"Lord Eldon sits at a high desk above a table, with mace, &c., at which two barristers are writing. He raises his arms in astonishment at the sight of a still (left) inscribed 'The Q--n's Double Destlled [sic] Essence of Bergamot' [with 'ot' scored through and replaced by 'i']; from this the Queen's head emerges, facing the head of Bergami, which issues from an arm of the still. This is surrounded by smoke and stands on a bench, behind which on a low platform stand Louise Demont and Majocchi, pointing at the object, the latter saying: "Non me Ricordo." A barrister, probably Copley, stands near them, saying: "It's a strong proof but froieng [sic] brew'd and out of our power to discover the Makers." Eldon, dropping his pen, says: "This is cuesed [sic] strong it is certainly doubled proof of their Private works." A profile (? Liverpool) leans forward from the left margin, saying: "My L--ds he can swear to the Smell and Taste." Peers, some astonished, some amused, are seated on benches between Chancellor and witnesses. Only the Duke of York can be identified; he says: "I'll have one made for my Travelling Carriage." A bishop: "We must get Bergami to calk it up."."--British Museum online catalogue
Alternative Title:
Peer-les examination of the Royal private works in Italy and Peerless examination of the Royal private works in Italy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Several of the depicted figures are idenitifed in pencil on mounting sheet; the names "Caroline & Bergami" and "Dukes of York & Clarence" are written below print, while "Eldon" is written to the right.
Publisher:
Pubd. by H. Fores, 16 Panton St., Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Eldon, John Scott, Earl of, 1751-1838, Demont, Louisa, active 1814-1820, Majocchi, Theodore, active 1820, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Ceremonial maces, Stills (Distilleries), Smoke, Benches, Lawyers, Witnesses, Politicians, Bishops, and Hand lenses
Lyndhurst in Chancellor's wig and gown, stands between Wellington (left, standing beside a writing table) and Brougham (right, also in a wig and gown), who face each other in profile. Lyndhurst looks at Wellington while gesturing with his left arm at Brougham who steps toward him. In a speech balloon, Lyndhurst says: My honourable & learned Friend wishes to Enroll himself amoung Your Graces political friends
Description:
Title from text below image., Print signed with John Doyle's monogram: "HB"., Date of publication from the British Museum catalogue., A close copy of British Museum satires no. 15837 with the same signature, title, and inscription, but without the apostrophe in the word "Grace's" in the speech balloon., and Matted to 42 x 49 cm.
Publisher:
Pubd. by S. Gans, 15 Southampton St., Strand and Printed by C. Ingrey, 310 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 175.
Publisher:
Pub. Feb. 25, 1830 by S. Gans, 15, Southampton St., Strand
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Lyndhurst, John Singleton Copley, Baron, 1772-1863, and Scarlett, James Yorke, Sir, 1799-1871
"A fight between Lyndhurst and Peel with Ellenborough and Wellington as bottle-holders. Lyndhurst (left), in Chancellor's wig and gown, staggers back, arms flung out, at a punch on the nose from Peel who lunges forward, ruthlessly pugnacious. Ellenborough, dressed and behaving as a dandy (in tight-waisted blue coat and white bell-shaped trousers), holding a tubular eau-de-cologne bottle, emblem of the dandy, cf. BM Satires No. 13031, registers alarm, exclaiming, 'Oh! Oh! my dear Lud, take care--he's a terrible hitter--or he'll have your Ludship's dear head in Chancery.' Wellington (right), in uniform with sword, gauntlets, and heavily spurred cavalry boots, says: 'That's it Bob; serve him out--He won't ride rusty after this I know.'"--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed to plate mark., Watermark: J. Whatman 1928., and Numbered in ms. at top of sheet: 178.
Publisher:
Pub. by J. Field, 65 Regents Quadrant
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Ellenborough, Edward Law, Baron, 1750-1818, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Dandies, British, Judges, Military uniforms, and Wigs
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
"Lyndhurst stands beside a dressing-table (left), in shirt-sleeves, wearing his Chancellor's wig. He puts one hand into the arm-hole of a coat which a footman in livery holds out, saying, 'Your Lordship's Coat is become very threadbare for you know you turned it only last year--& it has been turned before that: so I much doubt if it will bear turning any more-- Can't you afford to buy a new one now her Ladyship earns her own Expenses?-- Doodle pays all her bills and gives her every thing she can wish for.' Lyndhurst: 'Alas! she'll get no more out of Doodle! he has quite kicked her off--She is just now gone to Cumberland to try after a service there which perhaps may enable me to keep still sitting on Wool, if I can but turn this Coat once more & look decent.' On a settee (right) are the mace, Purse of the Great Seal, and the Chancellor's gown."--British Museum online catalogue
Description:
Title etched below image. and Print signed using William Heath's device: A man with an umbrella.
Publisher:
Pub. March 24, 1829, by T. McLean, 26 Haymarket
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lyndhurst, Sarah Garay, Lady, 1795-1834., and Dudley, John William Ward, Earl of, 1781-1833.
Subject (Topic):
Dressing tables, Mirrors, Servants, Wigs, Coats, Ceremonial maces, and Robes
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 24.6 x 34.9 cm., Printed on wove paper., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Pss. Charlotte," "Theodore Majocchi," and "Caroline" identified in black ink above title; note "21 - Aug. 1820" added in ink in lower right corner, beneath the pencil annotation "Aug. 1820." Typed extract of fifteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"George IV, seated on a Chinese throne with Chinese attendants, addresses a group of Ministers, &c. (right): Liverpool, Eldon, Canning, with a paper headed 'East Indies' in his pocket (he was President of the Board of Control), Copley and Gifford. P. 9: H, for the hubbub the Archer intended, By one 'coup de main' should be presently ended. ...'"--British Museum online catalogue
Alternative Title:
H, for the hubbub the archer intended, by one coup de main should be presently ended ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Canning, George, 1770-1827, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Gifford, Robert Gifford, Baron, 1779-1826, and Rosco.
Subject (Topic):
Politicians, Thrones, Servants, and Fans (Accessories)
"Four barristers fight, all having oval shields and using rolled documents as weapons. Brougham, armed with 'Truth', and Denman with 'Justice', vanquish Gifford and Copley (Attorney-and Solicitor-General), one with a shield inscribed 'Pains' and a document inscribed 'Filth', the other with a shield inscribed 'Penalties' and a document inscribed 'Lies'. Below: 'Broomo's and Denny's judgmatical fire, Laid Giffo, with Coppo and Co. in the mire.'"--British Museum online catalogue, description of a variant state
Alternative Title:
Queen's alphabet
Description:
Title engraved above image; alternative title engraved at top of plate: The Queen's alphabet., Attributed to Theodore Lane in the British Museum catalogue., Variant state, with differences in engraved text above image, of no. 13948 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Publisher and date of publication from description of variant state in the British Museum catalogue., Sheet trimmed within plate mark with probable loss of imprint statement from bottom edge., Frontispiece to: Rosco. Horrida bella. London : G. Humphrey, 1820., Quoted text below title: "Arma virumque cano"., Mounted on page 8 of: George Humphrey shop album., and Mounted with eight sheets of letterpress text, for letters A-H, meant to face the corresponding plates in bound copies of Horrida bella.
Publisher:
G. Humphrey
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, Lyndhurst, John Singleton Copley, Baron, 1772-1863, and Rosco.
"Gifford levels a cylindrical bill of 'Pains & Penalties' from which issues a blast of smoke, while Copley scatters squibs. Behind (left), spears, with the King's large bow, lean against a railing. P. 10: I, for the injury meant to be done, By the great Bill of Pains, as a thundering gun, ..."--British Museum online catalogue
Alternative Title:
I, for the injury meant to be done by the great Bill of Pains, as a thundering gun ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 11 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Lyndhurst, John Singleton Copley, Baron, 1772-1863, Gifford, Robert Gifford, Baron, 1779-1826, Rosco., and Great Britain. Parliament.
Subject (Topic):
Politicians, Lawyers, Legislation, Firecrackers, Smoke, Spears, and Bows (Weapons)
"Demont and Majocchi, both holding large spears, stand timorously, held up by Gifford and Copley. In the background are crowds of men (other witnesses), holding spears, with a banner, 'Pains & Penalties'. P. 11: K, for the Knights in their armour all ready, The troops in new clothing and bellies full, steady. ..."--British Museum online catalogue
Alternative Title:
K, for the knights in their armour all ready, the troops in new clothing and bellies full, steady ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 11 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Lyndhurst, John Singleton Copley, Baron, 1772-1863, Gifford, Robert Gifford, Baron, 1779-1826, Demont, Louisa, active 1814-1820, Majocchi, Theodore, active 1820, and Rosco.
Subject (Topic):
Politicians, Lawyers, Witnesses, Crowds, Banners, and Spears
"A mêlée of lawyers and witnesses in military action among clouds of dust, directed by Gifford and Copley, who stand in the foreground. Behind Gifford (right) stands a man holding a big book: 'Dutchess of Norfolk's Case'. Beside him are large volumes of 'Law'. P. 12: L, for the lies that were told on the day, The combatants met in the Archer's affray; ..."--British Museum online catalogue
Alternative Title:
L, for the lies that were told on the day the combatants met in the archer's affray ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 11 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Lyndhurst, John Singleton Copley, Baron, 1772-1863, Gifford, Robert Gifford, Baron, 1779-1826, Norfolk, Mary Howard, Duchess of, 1659?-1705., and Rosco.
Subject (Topic):
Politicians, Lawyers, Witnesses, Fighting, Books, and Spears
"Lyndhurst (see No. 15705), in his Chancellor's wig, is dressed as a beadle in gold-laced cocked hat and coat over his own black knee-breeches. He holds a tall (beadle's) staff representing the mace; a pouch representing the Purse of the Great Seal hangs from his left arm. He stares fixedly. Above his head: 'There's a great deal of trouble with some of our Wards'. After the title: 'Look at me--on't See--don't see I'm the Beadle of Parish &c'. Below the title: '"He Sir that takes pity on decayed men--and gives them Suits of durance; he that sets up his rest to do more exploits with his Mace--than a Morris pike--vide Shakspeare' ['Comedy of Errors', iv. iii]"--British Museum online catalogeue
Description:
Title etched below image., Series title etched above image., Paul Pry is the pseudonym of William Heath., and Not in the Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum.
Publisher:
Pub. June 12 1829 by T. McLean 26 Haymarket sole publisher of P. Prys caricatures - none are original without T. McLeans name
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863
"Queen Caroline, much burlesqued, stands (left) in the grounds of Brandenburgh House, looking up in angry distress at an irradiated sun in the upper right corner of the design containing a bust portrait of George IV and surmounted by a crown. She flinches to the left, holding up an ermine-bordered cloak to screen herself from the rays. In her right hand is a decanter of Brandy [cf. British Museum Satires No. 14175]. She has loose black ringlets, and wears a heavily-feathered black cap; frilled drawers are attached to a very high-waisted and décolletée bodice and display absurd ankle boots with the turned-up toes common in these prints. The rays from the King are inscribed: Westmorland, Camden, Eldon, Liverpool, Harrowby, Clarence, Gifford, Copley. In the background (right) is Alderman Wood, wearing his gown, running towards her, his arms extended, and followed by two braying asses. In the foreground are thistles, like the asses an emblem of Wood, see British Museum Satires No. 14146."--British Museum online catalogue
Alternative Title:
Address to the Sun
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text beneath title: To thee I call but with no friendly voice, and add thy name O K--g. To tell thee how I hate thy beams, that bring to my remembrance from what state I fell., Watermark: J. Whatman 1821., Mounted to 58 x 39 cm., Mounted on leaf 84 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Wood," and "George IV" identified in pencil below image; date "8 [sic] June 1821" written in ink in lower right corner of sheet. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Westmorland, John Fane, Earl of, 1784-1859., Camden, John Jeffreys Pratt, Marquis of, 1759-1840., Eldon, John Scott, Earl of, 1751-1838., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., Harrowby, Dudley Ryder, Earl of, 1762-1847., William IV, King of Great Britain, 1765-1837., Gifford, Robert Gifford, Baron, 1779-1826., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Sun, Crowns, Miniatures (Paintings), Alcoholic beverages, Donkeys, and Feathers
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[16 June 1832?]
Call Number:
Folio 75 G750 832 no. 6 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The Devil, laden with Tories, strides to the left, quoting the Duke of Newcastle with a gloating grin: 'Can't I do what I like with MY OWN' [see BM Satires No. 15884, &c.]. Across his shoulder is a trident on which a bloated bishop is spiked. From the lower end of the handle a rat-trap (see BM Satires No. 15734), on which Peel sits, hangs by a rope. Wellington, encircled by the barbed tail, is dragged along, kicking violently. He is in uniform with spurred boots; a gibbet projects from his cocked hat. Under the Devil's arm are two lawyers: Wetherell in his slovenly dress, and Lyndhurst. The remainder are tied by ropes to the Devil's back; most prominent (left to right) are Ellenborough, Cumberland, Gloucester, and Croker. The others are scarcely characterized; a Scots cap may denote Lauderdale, a renegade."--Britism Museum online catalogue
Description:
Title from text below image; series statement at top of image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum catalogue., Wood engraving with letterpress text., "Price one penny"--Text following series subtitle., Publisher's advertisement at bottom of sheet: All the numbers of John Bull's picture gallery may be had at the publisher's, W. Chubb, 48 Holywell Street, Strand, London., and An adaptation of no. ??? in v. 11 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
W. Chubb
Subject (Geographic):
Great Britain.
Subject (Name):
Tory Party (Great Britain), Croker, John Wilson, 1780-1857, George V, King of Hanover, 1819-1878, Lauderdale, James Maitland, Earl of, 1759-1839, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Wetherell, Charles, Sir, 1770-1846, and William Frederick, Duke of Gloucester, 1776-1834
"A game of chess between the Tsar and the Sultan. The latter sits cross-legged on a chest, to which the chess-board, supported on legs, is attached. Nicholas, a military dandy with a hideous profile, moves a piece, saying 'Check Mate'; he has taken two castles and other pieces. With his left hand he slips a large bag of 'Roubles' into the hat of Wellington who stands behind his chair. The Duke raises two fingers, saying, 'I say's Nothing'. The Sultan clutches his turban, registering consternation; to the box on which he sits is chained a Greek (? Capodistrias) in national costume. The Emperor of Austria and King of Prussia stand behind the chess-board; the former says: 'We must look on for the present Brother.' Beside them stands a Quakerish-looking man, hands clasped and thumbs together, probably President Jackson; he says 'Um . .m.. .m.' Behind Wellington (right) are Eldon, with his hands raised in horror, saying 'Here's treatment of Old friends and Allies.' Behind him is Lyndhurst in wig and gown. Behind the Greek (left) the King of France says to his fellow-Bourbon of the Two Sicilies (identified from BM Satires No. 15865), 'Ve must take care ours turn is not de next.'"--British Museum online catalogue
Description:
Title etched below image., British Museum catalogue suggests September or October as the month of publication in 1829., Sheet trimmed within plate mark., Temporary local subject terms: Military dandies -- Games -- Chess -- Russo-Turkish wars -- Reference to Greece -- Turkey -- Russia -- Austria -- Prussia -- France., and Numbered in ms. at top of sheet: 222.
Publisher:
Publish'd by J. Field, 65 Quadrant
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855, Wellington, Arthur Wellesley, Duke of, 1769-1852, Mahmud II, Sultan of the Turks, 1784-1839, Kapodistrias, Iōannēs Antōniou, 1776-1831, Jackson, Andrew, 1767-1845, Francis I, Emperor of Austria, 1768-1835, Frederick William III, King of Prussia, 1770-1840, Eldon, John Scott, Earl of, 1751-1838, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Charles X, King of France, 1757-1836, and Francesco I, King of the Two Sicilies, 1777-1830
A Cardinal-Legate with attendant clergy gives absolution to Lyndhurst, Peel, and Wellington who kneel before a throne on a dais, their hands in prayer. Lyndhurst has the Purse of the Great Seal under his knees and the mace on the floor beside him. Attendant clergy include two obese monks or friars, one of whom holds a candle, the other a grotesque image of the Virgin. Also in attendance is a Jesuit who holds a triple cross and claps a rosary and a thin, sly-looking priest who also holds a candle
Description:
Title etched below image., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., Publication date from British Museum catalogue., and "Pl. 2"--Upper right corner.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Church of England
Subject (Topic):
Relations, Catholic Church, Catholic Emancipation, Cardinals, Monks, Podiums, and Priests
"George IV, in déshabillé, stands at a bedroom window, with flexed knees, peering through a telescope at a semaphore (cf. British Museum Satires No. 8612) on a distant ridge. P. 20: T, for the Telegraph giving the state, Of Giffo's and Coppo's contention with fate-- ..."--British Museum online catalogue
Alternative Title:
T, for the telegraph giving the state of Giffo's and Coppo's contention with fate ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Lyndhurst, John Singleton Copley, Baron, 1772-1863., Gifford, Robert Gifford, Baron, 1779-1826., and Rosco.
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April? 1829]
Call Number:
829.04.00.19+
Image Count:
1
Resource Type:
still image
Abstract:
"Apparently an imitation (better drawn) of British Museum Satires No. 15716. Wellington drives (left to right) four galloping horses, each with a human head. The leaders are Lyndhurst (piebald) and Scarlett (black), both wearing legal wigs; the wheelers Brougham, also in his wig, and Burdett. He flicks his lash over the leaders, saying, 'Kim up Motley--keep together odd Rat [Lyndhurst] ye--or I'll lay it into ye!!' The King's (pleased) face is seen through the coach window; he says: 'I say Arthur, you are the Man Wot can make'm go, if you like!!' The guard is Lady Conyngham: she stands up, blowing her horn. She wears a guard's greatcoat and satchel over her dress and holds a blunderbuss. The coach is the 'Windsor Castle'; 'Wellington & Co.'; 'G R 1829'. It has just passed and overturned a two-wheeled ass-cart, the ass falling on its head, the driver, Eldon, sprawling on the ground. In the cart, which is inscribed 'John Eldon Rubbish Carter' [see British Museum Satires No. 15700, &c], are big bundles of 'Anti-Catholic Petetions' [see British Museum Satires No. 15661, &c.]. Standing behind and below the guard's dickey is Peel as 'cad', or conductor; he thumbs his nose at Eldon, saying, 'There's a Guard for the Sovereign eh!!!' Windsor Castle is on the extreme left; on the extreme right is a signpost pointing (left) to 'Windsor' and (right) 'To London'."--British Museum online catalogue
Alternative Title:
Needs must when well - drives
Description:
Title etched below image; the words "safety-coach" are etched above the line, inserted with a caret. and Month of publication suggested in the British Museum catalogue.
Publisher:
Pubd. 1829 by S.W. Fores, 41 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Scarlett, James, Sir, 1769-1844, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"George IV (left), plainly dressed in frogged coat with fur collar, sits in an arm-chair regarding Wellington with surprise. The Duke, dressed as a carpenter, approaches him from the right, bending forward and raising his paper cap which is shaped like a coronet. He is in shirt-sleeves with a high-collared waistcoat, and an apron over his own strapped white trousers. In his left hand is a saw. He says: 'I begs pardon your honor, but I can't stand it no longer--There's my foreman Bob, and Chancery Jack, as we calls him, are fighting instead of minding their work--The vagabonds von't be easy 'till I bundles 'em out.' He watches the King with wary intentness. On the wall behind him is a small picture of 'Bob & Chancery Jack': Peel and Lyndhurst (in his Chancellor's robes) facing each other in a pugilistic encounter."--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Numbered in ms. at top of sheet: 179.
Publisher:
Pub. by S. Gans, 15 Southampton Street, Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"Lady Conyngham stands directed to the left, feet apart, dressed as in British Museum satires no. 15720; she amusingly combines the ultra-feminine with masculine attributes and stance. She is immensely fat and wide with small cherubic features and curls; under her left arm is a cocked blunderbuss. She wears a wide-brimmed hat, a neckcloth fastened with a jewelled crown, a coach-guard's greatcoat, wide open over her tight-waisted dress. A pouch hangs from her shoulder and two coach-horns from her left arm. Above her head: 'I says to our Governor says I--keep your eye on them ere Leaders George'; i.e. on Lyndhurst and Scarlett, see British Museum satires nos. 15720, 15850. Cf. British Museum satires no. 15716."--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., and Publisher's advertisement below imprint: Caricatuer [sic] daily pub.
Publisher:
Pub. April 28, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Scarlett, James, Sir, 1769-1844.
"Heading to a broadside printed in two columns. A sequel to No. 13764. George IV, a whiskered infant, lies feverish and fractious in a cot decorated with Chinese figures and hung with bells. He is surrounded by Ministers. Sidmouth, holding a doctor's gold-headed cane, feels his pulse, saying: "Dredful sympton's [sic] a raging Pulse." A bottle labelled 'Dolbys Carminative' (as in British Museum Satires No. 13764) projects from his pocket. Liverpool, with pap-boat and spoon, says: "I thought how it would be, that Foriegn Emetick has been too strong for his weak Nerves." Castlereagh, standing between two lawyers, puts a hand on the Babe's forehead, saying: "how hot his poor dear head feels." One lawyer (? Copley) tries to push back a leg within the cot, saying: "If he could but stand on his Legs once more we might have hopes, but I'm afraid he has Caught the Rickets--" The other (? Gifford): "A sae [sic] voyage by all means Brou--ms drops should have been taken with more caution as they are very Searching." An old woman (left) holds out a ribbon: "Here's the R--y--l Leading Strings," while an apothecary (right) using a large pestle and mortar says: "O! what a fogo what a mixture what a mess." Behind him are shelves ranged with druggist's jars. In the foreground toys are scattered, chiefly military, as in British Museum Satires No. 13764; they are: 'Royal Play things'. There is also a rocking-horse on which are two toy lancers. In front of the fire napkins are hanging, and on the mantelshelf are medicine-bottles and a doll. In the foreground is an overturned child's commode, the pan inscribed 'Royal Stole'. ...."--British Museum online catalogue
Alternative Title:
Great babe taken ill
Description:
Title printed in letterpress below image., Attribution to Robert Cruikshank and approximate date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Nine stanzas of verse in two columns below title, printed in letterpress: Run, Sid-th, run; send for a nurse, the R-y-l Babe's quite ill ..., "Price one shilling. Entered at Stationers' Hall"--Below imprint., Publisher's advertisement at bottom of sheet: N.B. More good things in preparation, by the same author., Watermark: Gater 1818., Mounted to 58 x 39 cm., Mounted on leaf 38 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Geo. IV," and "Castlereagh" identified in black ink below image; date "July 1820" written beneath lower right corner of image. Blanks within the letterpress text have been completed in ink, spelling out the censored names "Sidmouth," "Brougham," "Liverpool," and "Sidmouth" (a second time), as well as the word "Royal" in two places. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by C.E. Pritchard, Islington Green
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Gifford, Robert Gifford, Baron, 1779-1826, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Politics and government, Political satire, English, Cots, Bells, Sick children, Staffs (Sticks), Lawyers, Pharmacists, Medicines, Rocking chairs, Toys, and Fireplaces
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[February 1831]
Call Number:
831.02.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Grey as schoolmaster stands on a low dais in profile to the right, addressing nine schoolboys (Tories); he holds an open book, 'Reformers First Primer', and leans on his desk, saying, 'Say after Me I Shou'd Reform Thou Shoudst Reform He Shoud Reform We Shou'd Reform You Shou'd Reform They Shou'd Reform'. Behind him is the front portion of an ornate chair, as in the French print. Brougham stands full-face, as usher, holding a big birch-rod (see British Museum Satires No. 15535). Four pupils sit on the front bench behind them is another row of four; Wellington stands behind on a stool (invisible) wearing a fool's cap, like an extinguisher, decorated with bells. He holds a torn primer, and with his fingers to his mouth says 'I Can't Reform'. Peel is the only boy who looks at Grey. The pupils are ill-drawn and badly characterized; two are Lyndhurst and Goulburn, wearing spectacles. All (except Lyndhurst, who is in wig and gown) wear boyish dress, with white neck-frills or collars, some wearing pinafores."--British Museum online catalogue
Alternative Title:
Conjugation of the verb To reform
Description:
Title from text below image., Digit "3" in year "1831" in imprint is printed backwards., and Numbered in ms. at top of sheet: 213.
Publisher:
Pub. Feb. 1831 by S. Gans, Southampton St., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Grey, Charles Grey, Earl, 1764-1845, Peel, Robert, 1788-1850, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Goulburn, Henry, 1784-1856
Subject (Topic):
Politicians, Lecterns, Teachers, Books, Reform, Students, Chairs, and Fools' caps
Eighteen woodcut caricatures of people involved in the Queen Caroline Affair, arranged in three rows of six. Each figure has a satirical name printed in letterpress above, and all but one have quoted text beneath the name; six lines of verse are printed in letterpress beneath each figure
Alternative Title:
Members of the plot club
Description:
Title from letterpress text at top of sheet., Date from manuscript annotation at bottom of sheet., Four lines of quoted text beneath title: "'Tis the curse of kings, to be surrounded by a venal herd of flatterers, that soothe his darling vices, and rob their master of his subjects' love.", "Price sixpence"--Following imprint., Mounted to 58 x 39 cm., Mounted on leaf 26 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Names of thirteen of the depicted figures are added in ink, written beneath the individual caricatures; date "Nov. 1820" written in pencil at bottom of sheet.
Publisher:
Printed and published by J. Turner, 170, Aldersgate Street, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Gifford, Robert Gifford, Baron, 1779-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Majocchi, Theodore, active 1820, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, and William IV, King of Great Britain, 1765-1837
"Canning in a long robe and floating cloak stands on a Rock of Integrity, against which huge waves are dashing. He holds out a wand, saying, The Tempest has to the point obeyed my spells, | And cast my enemies within my power. The enemies are Eldon, whose head and arms emerge from the waves; Melville, leaning against an overturned (timber) Admiralty Board at the water's edge, and Wellington, in uniform, riding a prancing horse in the sea; a huge baton inscribed Comd in Chief floats away from him. Two big jack-boots emerge from the water, each clutched at by a drowning man. Near Eldon, a creature (? Caliban) supports above the water the head of a second judge and holds up a (?) mirror. Tossed by great waves at the base of the rock are three open boats, each having a small sail, manned by those who have succeeded the 'enemies'. One is The Copley; in it stands Copley (now Lyndhurst) who has just hurled a harpoon which transfixes Eldon's wig. A bird of prey is about to peck the latter's bald head. In an adjacent boat, The Leach, stands Leach holding a harpoon. Behind them is a slightly larger boat, The Anglesea Cutter, in which are three men: Anglesey in civilian dress holding out a drag-net towards Wellington's back; the (?) Duke of Devonshire holding a grappling-iron, and Scarlett. At the water's edge (right) stands a glorified Duke of Clarence as Neptune, holding a trident and supported by two tritons blowing cornucopia-shells. He is in full light and towers above Melville, who lies below in shadow. Behind Canning's back a figure kneels imploringly on the edge of his rock, saying, Oh! take me back to the hospitable shelter of the Duchy, showing that he is Bexley, who having resigned, withdrew his resignation on 12 Apr. (cf. BM Satires 15391). On the shore in the foreground (left) sits the largest and most conspicuous figure, John Bull (not named), with a big burden on his back: National Debt. He has a countryman's short gaiters, is ragged, with a broken shoe and bare toes, but has a grog-blossom nose and smiles delightedly towards Canning. From his pocket hang Petitions for Reform. Near him stands an elegant Erin, playing her harp, a rose-bush at her feet, emblem of Anglo-Irish conciliation. In the air is a demoniac creature riding a dragon, which breathes flames of Superstition. Holding out two firebrands, Bigotry and Intolerance, he looks down at the unconscious Erin; from his mouth issues a label: No Popery. Canning is lit by a beam of light from an irradiated sun containing the head of George IV looking towards his Minister. Behind Canning, among clouds, is a 'wind', a face directing a blast towards him. Near the horizon is a lighthouse. A little figure (? Cobbett) struggles towards it, holding above the water a large scroll inscribed My Comments."--British Museum online catalogue
Alternative Title:
Prospero triumphant
Description:
Title etched below image., Later state with aquatinting, added border, and street address in imprint re-etched from "27" to "24." Cf. no. 15384 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Temporary local subject terms: Reference to The tempest by William Shakespeare -- Military uniforms -- Field marshall uniforms -- Male costume: Gaiters -- Reference to Erin -- Reference to Ireland -- Mythology: Neptune -- Tritons -- Tridents -- Popery -- Shells: Cornucopiae -- John Bull -- Demons -- Dragons -- Tempests -- Boats -- Judges -- Mirrors -- Wigs -- Harpoons.
Publisher:
Pubd. May 6, 1827, by G. Humphrey, 24 St. James's Street
Subject (Name):
Canning, George, 1770-1827, Eldon, John Scott, Earl of, 1751-1838, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Anglesey, Henry William Paget, Marquis of, 1768-1854, Devonshire, William Spencer Cavendish, Duke of, 1790-1858, Scarlett, James, Sir, 1769-1844, William IV, King of Great Britain, 1765-1837, Vansittart, Nicholas, 1766-1851, George IV, King of Great Britain, 1762-1830, Cobbett, William, 1763-1835, and Leach, John, 1760-1834
"A mail-coach inscribed 'Sovereig, Windsor and London', with high-stepping horses, is driven, left to right, by Wellington, who wears fashionable coaching dress with multiple-caped coat and broad-brimmed hat. He has just passed a rival coach, 'the Humbug & Co London Windsor', which has overturned, after colliding with a roadside post inscribed 'Emancipation'. An alarmed face looks out of the window; the traces have broken, the front wheels are off; the driver, Eldon, has fallen on his back on to the prostrate wheelers. The Duke of Cumberland falls head first from the frail dickey; another man (? Winchilsea) falls from the roof, which is stacked high with bulky petitions, one inscribed 'Old Womans Petition']; a paper also falls to the ground inscribed 'Bigotry, Ignorance, Intolerance, Loaves, Fishes, Pensions, Places'. Behind Wellington, on "The Sovereign", sit four men: Brougham, in barrister's wig and holding a brief-bag, a bishop, Burdett, a judge (probably Lyndhurst). The guard is Peel, who stands up, horn in hand, to say to the Duke: 'I say governor we've done em up at last, they will never recover themselves any more.' Wellington, looking over his shoulder, answers: 'No No, they are quite done up that post has smash'd them.' The inside passengers are George IV and Lady Conyngham; he leans out to watch the catastrophe, saying with a smile, 'Floored by George.' She says: 'Aye Aye George we've gotten a Coachman now vot is up to a thing or two, and knows vot is vot.' Brougham: 'Why the concern has been in a bad way some time they say that it is so rotten that all the Rats abandoned it.' The bishop: 'Its lucky they had few passengers.' Burdett: 'No wonder they upset they had too much rubbish on the roof'. The coach flies a flag inscribed 'True Patriotism Honor Truth Liberality'; it is decorated with the Royal Arms: shamrock and roses. There is a background of trees dominated on the right by Windsor Castle."--British Museum online catalogue
Description:
Title from caption below image., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 210.
Publisher:
Published by J. Field, 65 Quadrant, Piccadilly
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"A fight between the four barristers: Brougham and Denman, without shields, wield papers inscribed respectively 'Truth' and 'Justice'. The other two, with shields and a heavy spear, are worsted; at their feet lie Eldon, and (according to the text) Lauderdale and Redesdale (the most aggressive of the peers during the proceedings). In the background (left), among clouds of smoke, the Ministerial forces, with a tattered banner inscribed 'Pains . . Penalties', are retreating to the left. A cheering crowd advances from the right. P. 23: X, for the cross, and the Archer's distress, The battle had roared like a storm thro' the press, ..."--British Museum online catalogue
Alternative Title:
X, for the cross, and the archer's distress, the battle had roared like a storm thro' the press ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 13 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lauderdale, James Maitland, Earl of, 1759-1839, Eldon, John Scott, Earl of, 1751-1838, Redesdale, John Mitford, Baron, 1748-1830, and Rosco.
Subject (Topic):
Politicians, Lawyers, Shields, Spears, Fighting, and Crowds
"A scene in the House of Lords, the foreground being filled by a fantastic game of chess. Gifford (left) and Brougham (right) play on a large chess-board supported on the heads of three witnesses against the Queen: Rastelli (?), Demont, and Majocchi. Copley watches behind Gifford's chair; both register consternation. Denman leans on Brougham's chair; both smile. The King, as a Chinese mandarin at Q.R. 4 is in check to the Queen (Q.R. 2), who stands beside Alderman Wood, her 'chief pawn'; both are whole length portraits. At the back of the board are two knights (men on horseback): ' Sir Exoff' (Gifford, so styled from the ex-officio Informations of the Attorney-General, see British Museum Satires No. 11717), and 'Birch' (Brougham). In the centre of the board stand five tiny men, the Queen's pawns, surrounding a woman in white (the Queen, who thus appears twice). The only pieces represented as chessmen are castles with the heads of Castlereagh and Wellington and two bishops, Canterbury and Exeter. Gifford has lost all his pawns: they are Italian witnesses who lie on the ground, broken, by Brougham's chair. Behind, the benches converge in perspective on the throne; Eldon, seated on the Woolsack, registers dismay. Peers, crowded on the ministerial benches (left) are alarmed. Those opposite are fewer: some are mildly pleased, others indifferent."--British Museum online catalogue
Description:
Title from British Museum catalogue., Frontispiece to: Playfair, P. The Queen and her pawns against the King and his pieces; or, The royal check-mate. London : Printed and published by W. Benbow ..., 1820., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 92 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript title "Frontispiece to Queen & her Pawns" written in ink at bottom of sheet, above printmaker's signature; date "Oct. 1820" added in pencil following printmaker's signature. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
W. Benbow
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Gifford, Robert Gifford, Baron, 1779-1826, Majocchi, Theodore, active 1820, Demont, Louisa, active 1814-1820, Rastelli, Giuseppe, active 1820, Denman, Thomas Denman, Baron, 1779-1854, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Manners-Sutton, Charles, 1755-1828, and Great Britain. Parliament. House of Lords,
