"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., 1 print : etching and drypoint on wove paper ; plate mark 17.7 x 11.3 cm, on sheet 19.3 x 13.3 cm., Mounted with one other print on leaf 11 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Rev. Mr. Rosenhagen.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., and Mounted on page 18 with one other print.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
On the top of a hill, Lord Shelburne (William Petty) stands leaning against a gallows, his hands crossed at the wrists and eyes downcast. In front of him are Charles Fox and Lord North, their left hands joined. North's right hand reposes reassuringly on Fox's left shoulder. Fox points to Shelburne behind him with his right thumb. All three have beards characterizing them as Jews. The text below the design reads, "And Herod and Pilate were made Friends together that same Day; for before they were Enemies one to another. Luke. Cap 23, Ver 12."
Alternative Title:
And Herod and Pilate were made friends together that same day
Description:
Title and printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print :etching with roulette & dry-point on wove paper ; sheet 22.5 x 18.9 cm., and Mounted on leaf 54 of volume 1 of 12.
Publisher:
Pubd. March 20th, 1783, by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Gallows, Clothing & dress, and Politics and government
On the top of a hill, Lord Shelburne (William Petty) stands leaning against a gallows, his hands crossed at the wrists and eyes downcast. In front of him are Charles Fox and Lord North, their left hands joined. North's right hand reposes reassuringly on Fox's left shoulder. Fox points to Shelburne behind him with his right thumb. All three have beards characterizing them as Jews. The text below the design reads, "And Herod and Pilate were made Friends together that same Day; for before they were Enemies one to another. Luke. Cap 23, Ver 12."
Alternative Title:
And Herod and Pilate were made friends together that same day
Description:
Title and printmaker from British Museum catalogue. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 20th, 1783, by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Gallows, Clothing & dress, and Politics and government
Full length portrait of William Petty, Earl of Shelburne facing three-quarters left and wearing a sword
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Plate numbered "11" in upper left corner., 1 print : etching and dypoint on wove paper ; plate mark 17.8 x 11.4 cm, on sheet 19.7 x 13.2 cm., Mounted with three other prints on leaf 8 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Lord Shelburne.
Full length portrait of William Petty, Earl of Shelburne facing three-quarters left and wearing a sword
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Plate numbered "11" in upper left corner., and Ms. identification of subject in two contemporary hands, one on recto below plate line, the other on verso in upper left corner.
Five pairs of implacable enemies are shown in the act of reconciliation. Britannia and America clasp hands on the left; behind them the Duke of Richmond takes the hand of Parson Bate ; in the center foreground Fox (with a fox's head) brings together Shelburne and Lord Denbigh, the latter having the body of a dog; behind them are Sir Hugh Palliser and Admiral Keppel, and on the far right John Wilkes and George III shake hands
Alternative Title:
Wonders wonders wonders and wonders
Description:
Title from item. and See no. 6162 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5 for another print with the same title, on a similar theme.
Publisher:
Publish'd as the act directs Novr. 9, 1782 by I. Langham print coulerer No. 84 Dorset Street Salisbury Court Fleet Street
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Denbigh, Basil Fielding, Earl of, 1719-1800, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dudley, H. Bate Sir, 1745-1824 (Henry Bate),, Keppel, Augustus Keppel, Viscount, 1725-1786, and Palliser, Hugh, Sir, 1723-1796
Subject (Topic):
Britannia (Symbolic character), Shaking hands, and Clothing & dress
"The Devil (or a satyr) crouches behind a magic lantern whose handle he is turning. Its light is thrown on a draped sheet, speared to the wall by a fork. Facing the lantern, life-size and realistic, but apparently displayed by the lantern, stand (left to right) Fox, Sheridan, and Lansdowne. Each stands as if speaking in Parliament: Fox, with right hand in his breeches pocket, left fist raised for a downward thrust; Sheridan stooping forward as if expounding, right forefinger extended, left fist half raised; Lansdowne smiling blandly. The Devil points at Fox; an angry man at his side (right) threatens Fox with fist and bludgeon."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
A scale is depicted in which Lord North, dressed as a washerwoman, is weighed down with the assistance of Fox (a fox on the cross beam). Or the right, Lord Shelburne, depicted as a Jesuit in monastic garb wearing the ribbon of a Knight of the Garter and holding a money bag signed "Blessings of Peace" in his right hand, sits in the upper pan of the balance, with his tombstone below. The attacks of the North-Fox coalition eventually led to Shelburne's stepping down in February 1783
Alternative Title:
Up with the Jesuit
Description:
Title from item.
Publisher:
Pubd. March 1st, 1783 by A. Killingbeck, Dover Street
Subject (Geographic):
England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Scales, Laundresses, Monks, Foxes, Obesity, and Clothing & dress
On the right, William Petty, Lord Shelburne, attacks Britannia pulling on her hair and petticoat while pushing her to the ground. She leans on her shield; her broken spear lies next to it. William Pitt, who stands behind her with his arms folded on his chest, looks down at her indifferently. On the left, Charles Fox, taking Lord North's hand in his, points to the distressed Britannia with an entreaty to join their forces in her defense and "Fox and North stand together in consultation (left). Fox, holding the right hand of North who stands on his right, points with his left hand towards Britannia (right), who has been thrown to the ground, and is being maltreated by Shelburne. Her shield and broken spear lie beside her. Shelburne has seized her by the hair and is tearing off her upper garments; he smiles saying, "I smile at the feeble efforts of them single". Britannia looking towards Fox and North cries, "Help! tis only your united strength can save me". Pitt, young and slim, stands beside Britannia, his arms folded, looking down at her and saying "I see her danger, yet, better she should perish than I join the Man I hate". Fox is saying to North, "Forgetting our former disputes Quick! let us join to save her". In the foreground lies a large scroll, inscribed, "BRITANIA rescue'd from the wicked designs of an artfull------", the last word hidden by a curl of the scroll."--British Museum online catalogue
Alternative Title:
Men of abilities call'd for and Men of abilities called for
Description:
Title from item. and Mounted to 29 x 37 cm.
Publisher:
Publish'd May 20th, 1783, by I. Freeman, Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 26.6 x 36.9 cm, on sheet 30.4 x 40.7 cm., Watermark, partially trimmed: J. Whatman., and Mounted on leaf 71 of volume 5 of 12.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.8 cm, on sheet 29.3 x 40.6 cm., and Mounted on leaf 67 of volume 3 of 12.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., and Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 27.6 x 40.2 cm., and Mounted on leaf 63 of volume 3 of 12.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., and Mounted.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Later state, with end of imprint statement re-etched to include publisher's street address. Cf. No. 7628 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- Jews -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., and Mounted on leaf 52 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Clergy, Architecture, Military uniforms, and British
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Later state, with end of imprint statement re-etched to include publisher's street address. Cf. No. 7628 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- Jews -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., and Mounted on page 71.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Clergy, Architecture, Military uniforms, and British
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title from text below image., First two letters of printmaker's signature form monogram., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., 1 print : etching on wove paper ; plate mark 50.2 x 35.5 cm, on sheet 50.6 x 35.7 cm., and Sheet trimmed to plate mark; mounted to 56 x 37 cm.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
United States.
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Jews, Flags, Clergy, Architecture, Military uniforms, British, and Hand lenses
"'French Agents' purchase sheep, cattle, and pigs, which are being driven into boats to be taken to a French ship at anchor. Fox, as the commissary general, stands in profile to the left, holding a bag of 'French Gold' and pouring coins into the hand of the stout and smiling Lansdowne who is dressed as a farmer, and is disposing of a flock of sheep (left). Sheridan stands on Fox's right, clutching a money-bag and gazing fixedly at Lansdowne. Behind them is the taller Grey. These three are fashionably dressed, especially Fox who wears a French cocked hat, long overcoat reaching to his heels, over a frogged coat. The other two wear long coats and bonnets-rouges, with half-boots. Behind them stands their clerk, Erskine, a sansculotte wearing sabots and a bonnet-rouge, with barrister's wig and bands. He writes: 'Republican Purchase'. In the foreground (left) the Duke of Bedford, dressed as a farmer, but wearing fashionable spurred top-boots, sits, complacently counting money, on a sack of 'Superfine Bedfordshire Flour for Paris' (cf. BMSat 8783). Beside him (left) are sacks of 'Fine Bedfordshire Flour' labelled 'For Dieppe' and 'For Ostend'. Behind them and in the middle distance the Duke of Norfolk walks to the right, carrying on his head a steaming dish of 'Norfolk Dumplings'. Near him is the Duke of Grafton driving cattle towards the shore. On the right is a boat containing pigs and a cow. Stanhope sits at the tiller, smoking. He wears a bonnet-rouge with a bag-wig. The boat has a furled sail and flies a tricolour flag inscribed 'Vive la Republique'. Another boat-load of cattle is being rowed towards the French ship. In the foreground is a basket of chickens and geese and a bundle of muskets, across which is a tricolour scroll inscribed 'Provision for French Army. Dissenting Manufacture'."--British Museum online catalogue
Alternative Title:
View on the sea coast of England, with French agents smuggling away supplies for France
Description:
Title etched below image., Sheet trimmed within plate mark at top and bottom., Temporary local subject terms: Smuggling -- Money: French gold -- Bonnets rouges -- Ships -- Cattle -- Sheep -- Pigs -- Muskets -- Allusion to sansculottes -- Opposition., 1 print : etching on wove paper, hand-colored ; plate mark 31.2 x 42.5 cm, on sheet 35.4 x 46.3 cm., and Mounted on leaf 53 of volume 3 of 12.
Publisher:
Pubd. May 11th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lansdowne, William Petty, Marquis of, 1737-1805, and Stanhope, Charles Stanhope, Earl, 1753-1816
"'French Agents' purchase sheep, cattle, and pigs, which are being driven into boats to be taken to a French ship at anchor. Fox, as the commissary general, stands in profile to the left, holding a bag of 'French Gold' and pouring coins into the hand of the stout and smiling Lansdowne who is dressed as a farmer, and is disposing of a flock of sheep (left). Sheridan stands on Fox's right, clutching a money-bag and gazing fixedly at Lansdowne. Behind them is the taller Grey. These three are fashionably dressed, especially Fox who wears a French cocked hat, long overcoat reaching to his heels, over a frogged coat. The other two wear long coats and bonnets-rouges, with half-boots. Behind them stands their clerk, Erskine, a sansculotte wearing sabots and a bonnet-rouge, with barrister's wig and bands. He writes: 'Republican Purchase'. In the foreground (left) the Duke of Bedford, dressed as a farmer, but wearing fashionable spurred top-boots, sits, complacently counting money, on a sack of 'Superfine Bedfordshire Flour for Paris' (cf. BMSat 8783). Beside him (left) are sacks of 'Fine Bedfordshire Flour' labelled 'For Dieppe' and 'For Ostend'. Behind them and in the middle distance the Duke of Norfolk walks to the right, carrying on his head a steaming dish of 'Norfolk Dumplings'. Near him is the Duke of Grafton driving cattle towards the shore. On the right is a boat containing pigs and a cow. Stanhope sits at the tiller, smoking. He wears a bonnet-rouge with a bag-wig. The boat has a furled sail and flies a tricolour flag inscribed 'Vive la Republique'. Another boat-load of cattle is being rowed towards the French ship. In the foreground is a basket of chickens and geese and a bundle of muskets, across which is a tricolour scroll inscribed 'Provision for French Army. Dissenting Manufacture'."--British Museum online catalogue
Alternative Title:
View on the sea coast of England, with French agents smuggling away supplies for France
Description:
Title etched below image., Sheet trimmed within plate mark at top and bottom., and Temporary local subject terms: Smuggling -- Money: French gold -- Bonnets rouges -- Ships -- Cattle -- Sheep -- Pigs -- Muskets -- Allusion to sansculottes -- Opposition.
Publisher:
Pubd. May 11th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lansdowne, William Petty, Marquis of, 1737-1805, and Stanhope, Charles Stanhope, Earl, 1753-1816
"Richard Brothers, dressed as a sansculotte and with the face of a maniac, carries on his back a 'Bundle of the Elect' from which protrude the heads and legs of Fox, Sheridan, Stanhope (in profile to the right), and Lansdowne (in profile to the left). In his left hand is an open book: 'Revelation', and a sword of flame, his right hand points up an ascending path to the 'Gate of Jerusalem' (right); this is a gallows from which hang three nooses; behind it are flames in which demons are flying. He tramples on a seven-headed monster (the Beast of 'Revelation'): on one head, that of the Pope, he puts his foot, another prostrate human head wears a crown and so does the head of a beast breathing fire. The other four heads are those of demons. Two beams of light slant from his forehead, 'Assignats' project from his coat-pocket. Behind walk Jews, the most prominent a pedlar with an open box of trinkets. Beside them walks a fat, disreputable woman holding a bottle inscribed 'Everlasting Life' and a glass. From her pocket hangs a ballad: 'Isabell Wake a new Song to the tune of a Two penny Loaf'. In the foreground (right) St. Paul's, the Monument, a spire and houses are being engulfed in a fiery pit and are breaking to pieces (according to Brothers' prophecy). On the horizon (right) is the sea with the masts of wrecked ships projecting from the waves. Immediately above Brothers is an owl with an olive-branch in its beak, a halo poised whirlpool-like on a point above its head; it clutches a paper inscribed 'Peace'. On the right is the sun, its disk containing a staring face, wearing a bonnet-rouge, and surrounded by the points of a star which drip blood. On the left is a crescent moon in which is a fissure, its arc borders a shaded disk; round this grotesque demons dance in a ring, holding hands."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Monsters: beast of Revelation -- Bonnets-rouges -- Sansculottes -- Jerusalem -- St. Paul's Cathedral -- Gallows -- Peddlars -- Demons -- Jews., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 35.2 cm, on sheet 29.3 x 41.2 cm., and Mounted on leaf 51 of volume 3 of 12.
Publisher:
Pubd. March 5th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Brothers, Richard, 1757-1824
"Richard Brothers, dressed as a sansculotte and with the face of a maniac, carries on his back a 'Bundle of the Elect' from which protrude the heads and legs of Fox, Sheridan, Stanhope (in profile to the right), and Lansdowne (in profile to the left). In his left hand is an open book: 'Revelation', and a sword of flame, his right hand points up an ascending path to the 'Gate of Jerusalem' (right); this is a gallows from which hang three nooses; behind it are flames in which demons are flying. He tramples on a seven-headed monster (the Beast of 'Revelation'): on one head, that of the Pope, he puts his foot, another prostrate human head wears a crown and so does the head of a beast breathing fire. The other four heads are those of demons. Two beams of light slant from his forehead, 'Assignats' project from his coat-pocket. Behind walk Jews, the most prominent a pedlar with an open box of trinkets. Beside them walks a fat, disreputable woman holding a bottle inscribed 'Everlasting Life' and a glass. From her pocket hangs a ballad: 'Isabell Wake a new Song to the tune of a Two penny Loaf'. In the foreground (right) St. Paul's, the Monument, a spire and houses are being engulfed in a fiery pit and are breaking to pieces (according to Brothers' prophecy). On the horizon (right) is the sea with the masts of wrecked ships projecting from the waves. Immediately above Brothers is an owl with an olive-branch in its beak, a halo poised whirlpool-like on a point above its head; it clutches a paper inscribed 'Peace'. On the right is the sun, its disk containing a staring face, wearing a bonnet-rouge, and surrounded by the points of a star which drip blood. On the left is a crescent moon in which is a fissure, its arc borders a shaded disk; round this grotesque demons dance in a ring, holding hands."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Monsters: beast of Revelation -- Bonnets-rouges -- Sansculottes -- Jerusalem -- St. Paul's Cathedral -- Gallows -- Peddlars -- Demons -- Jews.
Publisher:
Pubd. March 5th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Brothers, Richard, 1757-1824
On a podium in front of a booth signed "Treasury," Lord North offers a "Coalition Pay" ladle filled with coins to Charles Fox (depicted with fox's body and human face) sitting in a contraption with a slit for mail and signed "American Letter Box." More coins are in the "Treasu[r]y Bucket" in North's other hand. Fox wears a fool's cap signed, "Vox populi." Behind North, the Duke of Portland, the new prime minister, stands in the booth's door, while William Petty, Lord Shelburne, watches the performance from the stairs to the podium. A group of spectators stands in front of the booth
Description:
Title from item. and John Boyne operated his printing business at this address from 1783-1784. See British Museum online catalogue.
Publisher:
Publish'd as the act directs No. 2 Shoe Lane Fleet St.
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Politics and government, Coins, Spectators, Fools' caps, and Hats
Lord Shelburne lying at full length asleep supported on pinnacles representing articles of the peace treaty. On the left, Lord Ashburton in a counsellor's wig and gown crouches near his head and holds a bottle to Shelburne's nose. A fox with Fox's head stands on Shelburne's torso as he urinates into his face. On the right, North's head floats in space
Alternative Title:
Prime Minister hag-ridden
Description:
Title from caption below image., Later state of a print published March 4 1783 by R. Rusted with the title: The night mare, or, Hag riddn. minister. Cf. No. 6184 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and For further information, consult library staff.
Publisher:
Pubd. 29th March, 1783 by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Dunning, John, Baron Ashburton, 1731-1783, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 6013 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 51 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
"Shelburne (left), as the kettle, looks at Fox (right), the porridge-pot, who is running away. Shelburne's body is in the form of a kettle, much blackened underneath; the handle, attached to his chest and shoulders, extends over his head. He has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, "Oh do but look how black his Arse is!" Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a sign-post, its arm, pointing to the right, is terminated by a well-drawn hand holding a die in its fingers, but pointing with its fore-finger in the direction in which Fox is running. The arm of the post is inscribed "TO BROOKS'S"; from it hangs a rope with a noose at the end of it. On the post is hung up a placard inscribed "To be Lett- either as a Gibbet or Direction Post". A landscape with bushes forms the background."--British Museum online catalogue
Description:
Title from item., "J.P. Leatherhead" probably a fictitious name. Not identified in British Museum catalogue., Printmaker from British Museum catalogue., Temporary local subject terms: Clubs: Brooks -- Geese as Westminster electors -- Signs: signposts., 1 print : etching on wove paper, hand-colored ; sheet 24.7 x 35.1 cm., Sheet trimmed within plate mark., and Mounted on leaf 35 of volume 1 of 12.
Publisher:
Pubd. July 23d, 1782, by P.J. Leatherhead
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
"Shelburne (left), as the kettle, looks at Fox (right), the porridge-pot, who is running away. Shelburne's body is in the form of a kettle, much blackened underneath; the handle, attached to his chest and shoulders, extends over his head. He has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, "Oh do but look how black his Arse is!" Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a sign-post, its arm, pointing to the right, is terminated by a well-drawn hand holding a die in its fingers, but pointing with its fore-finger in the direction in which Fox is running. The arm of the post is inscribed "TO BROOKS'S"; from it hangs a rope with a noose at the end of it. On the post is hung up a placard inscribed "To be Lett- either as a Gibbet or Direction Post". A landscape with bushes forms the background."--British Museum online catalogue
Description:
Title from item., "J.P. Leatherhead" probably a fictitious name. Not identified in British Museum catalogue., Printmaker from British Museum catalogue., Temporary local subject terms: Clubs: Brooks -- Geese as Westminster electors -- Signs: signposts., and Mounted to 37 x 56 cm.
Publisher:
Pubd. July 23d, 1782, by P.J. Leatherhead
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
Leaf 9. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Shelburne (left), as the kettle, looks at Fox (right), the porridge-pot, who is running away. Shelburne's body is in the form of a kettle, much blackened underneath; the handle, attached to his chest and shoulders, extends over his head. He has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, "Oh do but look how black his Arse is!" Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a sign-post, its arm, pointing to the right, is terminated by a well-drawn hand holding a die in its fingers, but pointing with its fore-finger in the direction in which Fox is running. The arm of the post is inscribed "TO BROOKS'S"; from it hangs a rope with a noose at the end of it. On the post is hung up a placard inscribed "To be Lett- either as a Gibbet or Direction Post". A landscape with bushes forms the background."--British Museum online catalogue
Description:
Title etched below image., Restrike, with printmaker's name and numbering added to plate; imprint statement has also been burnished away, and the design of the kettle has been altered. For original issue with the imprint "Pubd. July 23d, 1782, by P.J. Leatherhead", see no. 6013 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate numbered "15" in upper right corner., Temporary local subject terms: Prudery., and On leaf 9 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
Depicts a fox (Charles James Fox) hanging from a gibbet around which dance members of the Conway family, headed by a blindfolded General Conway who is led by the nose by Shelburne. The Conways are all depicted as rats, with the exception of General Conway and his brother Lord Hertford. Shelburne is shown Janus-like with two faces, his own and that of the Devil. Refers to the resignation of Fox after Shelburne's appointment and Conway's support of the latter. A sequel to British Museum satire 5966
Description:
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Hon. Edward Conway, Cannon of Christ Church, 1757-1785 -- Ministries: fall of Rockingham's ministry --Literature: allusion to Little Red Riding Hood -- Conway family as rats -- Mottoes: sic transit gloria mund., 1 print : etching on wove paper ; plate mark 25.0 x 34.9 cm, on sheet 27.3 x 38.0 cm., and Mounted on leaf 37 of volume 1 of 12.
Publisher:
Pubd. August 2d, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Conway, Henry Seymour, 1721-1795, Fox, Charles James, 1749-1806, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Rats, Foxes, Blindfolds, Gallows, Devil, and Dance
Depicts a fox (Charles James Fox) hanging from a gibbet around which dance members of the Conway family, headed by a blindfolded General Conway who is led by the nose by Shelburne. The Conways are all depicted as rats, with the exception of General Conway and his brother Lord Hertford. Shelburne is shown Janus-like with two faces, his own and that of the Devil. Refers to the resignation of Fox after Shelburne's appointment and Conway's support of the latter. A sequel to British Museum satire 5966
Description:
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Hon. Edward Conway, Cannon of Christ Church, 1757-1785 -- Ministries: fall of Rockingham's ministry --Literature: allusion to Little Red Riding Hood -- Conway family as rats -- Mottoes: sic transit gloria mund.
Publisher:
Pubd. August 2d, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Conway, Henry Seymour, 1721-1795, Fox, Charles James, 1749-1806, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Rats, Foxes, Blindfolds, Gallows, Devil, and Dance
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., Framed to 31 x 216 cm., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., 1 print on 4 sheets : etching on wove paper, hand-colored ; sheets 30 x 60 cm or smaller., and Mounted on leaves 39 to 42 of volume 2 of 12.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
Jesuits treatment of his friends, Jesuit's treatment of his friends, and Ins and outs
Description:
Title from item., Sheet trimmed mostly within plate mark., Temporary local subject terms: Vehicles: coaches -- St. James's Palace -- Bonnet rouge -- Emblems: tricolor cockade -- Emblems: olive branch & dove -- Cobblestones., and Watermark: Strasburg bend.
Publisher:
Pub. by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Title from words etched in the frame of the doorway in the left of the design., Sheet trimmed within plate mark., Beneath the design are etched the subjects and the characters illustrated., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Buildings: Treasury -- Taxes: Window Tax, 1784 -- American Indians -- Ireland -- Irish harp -- Milk pails -- Literature: "The House that Jack Built" -- Literature: quotation from John Milton's Samson Agonistes.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Jenkinson, Charles, 1727-1808, North, Frederick, Lord, 1732-1792, and Pitt, William, 1759-1806
Title from item., Sheet trimmed within plate mark., Printmaker from similar print. Cf. British Museum catalogue no. 6387., Original publication statement burnished from the plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Allusion to John Stuart, 3rd Earl of Bute, 1713-1792 -- Personifications: Rumor blowing trumpet -- Brookes's Club, London -- Demon wearing tartan -- Charters -- East India Bill, 1783 -- Gambling: Dice and dice-box -- Crown -- Thistle -- Allusion to Fox-North Coalition, 1783 -- Satire on Pitt's ministry -- King's Prerogative -- Tax-receipt -- Signs: Sign-post -- 'Secret Influence'., and Watermark in center of sheet: J Whatman.
Publisher:
Pubd. 12 Apr. 1784 by H. Humphrey, No. 51 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813., Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Nugent, Robert Craggs Nugent, Earl, 1702?-1788, Alvanley, Richard Pepper Arden, Baron, 1745-1804, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
A stork with the head of Shelburne is shown with its beak buried in the long neck of a glass jar labeled "The Treasury Jar". He smiles triumphantly as he picks up the gold guineas at the bottom; around his neck is the Garter ribbon. To his left is a fox with the bushy eyebrows, bulbous nose, and hairy chin of Charles Fox; he stands with his paws on the jar and a melancholy expression at the inaccessible treasure
Description:
Title from caption below image., Originally published in 14 January 1783 by William Richardson. Cf. No. 6166 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
Pubd. by W. Humphrey Jany. 14, 1783, No. 227 Strand
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Great Britain. Treasury.
"A flying demon holds the level beam of a pair of scales, on which stand Wilkes (left) and Parson Horne (right). Each stands in the attitude of a fencer, thrusting at the other with an outstretched goose-quill; neither has the advantage. Wilkes wears a bag-wig, Horne is in parson's gown and bands. The demon says: "nicely pois'd indeed". The print illustrates "The Balance of Honour and Patriotism; or a Dialogue between Mr. H------and Mr. ------, in which the Demon of Discord very properly interferes". The dialogue ends with Horne's expressing a wish "that you, good Mr. Devil, had been conducting me to H------ll, before Malagrida [Shelburne] had persuaded me to engage in this d------n'd controversy"."--British Museum online catalogue
Description:
Title from text in image., Page number printed above image., and Plate from: The town and country magazine. London : Printed for A. Hamilton, Junr., 1771, v. 3, p. 262.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Tooke, John Horne, 1736-1812, and Wilkes, John, 1725-1797
"A drunken debauch in the new Union Club, see BMSat 9698. A long table, the cloth removed, one end cut off by the left margin, stretches almost across the design, slanting back slightly from the left, where it is in the foreground, and where Fox, grossly corpulent, sits in an armchair asleep, his feet on the table, a pipe in one hand. Nearly opposite his feet is the chair of state, on the table; on the empty seat is the Prince's cocked hat with triple plume, his motto 'Ich Di[en]' within the crown. The chair is backed by an elaborate architectural canopy with ornate pilasters on which swags of fruit and flowers are carved in relief: (left) grapes and lemons (materials for punch), and (right) roses and shamrocks. Above the seat are figures of Britannia and Erin, kissing, standing on a curved base inscribed 'The Union'. On the back of the chair are two clasped hands, elaborately irradiated. The chair is surrounded by broken wine-bottles; its former occupant, the Prince, lies on his back under the table, one arm flung over Lord Stanhope, who lies unconscious, clasping a bottle. On the Prince's stomach rest two feet in shoes with spiked, upcurved toes. In the foreground, opposite the Prince, Norfolk lies with his head against the seat of his overturned chair, looking very ill. All who are not incapacitated or fighting are toasting the Union (except Lansdowne and Parr, see below). On the table sits Moira, dressed as in BMSat 9386, a glass of wine held high above his head, his right leg thrust forward, while he stretches back to take the hand of Lord Clermont, [This is clear from the resemblance to BMSat 9575, and is supported by the shamrock which he and the other Irishmen wear. It is confirmed by 'London und Paris', vii. 80, where it is said that he and Moira were once bitter enemies. He is identified by Grego as General Manners, see BMSat 9288.] seated next Sheridan on the farther side of the table. Facing Clermont and in back view, Camelford sits erect, wearing a Jean de Bry coat (see BMSat 9425) and small round hat, with cropped hair. [The identification (that of Grego) is confirmed by BMSat 9716, Wright and Evans give Burdett, E. Hawkins 'Mr Manners'.] Beside him (right) two waiters bring in a full tub of Whiskey Punch, which they spill; one treads on the face of the prostrate Nicholls. Near the end of the table (right) sits Derby, his large head and crumpled features grotesquely caricatured. In the foreground on the extreme right Montagu Mathew (as in BMSat 9560) and Skeffington (as in BMSat 9557) advance dancing arm-in-arm, with tipsy grace, the former with a bottle in each hand; one reversed, the other, held above his head, splashes its contents over his partner's uplifted glass. (The pair, according to 'London und Paris', vii, 1801, p. 76, were known as inseparables in fashionable London resorts, cf. BMSat 9755.) ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse on either side of title: "We'll join hand in hand, all party shall cease, "and glass after glass, shall our union increase ..., and 1 print : etching with engraving on wove paper, hand-colored ; plate mark 30 x 44.2 cm, on sheet 31.0 x 46.9 cm.
Publisher:
Publish'd Jany. 21st, 1801, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Stanhope, Charles Stanhope, Earl, 1753-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Pitt, Thomas, Baron Camelford, 1775-1804, Nicholls, John, 1745?-1832, Smith-Stanley, Edward, 1752-1834, Skeffington, Lumley St. George, Sir, 1771-1850, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Walpole, George, 1761-1830, Lansdowne, William Petty, Marquis of, 1737-1805, Parr, Samuel, 1747-1825, Queensberry, William Douglas, Duke of, 1725-1810, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Kirkcudbright, John Maclellan, Lord, 1729-1801, Hanger, George, 1751?-1824, Jones, Thomas Tyrwhitt, Sir, 1765-1811, and Sturt, Charles, 1763-1812
"A drunken debauch in the new Union Club, see BMSat 9698. A long table, the cloth removed, one end cut off by the left margin, stretches almost across the design, slanting back slightly from the left, where it is in the foreground, and where Fox, grossly corpulent, sits in an armchair asleep, his feet on the table, a pipe in one hand. Nearly opposite his feet is the chair of state, on the table; on the empty seat is the Prince's cocked hat with triple plume, his motto 'Ich Di[en]' within the crown. The chair is backed by an elaborate architectural canopy with ornate pilasters on which swags of fruit and flowers are carved in relief: (left) grapes and lemons (materials for punch), and (right) roses and shamrocks. Above the seat are figures of Britannia and Erin, kissing, standing on a curved base inscribed 'The Union'. On the back of the chair are two clasped hands, elaborately irradiated. The chair is surrounded by broken wine-bottles; its former occupant, the Prince, lies on his back under the table, one arm flung over Lord Stanhope, who lies unconscious, clasping a bottle. On the Prince's stomach rest two feet in shoes with spiked, upcurved toes. In the foreground, opposite the Prince, Norfolk lies with his head against the seat of his overturned chair, looking very ill. All who are not incapacitated or fighting are toasting the Union (except Lansdowne and Parr, see below). On the table sits Moira, dressed as in BMSat 9386, a glass of wine held high above his head, his right leg thrust forward, while he stretches back to take the hand of Lord Clermont, [This is clear from the resemblance to BMSat 9575, and is supported by the shamrock which he and the other Irishmen wear. It is confirmed by 'London und Paris', vii. 80, where it is said that he and Moira were once bitter enemies. He is identified by Grego as General Manners, see BMSat 9288.] seated next Sheridan on the farther side of the table. Facing Clermont and in back view, Camelford sits erect, wearing a Jean de Bry coat (see BMSat 9425) and small round hat, with cropped hair. [The identification (that of Grego) is confirmed by BMSat 9716, Wright and Evans give Burdett, E. Hawkins 'Mr Manners'.] Beside him (right) two waiters bring in a full tub of Whiskey Punch, which they spill; one treads on the face of the prostrate Nicholls. Near the end of the table (right) sits Derby, his large head and crumpled features grotesquely caricatured. In the foreground on the extreme right Montagu Mathew (as in BMSat 9560) and Skeffington (as in BMSat 9557) advance dancing arm-in-arm, with tipsy grace, the former with a bottle in each hand; one reversed, the other, held above his head, splashes its contents over his partner's uplifted glass. (The pair, according to 'London und Paris', vii, 1801, p. 76, were known as inseparables in fashionable London resorts, cf. BMSat 9755.) ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse on either side of title: "We'll join hand in hand, all party shall cease, "and glass after glass, shall our union increase ..., Watermark: J. Whatman 1808., and Mounted on leaf 36 of volume 5 of 12.
Publisher:
Publish'd Jany. 21st, 1801, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Stanhope, Charles Stanhope, Earl, 1753-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Pitt, Thomas, Baron Camelford, 1775-1804, Nicholls, John, 1745?-1832, Smith-Stanley, Edward, 1752-1834, Skeffington, Lumley St. George, Sir, 1771-1850, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Walpole, George, 1761-1830, Lansdowne, William Petty, Marquis of, 1737-1805, Parr, Samuel, 1747-1825, Queensberry, William Douglas, Duke of, 1725-1810, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Kirkcudbright, John Maclellan, Lord, 1729-1801, Hanger, George, 1751?-1824, Jones, Thomas Tyrwhitt, Sir, 1765-1811, and Sturt, Charles, 1763-1812
Title from item., Illustration to: The dialogue between a premier and his journeyman., Placement instructions in upper left corner: Vol. II No. IX., Plate from: The town and country magazine. London : Printed for A. Hamilton, Junr., 1769-1796, v. 2, p. 137., and Temporary local subject terms: Interiors: Mrs. Cornelys's house at Soho Square -- Masquerades: masquerade given by Mrs. Cornelys on Februrary 14, 1770 -- Costume: masquerade -- Captain Watson -- Costume: jockey -- Costume: Harlequin.
Publisher:
publisher not identified
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, North, Frederick, Lord, 1732-1792, and Lansdowne, William Petty, Marquis of, 1737-1805
Protestant St. George too much for all the talons, or, the beast with seven heads and Beast with seven heads
Description:
Title from item., Sheet trimmed within plate mark., Watermark: Strasburg Lily., and Mounted to 29 x 38 cm.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Spencer, George John Spencer, Earl, 1758-1834, Lansdowne, William Petty, Marquis of, 1737-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Grenville, William Wyndham Grenville, Baron, 1759-1834
Leaf 62. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Man standing stiffly in profile to the right, head thrown back with a contemptuous scowl. His left hand resting on a cane. He wears a low broad-brimmed hat, a tightly-curled wig, buttoned coat, and gloves."--British Museum online catalogue and "The etching appears to be a copy of 'Humility', British Museum Satires No. 4795. The same figure appears conspicuously (attending a quaker's meeting) British Museum Satires No. 4794. He strongly resembles British Museum Satires No. 4682, and is probably intended either for Nash Grose or Lord Lansdowne (then Shelburne) to whom the title would apply, from the well-known name of Malagrida, the notorious Portuguese Jesuit, given to him in the 'Public Advertiser' of 16 Sept. 1767. It is not unlike some portraits of Lansdowne, but is very different from the later caricatures, see British Museum Satires No. 6022, &c."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "18" in upper right corner., Temporary local subject terms: Reference to Jesuits., Third of three plates on leaf 62., and 1 print : etching on laid paper ; plate mark 16 x 10.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. according to act of Parlt. by MDarly
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Grose, Nash, Sir, 1740-1814
Leaf 62. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Man standing stiffly in profile to the right, head thrown back with a contemptuous scowl. His left hand resting on a cane. He wears a low broad-brimmed hat, a tightly-curled wig, buttoned coat, and gloves."--British Museum online catalogue and "The etching appears to be a copy of 'Humility', British Museum Satires No. 4795. The same figure appears conspicuously (attending a quaker's meeting) British Museum Satires No. 4794. He strongly resembles British Museum Satires No. 4682, and is probably intended either for Nash Grose or Lord Lansdowne (then Shelburne) to whom the title would apply, from the well-known name of Malagrida, the notorious Portuguese Jesuit, given to him in the 'Public Advertiser' of 16 Sept. 1767. It is not unlike some portraits of Lansdowne, but is very different from the later caricatures, see British Museum Satires No. 6022, &c."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "18" in upper right corner., Temporary local subject terms: Reference to Jesuits., Sheet 249 x 154 mm., and Partial watermark.
Publisher:
Pubd. according to act of Parlt. by MDarly
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Grose, Nash, Sir, 1740-1814
Leaf 62. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Man standing stiffly in profile to the right, head thrown back with a contemptuous scowl. His left hand resting on a cane. He wears a low broad-brimmed hat, a tightly-curled wig, buttoned coat, and gloves."--British Museum online catalogue and "The etching appears to be a copy of 'Humility', British Museum Satires No. 4795. The same figure appears conspicuously (attending a quaker's meeting) British Museum Satires No. 4794. He strongly resembles British Museum Satires No. 4682, and is probably intended either for Nash Grose or Lord Lansdowne (then Shelburne) to whom the title would apply, from the well-known name of Malagrida, the notorious Portuguese Jesuit, given to him in the 'Public Advertiser' of 16 Sept. 1767. It is not unlike some portraits of Lansdowne, but is very different from the later caricatures, see British Museum Satires No. 6022, &c."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "18" in upper right corner., and Temporary local subject terms: Reference to Jesuits.
Publisher:
Pubd. according to act of Parlt. by MDarly
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Grose, Nash, Sir, 1740-1814
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., 1 print on laid paper : etching, hand-colored ; sheet 25 x 34 cm, mounted to 30 x 38 cm., Sheet trimmed within plate mark., Watermark., and Ms. annotations on mount identify figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., Watermark: A Stace., and Mounted to 33 x 42 cm.; ms. annotations on mount identify some figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 37.0 x 26.5 cm., and Mounted on leaf 36 of volume 2 of 12.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
