Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's country of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Patients, psychiatric; Hospitals, France; Patient restraints., and Soiled. Mounted. Glue residue around plate. 2x2.
Publisher:
publisher not identified
Subject (Topic):
Psychiatric hospitals, Mental illness, Restraint of patients, Mental institutions, and Mentally ill persons
Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local Medical Library subject terms: Hospitals, Great Britain -- Hospitals, psychiatric -- Psychiatric patients -- Bethlehem Hospital., and 1 print : etching with stipple, hand-colored ; plate mark 250 x 305 mm.
Publisher:
Pubd. April 4th 1784, by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Monro, John, 1715-1791, and Bethlem Royal Hospital (London, England)
Subject (Topic):
Politics and government, Mentally ill persons, Mental institutions, Physicians, Physical restraints, Straitjackets, and Quizzing glasses
Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Hospitals, Great Britain -- Hospitals, psychiatric -- Psychiatric patients -- Bethlehem Hospital.
Publisher:
Pubd. April 4th 1784, by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Monro, John, 1715-1791, and Bethlem Royal Hospital (London, England)
Subject (Topic):
Politics and government, Mentally ill persons, Mental institutions, Physicians, Physical restraints, Straitjackets, and Quizzing glasses
Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's country of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Electrotherapy; Patients, psychiatric; Hospitals, France.
Publisher:
publisher not identified
Subject (Name):
Salpêtrière (Hospital).
Subject (Topic):
Electrotherapeutics, Medical equipment & supplies, Mental institutions, Mentally ill persons, and Physicians
A loose plagiary (reversed) after Hogarth's eighth plate in the Rake's Progress series: A scene in Bedlam with Tom half-naked and in a state of distress restrained by attendants; two women revive a fainting Sarah Young (right). Tom's old wife looks at herself in a hand mirror (left). The wall to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Soon hurried thro' a course of vice ...
Description:
Title from original as cited by Paulson. Added titel from first line of verse etched below image. Verses (in four columns six lines each) continue: " ... with sots & panders, whores & dice, his mind by jarring passions tost ... with superstitions fears sit quaking, or combat devils of their own making.", Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2257., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 139., and Mounted to: 353 x 435 mm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, Parables, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Additional title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., 1 print : etching and engraving on laid paper ; plate mark 35.5 x 40.7 cm, on sheet 45 x 56 cm., and Leaf 15 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
Plate 15. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman and a warder; in the background, other inmates (including one who believes himself to be God and has cheap prints of saints pinned to his cell wall). Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on to his straw bed. The wall and the banister of a staircase to right are covered with various graffiti including calculations of longitude and an image of the reverse of a coin, lettered "Britannia/1763", and the name of a well-known prostitute, Betty Careless
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Added title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., Sheet trimmed within plate mark., After the painting at Sir John Soane's Museum., 1 print : etching and engraving on laid paper ; plate mark 35.4 x 40.7 cm, on sheet 46 x 59 cm., and Plate 15 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
Plate 15. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman and a warder; in the background, other inmates (including one who believes himself to be God and has cheap prints of saints pinned to his cell wall). Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on to his straw bed. The wall and the banister of a staircase to right are covered with various graffiti including calculations of longitude and an image of the reverse of a coin, lettered "Britannia/1763", and the name of a well-known prostitute, Betty Careless
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Added title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., Sheet trimmed within plate mark., After the painting at Sir John Soane's Museum., 1 print : etching and engraving on laid paper ; plate mark 35.4 x 40.7 cm, on sheet 46 x 59 cm., and Plate 15 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman and a warder; in the background, other inmates (including one who believes himself to be God and has cheap prints of saints pinned to his cell wall). Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on to his straw bed. The wall and the banister of a staircase to right are covered with various graffiti including calculations of longitude and an image of the reverse of a coin, lettered "Britannia/1763", and the name of a well-known prostitute, Betty Careless
Alternative Title:
Madness, thou chaos of [the] brain, what art? and Scene in a madhouse
Description:
Title and state from Paulson., Restrike of the third state of the plate, which was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was later reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., and Temporary local Medical Library subject terms: Patients, Psychiatric -- Hospitals, Interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Topic):
Psychotherapy patients, Hospitals, Psychiatric hospitals, Restraint of patients, Interiors, Asylums, Mental institutions, Mentally ill persons, and Rake's progress
Plate 15. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman and a warder; in the background, other inmates (including one who believes himself to be God and has cheap prints of saints pinned to his cell wall). Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on to his straw bed. The wall and the banister of a staircase to right are covered with various graffiti including calculations of longitude and an image of the reverse of a coin, lettered "Britannia/1763", and the name of a well-known prostitute, Betty Careless
Alternative Title:
Madness, thou chaos of [the] brain, what art?
Description:
Title, state and imprint from Paulson., Added title from first lines of verse etched below image., Eighth scene in A rake's progress. See Paulson., Sheet trimmed within plate mark., After the painting at Sir John Soane's Museum., and On page 78 in volume 1. Trimmed within plate: 355 x 405 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, and Rake's progress
