Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1780?]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 5. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image on second plate., A single design on three plates., Sheets trimmed within plate mark., Dedication below image on first plate: To His Royal Highness George Prince of Wales., Dedication below image on third plate: This plate is dedicated to His Royal Highness by his most obedient humble servant, James Bretherton., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Tipped in at page 5 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
publisher not identified
Subject (Topic):
Accidents, Carriages & coaches, Dogs, Hunting, and Hunting accidents
George III in profile to the right on a white horse rides down a stag which is under the hoofs of his rearing horse. He wears the Windsor uniform (blue coat with red collar and cuffs) and holds a riding-whip above his head. A wooded landscape suggests Windsor Park. Etched below title: "A Hint to Mr West for a Painting in St George's Hall'.
Alternative Title:
Modern Saint George
Description:
Imprint from British Museum catalogue., George suggests James Bearblock as engraver., Sheet trimmed within plate mark., Temporary local subject terms: Stags -- Windsor uniform -- Windsor Park., and Mounted to 34 x 35 cm.
Publisher:
Pubd. Jany. 1788 for I. and I.B. by R. Clamp, Holborn
Subject (Name):
George, Saint, -303., West, Benjamin, 1738-1820, and George III, King of Great Britain, 1738-1820
Verse begins: "Henry our royal King would ride a hunting,"., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In four columns with the title above the first two and imprint below the last two; the columns are separated by columns of type ornaments., Mounted on leaf 5. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Tragical ballad, of the unfortunate love of Lord Thomas and fair Eleanor
Description:
Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Verse - "Lord Thomas he was a bold forester,"., In three columns with the title and woodcuts above the first two; the columns are not separated by rules., In this edition line 3 of title is printed in roman type., Imprint below thrid column., Mounted on leaf 74. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Title from item., Sheet trimmed resulting in loss of plate mark on top and sides of illustration., Illustration to ballad Bachelors' Hall written and composed by Dibdin for his entertainment called The Oddities. The text of the ballad is printed below the plate., Publisher's advertisement at the bottom of sheet: Just published, price 6d. plain, 1 s. coloured, The Patient Parson Forgetting His Text, or The Hogs in the Ale-Cellar, Poll and My Partner Joe, Let Us All Be Unhappy Together, The Greenwich Pensioner, Mrs. Thrale's Three Warnings, and many other esteemed songs and pieces, by Dibdin and others. In Fores's exhibition, No. 3 Piccadilly, may be seen the compleatest collection of caricature prints and drawings in Europe. Admittance one shilling., and Temporary local subject terms: Huntsmen -- Buildings: country houses -- Architectural details: outdoor stairway to country house -- Male costume: riding costume, 1791 -- Bachelors -- Horse whips -- Hunting horns.
Publisher:
Pub. Aprill [sic] 30, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Horseback riding, Hunting, Hunting dogs, and Musical entertainments
Manuscript on paper of Carta de foresta, a collection of hunting and forestry laws. With a collection of extracts, in Latin, all concerning laws of forestry
Description:
In English., Watermarks: unidentified pot., Script: Written in a well formed chancery hand by a single scribe., and Binding: Sixteenth century. Endleaves reinforced with vellum, two leaves originally pasted to each board. Sewn on five single, tawed skin thongs laced into paste boards rounded on the outside of the spine edge. Beaded endbands sewn on leather or cane cores but not laced to boards. The spine is square, with traces of adhesive. Covered in dark brown calf, blind-tooled with a triple line border and a small central ornament. Two ribbon fastenings, now wanting. Leather broken at joint, sewing reinforced.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Forests and forestry, Hunting, Manuscripts, Medieval, and Politics and government
Manuscript on parchment of a collection of laws governing hunting and forestry
Description:
In Latin, with passages in English and French., Script: Arts. 4-14 written in a neat chancery script with Anglicana influence; arts. 1 and 15 in similar, but less elegant hands; arts. 2-3 are in gothic textura., Plain initial, in red, with crude ink penwork flourishes on f. 1v; KL monograms and portions of calendar also on red., Some stains on ff. 2r-7v render text illegible., and Binding: 19th-20th centuries. Rebinding in quarter pigskin, tanned, not tawed, with a strap and pin fastening. The oak boards, cambered on all four outer edges and with rectangular pegs, are probably contemporary with the manuscript. Front pastedown composed of a small fragment of prayers in Latin (15th century).
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Forests and forestry, Hunting, Manuscripts, Medieval, and Politics and government
Scotin, Gérard Jean Baptiste, 1698-approximately 1755, printmaker
Published / Created:
publish'd Nov. 27, 1738, according to the late act.
Call Number:
738.11.27.01+
Image Count:
1
Resource Type:
still image
Abstract:
A chimpanzee holding a bowl stands in a landscape, a decorated frame surrounding the image. In the background left, a man shoots an arrow at chimpanzees climbing a palm tree, and on the right three chimpanzees play on the ground, one standing upright holding a stick
Description:
Title engraved below image., Six lines of text below title: This creature was brought over by Capt. Henry Flower in the ship Speaker from Angola, on the coast of Guinea, in August 1738. It is of the female kind, & is two feet four inches high, walks erect ..., Dedication engraved at bottom of plate: To Sr. Hans Sloane Bart., President of the Royal Society, this plate is humbly inscribed., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Sloane, Hans, Sir, 1660-1753.
Subject (Topic):
Animals in human situations, Chimpanzees, and Hunting
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A wooded scene in the immediate suburbs of London, with St. Paul's in the background. Two 'cits' with guns prepare to fire, since their dog points at a bush, behind which, concealed from the sportsmen, squats a man excreting (left). A man holding a powder-flask watches with amusement from the top of a gate (right). Another dog sits in the foreground (right). Beneath the title is engraved: 'Against the Wind he takes his prudent way, While the strong Gale directs him to the prey; Now the warm scent assures the covey near, He treads with caution & he points with fear. Gay. -------------------------clausisque expectat ocellis; θυμπον---------------------------------------------'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs Septr. 1st, 1785, by J. Jones, No. 63 Great Portland Street, Marylebone
Manuscript on parchment (crude) of Copy of an account book for the hunting expenses of King Charles VI of France. The account is rendered by Philippe de Courguilleroy (?) "chevalier maistre veneur du Roy et maistre de ses canes et forestz" and encompasses November 1395 to 2 February 1396
Description:
In French., Script: Written in a chancery script by a single scribe., and Binding: 18th-19th centuries. Brown mottled and spattered calf with a red label, gold-tooled.
Grant, C. J. (Charles Jameson), active 1830-1852, lithographer, artist
Published / Created:
[1 October 1834]
Call Number:
834.10.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
Four rows of designs with one to three designs in each, individually titled. In the upper left and reading across, "Daddy Longlegs" shows a very think, long-legged man poised to smash the insect on his wall. To the right, on top "The itinerant chanceller" is a scene with a cricketer about to bat a large ball and below a scene with men wearing Dutch-style hats watch as one of the group takes a small ball and readies to bowl down a stand of large, egg-shaped objects. On the far right of the first row, a portly man greets a thin, frail man with wings as ears that extend above his hat, wearing glasses and leaning on a cane. The larger man says "Bless my soul Mr. Pidgeonwidgen! How do ye do. Well now, you look uncommon well considering your Ears." On the second row left, “Follow my leader”, the top image shows a thin man laboring up a hill as he pulls a very large man seated and reading at ease in the a four-wheeled chair. Below three men carrying guns stand up to their necks in a river having followed a taller man in a top hat calmly walking ahead. The speech balloon above their heads reads, “Didn't I tell ye it was only up to the middle.” The first smaller man replies, “The middle indeed. Why we are up to our necks d'ye think our legs are stilts like yours.” In the middle of the second row, A very thin man in Scotish costume (Henry Brougham, 1st Baron Brougham and Vaux?) striding vigorously using a broom as a walking stick and burdened with boxes and bags on his back and waist, labelled “Freedoms of Scotch Towns”, “Broken Vituals the remnants of the Edinburgh Gorge.”, and “Proceeds of the Penny Mag.” The caption below reads, “I flatter myself I've made a tolerable good job by my “Starring it” with Old Grey in the North. Sold all my numbers of the Penny Mag. and well puff'd it thro' applause with the ex-premier. Received some score of Burgesses, Freedoms, and Invitations to as many dinners where I blew my own trumpet & obtain'd plenty of orders from our 'Usefull Knowledge Society', now “woe” to the unstamn'd when I get home.” The last image in row two, on the right, is un-captioned and shows a devil riding behind a horseman bolting across an evening sky. Below two men peak through tall grass and observe an otter and The third row contains a single image captioned “Something like a chase” which shows horsemen following their hounds across a field and over a fence, many of whom have fallen their horses or encountered other types of accidents and falls. In the distance is a small sign indicating that they rode from Wombell's. In the last row, on the left, two men, one with a gun with a barrel turned at 90 degrees, peak out from around the corner of a building, looking at a rooster and some chickens. The caption reads, “Paddy's gun, warranted to shoot around the corner.” The first man says, “Put ye spalpeen, wat are you after, if you let it off, by my soul it'll blow ye to de Divil.” To which the man with the gun replies, “Ock, come out now and hav'nt I made it into a 'Patent Cylindrical Twisted Barrel Gun' and dont day shoot de best, ye Murphy digger.” In the middle of the bottom row, is an image of a constable apprehending a frightened chimney sweep, with the caption “Reforming the Clergy”. The constable says, “Come along, you've hacted contrary to the Hact of Parlyment in crying out “Sweep”. There's 40 bob for ye or else a month in Quad." To which the sweep replies, “Oh criky, don't grab me this here vunce and I'll no not never cry Sweep agin. Vot's us poor flue-sakers to do if as how ve don't cry summut all for to let the people know or how ve are in the streets.” Two other laborers, another sweep and a swag man, in the distance on the right and left, observe “Does any lady or Gemmen's flue pipe vont expurgating.” The other says, “The law have mercy on us.” The third and final image at the end of the fourth row has the caption “A Crack Shot” with an image of a man with a caricatured face and a top hat, holding a gun in his hands and an umbrella between his legs as he stands before a door, the top half of which is open; a bird in a cage hangs to the side of the door. The speech balloon above his head reads, “There's one at last, the only chance of a shy I've had to day. There's nobody here, he, he, Now if I don't flummox ye my pink, say my mother has'nt sold her mangle
Description:
Title devised by cataloger from captions below each design, starting in the upper left corner., Series title and number at top of sheet., "6d, plain. 1s/ cold."--Upper right above design., and Dated below series title at top of sheet: October 1st, 1834. Continued every fortnight.
Publisher:
Published by J. Kendrick, 54 Leicester Square, and sold by T. Dewhurst, T. Drake, R. Thorley, Wiseheart, Ross & Nightingale, and Printed by Dean & Munday, 40 Threadneedle St.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Manuscript on paper (highly polished) of Xenophon, De venatione, translated into Latin by Leonicenus Omnibonus and preceded by a dedicatory epistle to John Tiptoft
Description:
In Latin., Watermarks: similar in design to Briquet Oiseau 12127., Script: Written in a well formed italic by a single scribe., Spaces left for rubrics and initials., and Binding: Nineteenth century. Paper case with paste paper sides. Rebound in Yale Conservation Studio in 1982.
A Bangladeshi hunting scene showing three riders, one a woman riding side-saddle, following a pack of hounds; an English women with her children in a wagon and another woman rider in the foreground, all attended by Indian servants. In the background is a large estate with a lake and a sailboat in the middle ground
Alternative Title:
Dharmasagar, Comilla
Description:
Title from text below image., Date of publication based on costume., and Sheet trimmed to image, except in the center lower edge where the title is present.
Publisher:
publisher not identified
Subject (Geographic):
Comilla (Bangladesh)
Subject (Topic):
Hunting, Horseback riding, Hunting dogs, Carts & wagons, Servants, Bodies of water, and Buildings
"Outline of a large crowd with many carriages gathered to watch as men on horseback chase a deer at left."--British Museum online catalogue
Description:
Title etched below image., Approximate date of publication from the British Museum online catalogue, registration no.: 1876,1014.52., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Easter hunt -- Vehicles -- Wagons -- Male costume, ca. 1790., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Horseback riding, Crowds, Hunting, and Deer
"Hunting scene, hounds in the distance in full cry. In the foreground two riders gallop across a field; one is in pink, the other is a neatly-dressed parson in tricorne hat, and bushy powdered wig. The former: Holloa Hark!--Doctor--d'ye hear that charming Music? --The other: Music! I hear no Music--those dogs make such a confounded Noise!!"--British Museum catalogue
Description:
Title from caption below image., Date of publication from British Museum catalogue., Four lines of dialogue below title: Holloa hark! Doctor d'ye hear that charming music? Music! I hear no music these dogs make such a confounded noise!!, and Sheet trimmed within plate mark.
Publisher:
Pubd. by Chas. Hunt, 18 Tavistock Street, Covent Garden
Number four in a series of prints published by Fores that parodies the infamous Mulready stationery released by the British Post Office in 1840. Each of the prints is numbered and centers on a different theme, e.g. Fores's military envelope, Fores's musical envelope, Fores's comic envelopes, Fores's alderman envelopes, etc
Description:
Title from text above image., Other prints in the series attributed to John Leech and dated 1840. See British Museum onlne catalogue., and "No. 4."
Publisher:
Published by Messrs. Fores at their sporting & fine print repository & frame manufactury, 41 Piccadilly, corner of Sackville Street
Subject (Name):
Mulready, William, 1786-1863.
Subject (Topic):
Fishing & hunting gear, Horseback riding, Hunting, and Postal stationery
Woodcut portrait of G. M. Fairchild; full-length; on snow shoes in the woods of his estate at Deschambault, Québec, Canada
Alternative Title:
George M. Fairchild, Junior and Laird of Ravenscliffe, in his sporting jacket
Description:
BEIN Broadsides Box 2024 13: On sheet trimmed to 14.6 x 10.1 cm and mounted on cardboard., Title from caption below image., and Another impression of same portrait appears with the caption "The Laird of Ravenscliffe, in his sporting jacket" in James McPherson Lemoine's The legends of the St. Lawrence, told during a cruise of the yatch Hirondelle from Montreal to Gaspe (Quebec, C.E. Holiwell, 1898). In the text, Lemoine refers to G.M. Fairchild and his estate at Deschambault.
Huntsmen and hounds with moutned members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimeny and joints of meat hanging from the gable-end of a building. The artist (Robert Crukshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hourds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Manuscript diary in the hand of Henry Ridinger, 1878-1882. Ridinger describes his work as a herder in Colorado, landscapes and topography in Colorado, Navajo settlements, working in the hay trade, a shooting and arrest in Colorado, and his travel through Kansas to Indian Territory (now Oklahoma). Ridinger describes life with a group of Osage, including the construction of buildings, hunting, fishing, agriculture, and Osage funerary and religious ceremonies. Ridinger also records his interactions with other tribes, including Pawnee, Cherokee, Ute, and Waco. He describes relations and treaties between the tribes, as well as the tribes' relations with the United States government, including the disbursement of food and clothing. Other passages describe copies of earlier treaties with France and Spain which the tribes showed Ridinger. A later entry describes the aftermath of the United States Army burning a Jewish settlement in Oklahoma in 1881 and The diary also includes an essay about the history of Native American treaties with the United States government and several pages of accounts listing expenses and sales of hay, wheat, and corn. The diary includes several drawings of people, horses, insects, dogs, and symbols. Accompanied by 3 photographs, one hand-colored portrait of Henry Ridinger, one of an unidentified woman, and one of a man and woman captioned "Uncle Sam [Ridinger] with his sweetheart who died."
Description:
Henry Ridinger (1851-1938) was born in either Iowa or Illinois in 1851. His family moved to Kansas in 1857 and he left home at the age of 11, circa 1862. He worked as a cattle herder and hay farmer in Colorado, Kansas, and Oklahoma for several years in the 1870s and 1880s. He later became a hay farmer in Lincoln County, Nebraska, circa 1885., In English., and Front and back covers are detached.
Subject (Geographic):
Colorado., Oklahoma., Oklahoma, Colorado, Indian Territory, and Kansas
Subject (Name):
Ridinger, Henry, 1851-1938. and Ridinger, Sam
Subject (Topic):
Agriculture, Cherokee Indians, Crime, Hay trade, Herders, Hunting, Indians of North America, Government relations, Jews, Navajo Indians, Osage Indians, Pawnee Indians, Ute Indians, Waco Indians, and Description and travel
Manuscript on paper of Seventeen hunting calls with hunting codes for the horn. Instructions in English: "To call the Company in the Morninge...The Mount is from partie to partie every Note repeated thrice."
Description:
In English., Watermarks: unidentified pot similar in design to Heawood 3637-38., Script: Written in well formed English secretary script., and Removed from a copy of The Booke of hawking, huntyng and fysshyng attributed to Dame Juliana Berners (London, [1561]).
