Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1780?]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 5. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image on second plate., A single design on three plates., Sheets trimmed within plate mark., Dedication below image on first plate: To His Royal Highness George Prince of Wales., Dedication below image on third plate: This plate is dedicated to His Royal Highness by his most obedient humble servant, James Bretherton., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Tipped in at page 5 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
publisher not identified
Subject (Topic):
Accidents, Carriages & coaches, Dogs, Hunting, and Hunting accidents
George III in profile to the right on a white horse rides down a stag which is under the hoofs of his rearing horse. He wears the Windsor uniform (blue coat with red collar and cuffs) and holds a riding-whip above his head. A wooded landscape suggests Windsor Park. Etched below title: "A Hint to Mr West for a Painting in St George's Hall'.
Alternative Title:
Modern Saint George
Description:
Imprint from British Museum catalogue., George suggests James Bearblock as engraver., Sheet trimmed within plate mark., Temporary local subject terms: Stags -- Windsor uniform -- Windsor Park., and Mounted to 34 x 35 cm.
Publisher:
Pubd. Jany. 1788 for I. and I.B. by R. Clamp, Holborn
Subject (Name):
George, Saint, -303., West, Benjamin, 1738-1820, and George III, King of Great Britain, 1738-1820
Verse begins: "Henry our royal King would ride a hunting,"., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In four columns with the title above the first two and imprint below the last two; the columns are separated by columns of type ornaments., Mounted on leaf 5. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Tragical ballad, of the unfortunate love of Lord Thomas and fair Eleanor
Description:
Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Verse - "Lord Thomas he was a bold forester,"., In three columns with the title and woodcuts above the first two; the columns are not separated by rules., In this edition line 3 of title is printed in roman type., Imprint below thrid column., Mounted on leaf 74. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Title from item., Sheet trimmed resulting in loss of plate mark on top and sides of illustration., Illustration to ballad Bachelors' Hall written and composed by Dibdin for his entertainment called The Oddities. The text of the ballad is printed below the plate., Publisher's advertisement at the bottom of sheet: Just published, price 6d. plain, 1 s. coloured, The Patient Parson Forgetting His Text, or The Hogs in the Ale-Cellar, Poll and My Partner Joe, Let Us All Be Unhappy Together, The Greenwich Pensioner, Mrs. Thrale's Three Warnings, and many other esteemed songs and pieces, by Dibdin and others. In Fores's exhibition, No. 3 Piccadilly, may be seen the compleatest collection of caricature prints and drawings in Europe. Admittance one shilling., and Temporary local subject terms: Huntsmen -- Buildings: country houses -- Architectural details: outdoor stairway to country house -- Male costume: riding costume, 1791 -- Bachelors -- Horse whips -- Hunting horns.
Publisher:
Pub. Aprill [sic] 30, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Horseback riding, Hunting, Hunting dogs, and Musical entertainments
Manuscript on paper of Carta de foresta, a collection of hunting and forestry laws. With a collection of extracts, in Latin, all concerning laws of forestry
Description:
In English., Watermarks: unidentified pot., Script: Written in a well formed chancery hand by a single scribe., and Binding: Sixteenth century. Endleaves reinforced with vellum, two leaves originally pasted to each board. Sewn on five single, tawed skin thongs laced into paste boards rounded on the outside of the spine edge. Beaded endbands sewn on leather or cane cores but not laced to boards. The spine is square, with traces of adhesive. Covered in dark brown calf, blind-tooled with a triple line border and a small central ornament. Two ribbon fastenings, now wanting. Leather broken at joint, sewing reinforced.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Forests and forestry, Hunting, Manuscripts, Medieval, and Politics and government
Manuscript on parchment of a collection of laws governing hunting and forestry
Description:
In Latin, with passages in English and French., Script: Arts. 4-14 written in a neat chancery script with Anglicana influence; arts. 1 and 15 in similar, but less elegant hands; arts. 2-3 are in gothic textura., Plain initial, in red, with crude ink penwork flourishes on f. 1v; KL monograms and portions of calendar also on red., Some stains on ff. 2r-7v render text illegible., and Binding: 19th-20th centuries. Rebinding in quarter pigskin, tanned, not tawed, with a strap and pin fastening. The oak boards, cambered on all four outer edges and with rectangular pegs, are probably contemporary with the manuscript. Front pastedown composed of a small fragment of prayers in Latin (15th century).
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Forests and forestry, Hunting, Manuscripts, Medieval, and Politics and government
Scotin, Gérard Jean Baptiste, 1698-approximately 1755, printmaker
Published / Created:
publish'd Nov. 27, 1738, according to the late act.
Call Number:
738.11.27.01+
Image Count:
1
Resource Type:
still image
Abstract:
A chimpanzee holding a bowl stands in a landscape, a decorated frame surrounding the image. In the background left, a man shoots an arrow at chimpanzees climbing a palm tree, and on the right three chimpanzees play on the ground, one standing upright holding a stick
Description:
Title engraved below image., Six lines of text below title: This creature was brought over by Capt. Henry Flower in the ship Speaker from Angola, on the coast of Guinea, in August 1738. It is of the female kind, & is two feet four inches high, walks erect ..., Dedication engraved at bottom of plate: To Sr. Hans Sloane Bart., President of the Royal Society, this plate is humbly inscribed., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Sloane, Hans, Sir, 1660-1753.
Subject (Topic):
Animals in human situations, Chimpanzees, and Hunting
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A wooded scene in the immediate suburbs of London, with St. Paul's in the background. Two 'cits' with guns prepare to fire, since their dog points at a bush, behind which, concealed from the sportsmen, squats a man excreting (left). A man holding a powder-flask watches with amusement from the top of a gate (right). Another dog sits in the foreground (right). Beneath the title is engraved: 'Against the Wind he takes his prudent way, While the strong Gale directs him to the prey; Now the warm scent assures the covey near, He treads with caution & he points with fear. Gay. -------------------------clausisque expectat ocellis; θυμπον---------------------------------------------'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs Septr. 1st, 1785, by J. Jones, No. 63 Great Portland Street, Marylebone
Manuscript on parchment (crude) of Copy of an account book for the hunting expenses of King Charles VI of France. The account is rendered by Philippe de Courguilleroy (?) "chevalier maistre veneur du Roy et maistre de ses canes et forestz" and encompasses November 1395 to 2 February 1396
Description:
In French., Script: Written in a chancery script by a single scribe., and Binding: 18th-19th centuries. Brown mottled and spattered calf with a red label, gold-tooled.
Grant, C. J. (Charles Jameson), active 1830-1852, lithographer, artist
Published / Created:
[1 October 1834]
Call Number:
834.10.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
Four rows of designs with one to three designs in each, individually titled. In the upper left and reading across, "Daddy Longlegs" shows a very think, long-legged man poised to smash the insect on his wall. To the right, on top "The itinerant chanceller" is a scene with a cricketer about to bat a large ball and below a scene with men wearing Dutch-style hats watch as one of the group takes a small ball and readies to bowl down a stand of large, egg-shaped objects. On the far right of the first row, a portly man greets a thin, frail man with wings as ears that extend above his hat, wearing glasses and leaning on a cane. The larger man says "Bless my soul Mr. Pidgeonwidgen! How do ye do. Well now, you look uncommon well considering your Ears." On the second row left, “Follow my leader”, the top image shows a thin man laboring up a hill as he pulls a very large man seated and reading at ease in the a four-wheeled chair. Below three men carrying guns stand up to their necks in a river having followed a taller man in a top hat calmly walking ahead. The speech balloon above their heads reads, “Didn't I tell ye it was only up to the middle.” The first smaller man replies, “The middle indeed. Why we are up to our necks d'ye think our legs are stilts like yours.” In the middle of the second row, A very thin man in Scotish costume (Henry Brougham, 1st Baron Brougham and Vaux?) striding vigorously using a broom as a walking stick and burdened with boxes and bags on his back and waist, labelled “Freedoms of Scotch Towns”, “Broken Vituals the remnants of the Edinburgh Gorge.”, and “Proceeds of the Penny Mag.” The caption below reads, “I flatter myself I've made a tolerable good job by my “Starring it” with Old Grey in the North. Sold all my numbers of the Penny Mag. and well puff'd it thro' applause with the ex-premier. Received some score of Burgesses, Freedoms, and Invitations to as many dinners where I blew my own trumpet & obtain'd plenty of orders from our 'Usefull Knowledge Society', now “woe” to the unstamn'd when I get home.” The last image in row two, on the right, is un-captioned and shows a devil riding behind a horseman bolting across an evening sky. Below two men peak through tall grass and observe an otter and The third row contains a single image captioned “Something like a chase” which shows horsemen following their hounds across a field and over a fence, many of whom have fallen their horses or encountered other types of accidents and falls. In the distance is a small sign indicating that they rode from Wombell's. In the last row, on the left, two men, one with a gun with a barrel turned at 90 degrees, peak out from around the corner of a building, looking at a rooster and some chickens. The caption reads, “Paddy's gun, warranted to shoot around the corner.” The first man says, “Put ye spalpeen, wat are you after, if you let it off, by my soul it'll blow ye to de Divil.” To which the man with the gun replies, “Ock, come out now and hav'nt I made it into a 'Patent Cylindrical Twisted Barrel Gun' and dont day shoot de best, ye Murphy digger.” In the middle of the bottom row, is an image of a constable apprehending a frightened chimney sweep, with the caption “Reforming the Clergy”. The constable says, “Come along, you've hacted contrary to the Hact of Parlyment in crying out “Sweep”. There's 40 bob for ye or else a month in Quad." To which the sweep replies, “Oh criky, don't grab me this here vunce and I'll no not never cry Sweep agin. Vot's us poor flue-sakers to do if as how ve don't cry summut all for to let the people know or how ve are in the streets.” Two other laborers, another sweep and a swag man, in the distance on the right and left, observe “Does any lady or Gemmen's flue pipe vont expurgating.” The other says, “The law have mercy on us.” The third and final image at the end of the fourth row has the caption “A Crack Shot” with an image of a man with a caricatured face and a top hat, holding a gun in his hands and an umbrella between his legs as he stands before a door, the top half of which is open; a bird in a cage hangs to the side of the door. The speech balloon above his head reads, “There's one at last, the only chance of a shy I've had to day. There's nobody here, he, he, Now if I don't flummox ye my pink, say my mother has'nt sold her mangle
Description:
Title devised by cataloger from captions below each design, starting in the upper left corner., Series title and number at top of sheet., "6d, plain. 1s/ cold."--Upper right above design., and Dated below series title at top of sheet: October 1st, 1834. Continued every fortnight.
Publisher:
Published by J. Kendrick, 54 Leicester Square, and sold by T. Dewhurst, T. Drake, R. Thorley, Wiseheart, Ross & Nightingale, and Printed by Dean & Munday, 40 Threadneedle St.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Manuscript on paper (highly polished) of Xenophon, De venatione, translated into Latin by Leonicenus Omnibonus and preceded by a dedicatory epistle to John Tiptoft
Description:
In Latin., Watermarks: similar in design to Briquet Oiseau 12127., Script: Written in a well formed italic by a single scribe., Spaces left for rubrics and initials., and Binding: Nineteenth century. Paper case with paste paper sides. Rebound in Yale Conservation Studio in 1982.
A Bangladeshi hunting scene showing three riders, one a woman riding side-saddle, following a pack of hounds; an English women with her children in a wagon and another woman rider in the foreground, all attended by Indian servants. In the background is a large estate with a lake and a sailboat in the middle ground
Alternative Title:
Dharmasagar, Comilla
Description:
Title from text below image., Date of publication based on costume., and Sheet trimmed to image, except in the center lower edge where the title is present.
Publisher:
publisher not identified
Subject (Geographic):
Comilla (Bangladesh)
Subject (Topic):
Hunting, Horseback riding, Hunting dogs, Carts & wagons, Servants, Bodies of water, and Buildings
"Outline of a large crowd with many carriages gathered to watch as men on horseback chase a deer at left."--British Museum online catalogue
Description:
Title etched below image., Approximate date of publication from the British Museum online catalogue, registration no.: 1876,1014.52., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Easter hunt -- Vehicles -- Wagons -- Male costume, ca. 1790., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Horseback riding, Crowds, Hunting, and Deer
"Hunting scene, hounds in the distance in full cry. In the foreground two riders gallop across a field; one is in pink, the other is a neatly-dressed parson in tricorne hat, and bushy powdered wig. The former: Holloa Hark!--Doctor--d'ye hear that charming Music? --The other: Music! I hear no Music--those dogs make such a confounded Noise!!"--British Museum catalogue
Description:
Title from caption below image., Date of publication from British Museum catalogue., Four lines of dialogue below title: Holloa hark! Doctor d'ye hear that charming music? Music! I hear no music these dogs make such a confounded noise!!, and Sheet trimmed within plate mark.
Publisher:
Pubd. by Chas. Hunt, 18 Tavistock Street, Covent Garden
Number four in a series of prints published by Fores that parodies the infamous Mulready stationery released by the British Post Office in 1840. Each of the prints is numbered and centers on a different theme, e.g. Fores's military envelope, Fores's musical envelope, Fores's comic envelopes, Fores's alderman envelopes, etc
Description:
Title from text above image., Other prints in the series attributed to John Leech and dated 1840. See British Museum onlne catalogue., and "No. 4."
Publisher:
Published by Messrs. Fores at their sporting & fine print repository & frame manufactury, 41 Piccadilly, corner of Sackville Street
Subject (Name):
Mulready, William, 1786-1863.
Subject (Topic):
Fishing & hunting gear, Horseback riding, Hunting, and Postal stationery
Woodcut portrait of G. M. Fairchild; full-length; on snow shoes in the woods of his estate at Deschambault, Québec, Canada
Alternative Title:
George M. Fairchild, Junior and Laird of Ravenscliffe, in his sporting jacket
Description:
BEIN Broadsides Box 2024 13: On sheet trimmed to 14.6 x 10.1 cm and mounted on cardboard., Title from caption below image., and Another impression of same portrait appears with the caption "The Laird of Ravenscliffe, in his sporting jacket" in James McPherson Lemoine's The legends of the St. Lawrence, told during a cruise of the yatch Hirondelle from Montreal to Gaspe (Quebec, C.E. Holiwell, 1898). In the text, Lemoine refers to G.M. Fairchild and his estate at Deschambault.
Huntsmen and hounds with moutned members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimeny and joints of meat hanging from the gable-end of a building. The artist (Robert Crukshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hourds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Manuscript diary in the hand of Henry Ridinger, 1878-1882. Ridinger describes his work as a herder in Colorado, landscapes and topography in Colorado, Navajo settlements, working in the hay trade, a shooting and arrest in Colorado, and his travel through Kansas to Indian Territory (now Oklahoma). Ridinger describes life with a group of Osage, including the construction of buildings, hunting, fishing, agriculture, and Osage funerary and religious ceremonies. Ridinger also records his interactions with other tribes, including Pawnee, Cherokee, Ute, and Waco. He describes relations and treaties between the tribes, as well as the tribes' relations with the United States government, including the disbursement of food and clothing. Other passages describe copies of earlier treaties with France and Spain which the tribes showed Ridinger. A later entry describes the aftermath of the United States Army burning a Jewish settlement in Oklahoma in 1881 and The diary also includes an essay about the history of Native American treaties with the United States government and several pages of accounts listing expenses and sales of hay, wheat, and corn. The diary includes several drawings of people, horses, insects, dogs, and symbols. Accompanied by 3 photographs, one hand-colored portrait of Henry Ridinger, one of an unidentified woman, and one of a man and woman captioned "Uncle Sam [Ridinger] with his sweetheart who died."
Description:
Henry Ridinger (1851-1938) was born in either Iowa or Illinois in 1851. His family moved to Kansas in 1857 and he left home at the age of 11, circa 1862. He worked as a cattle herder and hay farmer in Colorado, Kansas, and Oklahoma for several years in the 1870s and 1880s. He later became a hay farmer in Lincoln County, Nebraska, circa 1885., In English., and Front and back covers are detached.
Subject (Geographic):
Colorado., Oklahoma., Oklahoma, Colorado, Indian Territory, and Kansas
Subject (Name):
Ridinger, Henry, 1851-1938. and Ridinger, Sam
Subject (Topic):
Agriculture, Cherokee Indians, Crime, Hay trade, Herders, Hunting, Indians of North America, Government relations, Jews, Navajo Indians, Osage Indians, Pawnee Indians, Ute Indians, Waco Indians, and Description and travel
Manuscript on paper of Seventeen hunting calls with hunting codes for the horn. Instructions in English: "To call the Company in the Morninge...The Mount is from partie to partie every Note repeated thrice."
Description:
In English., Watermarks: unidentified pot similar in design to Heawood 3637-38., Script: Written in well formed English secretary script., and Removed from a copy of The Booke of hawking, huntyng and fysshyng attributed to Dame Juliana Berners (London, [1561]).
Manuscript on paper (unidentified watermarks in gutter) of a hunting diary of Ferdinando de' Medici (1549-1609), Cardinal, and Grand Duke of Tuscany; this portion of the manuscript covers the period 15 October 1579 to 21 March 1585
Description:
In Italian., Written in a sprawling cursive script., and Binding: Nineteenth century. Dark green, hard-grained goatskin, gold-tooled, by the same binder as MS 90. Front cover of original limp vellum binding bound in at front of manuscript, with contemporary inscription: "Libro della Caccia che si fe (?)/ Illustrissimo et Reverendissimo Signor Cardinale d'/ Medici mio Signore e padrone".
Subject (Geographic):
Connecticut, New Haven., and Tuscany (Italy)
Subject (Name):
Ferdinando I, Grand-Duke of Tuscany, 1549-1609.
Subject (Topic):
Hunting, Italian literature, Manuscripts, Medieval, and Social life and customs
A mounted American Indian male aims his arrow at a buffalo, while a second rider holding a spear pivots to engage a buffalo that has knocked down a third hunter and his horse
Description:
Title from caption below image., "Entered according to Act of Congress in the year 1873 by John G. Wellstood, in the Office of the Librarian of Congress at Washington.", and Edition statement supplied by cataloger. Print is known to exist in two versions, monochrome and multicolored.
Publisher:
John G. Wellstood?
Subject (Topic):
Indians of North America, Hunting, and American bison
A mounted American Indian male aims his arrow at a buffalo, while a second rider holding a spear pivots to engage a buffalo that has knocked down a third hunter and his horse
Description:
Title from caption below image., "Entered according to Act of Congress in the year 1873 by John G. Wellstood, in the Office of the Librarian of Congress at Washington.", and Edition statement supplied by cataloger. Print is known to exist in two versions, monochrome and multicolored.
Publisher:
John G. Wellstood?
Subject (Topic):
Indians of North America, Hunting, and American bison
Title from captions below images., Printmaker from initials on first print in the series., Date of publication based on watermarks from other prints in the series., and Four designs on one plate, each individually captioned.
A young Arawak native American woman, shown full-length and wearing a beaded apron and standing with her right foot posed on a small rock. She holds a parrot held high in her right hand and a bow and arrow in her left. On the left in the distance another Arawak is shown ready to shoot his his arrow
Description:
Title from caption below image., The engravings are believed to have based on drawings by the author J.G. Stedman, two of the plates acknowledging the attribution. Stedman was a friend of William Blake who may have assisted Stedman, an amateur artist., Plate from: Stedman, J. G. Narrative, of a five years' expedition, against the revolted Negroes of Surinam, in Guiana, on the wild coast of South America. London : J. Johnson & T. Payne, 1806-1813., and Offset from letterpress text on verso.
Publisher:
Published Decr. 1st, 1792, by J. Johnson, St. Paul's Church Yard
Subject (Geographic):
Suriname. and Guiana.
Subject (Topic):
Slavery, Indians of South America, Arrows, Bows (Weapons), Hunting, and Parrots
Title from caption below image., Date of publication from unverified data from local card catalog record., Plate numbered in lower left corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published, by H. Fores, No. 16 Panton Street, Haymarket
Design consists of twenty-one individually-captioned panels arranged in three horizonal rows illustrating Johnny's arrival in Jamaica, his contracting Yellow Fever, his illness and temporary recovery, his brief participation in Jamaican society, his relapse and eventual death from the fever
Alternative Title:
Johnny Newcome in the island of Jamaica
Description:
Title from caption below image., Date altered on this impression from 1800 to 1803., Companion print to: Martial law in Jamaica., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman Turkey Mill., and Date in imprint altered in ms. from "1800" to "1803."
Publisher:
Pubbished [sic] by Willm. Holland, No. 50, Oxford Street
Subject (Geographic):
Jamaica
Subject (Topic):
Social conditions, Black people, Bedrooms, Cemeteries, Clergy, Coffins, Couples, Death, Interiors, Physicians, Vomiting, Yellow fever, and Hunting
Manuscript, in a single hand with numerous corrections, of a collection of 15 letters describing life in England, translated into French, possibly from German. The letters discuss English lotteries; the proliferation of newspapers; the constitution and the difficulty of reconciling ideology with practice; Parliamentary elections; literary societies; and the nobility. One letter describes and deplores the cruelty of amusements such as hunting, cock-fighting, and "combats des gladiateurs"; another letter mocks an English law against the illegal wearing of buttons. A letter dated December 14, 1790 discusses the possibility of the abolition of the slave trade; the author declares it is the most talked-of subject of conversation and expresses his astonishment that the trade still exists and The letters are followed by a lengthy essay explaining the Women's March on Versailles on October 5-6, 1789. The volume is prefaced by a note by the translator, who criticizes the motives of many travel writers; says that he was drawn to this letter-writer for his curiosity and interest in humanity; and explains that the writer published two volumes, the first of letters written in Paris and Versailles during the revolution in 1789, and the second of letters in England
Description:
In French., Binding: full calf., and For further information, consult library staff.
Subject (Geographic):
Great Britain, Great Britain., England, France, and Versailles (France)
Subject (Name):
Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834., Louis XVI, King of France, 1754-1793., and Necker, Jacques, 1732-1804.
Subject (Topic):
Cockfighting, Elections, Hunting, Lotteries, Slave trade, Newspapers, Nobility, Travelers' writings, French, Description and travel, History, Women, Intellectual life, Politics and government, and Social life and customs
Manuscript on paper of 1) Life of Oppian. 2) Summary of the poem in art. 1. 3) Scholia on Oppian, Halieutica, attributed to Tzetzes. 4) Paraphrasis of Oppian, Cynegetica, attributed to Tzetzes
Description:
In Greek., Watermarks: similar to Briquet Croix latine 5683 and Main 11292., Script: Written by Andreas Darmarius in Salamanca and dated 17 November 1580., Headings and simple initials in red. A few diagrams to illustrate text, mainly geometrical figures showing the elements of the cosmos (ff. 31r-32v), but also one stemmatic diagram illustrating the divisions of fishing (f. 72v)., and Binding: Nineteenth century (?). Limp vellum case; remains of tawed skin ties. Lettering in ink on spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Greek poetry, Hellenistic, Hunting, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Edward, the second Duke of York, Master of Game
Description:
In English., Script: Written by a single scribe in a careful English secretary script., Gold initials, 3-line, on blue and dark pink grounds with white highlights mark text divisions. Headings and marginal chapter references, in red, throughout., and Binding: Eighteenth century. Brown skin, flesh side out, blind-tooled, over paper boards. Front cover detached.
Subject (Geographic):
Connecticut, New Haven., and York (England)
Subject (Name):
Edward, of Norwich, 1373?-1415.
Subject (Topic):
English literature, Hunting, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
A fashionably dressed woman in a riding costume walks down the path beside a walled garden, riding crop in hand. In the distance a hunters and hunting dogs are shown in pursuit of a deer. On the hills in the far distance is a large compound of buildlings with spires
Alternative Title:
Octobre
Description:
Title in English and French etched below image., Publication date inferred from costume., Sheet trimmed within plate mark., Companion print to "March ; Mars" published by Carington Bowles in the same year., and Watermark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Burt's print reproduces the 1850 Ranney painting On the wing, which portrays a duck hunting scene in a marsh; a boy, a dog, and a sportsman, with dead game at his feet; sportsman about to shoot down the next bird; transom of small boat shown in grass to right; line of birds flying above, center left
Description:
BEIN Broadsides Box 2024 35: On sheet 13.7 x 19.0 cm. Handwritten below image: On the wing., Title devised by cataloger., and Another state was issued in 1852 by D. Appleton & Co. in Ornaments of Memory.
Manuscript kennel book listing "whelps bread" from 1708 to 1727, giving sire, dam, and placement for each. A few pages at the back of the book list hounds given by Orlebar to John Biggs, the Duke of Grafton, and the Earl of Halifax between 1716 and 1726
Description:
Richard Orlebar (1671-1733) attended Trinity College, Oxford and was a member of the Middle Temple and a dedicated hunter. He married the heiress Diana Astry in 1708 and the couple built Hinwick Hall in Bedfordshire between 1709 and 1714. Orlebar served as High Sherriff of Bedfordshire in 1720, and died childless at Hinwick Hall in 1733., In English., Accompanied by a twentieth-century typescript carbon, "The Oakley Hunt.", and Binding: contemporary paper, stitched.
Subject (Geographic):
England, Bedfordshire., and Great Britain.
Subject (Name):
Orlebar, Richard, 1671-1733.
Subject (Topic):
Dogs, Breeding, Hunting, Hunting dogs, Bedfordshire (England), and Social life and customs
His archery truly related in his exploits before Queen Catherine
Description:
Date of publication from ESTC., Verse begins: "Gold ta'en from the King's harbingers,"., Printed in four columns with the woodcut and title above the first two; the columns are not separated by lines of ornamental type., Mounted on leaf 37. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Two American Indian males in a canoe laden with a killed doe return to their village, where they are greeted by women and children against a background of tipis
Description:
Title from caption below image. and "Entered according to Act of Congress in the year 1885 by John G. Wellstood, in the Office of the Librarian of Congress at Washington, D.C."
Manner of Robin Hood's rescuing a young lady from an old knight, and restorig her to Allen-a-Dale her former love
Description:
Date of publication from ESTC., Verse - "Come listen to me, you gallants so free". - In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 32. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Date from ESTC., Verse - "Come you gallants all, to you I call,". - In four columns with the title and three woodcuts above the first two; the columns are not separated by rules., Mounted on leaf 36. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Two men hunt in the field across from a thatched cottage (left) with large tree in it front yard, separated from the road by a rail fence. The hunter on the left has just fired his gun at two birds in flight above right. His companion stands ready with his gun as two hounds watch for their catch
Description:
Titled etched below image., With two stanzas of verse, four lines each, on either side of title: A gentle gale that blows along the land ... The rest well mark'd, again are to be found., One of a set of four prints showing a day of hunting, with verses below the image beneath each image describing the progression., and Sheet trimmed within plate mark.
Publisher:
Published by Thos. Bradford, No. 132 Fleet Street, London, as the act directs
Subject (Geographic):
England.
Subject (Topic):
Game bird hunting, Hunters, British, Hunting, and Hunting dogs
Two men armed with guns walk towards a field across from a thatched cottage (left) as two hounds bound ahead
Description:
Titled etched below image., With two stanzas of verse, four lines each, on either side of title: Bright sol's all chearing beams illum the day, The dew's exhal'd from all the spangled spray ... Now snuff the air, now scent the tainted ground., One of a set of four prints showing a day of hunting, with verses below the image beneath each image describing the progression., and Sheet trimmed within plate mark.
Publisher:
Published by Thos. Bradford, No. 132 Fleet Street, London, as the act directs
Subject (Geographic):
England.
Subject (Topic):
Game bird hunting, Hunters, British, Hunting, and Hunting dogs
In a dense forest, two men with hounds rest by a tree; one, standing, holds a rabbit; the other lounges beside the tree under which is their kill of game birds
Description:
Titled etched below image., With two stanzas of verse, four lines each, on either side of title: Sated with sport as one recumbent lies, Success the other strews before his eyes ... Each night, whilst, they rehearse the oft told tale., One of a set of four prints showing a day of hunting, with verses below the image beneath each image describing the progression., and Sheet trimmed within plate mark.
Publisher:
Published by Thos. Bradford, No. 132 Fleet Street, London, as the act directs
Subject (Geographic):
England.
Subject (Topic):
Game bird hunting, Hunters, British, Hunting, and Hunting dogs
Two men armed with guns (right), one standing while the other sits and loads his gun, prepare for a day of hunting with their two dogs. On the left is a cottage beneath a large crag, possibly Creswell Crags, on the edge of the Welbeck Estate, which feature in many Stubbs paintings
Description:
Titled etched below image., With two stanzas of verse, four lines each, on either side of title: Soon as the grey ey'd Morn's uncertain light, Forsakes dull, Morpehus and the shades of Night ... Vaining each Master charge the murdering gun., One of a set of four prints showing a day of hunting, with verses below the image beneath each image describing the progression., and Imperfect impression with loss of first(?) word of imprint. Sheet trimmed within plate mark.
Publisher:
[Published] by Thos. Bradford, No. 132 Fleet Street, London, as the act directs
Subject (Geographic):
England.
Subject (Topic):
Game bird hunting, Hunters, British, Hunting, and Hunting dogs
On recto, two men walk to the left in a wood with guns. The man behind (right) holds his gun by the barrel pointed towards his companion's posterior; he wears colored spectacles, a top hat, and is smoking a cigar. The man in front (left) looks back towards his companion as he holds his rifle by the butt, the barrel pointed over his shoulder at his companion's face. The lines below: "I never likes to go out with a man as don't carry his gun like a sportsman." "Not I. I'm always wery particular.!" and On verso, a pencil drawing of two men (dustmen?) conversing as one points to the donkey that he holds by the reins
Alternative Title:
I never likes to go out with a man as do'nt [sic] carry his gun like a sportsman
Description:
Title written in ink at top of sheet on the recto; alternative title from dialogue written in ink below image., Attribution to Henry Heath and approximate date of production inferred from an etching (in reverse) of similar design that appears with nearly identical text in Henry Heath's series "Sporting sketches". For a description of the design for which this may be the original drawing, see British Museum online catalogue, registration no.: 1951,0411.4.29. For plate of four designs of which this is one part, see Lewis Walpole Library call no.: 834.00.00.30+., and With pencil sketch on verso depicting a dustman talking to a man with a donkey.
Subject (Topic):
Chimney sweeps, Donkeys, Hunting, Rifles, Smoking, and Sunglasses
On recto, two men walk to the left in a wood with guns. The man behind (right) holds his gun by the barrel pointed towards his companion's posterior; he wears colored spectacles, a top hat, and is smoking a cigar. The man in front (left) looks back towards his companion as he holds his rifle by the butt, the barrel pointed over his shoulder at his companion's face. The lines below: "I never likes to go out with a man as don't carry his gun like a sportsman." "Not I. I'm always wery particular.!" and On verso, a pencil drawing of two men (dustmen?) conversing as one points to the donkey that he holds by the reins
Alternative Title:
I never likes to go out with a man as do'nt [sic] carry his gun like a sportsman
Description:
Title written in ink at top of sheet on the recto; alternative title from dialogue written in ink below image., Attribution to Henry Heath and approximate date of production inferred from an etching (in reverse) of similar design that appears with nearly identical text in Henry Heath's series "Sporting sketches". For a description of the design for which this may be the original drawing, see British Museum online catalogue, registration no.: 1951,0411.4.29. For plate of four designs of which this is one part, see Lewis Walpole Library call no.: 834.00.00.30+., and With pencil sketch on verso depicting a dustman talking to a man with a donkey.
Subject (Topic):
Chimney sweeps, Donkeys, Hunting, Rifles, Smoking, and Sunglasses
A scene in a hunting lodge with tired hunters are relaxing on comfortable chairs and sofas, surrounded by their hunting dogs. A woman in a riding habit blows a French horn as one of the huntsman grasps her around the waist. On the wall are a hunting trophy (stag), a painting of a hunt in progress, and three rifles
Alternative Title:
Fox-hunters relaxing
Description:
Title etched below image., Sheet trimmed within plate mark on top edge., A seemingly reversed version of the same design is given the title "Fox-hunters relaxing" by Grego. See: Grego, J. Rowlandson the caricaturist, v. 1, pages 279, 281., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
publisher not identified
Subject (Topic):
Gout, Alcoholic beverages, Courtship, Dogs, French horns, Hunting, Hunting dogs, Hunting trophies, Riding habits, and Rifles
A scene in a hunting lodge with tired hunters are relaxing on comfortable chairs and sofas, surrounded by their hunting dogs. A woman in a riding habit blows a French horn as one of the huntsman grasps her around the waist. On the wall are a hunting trophy (stag), a painting of a hunt in progress, and three rifles
Alternative Title:
Fox-hunters relaxing
Description:
Title etched below image., A seemingly reversed version of the same design is given the title "Fox-hunters relaxing" by Grego. See: Grego, J. Rowlandson the caricaturist, v. 1, pages 279, 281., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Dogs, French horns, Hunting, Hunting dogs, Hunting trophies, and Riding habits
A scene in a hunting lodge with tired hunters are relaxing on comfortable chairs and sofas, surrounded by their hunting dogs. A woman in a riding habit blows a French horn as one of the huntsman grasps her around the waist. On the wall are a hunting trophy (stag), a painting of a hunt in progress, and three rifles
Alternative Title:
Fox-hunters relaxing
Description:
Title etched below image., A seemingly reversed version of the same design is given the title "Fox-hunters relaxing" by Grego. See: Grego, J. Rowlandson the caricaturist, v. 1, pages 279, 281., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 23.1 x 31.3 cm., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge., and Mounted on leaf 27 of volume 12 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Dogs, French horns, Hunting, Hunting dogs, Hunting trophies, and Riding habits
George III on horseback charges into the scene from the left, his enemies fleeing before him and his pack of dogs each named after a British admiral. Spain in slashed doublet is farthest right, attacked by a dog whose collar is inscribed Elliot, while France in a polka dot suit, bag wig and crown leaps over a fence with a dog (Rodney?) at his heels. A Dutchman has fallen onto his back and three other dogs (labelled Pigot, How[e], and Park[er] are about to overtake him
Alternative Title:
Royal sportsman running down the enemies of Great Britain and Lewis Baboon taking a flying leap
Description:
Title from item., Printmaker from British Museum catalogue, no. 6043., Sheet trimmed., Possibly a later state of no. 6043 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Mounted to 24 x 36 cm.
Publisher:
Pubd. by W. Richardson Decr. 9, 1782 near Surry St. Strand
Leaf 60. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally issued ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Copy of the left half of a design by Bunbury, which was first engraved by Bretherton in 1785 and then later reissued by J. Harris in 1799 with the title "The Easter hunt at Epping Forest". Cf. Lewis Walpole Library call nos.: Bunbury 785.03.25.01 ; Bunbury 799.03.01.01., and On leaf 60 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Hunting, Horseback riding, Dogs, and Signs (Notices)
Men, horses, and (mongrel) dogs in wild but spirited confusion in a forest glade pursue a cow (left); the stag is in the background running in the opposite direction, followed by one man on foot. One horse and rider struggle in a ditch while a second horse, which has kicked off its rider, leaps on top of them. A bald John Gilpin clasps his mount round the neck. In the foreground four men over-weight a two-wheeled cart drawn by a wretched but galloping jade. See British Museum catalogue
Alternative Title:
Cockney comicalities in full chace and Cockney comicalities in full chase
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Leaf 48. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"'Cits' gallop (right to left) across a rough field near London, with one or two mongrel dogs under the horses' hooves. One leaps a small piece of water over the head of a man who has fallen in. A fat man is flung upwards from his prostrate horse. In the background is a 'cit's country box' surrounded by a wall, above which projects a gazebo, in the Chinese taste (cf. British Museum Satires No. 8208 by Bunbury). Tiny figures watch from a window and from the wall. Near the wall ride two little chimney-sweeps on an ass, and a woman on a broken-kneed horse."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, published ca. 1810, see no. 11646 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 371., and On leaf 48 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Horseback riding, Hunting, Accidents, Gazebos, Chimney sweeps, Donkeys, and Dogs
