Manuscript fragment on parchment of Bernardo of Parma's gloss on the Decretals of Gregory IX, including sections over liber III
Description:
In Latin., Script: written in a heavily abbreviated gothic script., Decoration: running heads, initials, and rubrics in red; some contemporary marginal commentary., and These fragments, which appear to be from the same manuscript, are contained in Zi +156 (Bernhard von Breydenbach, Prefatio in opus transmarine...), in which the fragments are used as front and back endpapers.
Manuscript on paper of a collection of pseudo-Lullian alchemical writings, translated from the French and Catalan originals, with a little additional matter. The codex underwent a transformation in the early 16th century when considerable new matter was added by another English hand on different, thinner paper; leaves have been inserted throughout the original codex
Description:
In Latin., Watermarks: Original paper: 1) an extremely primitive-looking unicorn with very short horn and long tail somewhat like Briquet 9962 and 10176; 2) a less primitive unicorn rather similar to Briquet 9985; 3) bullshead with defined eyes and nostrils and with cross above, rather like Briquet 15054. Inserted leaves: a very elegant unicorn mark, more developed than Briquet 10104; and some leaves with a gothic "P" with cinquefoil above, rather like Briquet 8809., Script: The original portion written by a single English gothic cursive hand with heavy standard abbreviation. The inserted leaves (first 4 ff. now extant, ff. 88-96, 163-169, 268-274, and 307-319 [of which f. 167 is a blank and f. 315 is a parchment leaf]) written in another gothic cursive habitually employing writing of different sizes., Original text: Headings in red, rubricated. Some pages with diagrams or drawings. The illustrations include Lullian alphabets and tables in the form of wheels, an Arbor philosophorum, a group of flasks, and a good, large drawing of a furnace. Inserted leaves: Red headings, and capitals with slight decoration., and Binding: Eighteenth century, English. Dark calf, sides paneled in blind with a roll tool of vine pattern, leafy sprays at the corners, back with six plain compartments and five raised bands, probably original parchment label on second compartment from top bordered with ink rule and lettered in ink: "RAYM. LULLII | OPERA | MANUSCRIPTA". The binding considerably repaired and some leather renewed. Original plain edges, the top blackened.
Manuscript on paper of the writings of Christopher of Paris (pseudonym for a Venetian exile), including his major work, Lucidario, with its supplementary alphabet, plus three letters
Description:
In Italian and Latin., Script: Written by a single good italic hand, sometimes hasty toward the end of the codex., Rubricated, headings often in red., and Binding: Original plain parchment wrapper without ties, back with three raised bands, soiled and worn. Plain edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Christopher, of Paris.
Subject (Topic):
Alchemy, Alphabet books, Italian letters, and Manuscripts, Medieval
Manuscript, on parchment, in a single hand, of Chaucer's Treatise on the astrolabe
Description:
In Middle English., Layout: single columns, mostly of 28 lines., Script: English bookhand., Decoration: initials in blue with red penwork., Presentation inscription on verso of front flyleaf: Augustus W. Franks, the gift of Sir David Dundas., Ownership inscription on verso of front flyleaf: C. H. Read., Tipped in: autograph letter signed from D. D. to A. W. Franks, 1877 February 11., and Binding: nineteenth-century full calf; in case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Chaucer, Geoffrey, -1400.
Subject (Topic):
Astrolabes, English literature, English prose literature, and Manuscripts, Medieval
Manuscript on paper of John Rolfe (1585-1622), A true relation of the state of Virginia, autograph manuscript
Description:
The author, best known for his part in the colonization of Virginia under the governorship of Sir Thomas Dale (d. 1619) and his marriage to the Indian princess Pocahontas (d. 1617), wrote this account after his return to England in 1616 to show the suitability of Virginia for colonization., In English., Script: Written in Gothica Cursiva (Secretary)., The acidity of the ink has damaged the paper., and Binding: Original paper wrappers.
Subject (Geographic):
Connecticut, New Haven., and Virginia
Subject (Name):
Rolfe, John, 1585-1622.
Subject (Topic):
English literature, Manuscripts, Medieval, Description and travel, and History
Manuscript on parchment of Livy, Ab urbe condita libri I-X.
Description:
In Latin., Script: Written by a single scribe in round humanistic script., On f. 1r: the initial F historiated with a view of Rome, full-page illuminated border in gold and colors into which are introduced the Trivulzio arms of Milan (paly of 6, or and vert) and a set of unidentified arms (gules, a cross saltire sable). Initials of books, 8-line, of painted gold on background of blue, green and red, and partial floral border., Initial on f. 2r damaged by crease., and Binding: Eighteenth century. Brown leather, gold-tooled, edges marbled and gilt, rebacked, with T. LIVII DECAS PRIMA on spine.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Livy.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and History
Manuscript on paper tablet of Account book, being a record of Stiffkey mill belonging to Nathaniel Bacon (1546?-1622) for the time period 8 December 1576-1579/80. Contains weekly statements of George Brigges, John Wilson, Thomas Shorten, William Fether, Robert Merkyn, and Henry Corye
Description:
In English., Watermarks: unidentified pot., Script: Written by several individuals in informal cursive scripts., Most folios are wrinkled, torn; some have been mended., and Binding: Nineteenth century. Half green goatskin with green cloth sides, gold- and blind-tooled. Leaves of a didactic theological text (Germany, ca. 1250) bound at beginning and end; probably a bifolium. Parchment; 291 x 196 (220 x 155) mm. Written above top line in a small gothic bookhand. Initials in red or green with penwork designs of the other color. Stained, but with little loss of text.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Bacon, Nathaniel, 1547-1622.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval, and Economic conditions
Manuscript on paper of the Acts of the Apostles and Revelation
Description:
In Greek., Mutilated watermarks consisting of column (?) flanked by fleur-de-lis., Script: Written by a single person in a small neat minuscule script., Initial on f. 1r painted in blue and outlined in red. Illuminated initial on f. 65r in gold, on blue square serving as background; partial border at bottom of page: pink flowers in gold rectangle outlined in black. Running titles throughout., and Binding: Probably ca. 1530. Bruges (?). Sewn on four single, tawed thongs laced twice in and out of pasteboards. The tawed cores of the beaded endbands are also laced twice. Half bands divide the end sections of the spine. The book-block is remarkably clean and the leaves flat. Covered in brown calf with panel stamps of Saint John the Baptist and Saint Michael in arches with a line of dancing figures and a piper in between. Heavily repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of Virgil's Aeneid, book 1, lines 513-543 and 547-576
Description:
In Latin., Layout: single column of 31 lines on recto, 30 lines on verso., Script: copied by one hand in Praegothica, with ascenders sometimes notched, and uncial d and tall d., and The leaf is from a small format pocket-sized manuscript. Trimming affects text at the top of the page, and text on verso is faded and obscured in places by staining.
Manuscript fragment on parchment of Vergil's Aeneid containing portions of Books 2 and 3, including a section of the Pseudo-Ovidian Prologue to Book 3.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: a portion of the initial "P" of Book 3 is preserved, written in red; 1-line initials at the beginning of verses are in brown in a mixture of rustic capital and uncial forms; punctuated with the punctus.
Manuscript on parchment of Virgil, Aeneis, in an Italian prose abridgement by Andrea Lancia
Description:
In Italian., Script: copied by a single hand writing Southern Gothica Textualis Libraria/Formata (Rotunda). Stroking of the majuscules. 2-line flourished initials with simple penwork at the opening of the chapters. More elaborate flourished initials, 2 to 7 lines, at the opening of the Books. On f. 1r an 8-line littera duplex., and Publius Vergilius Maro (70-19 B.C.), Aeneis, abridgement in Italian prose by Andrea Lancia (c. 1280-c. 1360). This Florentine notary and Dante commentator wrote various Italian translations or adaptations of classical Latin texts. There are occasionally interlinear glosses, more often marginal notes. Pointing hands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancia, Andrea, ca. 1280-ca. 1360. and Virgil.
Subject (Topic):
Epic poetry, Latin, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper (sturdy; various unidentified watermarks) of Virgil, Aeneis. Some lines lacking; most were presumably on leaves that became detached and have fallen out. Prefaced to each book are ten or eleven lines in verse. The text of Vergil is accompanied on ff. 1r-5v by marginal and interlinear glosses, the greater portion of which are derived from or an adaptation of Servius. The commentary does, however, include notes (some in Greek) independent of Servius
Description:
In Latin., Script: Part I (ff. 1-6): Written in humanistic cursive by a single scribe; apparently added later to replace lost leaves. Part II (ff. 7-57): Written in fere-humanistic script by one scribe. Spaces left for initials. A large gap in the text occurs between Parts II and III (6.587 to 7.744). Part III (ff. 58-112): Written by a single scribe in a script similar to that in Part II., Spaces left for initials., Many pages unattached due to the brittle binding., and Binding: 16th-17th centuries (?). Sewn on three slit leather straps. There is no indication of an earlier sewing, but the book was extensively mended before it was sewn. Tawed cores of plain wound endbands laid in grooves. Beech boards with rectangular channels on the outside in which the straps are nailed. The spine is lined with brown leather and the book covered in dark brown sheepskin faintly blind-tooled with a central diamond made up of arches with small ornaments scattered in and around it. Tongue turn-ins. There are two catches on the lower board and traces of red and cream silk ribbons nailed to the upper one with star-headed nails. The title is painted in red on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century. and Virgil.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript on parchment (goatskin) of Publius Vergilius Maro (70-19 B.C.), Aeneis, with the Argumenta of Books 1-12 ascribed to Ovid. Including Summary of Aeneis ascribed to Basilius, one of the Twelve Wise Men; Ps.-Vergilius, prologue to Aeneis; Six verses in praise of Mapheus Vegius (Maffeo Vegio, 1406-1458); Mapheus Vegius (Maffeo Vegio, 1406/7-1458), Book 13 of Aeneis; and Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis
Description:
In Latin., Script: Copied by a single scribe writing a careful but somewhat unusual Humanistica Textualis Formata, with lengthened descenders at the bottom line., Very pale red rubrics and running numbering of the Books (on rectos, in Roman numerals); blue paragraph-marks; blue plain initials (2-3 lines) for the Argumenta; white vinestem initials (6 lines) with marginal extensions; on f. 5r (Book 1) 10-line white vinestem initial and full white vinestem border augmented with groups of three gold balls in the outer and lower margins; in the lower section a damaged coat of arms in a wreath, identified as argent, a fess azure., The lower margins of ff. 149, 181 and 192 have been cut and were replaced; in the first case this was done before writing; the upper and lower corners of the leaves are cut; ff. 1-14 have been repaired by pasting pieces of parchment to the damaged edges or corners. There is a triangular incision in the lower part of the outer edges in the large central section of the codex., and Binding: 1904 by Katharine Adams for Sydney Cockerell. Green pigskin over pasteboard; spine with five raised bands and the gold-tooled inscriptions "VERGILI / AENEIS / MS." and "NORTH ITALIAN / 1450". White parchment endleaves. Gilt edges. The preceding binding was purple morocco by Zaehnsdorf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Epic poetry, Classical, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
