Manuscript on paper of Iohannes de Virgilio (Giovanni del Virgilio, 1300-1350), Allegoriae librorum Ovidii Metamorphoseos, in prose and verse
Description:
In Latin., Watermark: tower, var. Piccard, Turmwasserzeichen 611-613; var. Briquet, 15911?., Copied by one hand in extremely small Humanistica Semitextualis Libraria. In the poetical sections the majuscules at the opening of each verse are set apart., Headings ("liber secundus" etc.) in clumsy Capitalis (several times erroneous: "LIBE"). Space for a 2-line initial left free on the first line of f. 1r, although this is not the beginning of the text., and Binding: Fifteenth century. Brown leather (sheepskin?) over cardboard (replacing worm-eaten wooden boards), blind-tooled with a frame of fillets and rolls; in the central panel a motif made of small rhomboid stamps. Parchment front pastedown. Remnants or marks of four clasps attached to the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Giovanni del Virgilio, active 1319.
Subject (Topic):
Allegories, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper (watermarks in gutter) of 1) Petrarch, Boccacii Griseldis historia. 2) Pope Pius II, Epistola. 3) Petrarch, Famil. rerum., 12, 2. 4) Pope Pius II, Bulla retractationum. 5) Pope Pius II, Epistola de fortuna
Description:
In Latin., Script: Written by three scribes in similar styles of informal gothic scripts (batarde influence). Scribe 1) ff. 1r-7r; 2) ff. 7v-14v; 3) ff. 15r-26v., One calligraphic initial, f. 1r, 4-line, blue with white floral motifs; infilled with red penwork floral designs tinted with green; penwork trails into inner margin, with plain green dots. Four initials, ff. 1v, 7v, 10v, 21v, red ink, 6- to 2-line. Paragraph marks in red. Numerous capitals stroked in red; rubrics throughout; explicits underlined in red., and Binding: Twentieth century. Vellum spine (verso of an unidentified manuscript) with "Petrarcae et Aeneae Silvii Epistoles" inscribed; grey-blue paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Papal documents
Manuscript on paper of a collection of texts, including: 1) A number of works by Albertano da Brescia, 2) Robertus Grosseteste's Templum De, 3) Laurence of Aquileia's Practica sive usus dictaminis, 4) Correspondence between Charles of Anjou and Peter III, King of Aragon, 5) Henry VII, Emperor, Letter to the citizens of Bologna. Manuscript also includes a number of other works
Description:
In Latin., Script: except for the table of contents (and possibly the final section) copied by a single hand writing Gothica Cursiva Currens (Mercantesca); the orthography is very incorrect., A collection of texts, including: 1) Albertano da Brescia, De doctrina dicendi et tacendi, Liber consolationis et consilii, De amore et dilectione Dei et proximi et aliarum rerum et de forma vitae, a sermon delivered before a congregation of Genoese notaries and causidici 1243 December 6, and Sermo. 2) Petrus Damiani, De omnibus ordinibus hominum in saeculo viventium. 3) Pantaleon Barbo, Sermon on the Incarnation and Nativity. 4) Robertus Grosseteste, Templum Dei. 5) Laurence of Aquileia, Practica sive usus dictaminis. (In tabular form, each table covering two facing pages). 6) Iohannes Bondi de Aquilegia or Laurentius de Aquilegia, Theorica sive ars dictaminis. 7) Charles of Anjou (1226-1285), Letter to Peter III, King of Aragon 1276-1285, after the latter's conquest of Sicily, 1282, and a response by Peter III, King of Aragon, to Charles of Anjou. 8) Letter of the cardinals to the newly elected pope Bertrand de Got, archbishop of Bordeaux (pope Clemens VI, 1305-1314). 9) Henry VII, Emperor (1308-1313), Letter to the citizens of Bologna, 1311. 10) Astrological treatise ascribed to Claudius Ptolemaeus (Ptolemy, 2nd century) with extensive gloss. 11) Giovanni Boccaccio (1313-1375), Historia Griseldis, Latin translation by Franciscus Petrarca (Petrarch, 1304-1374). 12) A number of other letters, poems, and treatises., and Binding: parchment wrappers over pasteboard made from leaves of a 15th or 16th century printed book; three white leather straps preserved.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Brescia, Albertano da, active 13th century., Damiani, Petrus, Saint, 1007?-1072., Grosseteste, Robert, 1175?-1253., Charles, of Anjou, 1226-1285., Boccaccio, Giovanni, 1313-1375., and Peter III, King of Aragon, 1239-1285.
Subject (Topic):
Astrology, Christian literature, Latin (Medieval and modern), Diplomacy, Latin literature, Medieval and modern, Manuscripts, Medieval, and Rhetoric, Medieval
Manuscript on parchment of Leonardo Bruni, Commentaria rerum graecarum (De principatu Graeciae), preceded by Bruni's letter to Angelo Acciaiuolo
Description:
In Latin., Script: Written in round humanistic bookhand by two scribes who use somewhat different physical formats. Scribe I) ff. 1r-16r, written above top line, with initials for paragraphs set apart from the text between outer vertical bounding lines. Scribe 2) ff. 16v-26v, written below top line and leaving blank the final line of written space., Two illuminated initials on ff. 1r and 2r, 5-line and 3-line, gold on blue, green and pale mauve ground with white vine-stem ornament and grey-green dots. On f. 1r vine-stem ornament on blue ground extends into inner margin (3-lines) to form partial border. Possibly by the same artist who executed the initials in Marston MS 257., and Binding: Twentieth century, Italy. Rigid vellum case with a green, gold-tooled label on spine: "L. Bruni De principatu graeciae. Sec. XV".
Subject (Geographic):
Connecticut, New Haven., and Greece
Subject (Name):
Bruni, Leonardo, 1369-1444.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and History
Manuscript on paper (watermarks: unidentified mountain) and parchment (inner and outer bifolios, of poor quality) of Boccaccio, De claris mulieribus; translated into Italian by Donato degli Albanzani
Description:
In Italian., Script: Written by three persons in round gothic script: Scribe 1, ff. 1r-33v (except f. 8, replaced in 16th century); Scribe 2, ff. 33v-36v; Scribe 3; ff. 37r-74r. In portions written by Scribes 1 and 2 some elaborate ascenders and descenders in upper and lower margins, touched with red., Initials, 3- to 2-line, in red or blue, sometimes with red penwork. Rubrics throughout. Initial added [date?], f. 2v, to replace one removed: blue, with leafy filler in green outline, and foliage extending down margin and across top and bottom of column, drawn in green, red, and blue., Initial removed from f. 2v; leaf was then reinforced with paper covering f. 2r, col. b (blank). Lower margins of ff. 1, 33 and 37 cut off., and Binding: 19th-20th centuries. Vellum spine and fore-edge strip with marbled paper sides. Label on spine: "Donne Illust. del Boccacc. MS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boccaccio, Giovanni, 1313-1375.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Boccaccio, De mulieribus claris, with dedication to Andrea Acciaiuoli
Description:
In Latin., Watermarks: Briquet Tete de boeuf 14717 and similar to Piccard Ochsenkopf XII.123., Script: Text written in a well spaced gothic bookhand with humanistic features by a single scribe, below top line. Art. 1 and rubrics added in similar script by another hand., Folio 3r, partial border, of poor quality: in lower margin, a patch of green grass with two women seated, one dressed in red, the other in green and white, supporting a shield with unidentified arms (gules, 3 helmets sable [in outline only]), a later addition. From the patch of grass oak branches with leaves and acorns extend into inner and upper margins. In inner margin, a fox chasing a hare. Folio 80r, a medallion framed in red and pink and four small gold flowers, with an unidentified monogram in gold against blue ground. One pen-and-ink initial, 8-line, blue with pale red penwork. Plain initials alternate in red and blue. Headings in red (ff. 1r-7r only). Many initials touched with red. Guide letters for decorator throughout., and Binding: Fifteenth century, Italy. Parchment stays from contemporary document adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps fastened in channels in flush wooden boards. A primary endband, caught up on the spine, is sewn on tawed skin cores. Remains of red secondary embroidery. The spine is square and lined with tawed skin between central supports. Covered in kermes pink, tawed skin with corner tongues, the sides divided into triangles with right angled and diagonal fillets. Three fastenings, the catches on the lower board and stubs of green fabric straps on the upper board which is cut in to accomodate them. Eight star-shaped bosses on the upper board (one wanting) and five on the lower, each board with four bosses on their spine edges. Inscription on upper cover: "de mulieribus claris". Written in ink on fore edge: "LXXXVIII" with a helmet on each side. Label on lower board wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boccaccio, Giovanni, 1313-1375.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment (poor quality) of Leonardo Bruni, De primo bello punico, compiled largely from Polybius
Description:
In Latin., Script: Text written by a single scribe in humanistic cursive script, above top line. Marginal notes (mostly proper names and events) added by at least two hands, 15th-16th centuries, with one set added throughout in red by a scribe who also placed Roman numerals for each book in upper margin., One large illuminated initial, 4-line, gold on blue, light green and pink ground with white vine-stem ornament. Initial joined to partial border, white vine-stem ornament on blue, light green and pink ground with white dots and gold balls with penwork extensions in brown ink. Two smaller initials on ff. 23v and 38r, 4-line, gold, outlined in yellow on blue grounds with white highlights. Plain initial, f. 1v, and headings in pale red., and Binding: Nineteenth century, England (?). Quarter bound in red, hard-grained goatskin, gold-tooled, with printed marbled paper sides. Edges spattered yellow and black. Title on spine: "Leonardi Aretini, Commentarii. MS. in membranis".
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Bruni, Leonardo, 1369-1444.
Subject (Topic):
Manuscripts, Medieval, History, Military, Illumination of books and manuscripts, Medieval, and Latin literature, Medieval and modern
Manuscript on parchment (palimpsest) of 1) Francesco Barbaro, De re uxoria, with his dedicatory preface to Lorenzo di Giovanni de' Medici. 2) Leonardo Bruni, Oratio Heliogabali ad meretrices. 3) Plato, Crito, the first version of the Latin translation by Leonardo Bruni (1420s). 4) Xenophon, Apologia Socratis, translated into Latin by Leonardo Bruni. 5) The ps.-Virgilian Epistola Virgilii ad Maecenatem written by Pier Candido Decembrio as a young man in 1426; he had difficulty convincing his contemporaries that it was not genuine
Description:
In Latin., Script: Written in humanistic bookhand by a single scribe, above top line., Illuminated initial of poor quality, f. 1r, 7-line, gold (almost completely rubbed), with red penwork filigree and small stylized leaves, with some touches of gold. At the top of the page, beneath rubric, arms of the Rustichelli family (per pale, or, a lion rampant sable; or, 4 bars nebuly sable), surrounded by red penwork. Plain initials in red and blue. Headings in red. Some small initials touched with yellow. Off-set impression of eyeglasses on ff. 33v-34r., and Binding: 19th-20th centuries, Germany (?). Case bound with leaves from a parchment manuscript (Breviary, France, 1250-1300). On the front pastedown: rubrics for the major feasts and their octaves occurring in late June (John the Baptist, 24 June) through mid-August (Assumption, 15 August), and the beginning of the lessons to be read within the octave of the feast of John the Baptist; on the back pastedown: end of the lessons for Hilarianus of Arezzo (7 August) and beginning of the second lesson for Cyriacus, Largus and Smaragdus (8 August).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Barbaro, Francesco, 1390-1454.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Antonio de Ferrariis (called himself Galateo after his birthplace, d. 1517), De situ Iapygiae. His work is a geographical, historical, epigraphical and literary description of Iapygia, i.e. the Southeastern part of Italy (now Apulia).
Description:
In Latin., Script: Three scribes, all writing Humanistica Cursiva: hand A copied ff. 1r-20v, 24v-26v, 31r-36r line 10, 36v last three lines (Libraria); hand B copied ff. 21r-24r, 27r-30v (Currens); hand C copied f. 36r line 10-36v, except the last three lines (Currens under Gothic influence)., No decoration., Water stains. Some pages badly damaged by the acid ink., and Binding: The damaged covers of the original binding are mounted on the new binding in brown leather. Blind-tooled, featuring two square frames bordered by fillets and rolls.
Subject (Geographic):
Connecticut, New Haven., Italy, and Puglia (Italy)
Subject (Name):
Ferrari, Antonio de, 1444-1517.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel
Manuscript on parchment (speckled) of George of Trebizond, Isagoge dialectica. With Extracts from Aristotle, De sophisticis elenchis, in an unidentified Latin translation; logical and syllogistic diagrams; Martinus Phileticus (ca. 1430-ca. 1490), 14-line poem to Federico da Montefeltro of Urbino, written in the hand of the author
Description:
In Latin., Script: Art. 1 in a small and regular Greek minuscule script; arts. 2-6 in humanistic cursive script, below top line, by a single scribe who also added marginalia; art. 7 in humanistic cursive by a different scribe., One illuminated initial of poor quality, gold, 3-line, on blue, green, and pink ground. Rubrics and marginal key words (for ff. 1r-6r, 31r only) in pale red. Plain blue intials in art. 2; red or blue elsewhere., and Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laid in channels on the outside of wooden boards and nailed. The spine is lined with leather between sewing supports. Covered in brown sheepskin with corner tongues and blind-tooled with concentric frames, one filled with rope interlace, and a rope interlace square on a point in the central panel. Annular dots are colored with gold or copper, now green. Spine: very faint diapering with triple fillets. There are five round bosses on each board and two fastenings, leaf-shaped catches on the lower board and the upper one cut in for fabric straps. The front board is detached; one boss wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle., Federico, da Montefeltro, Duke of Urbino, 1422-1482., and George, of Trebizond, 1396-1486.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Logic, Manuscripts, Medieval, and Rhetoric
