"Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks."--British Museum online catalogue, description of an earlier version
Description:
Title etched below image., Plate sometimes included in the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See Catalogue of books illustrated by Thomas Rowlandson., Later version of a Rowlandson print from 1789. Cf. No. 7607 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark, partially trimmed: J. Whatman Turkey Mills 1818., and Mounted on verso of leaf 42 of volume 9 of 14 volumes.
"A short fat man (left) dressed as a military officer, clasps the inflated petticoats of a thin woman who walks away from him, looking over her left shoulder, her hand raised in a negative gesture. She is much taller than her admirer, and shows a hideous profile, her mouth wide open; her attitude is theatrical. She wears a high cap and the extended petticoats which had recently been fashionable (see BMSat 7099, &c). He looks up at her with a yearning smile. Both are grotesquely caricatured."--British Museum online catalogue
Alternative Title:
"Turn fair Clora, turn, ah cruel, turn again."
Description:
Title etched above image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: officer's uniform -- Trades: pastry cooks -- Vanhangen, Thomas, 'Captain Rolling-pin.', 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 25.1 cm, on sheet 38.7 x 29.1 cm., Watermark: J. Whatman Turkey Mills., and Mounted on leaf 40 of volume 8 of 12.
Publisher:
Pubd. May 14th, 1792, by H. Humphrey, No. 18 Old Bond Street
"A short fat man (left) dressed as a military officer, clasps the inflated petticoats of a thin woman who walks away from him, looking over her left shoulder, her hand raised in a negative gesture. She is much taller than her admirer, and shows a hideous profile, her mouth wide open; her attitude is theatrical. She wears a high cap and the extended petticoats which had recently been fashionable (see BMSat 7099, &c). He looks up at her with a yearning smile. Both are grotesquely caricatured."--British Museum online catalogue
Alternative Title:
"Turn fair Clora, turn, ah cruel, turn again."
Description:
Title etched above image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: officer's uniform -- Trades: pastry cooks -- Vanhangen, Thomas, 'Captain Rolling-pin.', and Mounted to 38 x 28 cm.
Publisher:
Pubd. May 14th, 1792, by H. Humphrey, No. 18 Old Bond Street
Title etched below image., Plate sometimes included in the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See Catalogue of books illustrated by Thomas Rowlandson., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman Turkey Mills., and Mounted on verso of leaf 41 of volume 9 of 14 volumes.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A parson, just arrived at an inn, a grosser Dr. Syntax (see British Museum Satires No. 11507), makes advances to a comely and willing chambermaid, who holds warming-pan, lighted candle, and saddle-bags, and is conducting him to his room. They are at the foot of the staircase. A young military officer on the stairs tipsily directs a stream towards the parson's hat. On the wall behind the latter: 'Fountain Inn-Entertainment for Man and Horse Gentlemen supplied with Fishing Tackle &c &c'. Behind his back (right) an elderly man in a night-shirt looks angrily from a room, holding a lighted candle. In the foreground (right) is a clutter of chamber-pots, bucket, mop, boot-jack, &c."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue. Grego suggests a date of 1807., Four lines of quoted verse below title: "Who'er has travell'd life's dull round, through all its various paths hath been, must oft have wondered to have found, his warmest welcome at an inn., Plate numbered "148" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Leaf 89 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A parson, just arrived at an inn, a grosser Dr. Syntax (see British Museum Satires No. 11507), makes advances to a comely and willing chambermaid, who holds warming-pan, lighted candle, and saddle-bags, and is conducting him to his room. They are at the foot of the staircase. A young military officer on the stairs tipsily directs a stream towards the parson's hat. On the wall behind the latter: 'Fountain Inn-Entertainment for Man and Horse Gentlemen supplied with Fishing Tackle &c &c'. Behind his back (right) an elderly man in a night-shirt looks angrily from a room, holding a lighted candle. In the foreground (right) is a clutter of chamber-pots, bucket, mop, boot-jack, &c."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue. Grego suggests a date of 1807., Four lines of quoted verse below title: "Who'er has travell'd life's dull round, through all its various paths hath been, must oft have wondered to have found, his warmest welcome at an inn., Plate numbered "148" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 35.9 x 25.6 cm., Possibly a late impression from a worn plate; the abbreviation "inv." following Rowlandson's signature is lightly printed and barely visible., Watermark: J. Whatman Turkey Mills., and Mounted on leaf 74 of volume 8 of 14 volumes.
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies., 1 print : etching on wove paper, hand-colored ; plate mark 31.6 x 40.7 cm, on sheet 35.2 x 45.3 cm., Watermark: Turkey Mills J. Whatman., and Mounted on leaf 35 of volume 8 of 12.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., and Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies., 1 print : etching on wove paper, hand-colored ; plate mark 31.3 x 39.9 cm, on sheet 36.4 x 55.5 cm., and Mounted to 37 x 57 cm.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see British Museum Satires No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "317" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12404 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "261" in upper right., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 176-7., Watermark: 1817., and Leaf 85 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see British Museum Satires No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "317" has been replaced with a new number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. March 1st, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12404 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "261" in upper right., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 176-7., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35 x 24.7 cm, on sheet 39.6 x 26.5 cm., Watermark: J. Whatman Turkey Mills 1819., Probably a late impression from a worn plate; plate number is lightly printed and barely visible., and Mounted on leaf 8 of volume 13 of 14 volumes.
"The ugly and ungainly Nicholls, naked except for floating drapery, and with heavy, feathered wings, stands directed to the right, drawing the string of his bow. He stands on clouds which form a background."--British Museum online catalogue
Description:
Title etched below image., No. 4 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., Temporary local subject terms: Mythology: Cupid., 1 print : etching on wove paper, hand-colored ; plate mark 25.0 x 20.1 cm, on sheet 33.5 x 24.2 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 15 of volume 5 of 12.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"The ugly and ungainly Nicholls, naked except for floating drapery, and with heavy, feathered wings, stands directed to the right, drawing the string of his bow. He stands on clouds which form a background."--British Museum online catalogue
Description:
Title etched below image., No. 4 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., and Temporary local subject terms: Mythology: Cupid.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"Eight authors, lean and elderly, dine at an oval table in a handsome book-lined room. A plump man sits at the head of the table (left), reading and gesticulating. The others drink wine, or eat dessert; one helps himself from a punch-bowl. Below the design: "People think that we often dine with Democritus, and there they are mistaken. There is not one of my fraternity, not even excepting the makers of Almanacks who is not welcome to some good table - As for my own part, there are two families where I am received with pleasure. I have two covers laid for me every day one at the house of a fat director of the farms to whom I have dedicated a romance, and the other at the house of a rich Citizen who has the desease of being thought to entertain wits ever) day at his table, luckily he is not very delicate in his choice and the city furnishes him with great plenty"."--British Museum online catalogue
Description:
Title etched below image., Publisher from the British Museum online catalogue., One of a group of prints that were collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Watermark: J. Whatman Turkey Mills 1818., and Mounted on verso of leaf 41 of volume 9 of 14 volumes.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An aged and moribund woman (T.Q.L.) sits in an arm-chair directed to the left. A doctor, stout, middle-aged, and sensual, holds her wrist, while putting his arm round a buxom young woman who leans on the back of the chair. They gaze into each other's eyes. On the table at the old woman's elbow are medicine phials, a bowl of 'Composing Draught', and a pill-box inscribed 'Opium'. The doctor has a gold-headed cane inscribed 'Medical Staff'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Doctor Doubledose killing two birds with one stone
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on right and left sides., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.7 cm, on sheet 41.8 x 25.6 cm., and Leaf 97 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An aged and moribund woman (T.Q.L.) sits in an arm-chair directed to the left. A doctor, stout, middle-aged, and sensual, holds her wrist, while putting his arm round a buxom young woman who leans on the back of the chair. They gaze into each other's eyes. On the table at the old woman's elbow are medicine phials, a bowl of 'Composing Draught', and a pill-box inscribed 'Opium'. The doctor has a gold-headed cane inscribed 'Medical Staff'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Doctor Doubledose killing two birds with one stone
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on right and left sides., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.7 cm, on sheet 36.4 x 26.6 cm., Watermark: J. Whatman Turkey Mills., and Mounted on leaf 24 of volume 11 of 14 volumes.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An aged and moribund woman (T.Q.L.) sits in an arm-chair directed to the left. A doctor, stout, middle-aged, and sensual, holds her wrist, while putting his arm round a buxom young woman who leans on the back of the chair. They gaze into each other's eyes. On the table at the old woman's elbow are medicine phials, a bowl of 'Composing Draught', and a pill-box inscribed 'Opium'. The doctor has a gold-headed cane inscribed 'Medical Staff'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Doctor Doubledose killing two birds with one stone
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 20, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11638 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark on right and left sides., and Watermark: Charles Wise.
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Corporeal stamina.", Figure identification pencilled in contemporary hand below plate. Numbered above: 509., and Mounted to 37 x 27 cm.
Publisher:
Publishd. April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Corporeal stamina.", 1 print : etching with aquatint and stipple on wove paper, hand-colored ; plate mark 25.9 x 20.3 cm., and Trimmed to plate mark.
Publisher:
Publishd. April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Corporeal stamina.", 1 print : etching with roulette & stipple on wove paper, hand-colored ; plate mark 25.7 x 20.5 cm, on sheet 31.3 x 23.4 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 49 of volume 10 of 12.
Publisher:
Publishd. April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
"An elderly couple walk arm-in-arm, preceded by a dog and a frightened footman carrying a lantern. The man is fat, the woman thin. She wears pattens and her petticoats are kilted up; he holds a small umbrella. Behind (left) is a neo-Gothic house among trees."--British Museum online catalogue
Alternative Title:
Losing your way on foot at night in a storm of wind and rain ...
Description:
Title etched below image., Text below title: Losing your way on foot at night in a storm of wind and rain, and this immediately after leaving a merry fire side., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Watermark: J. Whatman Turkey Mills., and Mounted on verso leaf 37 of volume 9 of 14 volumes.
"A bedroom interior. An elderly man kneels beside a chest, trying to shut the lid. A very fat woman stands on it, supporting herself against the end of the curtained bed, another sits on it. An untidy servant, gaping and grinning, stands holding a broken candle, pouring grease over his master. On a table is a tray of coffee-things, with a cat lapping from a bowl; a dog sits on a chair; a pair of top-boots stands ready."--British Museum online catalogue
Alternative Title:
On packing up your clothes for your journey, because your servant is a fool ...
Description:
Title etched below image., Text below title: On packing up your clothes for your journey, because your servant is a fool, the burning fever into which you are thrown when after all your standing, stamping, kneeling, tugging and kicking, the lid of your trunk refuses to approach within a yard of the lock., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Watermark: J. Whatman Turkey Mills 1818., and Mounted on verso of leaf 31 in volume 9 of 14 volumes.
"A country barber's shop, a ramshackle room with a raftered roof. The barber stands by his seated and infuriated client, holding up his razor, and stamping with anger; others are amused: a young woman (left), who combs an angry client's hair, looks round to laugh; the barber's assistant who is combing a wig on a wig-block, and a country youth who stands beside him. A dog barks. Wigs hang up in the window (right), two busts displaying wigs stand on a bench. On the wall are prints, wig-boxes on a shelf, and a roller-towel above a wash-basin."--British Museum online catalogue
Alternative Title:
Having so flaccid a cheek that the parish barber who shaves you
Description:
Title etched above image; page number etched above upper right corner of image., Two lines of text below image: Having so flaccid a cheek that the parish barber who shaves you is obliged to introduce his thumb into your mouth to give it a proper projection, cutting his thumb in this position with the razor., and One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A country barber's shop, a ramshackle room with a raftered roof. The barber stands by his seated and infuriated client, holding up his razor, and stamping with anger; others are amused: a young woman (left), who combs an angry client's hair, looks round to laugh; the barber's assistant who is combing a wig on a wig-block, and a country youth who stands beside him. A dog barks. Wigs hang up in the window (right), two busts displaying wigs stand on a bench. On the wall are prints, wig-boxes on a shelf, and a roller-towel above a wash-basin."--British Museum online catalogue
Alternative Title:
Having so flaccid a cheek that the parish barber who shaves you
Description:
Title etched above image; page number etched above upper right corner of image., Two lines of text below image: Having so flaccid a cheek that the parish barber who shaves you is obliged to introduce his thumb into your mouth to give it a proper projection, cutting his thumb in this position with the razor., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., 1 print : etching on wove paper, hand-colored ; plate mark 11 x 17.5 cm, on sheet 15.5 x 24.6 cm., Watermark: J. Whatman Turkey Mills., and Mounted on verso of leaf 33 of volume 9 of 14 volumes.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A travesty of a half length portrait of S. Ireland: ('Hamilton pinxt S = Ireland fect.'). In both Ireland wears the dress of a Rubens picture, cf. BMSat 7020, and looks over his right shoulder, holding up folds of drapery which hang from the left shoulder. The original is young and handsome, with well-dressed hair, tied and falling on his shoulder. [The B.M. impression is dated in a contemporary hand 'Octr 1785'. Listed in Bromley's 'Catalogue', p. 390.] Gillray follows closely the pose and dress of the original, but the head is that of an older man, with a sly smile; his short curling hair recedes from his forehead. In his hand is a book, 'Ireland Shakspe . . .' ..."--British Museum online catalogue
Description:
Title etched above image., Two lines of text, followed by two lines of verse, below title: Mr. Bromley, in his Catalogue, &c., p. 390, has erroneously put this portrait into his seventh class ..., Ten lines of text and verse below image: Inscription under a picture of the editor of Shakespeare's manuscripts, 1796, by the Revd. William Mason, author of Elfrida & Caractacus ..., Temporary local subject terms: Forgery: literary forgery -- Forgers -- Literature: reference to John Milton, 1608-1674 -- Literature: Reference to John Dryden, 1634-1700 -- Reference to Wiilliam Mason, 1725-1797 -- Reference to George Steevens, 1736-1800., 1 print : stipple engraving with etching on wove paper, hand-colored ; plate mark 23.0 x 14.4 cm, on sheet 32.7 x 23.3 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 60 of volume 9 of 12.
Publisher:
Pubd. Decr. 1st, 1797, by H. Humphrey, No. 27 St. James's Street, London
"A travesty of a half length portrait of S. Ireland: ('Hamilton pinxt S = Ireland fect.'). In both Ireland wears the dress of a Rubens picture, cf. BMSat 7020, and looks over his right shoulder, holding up folds of drapery which hang from the left shoulder. The original is young and handsome, with well-dressed hair, tied and falling on his shoulder. [The B.M. impression is dated in a contemporary hand 'Octr 1785'. Listed in Bromley's 'Catalogue', p. 390.] Gillray follows closely the pose and dress of the original, but the head is that of an older man, with a sly smile; his short curling hair recedes from his forehead. In his hand is a book, 'Ireland Shakspe . . .' ..."--British Museum online catalogue
Description:
Title etched above image., Two lines of text, followed by two lines of verse, below title: Mr. Bromley, in his Catalogue, &c., p. 390, has erroneously put this portrait into his seventh class ..., Ten lines of text and verse below image: Inscription under a picture of the editor of Shakespeare's manuscripts, 1796, by the Revd. William Mason, author of Elfrida & Caractacus ..., and Temporary local subject terms: Forgery: literary forgery -- Forgers -- Literature: reference to John Milton, 1608-1674 -- Literature: Reference to John Dryden, 1634-1700 -- Reference to Wiilliam Mason, 1725-1797 -- Reference to George Steevens, 1736-1800.
Publisher:
Pubd. Decr. 1st, 1797, by H. Humphrey, No. 27 St. James's Street, London
"A loutish yokel (l.), holding a pitchfork, grins avidly at a hideous and elderly country woman who crouches behind a stile (r.), her features twisted in a sly grimace. In the background (l.) men reap a corn-field, and corn-stooks cover a more distant hill. Lavinia is framed in foliage, with autumn leaves and a withered tree."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted text following title: "He saw her charming; but he saw not half" "the charms her downcast modesty conceal'd.", 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 26.2 x 36.4 cm, on sheet 29.5 x 39.6 cm., Watermark, partially trimmed: J. Whatman Turkey Mills., and Mounted on leaf 30 of volume 11 of 12.
Publisher:
Publishd. Jany. 23d, 1805, by H. Humphrey, No. 27 St. Jamess [sic] Street
"A loutish yokel (l.), holding a pitchfork, grins avidly at a hideous and elderly country woman who crouches behind a stile (r.), her features twisted in a sly grimace. In the background (l.) men reap a corn-field, and corn-stooks cover a more distant hill. Lavinia is framed in foliage, with autumn leaves and a withered tree."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted text following title: "He saw her charming; but he saw not half" "the charms her downcast modesty conceal'd.", and Watermark: J. Whatman.
Publisher:
Publishd. Jany. 23d, 1805, by H. Humphrey, No. 27 St. Jamess [sic] Street
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
"A centaur with the body of the Duke of Bedford flees in terror from the angry British lion, whose head and fore-paws appear on the left. He is dressed as a jockey, with tricolour jacket and tricolour ribbons in his cap (as in other prints, e.g. BMSat 9261)."--British Museum online catalogue
Alternative Title:
Affrighted centaur and lion britanique and Affrighted centaur & lion britannique
Description:
Title etched below image., No. 6 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., Temporary local subject terms: Mythology: centaurs -- Male dress: jockey -- British Lion., 1 print : etching on wove paper, hand-colored ; plate mark 26.3 x 20.2 cm, on sheet 34.3 x 23.9 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 17 of volume 5 of 12.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"A centaur with the body of the Duke of Bedford flees in terror from the angry British lion, whose head and fore-paws appear on the left. He is dressed as a jockey, with tricolour jacket and tricolour ribbons in his cap (as in other prints, e.g. BMSat 9261)."--British Museum online catalogue
Alternative Title:
Affrighted centaur and lion britanique and Affrighted centaur & lion britannique
Description:
Title etched below image., No. 6 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., and Temporary local subject terms: Mythology: centaurs -- Male dress: jockey -- British Lion.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"Two corpulent men, with arms interlaced, trip through space, their heads turned in profile to the right, naked except for a piece of floating drapery. One (left) holds up a frothing tankard of Berkley Ale, the other a foaming goblet, tankard and goblet being the centre of a pointed star. The heads are well characterized, and alike only in fatness, short hair, and side-whisker."--British Museum online catalogue
Alternative Title:
Twin stars, Castor and Pollux
Description:
Title etched below image., No. 5 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., Temporary local subject terms: Mythology: Castor & Pollux -- Brewers: George Barclay, fl. 1799 -- Charles Sturt -- Dishes: tankards -- Glass: goblets -- Beverages: ale., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 19.0 cm, on sheet 34.0 x 23.7 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 16 of volume 5 of 12.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Str
"Two corpulent men, with arms interlaced, trip through space, their heads turned in profile to the right, naked except for a piece of floating drapery. One (left) holds up a frothing tankard of Berkley Ale, the other a foaming goblet, tankard and goblet being the centre of a pointed star. The heads are well characterized, and alike only in fatness, short hair, and side-whisker."--British Museum online catalogue
Alternative Title:
Twin stars, Castor and Pollux
Description:
Title etched below image., No. 5 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., Temporary local subject terms: Mythology: Castor & Pollux -- Brewers: George Barclay, fl. 1799 -- Charles Sturt -- Dishes: tankards -- Glass: goblets -- Beverages: ale., Mounted., and Watermark: J Whatman Turkey Mills.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Str
