"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., and Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"A short fat man (left) dressed as a military officer, clasps the inflated petticoats of a thin woman who walks away from him, looking over her left shoulder, her hand raised in a negative gesture. She is much taller than her admirer, and shows a hideous profile, her mouth wide open; her attitude is theatrical. She wears a high cap and the extended petticoats which had recently been fashionable (see BMSat 7099, &c). He looks up at her with a yearning smile. Both are grotesquely caricatured."--British Museum online catalogue
Alternative Title:
"Turn fair Clora, turn, ah cruel, turn again."
Description:
Title etched above image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: officer's uniform -- Trades: pastry cooks -- Vanhangen, Thomas, 'Captain Rolling-pin.', and Mounted to 38 x 28 cm.
Publisher:
Pubd. May 14th, 1792, by H. Humphrey, No. 18 Old Bond Street
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies., 1 print : etching on wove paper, hand-colored ; plate mark 31.3 x 39.9 cm, on sheet 36.4 x 55.5 cm., and Mounted to 37 x 57 cm.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies., 1 print : etching on wove paper, hand-colored ; plate mark 31.6 x 40.7 cm, on sheet 35.2 x 45.3 cm., Watermark: Turkey Mills J. Whatman., and Mounted on leaf 35 of volume 8 of 12.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"A short fat man (left) dressed as a military officer, clasps the inflated petticoats of a thin woman who walks away from him, looking over her left shoulder, her hand raised in a negative gesture. She is much taller than her admirer, and shows a hideous profile, her mouth wide open; her attitude is theatrical. She wears a high cap and the extended petticoats which had recently been fashionable (see BMSat 7099, &c). He looks up at her with a yearning smile. Both are grotesquely caricatured."--British Museum online catalogue
Alternative Title:
"Turn fair Clora, turn, ah cruel, turn again."
Description:
Title etched above image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Military uniforms: officer's uniform -- Trades: pastry cooks -- Vanhangen, Thomas, 'Captain Rolling-pin.', 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 25.1 cm, on sheet 38.7 x 29.1 cm., Watermark: J. Whatman Turkey Mills., and Mounted on leaf 40 of volume 8 of 12.
Publisher:
Pubd. May 14th, 1792, by H. Humphrey, No. 18 Old Bond Street
"A travesty of a half length portrait of S. Ireland: ('Hamilton pinxt S = Ireland fect.'). In both Ireland wears the dress of a Rubens picture, cf. BMSat 7020, and looks over his right shoulder, holding up folds of drapery which hang from the left shoulder. The original is young and handsome, with well-dressed hair, tied and falling on his shoulder. [The B.M. impression is dated in a contemporary hand 'Octr 1785'. Listed in Bromley's 'Catalogue', p. 390.] Gillray follows closely the pose and dress of the original, but the head is that of an older man, with a sly smile; his short curling hair recedes from his forehead. In his hand is a book, 'Ireland Shakspe . . .' ..."--British Museum online catalogue
Description:
Title etched above image., Two lines of text, followed by two lines of verse, below title: Mr. Bromley, in his Catalogue, &c., p. 390, has erroneously put this portrait into his seventh class ..., Ten lines of text and verse below image: Inscription under a picture of the editor of Shakespeare's manuscripts, 1796, by the Revd. William Mason, author of Elfrida & Caractacus ..., and Temporary local subject terms: Forgery: literary forgery -- Forgers -- Literature: reference to John Milton, 1608-1674 -- Literature: Reference to John Dryden, 1634-1700 -- Reference to Wiilliam Mason, 1725-1797 -- Reference to George Steevens, 1736-1800.
Publisher:
Pubd. Decr. 1st, 1797, by H. Humphrey, No. 27 St. James's Street, London
"A travesty of a half length portrait of S. Ireland: ('Hamilton pinxt S = Ireland fect.'). In both Ireland wears the dress of a Rubens picture, cf. BMSat 7020, and looks over his right shoulder, holding up folds of drapery which hang from the left shoulder. The original is young and handsome, with well-dressed hair, tied and falling on his shoulder. [The B.M. impression is dated in a contemporary hand 'Octr 1785'. Listed in Bromley's 'Catalogue', p. 390.] Gillray follows closely the pose and dress of the original, but the head is that of an older man, with a sly smile; his short curling hair recedes from his forehead. In his hand is a book, 'Ireland Shakspe . . .' ..."--British Museum online catalogue
Description:
Title etched above image., Two lines of text, followed by two lines of verse, below title: Mr. Bromley, in his Catalogue, &c., p. 390, has erroneously put this portrait into his seventh class ..., Ten lines of text and verse below image: Inscription under a picture of the editor of Shakespeare's manuscripts, 1796, by the Revd. William Mason, author of Elfrida & Caractacus ..., Temporary local subject terms: Forgery: literary forgery -- Forgers -- Literature: reference to John Milton, 1608-1674 -- Literature: Reference to John Dryden, 1634-1700 -- Reference to Wiilliam Mason, 1725-1797 -- Reference to George Steevens, 1736-1800., 1 print : stipple engraving with etching on wove paper, hand-colored ; plate mark 23.0 x 14.4 cm, on sheet 32.7 x 23.3 cm., Watermark: J. Whatman Turkey Mills 1817., and Mounted on leaf 60 of volume 9 of 12.
Publisher:
Pubd. Decr. 1st, 1797, by H. Humphrey, No. 27 St. James's Street, London
"The ugly and ungainly Nicholls, naked except for floating drapery, and with heavy, feathered wings, stands directed to the right, drawing the string of his bow. He stands on clouds which form a background."--British Museum online catalogue
Description:
Title etched below image., No. 4 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., and Temporary local subject terms: Mythology: Cupid.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"Two corpulent men, with arms interlaced, trip through space, their heads turned in profile to the right, naked except for a piece of floating drapery. One (left) holds up a frothing tankard of Berkley Ale, the other a foaming goblet, tankard and goblet being the centre of a pointed star. The heads are well characterized, and alike only in fatness, short hair, and side-whisker."--British Museum online catalogue
Alternative Title:
Twin stars, Castor and Pollux
Description:
Title etched below image., No. 5 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., Temporary local subject terms: Mythology: Castor & Pollux -- Brewers: George Barclay, fl. 1799 -- Charles Sturt -- Dishes: tankards -- Glass: goblets -- Beverages: ale., Mounted., and Watermark: J Whatman Turkey Mills.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Str
"A centaur with the body of the Duke of Bedford flees in terror from the angry British lion, whose head and fore-paws appear on the left. He is dressed as a jockey, with tricolour jacket and tricolour ribbons in his cap (as in other prints, e.g. BMSat 9261)."--British Museum online catalogue
Alternative Title:
Affrighted centaur and lion britanique and Affrighted centaur & lion britannique
Description:
Title etched below image., No. 6 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., and Temporary local subject terms: Mythology: centaurs -- Male dress: jockey -- British Lion.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
