his mountebank [graphic].

7. The Mother Red Cap public house, in oppsition [sic] to the Kings Head [graphic]

Creator:: Cruikshank, George, 1792-1878, printmaker
Published / Created:: April 25, 1821.
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 44. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "On the left is a pleasant old-fashioned tavern, 'The Kings Head', with a half length portrait of George IV in crown and robes. Ministers are seen within the open window, Castlereagh's profile on the left. A sturdy John Bull in top-boots stands outside, watching with distaste a disorderly and drunken rabble crowding round the door and (broken) window of the opposite house, the sign 'Mother Red Cap', a half length portrait of Queen Caroline, raddled and disreputable, a tricolour cockade in her conical hat. From the end of the beam supporting the sign hangs a pear (emblem of Bergami, see British Museum Satires No. 13869). The house (right) is a ruinous timber structure, shored up by beams. The crowd have a banner of a woman's shift inscribed 'Un Sun'd Snow NB "The Times" Taken in Here.' A man plays drum and pan-pipes. One man empties a bottle of spirits inscribed 'Queens Mixture' down the throat of a drunken fellow lying on his back. A fat man has a tankard of 'Qu[een's] Entire'. The two inns are respectively placarded 'The Original Brunswick House of Call for Loyalists--Pure Wine--Good Spirits --Sound Ale'; and 'The Brunswick Radical House of Call Italian Wines Bergamy Perry [cf. British Museum Satires No. 13869] No Adulteration! NB Good accomodation for all sorts of Cattle. Whitbread's Entire [cf. British Museum Satires No. 10414]--Small Beer.' In the background is a church tower among trees."--British Museum online catalogue, descr
Alternative Title:: Mother Red Cap public house, in oppsition to the Kings Head and Mother Red Cap public house, in opposition to the Kings Head
Description:: Title etched above image., State from British Museum catalogue. For an earlier state published 11 November 1820 as a plate to The Loyalist's magazine, see no. 13975 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:: Pub. by G. Humphrey, 27 St. James's St.
Subject (Geographic):: England.
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bergami, Bartolomeo Bergami, Baron., and Whitbread, Samuel, 1764-1815.
Subject (Topic):: Politicians, Taverns (Inns), Crowns, Robes, Crowds, Intoxication, Alcoholic beverages, Pears, Banners, Street musicians, and Churches
Found in:: Lewis Walpole Library > The Mother Red Cap public house, in oppsition [sic] to the Kings Head [graphic]

8. Delicious dreams! [graphic].

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: April 30, 1821.
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 44. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:: Castles in the air! Glorious prospects!
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:: Published by G. Humphrey, 27 St. James's St.
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
Subject (Topic):: Interiors, Tables, Chairs, Eating & drinking, Sleeping, Dreaming, Miniatures (Paintings), Hats, Bottles, Drinking vessels, Fruit, Floor coverings, Fireplaces, Figurines, Light fixtures, Coronations, and Bishops
Found in:: Lewis Walpole Library > Delicious dreams! [graphic].

9. R-l rumping [graphic].

Creator:: Heath, William, 1795-1840, printmaker
Published / Created:: [31 January 1821]
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 43. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "A scene at Court; beefeaters flank the dais of the empty throne (right). George IV stands before it, turning his back angrily on Prince Leopold, who bows distractedly, dropping his cocked hat with its field-marshal's plume. The King: "You smell of Brandynburgh ['y' being scored through and replaced with 'e']." Prince Leopold: "I have performed my Duty as a Husband to the satisfaction of the Country-- & I hope to do the same as a Son, & a Man;." Others at the levée register astonishment. Behind (left) a man in court-dress kneels facing the King, but is dragged away by three courtiers. He says: "Is this the answer to my Petition." One of the three replies: "Yes this is the Way we answer." Below the design: 'We've heard of the rump Parliment, Rump Chickens & rump't Dames [British Museum Satires No. 6716]. But of all the boasted rumps we've heard, This one most notice claims. A Pugilist he rumps his man, The Dustman rumps his Brother, But here observe the R--l plan , A Prince must rump his mother Rather than thus forego the Man, And virtuous feelings smother 'Gainst Persecution boldly stand, To save an Injured Mother.'"--British Museum online catalogue
Alternative Title:: Royal rumping
Description:: Title etched above image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 43 of: George Humphrey shop album.
Publisher:: Pub. Jany. 31, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):: George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):: Interiors, Honor guards, Podiums, Thrones, Bowing, Hats, and Petitions
Found in:: Lewis Walpole Library > R-l rumping [graphic].