Manuscript on paper, in a single secretary hand, of a tour guide of Italy, including descriptions of notable sights as well as directions from "London to Rome as also from one Citie to another in all Ittaly." The text is organized by city, and "translated out of the high Germane into the English tongue by Captayne Henry Bell." Includes some verses in Latin and English
Description:
Phillipps MS 16427. and Binding: cloth covered boards.
Subject (Geographic):
Italy
Subject (Name):
Bell, Henry, Captain.
Subject (Topic):
English poetry, Latin poetry, Travel, Description and travel, and Religious life and customs
Manuscript on paper (unidentified watermarks, trimmed) and parchment (f. 1) of Sozomenus Pistoriensis, Commentary on Persius
Description:
In Latin., Script: Written in a neat humanistic script in 1461 by Bartholomaeus Baldinotti., Small initials, in red, mark the beginning of prologue and each satire., and Binding: Nineteenth century. Vellum case.
Manuscript on parchment in Anglicana (Scribes 1 and 2) and Secretary script (Scribe 3). The text is the third recension of the Confessio Amantis, written in 1392-1393.The manuscript was produced around 1400 or the beginning of the fifteenth century in the same manner as the other surviving manuscripts from this time, presumably under the author's supervision and Also contained are the Latin and French poems "Explicit iste liber," "Epistola super huius," "Quam cinxere," "Traitie," "Carmen de variis in amore passionibus," and "Carmen super multiplici viciorum pestilencia."
Description:
In Middle English, Latin and French., There are red and blue 1-3 line initials at small and large paragraph breaks. Books II (f. 13r), V (76r), VI (125r), VII (140r), and VIII (175v) contain initials with full page demi-vignette borders in gold, red, blue, green, orange, and brown., Rubrications at running titles, initials, Latin commentary., Binding: yellow morocco on wooden boards, by Douglas Cockerell and Son, 1962., and Sir George Meyrick, Bart., who sold the manuscript after his father's death in 1960, said that the manuscript had been in his family's possession for over 100 years and that in 1775 the house was almost destroyed by fire. Many family papers were lost and perhaps it was then that the manuscript became damp and mildewed.
Manuscript on paper, in a single Italic hand, of a 38-page elegiacal poem praising Lady Mary Cholmondley's Holford ancestors and herself. The poem is heavily annotated in the same hand. Prefaced by a dedication to Lady Cholmondeley's son Thomas, a dedication in Latin to Sir Richard Grosvenor, 1st bart., and ten verses in Latin and English addressed to various members of the Cholmondeley family, including an anagram and a chronogram. The main poem is followed by several short Latin poems, including one concerning the Holford motto
Description:
Available on microfilm, In English and Latin., On flyleaf: list of accounts, as well as pen trials and the signature "R. Cholmondeley.", Signature in back of John Grosvenor., Marbled endpapers., and Binding: full morocco; gilt decoration.
Subject (Name):
Cholmondeley, Mary Holford, Lady, 1563-1625., Cholmondeley, Hugh, Sir, 1513-1596., Grosvenor, Richard, Sir, 1585-1645., and Lytler (Littler), Thomas.
Subject (Topic):
Anagrams, Elegiac poetry, Latin poetry, English literature, English poetry, and Genealogy
Manuscript on paper (sturdy) of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). 2) Persius, Prologue followed by Satirae I-VI. 3) Miscellaneous sententiae, all unidentified. 4) Excerpts from Seneca. 5) Antonio Beccadelli, Carmen de hermaphrodita. 6) Short dialogue between a nun and a cleric
Description:
In Latin., Watermarks: similar to Briquet Couronne 4639-40 and unidentified bird., Script: Written in humanistic script by a single scribe. Marginal and interlinear notes in several contemporary hands., One original initial, in red, on f. 1r; all other initials appear to be later additions, some drawn in lead., Most leaves mended in lower outer corner., and Binding: Nineteenth century. Narrow brown calf spine with traces of gold tooling, small vellum corners and purple paper sides. Much rubbed and worn.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Didactic literature, Latin, Latin poetry, Manuscripts, Medieval, and Satire, Latin
Manuscript on parchment (low quality) of 1) Theodulus (10th century?), Ecloga. With an unidentified commentary. 2) Avianus, Fabulae, with interlinear and marginal glosses. 3) Maximianus (6th century), Elegiae. The final verses (VI.4-12) are lost
Description:
In Latin., Script: The text is probably written by a single scribe in a rather irregular Gothica Textualis Libraria, the marginal and interlinear commentaries in Gothica Cursiva Antiquior Currens (Anglicana)., Red plain initials and heightening of majuscules., The first and last folios are badly damaged and defective, making reading hard or impossible. The outer margin of ff. 16, 24 and 25 cut off., and Binding: Nineteenth century. Parchment over cardboard, far too large for the manuscript. The cover is an 18th-century (?) English document, the text turned inside.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Avianus., Maximianus, 6th cent., and Theodulus, active 9th century.
Subject (Topic):
Latin poetry, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of poems by Tibullus and Catullus. With Life of Tibullus and epitaph
Description:
In Latin., Watermarks similar to Briquet Fleur 6690, Harlfinger Fleur 108 (lower example), Harlfinger Fer a cheval 5 (but with cross), Briquet Tour 15865, Harlfinger Monts 78; unidentified watermarks: mountain, ladder, full-bodied unicorn, letter R., Script: Written by two scribes in humanistic script. Scribe 1) ff. 1r-20v; Scribe 2) ff. 21r-88r. Marginal notations in several contemporary hands., Two inelegant black initials (ff. 1r, 41r) with vine-work ornament on red and blue ground. Simple red initials, some with penwork designs, mark the beginning of each poem. Headings and initial strokes, in red, throughout., Many leaves stained and/or repaired., and Binding: Nineteenth century. Brown calf spine and small corners with marbled paper sides.
