From left to right, Lieutenant Doyle, Mr. Sone and Captain Foster, all from the 24th Regiment, walking to the right with three ladies on the North Bridge
Description:
Title and printmaker from volume., Probably from: Kay, J. Series of original portraits and caricature etchings by the late John Kay. Edinburgh : Hugh Paton, Carver and Gilder, 1837-1838., and Place and date of imprint conjectured from that of book.
Publisher:
Hugh Paton, Carver and Gilder
Subject (Geographic):
Scotland
Subject (Name):
Doyle, William, active 1784., Sone, Samuel., and Foster, William, active 1784.
Subject (Topic):
Couples, Clothing & dress, Military uniforms, and British
A light infrantryman dressed in full uniform executes a drill with his flintlock. The caption from the published plate reads: ... the right hand is brought sharp to seize the flintlock at the top of the left shoulder keeping the body square & elbows close
Description:
Title from print based on this drawing and later published in a volme by Rowlandson. and For further information, consult library staff.
Keppel in admiral's uniform, holding his hat in his right hand, his left hand in his waistcoat-pocket, stands full-length, looking slightly to the left
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.7 x 11.2 cm, on sheet 19.5 x 13 cm., Mounted with three other prints on leaf 9 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Admiral Keppell.
Publisher:
Published [the] 14th July 1784 by James Bretherton
Keppel in admiral's uniform, holding his hat in his right hand, his left hand in his waistcoat-pocket, stands full-length, looking slightly to the left
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 15 with three other prints.
Publisher:
Published [the] 14th July 1784 by James Bretherton
Keppel in admiral's uniform, holding his hat in his right hand, his left hand in his waistcoat-pocket, stands full-length, looking slightly to the left
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Numbered '29' in contemporary hand in the upper right corner.
Publisher:
Published [the] 14th July 1784 by James Bretherton
The Right Hon. Lord Viscount Duncan is his admiral's uniform
Description:
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 1., Numbered '145' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804,
Portrait of Sir Ralph Abercromby after John Hoppner. Abercromby is half-length directed slightly to right, looking away to left, right-gloved hand at his waist; he wears a military uniform with epaulettes, sash, star, and a white stock
Alternative Title:
Sir Ralph Abercrombie
Description:
Title devised by cataloger., Date based on execution of John Hoppner painting., Copy of oil painting by John Hoppner, ca. 1798., and For further information, consult library staff.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Numbered "15" above the plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., Numbered '345' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., Numbered '328' in lower right of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Major Skey.
"Portrait of Robert Clive, 1st Baron Clive of Plassey, three-quarter length, standing to right on a hill beside a tree, looking towards the viewer, leaning on a stick held in his left hand, holding a tricorn hat in the right; wearing uniform, sash over waistcoat, sword and queue wig; river below."--British Museum online catalogue, description of another print of similar composition
Description:
Title from manuscript note in ink on mounting sheet., Engraved after a painting by Nathanial Dance; see description of another print of similar composition in the British Museum online catalogue, registration no.: 1920,1211.410. For a discussion of various versions of the painting produced by the workshop of Nathanial Dance, see description for NPG 39 in the online catalogue of the National Portrait Gallery, London., Proof before letters?, Approximate date of publication supplied by cataloger., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 451., Window mounted to 51 x 36 cm., and Mounted opposite page 382 (leaf numbered '197' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Clive, Robert Clive, Baron, 1725-1774,
Subject (Topic):
Government officials, British, and Military uniforms
Full length caricature of Lord Amherst wearing sash and sword, in profile to the left
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching and drypoint on wove paper ; plate mark 17.6 x 11.3 cm, on sheet 19.5 x 13 cm., Mounted with three other prints on leaf 9 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Lord Amherst.
Full length portrait of Burgoyne as M.P. for Preston. He wears military dress and is turning toward the left, his hat in the left hand, his right extended and holding a paper
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Plate numbered "XV" in upper left corner., 1 print : etching with roulette on wove paper ; plate mark 17.7 x 11.3 cm, on sheet 19.7 x 13.3 cm., Mounted with three other prints on leaf 4 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: General Burgoyne.
Full length portrait of Burgoyne as M.P. for Preston. He wears military dress and is turning toward the left, his hat in the left hand, his right extended and holding a paper
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Plate numbered "XV" in upper left corner., and Mounted on page 5 with three other prints.
Full length portrait of Burgoyne as M.P. for Preston. He wears military dress and is turning toward the left, his hat in the left hand, his right extended and holding a paper
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Plate numbered "XV" in upper left corner.
Full length portrait of the Duke of Richmond standing facing left, wearing general's uniform and holding hat in his left hand
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with dypoint on wove paper ; plate mark 17.8 x 11.2 cm, on sheet 19.3 x 13.4 cm., Mounted with three other prints on leaf 9 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Duke of Richmond.
Publisher:
Published 3d July 1782 by C. Bretherton
Subject (Geographic):
England
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
A lady in quasi-military dress rides a sorry horse on the road to Coxheath. She is followed by her husband, dressed as a militia officer for auxilliary forces that frequently encamped on Cox Heath. A dog trots panting at the side of the group
Alternative Title:
Sir Horatio Mann returning from Linton to Barham Court having lost his way, is escorted by a farmer's wife returning from Maidstone market
Description:
Title devised by cataloger based on title of published print based on this drawing., Date based on publication date of James Bretherton's etching., A pen and ink copy of an etching after Bunbury., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Topic):
Horseback riding, Signs (Notices), Military uniforms, British, Militias, and Dogs
A light infantryman dressed in full uniform executes a motion with his flintlock musket. The caption from the published plate reads: ... the right hand slides back to the small of the stock holding it with the three last fingers & keeping the cartridge upright between the forefinger & thumb
Description:
Title from print later published in a volme by Rowlandson., Date supplied by cataloger., and For further information, consult library staff.
Title from item., Numbered '299' in lower right of plate., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Place and date of imprint conjectured from that of book., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Billair, Captain.
A soldier, worried look upon his face, leads his pregnant lady by the arm through a rural scene
Description:
Title devised by cataloger., Date from unverified data from local card catalog record and based on uniform., and For further information, consult library staff.
Subject (Topic):
Military uniforms, British, Poverty, Pregnant women, and Soldiers
"Mrs. Clarke stands before a large doorway inscribed Clark and Company. She wears a white short-sleeved dress with plumed cocked hat, gorget, and military sash, sword-belt and scabbard. The sword she holds over her head, saying, Now Gentlemen you had better be quick I have a few bargains to dispose of. as the partnership is disolving. She holds out a paper: List of Prices at Clark and Co's Warehouse--Majority--£900. Company --7oo. Lieutenancy 400. Through the doorway behind her are seen great stacks of papers in her 'warehouse'. These are labelled: Captains Commissions 500 each, Half-pay Commissions 200 each, Lieutenant, Colonel, Major, Cornet. On the wall is a notice: NB a sum wanted by way o Loan, terms to be seen within. On the right stands a man playing a fiddle, and saying with a sly smile, If you want de commission, you must give me de Note den I go play de Fiddle to de white petticoat. From his coat-pockets hang papers: Pay Sigr Cor[ri] for [word illegible] 200; and a piece of music: The Petticoat [see British Museum Satires No. 11220]. Beside him lies a large Note Book. Above his head hangs upside down a portrait: The Dukes Head; the upper part only of the Duke of York's profile is visible, defaced by a black mark, the rest of the picture being cut off by the upper margin of the design. On the left two military bandsmen play a drum and fife. One asks: What tune shall we play now Jack the Duke of Yorks Marck [sic]? Answer: No No lets play she's off with another."--British Museum online catalogue
Alternative Title:
Commission warehouse
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Imperfect; the word "York" at beginning of title has been erased from sheet.
Publisher:
Pubd. February 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827.
Subject (Topic):
Daggers & swords, Musicians, Violins, Drums (Musical instruments), Military bands, Military uniforms, British, Price lists, Warehouses, and Portraits
"A series of isolated figures, single or in pairs, arranged in two rows, each with an explanatory couplet relating to the news of the capture of Seringapatam, on the authority of a letter received at the India House on 15 May from Bristol dated 'Vestal, at sea'. [1] A grinning man stands full face, with raised shoulders, inscribed,'I cannot express how delighted I am, To hear we have taken Seringapatam'[2] Thurlow, tall and thin, nearsightedly reads a paper with a grin: 'The Chancellor look'd like a frolicksome Ram To hear we had taken Seringapatam.'[3] Dundas, holding a cane, runs in profile to the right; behind him is a small table on which is a bottle, &c.: 'Dundass fled from bottle, from chicken, and ham To Windsor to tell of Seringapatam.'[4] Pitt stands, chapeau-bras, in profile to the left, a cake in one hand, a jam-pot in the other:'Will Pitt eat a cake with some rasberry jam When told we had taken Seringapatam.' ,..."--British Museum online catalogue
Description:
Title from caption below images., Attribution to Newton in the British Museum catalogue., Publisher's advertisement above title: Just published by Holland, three prints on the slave trade ..., Design consists of fourteen single or paired figures in two rows, each with two lines of verse etched above., and Watermark: Curteis & Sons.
Publisher:
Pubd. May 18, 1792, by William Holland, No. 50, Oxford Street
Subject (Geographic):
Śrīraṅgapaṭṭaṇa (India) and India.
Subject (Topic):
Military officers, British, Military uniforms, and Soldiers
"The Prince and Mrs. Fitzherbert, dancing to the fiddle of George Hanger (right), advance towards an open door (left) through which is seen a large bed, the curtains raised; above the pillows are a crown and triple plume. The feathers are repeated on a chamber-pot under the raised valance of the bed. They are more elaborately dressed than in BMSat 6924; their arms are round each other's waists, the Prince holds with his right hand the left hand of Mrs. Fitzherbert. She wears a small crown, with flowers and ribbons, and triple ostrich plume. George Hanger is dressed as in BMSat 6924; he stands in profile to the left, watching the couple fixedly; a bludgeon hangs from his wrist. An open music-book at his feet shows that he is playing the 'Black Joke'. On the floor (left) are an open book, 'Matrimony', and a torn paper, 'Cirtificate'. Over the door is a picture of Cupid with his bow turning away from Danaë receiving the shower of gold."--British Museum online catalogue
Alternative Title:
Wedding night, or, The fashionable frolic, Fashonable frolic, and Fashionable frolic
Description:
Title etched below image., In lower right corner: Price 2 sh. 6., Temporary local subject terms: Morganatic marriages -- Pictures amplify subject -- Emblem: Ostrich feathers for Prince of Wales -- Music books -- Song: 'The Black Joke' -- Furniture -- Colonel's uniform, Light Infantry -- Violin -- Danae -- Mythological characters -- Lighting: Chandelier -- Sticks: Bludgeon., 1 print : etching & stipple engraving on laid paper ; sheet 25.2 x 34.7 cm., Sheet trimmed within plate mark on three edges., and Mounted on leaf 31 of volume 7 of 12.
Publisher:
Publish'd by J. Phillips, No. 164 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Hanger, George, 1751?-1824
Subject (Topic):
Beds, Chamber pots, Crowns, Cupids, Dancers, Military uniforms, British, and Musical instruments
"The Prince and Mrs. Fitzherbert, dancing to the fiddle of George Hanger (right), advance towards an open door (left) through which is seen a large bed, the curtains raised; above the pillows are a crown and triple plume. The feathers are repeated on a chamber-pot under the raised valance of the bed. They are more elaborately dressed than in BMSat 6924; their arms are round each other's waists, the Prince holds with his right hand the left hand of Mrs. Fitzherbert. She wears a small crown, with flowers and ribbons, and triple ostrich plume. George Hanger is dressed as in BMSat 6924; he stands in profile to the left, watching the couple fixedly; a bludgeon hangs from his wrist. An open music-book at his feet shows that he is playing the 'Black Joke'. On the floor (left) are an open book, 'Matrimony', and a torn paper, 'Cirtificate'. Over the door is a picture of Cupid with his bow turning away from Danaë receiving the shower of gold."--British Museum online catalogue
Alternative Title:
Wedding night, or, The fashionable frolic, Fashonable frolic, and Fashionable frolic
Description:
Title etched below image., In lower right corner: Price 2 sh. 6., Temporary local subject terms: Morganatic marriages -- Pictures amplify subject -- Emblem: Ostrich feathers for Prince of Wales -- Music books -- Song: 'The Black Joke' -- Furniture -- Colonel's uniform, Light Infantry -- Violin -- Danae -- Mythological characters -- Lighting: Chandelier -- Sticks: Bludgeon., and On verso in pencil: George T. Stubbs attrib. by J. Riely, 7-29-83.
Publisher:
Publish'd by J. Phillips, No. 164 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Hanger, George, 1751?-1824
Subject (Topic):
Beds, Chamber pots, Crowns, Cupids, Dancers, Military uniforms, British, and Musical instruments
"The stern of one of the hoys from London to Margate, with passengers suffering from the effects of a fresh breeze. The steersman, leaning against the tiller, holds up a mug of frothing beer. The eight passengers are in various stages of distress and sea-sickness, except for a naval officer with a wooden leg who holds his wife's forehead and pours the contents of a bottle on her head; a sailor boy proffers a bucket to this couple. A man's hat and wig blow overboard, as does a young woman's large hat."--British Museum online catalogue
Description:
Title engraved below image., Engraver suggested by British Museum catalogue., and Watermark.
Publisher:
Printed & publish'd by W. Hinton No. 5 Sweetings Alley Road Exchange
Subject (Geographic):
England.
Subject (Topic):
Hats, Military uniforms, British, Resorts, Sailors, Ships, Peg legs, and Wigs
"A leech with the head and barrister's wig of Leach is coiled round an upright cylindrical document to which is tied with red tape a second bill; these are respectively 'Bill of Pains . . .' [see British Museum Satires No. 13825] and 'Divorce'. Propped against the former are two green bags (see British Museum Satires No. 13735), both closed with a large red seal on which is a 'G.R.' monogram. These are inscribed 'Fill'd with Filth and Lies!!!' and 'Lies . . . [L]ies'. With them are other large documents: 'List of Witness[es] against Q . . . N'; 'Expen[ces] & Bribes at Milan'; 'Protoc[ol]' (cf. British Museum Satires No. 13764). The small shambling Wilberforce is being pushed towards the leech by Castlereagh (left), who is a pendant to the more stalwart and bulky Duke of York (right). The Duke wears uniform, holds his unsheathed sword, and has a pyramid of cannon-balls crooked in his left arm. A paper, 'Bp Osnabu[rgh]', is thrust through his sash. He says fiercely: "Rascals! Villains!! Traitors!!! I have set the Claret running in One Place, and if any of you attempt, to deprive me of My succession, I will make your Bodies, a thoroughfare for York dumplings!! alias Artillery Bolouses." Castlereagh, with a scourge hanging from his pocket, says to Wilberforce: "O dear! O dear! That Bishop quite alarms me, now my dear Christian Friend, pray do persuade that great Horse Leech to muster up all his Italian Witnesses [see British Museum Satires No. 13762, &c.] immediately or that Military Bishop [cf. British Museum Satires No. 11227] will send us to Kingdom come along with out Master." Wilberforce holds a book: 'New Litany &c'; a Pet[ition] To Q--N' is under his arm; a paper, 'Slave Tra[de]' (cf. British Museum Satires No. 8793) hangs from his pocket. He says: "Pray Sr--Horse Leech, endeavour to stop the Q--'s mouth by bringing the whole host of Witnesses, before the L--ds, so as to Crush Her at once, otherwise that Terrable Bishop, will send us into Abrahams bosom, sooner, than We wish.""--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Mounted to 58 x 39 cm., Mounted on leaf 69 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "D. York," "Sir John Leach," "Wilberforce," and "Londondery [sic]" identified in ink at bottom of image; date "16 Aug. 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Carlile, 55 Fleet Stt
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Leach, John, 1760-1834, Wilberforce, William, 1759-1833, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Worms, Parasites, Wigs, Bags, Documents, Divorce, Military uniforms, British, Daggers & swords, and Cannon balls
"George IV, a crutch under his left arm, takes Wellington's left arm, looking up at him with a pleased smile, which Wellington returns. He says: This is not the only time that you have Lent me a helping hand!! The Duke answers: Proud to be Your ----tys Staff. The King, plainly dressed but with the Garter ribbon and star, has a much swathed gouty leg supported in a sling from the neck. Wellington wears uniform, with orders, white satin breeches, and pumps; on his garter the word Honi is conspicuous. On a table (right) are decanters labelled Brandy and Whiskey."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Text below title: A friend in need is a friend indeed., and Matted to: 47 x 34 cm.
Publisher:
Pub. by McLean, 26 Haymarket, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Gout, Crutches, Military uniforms, British, and Alcoholic beverages
Title from item., Sheet trimmed within plate mark., Sign about doorway of cobbler's shop: Cobbling for exportation by Harry Dundas., and Temporary local subject terms: Shops -- Taxes -- Shop tax -- Allusion to St. Crispin, d. ca 286 -- Major's uniform -- East India Bill.
Publisher:
Publish'd for the proprietor, 31 Mar 1786 No. 5 Sweetings Alley Royal Exchange
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Scott, Major 1747-1819 (John),, and Hastings, Warren, 1732-1818
Three American Indians are shown killing six loyalists as the result of the 1783 peace treaty preliminaries. On the left, an Indian pulling on the rope attached to the nooses of two military officers and two civilians hanged from a limb of a dead tree says, "I have them all in a String." The limb is inscribed, "Recommended to Congress by Lord S___e [Shelburne]." Below, another Indian with a large knife in his hand pulls the hair of a loyalist lying on the ground saying, "I'll scalp him." To their right, a loyalist kneeling on the ground and looking with horror over his shoulder at the Indian with a raised tomahawk says, "O Cruel Fate! is this the Return for Our Loyalty," to which the Indian responds, "I'll tomahawk the Dog."
Alternative Title:
Cruel fate of the loyalists
Description:
Title from item. and Date, including day, in lower right corner of the design. The day of publication not given in British Museum catalogue.
Publisher:
Sold by W. Humphrey No 227 Strand
Subject (Geographic):
United States and Great Britain
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805.
Subject (Topic):
Indians of North America, Hangings, Scalping, Massacres, Clothing & dress, Military uniforms, British, Headdresses, Tomahawks, Politics and government, and History
"An officer (left) on a charger, evidently General Davies, see BMSat 9442, directed to the right, takes the salute from three officers who march (right to left) past him. The first, sabre in hand, point downwards, holds his left hand across the front of his high cocked hat. A young officer follows, carrying a standard of the Union flag with the White Horse of Hanover and a crown. The third marches with almost closed eyes and sword held point upwards. A crowd of amused spectators backed by a high wall forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Emblems: royal crown -- White horse of Hanover., 1 print : etching on wove paper, hand-colored ; plate mark 26.2 x 36.6 cm, on sheet 29.6 x 40.0 cm., and Mounted on leaf 54 of volume 9 of 12.
Publisher:
Pubd. July 10th, 1797, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Davies, Thomas, approximately 1737-1812
Subject (Topic):
Military parades & ceremonies, Flags, British, Military uniforms, and Spectators
"An officer (left) on a charger, evidently General Davies, see BMSat 9442, directed to the right, takes the salute from three officers who march (right to left) past him. The first, sabre in hand, point downwards, holds his left hand across the front of his high cocked hat. A young officer follows, carrying a standard of the Union flag with the White Horse of Hanover and a crown. The third marches with almost closed eyes and sword held point upwards. A crowd of amused spectators backed by a high wall forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Emblems: royal crown -- White horse of Hanover.
Publisher:
Pubd. July 10th, 1797, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Davies, Thomas, approximately 1737-1812
Subject (Topic):
Military parades & ceremonies, Flags, British, Military uniforms, and Spectators
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor defends himself to a magistrate against a charge of beating up a man by saying he had no weapons except his fist."--British Museum online catalogue
Alternative Title:
Sailors defense
Description:
Title etched below image., Printmaker questionably identified as Isaac Cruikshank in the British Museum online catalogue., Later state, with previous plate numbering burnished from plate and new numbering etched in its place. For earlier state with "No. 5" in upper right corner, see Lewis Walpole Library call no.: 807.00.00.08.1., Date of publication from British Museum online catalogue, registration no.: 1948,0214.747., Plate numbered "6" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyer: Country Magistrates -- Male costume: 1807 -- Constable's staff -- Inkwells -- Miniature crowns -- Constables., and Watermark: Charles Wise.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor defends himself to a magistrate against a charge of beating up a man by saying he had no weapons except his fist."--British Museum online catalogue
Alternative Title:
Sailors defense
Description:
Title etched below image., Printmaker questionably identified as Isaac Cruikshank in the British Museum online catalogue., Later state, with previous plate numbering burnished from plate and new numbering etched in its place. For earlier state with "No. 5" in upper right corner, see Lewis Walpole Library call no.: 807.00.00.08.1., Date of publication from British Museum online catalogue, registration no.: 1948,0214.747., Plate numbered "6" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyer: Country Magistrates -- Male costume: 1807 -- Constable's staff -- Inkwells -- Miniature crowns -- Constables., 1 print : etching on wove paper, hand-colored ; plate mark 24.4 x 34.8 cm, on sheet 25.6 x 41.8 cm., and Leaf 5 in volume 1.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1807]
Call Number:
807.00.00.08.1
Image Count:
1
Resource Type:
still image
Alternative Title:
Sailors defense
Description:
Title from item., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., Plate numbered in upper right corner: No. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyer: Country Magistrates -- Inkwells -- Male costume: 1807 -- Constable's staff -- Minature crowns., and Watermark: J. Whatman.
In a country setting with cows and a windmill in the background, a young milkmaid sits on a bench under an oak tree, receiving a ribbon from a young sailor seated beside her. Another young girl looks on from behind, while the milkmaid's country suitor stands behind sulkily scratching his head. A dog paws at the milkmaid's lap while another drinks from the milking pail
Alternative Title:
Jealous clown
Description:
Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", Numbered in lower left of plate 385., Publication date erased from print., and Torn and repaired.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Clothing & dress, Sailors, Hats, Couples, Windmills, Dairy farming, Cows, and Dogs
Title from item., Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., Temporary local subject terms: Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Creditors., and Loose impression removed from the Kinnaird Coll.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Subject (Topic):
Amputees, Bailiffs, Black people, Bowls (Tableware), Candlesticks, Clergy, Dance, Military uniforms, British, Mirrors, Musical instruments, Pipes (Smoking), Portratis, Prostitutes, Sconces, Servants, Tables, Violins, and Weddings
Satirical view of London life, with a riotous wedding party at the Tavern at Rederiff: for full description see Catalogue of prints and drawings in the British Museum
Description:
Title from item., John June identified as the printmaker in the British Museum catalogue,, Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., and Temporary local subject terms: Officer's uniform -- Sailor's uniform -- Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Pictures: portraits -- Creditors.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Slang: tickler -- Slang: firm -- Bank notes., 1 print : etching on laid paper, hand-colored ; plate mark 35.5 x 27.4 cm, on sheet 36.4 x 28.2 cm., and Mounted on leaf 50 of volume 6 of 14 volumes.
Publisher:
Pubd. Octr. 28, 1799, by R. Ackermann, No. 101 Strand
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Slang: tickler -- Slang: firm -- Bank notes.
Publisher:
Pubd. Octr. 28, 1799, by R. Ackermann, No. 101 Strand
"The boxing scene from 'The Romp', Act II, between Young Cockney (left) and Priscilla Tomboy. They face each other with clenched fists. Young Cockney is fashionably dressed and portly, Priscilla's large hat and mittens are on the floor. Behind her (right) stands Captain Sightley in regimentals and Miss La Blond wearing a large hat which conceals her face. Behind them on the extreme right is a folding screen. Framed pictures decorate the wall."--British Museum online catalogue
Description:
Title etched below image., Signed in lower left of image with monogram RR [first 'R' reversed] delin., Sheet trimmed within plate mark., Watermark in center of sheet., and In pencil on verso: RR [R Rushworth?].
Publisher:
Publisehed [sic] Jany 3d. 1786, by S.W. Fores at the Caracature Warehouse No. 3, Piccadilly
Subject (Name):
Barnes, Mrs., active 1782-1808., Barrymore, Mr. 1759-1830. (William),, Dodd, James William, 1740?-1796, Jordan, Dorothy, 1761-1816, and Bickerstaff, Isaac, 1735-1812.
Subject (Topic):
Boxing, Military uniforms, British, Theaters, and Theatrical productions
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Later state, with end of imprint statement re-etched to include publisher's street address. Cf. No. 7628 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- Jews -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., and Mounted on leaf 52 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Clergy, Architecture, Military uniforms, and British
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Later state, with end of imprint statement re-etched to include publisher's street address. Cf. No. 7628 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- Jews -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., and Mounted on page 71.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Clergy, Architecture, Military uniforms, and British
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title from text below image., First two letters of printmaker's signature form monogram., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., 1 print : etching on wove paper ; plate mark 50.2 x 35.5 cm, on sheet 50.6 x 35.7 cm., and Sheet trimmed to plate mark; mounted to 56 x 37 cm.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
United States.
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Jews, Flags, Clergy, Architecture, Military uniforms, British, and Hand lenses
A happy looking lad stands center accepting with his left hand the king's shilling from the recruiting serjeant. A pregnant girl weeps on the lad's shoulder while on the left her mother berates the lad. To the right behind the serjeant stands a drummer. The scene takes place in front of a tavern, the signboard of which shows the lower part of two, one-legged men and whose name is 'Fortune of War'. In the window sits a man in a cap smoking a pipe and smiling cynically while another looks around the corner of the door
Alternative Title:
Brown Bess sooner than bigg bell'd betty
Description:
Title from item., Sheet trimmed to plate mark on three sides., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark on left side.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Topic):
Drums (Musical instruments), Military uniforms, British, Pregnancy, Recruiting & enlistment, and Signs (Notices)
Brittannias happy prospect and Britannia's happy prospect
Description:
Title from item., Plate numbered '73' in upper right corner., Plate from: A political and satirical history of the years 1756, 1757, 1758, 1759, 1760, 1761, and 1762. In a series of one hundred and twelve ... prints. London : Printed for E. Morris, [1763]., Reduced and reversed copy of No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Printmaker of the original identified by Stephens as Lord Townshend., Temporary local subject terms: Travesties: military -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Mounted to 19 x 30 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musicians, and Musical instruments
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Publication attributed in an unverified card catalog record to Edwards & Darly, Acorn, at Hungerford Market., Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Recruit's uniform -- Royal drum -- Paddle -- Drummer -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Watermark: countermark IV.
Publisher:
To be had facing Hungerfd. Market, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musical instruments, and Musicians
Title from caption below image., Later printing. Date of printing based on watermark., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each pair., Plate numbered in upper right corner: Vol. 2, pl. 6., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Colonel uniforms -- Corporal uniforms., and Watermark: R & T 1808.
Publisher:
Pubd. April 9th, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
Subject (Topic):
Military uniforms, British, Soldiers, and Physicians
A young barmaid wearing a frilly dormeuse cap and a neckerchief with a breast knot, attends to a group of male customers gathered around the bar. An elderly military officer wearing a saber leans on the bar spooning custard from a glass, while three young men on his left ogle the barmaid. Two other men occupy the right side of the bar, and two dogs the center foreground, a poodle jumping up at the bar, and a pug urinating on a copy of "The Gazette extraordinary" which lies on the floor. Other newspapers are in the hands of the customers, the "Ledger" and the "Morning post". Bottles, glasses and bowls are arranged on shelves behind the girl
Description:
Title from item., Publication date from British Museum catalogue, Numbered '384' in lower left of plate., and Publication date erased from this impression.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England. and England
Subject (Topic):
Bartenders, Military uniforms, British, Clothing & dress, Newspapers, Taverns (Inns), Interiors, Glassware, Bars (Furniture)., Shelving, Hats, and Dogs
Boitard, Louis-Philippe, active 1733-1770, printmaker
Published / Created:
[1767]
Call Number:
767.00.00.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashionable life described in a sub-title as "Address'd to the Professors of Driving, Dressing, Ogling, Writing, Playing, Gambling, Racing, Dancing, Duelling, Boxing, Swearing, Humming, Building, &c. &c. &c." with broad space flanked by large buildings leading down to the sea. On the left, "The Academy for the Noble Art of Boxing NB Mufflers provided for delicate Constitutions" through the windows of which a pugilist can be seen addressing a yong nobleman, and two men boxing. Beside this a theatre into which a large crowd enters via a staircase, encouraged by a zany standing on a balcony with three actresses, two actors wearing turbans and another dressed as a soldier; the sign above refers to notorious hoaxes of the earlier part of the century: "Britannia Humm'd Or the Tragedy of the Secret Expedition [presumably the Expedition on Rochefort, 1757], A Mock Tragedy to which is added a Farce call'd The Pregnant Rabit Woman [i.e., Mary Toft], Together with the Adventures of the Bottle Conjurer [see BM Satires 3022, 1868,0808.3875], and Polish Jew [Henry Simons]. As likewise the taking ye Standard at the Battle of Dittingen." The next house is built in a variety of styles; beyond, the sea the sun rises "for the Vigilant". In the foreground fashionable people are shown as described in a key below: 1. "British Nobility disguis'd", three women dressed in French style in an open carriage are bowed to by 2. a foppish young man "Return'd from the Polite Tour"; behind him 3. "Foreign Insolence [is] express'd by the French Valet de Chambre daring to Insult 4. English Bravery in Distress [an old sailor with a wooden leg], reduc'd to ask Alms in his Native Country, after having courageously lost his limbs in Defence of it on board a Privateer & unjustly kept out of his Prize-money"; next is 5. "The Optical Ogle, or polite Curiosity", a young gentleman peering at the women in the carriage through an eye-glass; 6. "An Author", a miserable gentleman with his hands tucked into the breast of his coat who is barked at by two dogs; by contrast, 7. "A Player" reclines comfortably in a sedan chair, a footman walking before him; 8. describes a scene at the door of the house on the right, "The Industrious Tradesman thrust off with Contempt, expecting a just Debt to be paid, to make room for a high Life Gambler [also in a sedan chair], politely usher'd in to receive his Debt of Honour"; behind this group is, 9. "A Feather of the Turf", a man mounted on a high gig drives two horses, and 10. "The Balance of Merit in this happy Climate for useless Exotics, [where] A French Dancing Master obtains 300£ pr. Ann. & a clear Benefit worth near 300£ more, while the Ingenious English Shipwright, tho' Assistant to the Honour Profit & Defence of his Country, by hard Labour barely obtains 40£ pr. Ann."; on the left, 11. a hearse drives into the scene with "The Corps[e] of a Blood, conveying to Interment, who boldly lost his Life in a Duel defending the Reputation of a Prostitute"; 12. is the house beside the sea, "Modern Architecture The Corinthian, Venetian, Gothic & Chinese huddled in one Front,"; 13. an old woman leaning out of an upper window calling to a woman and two men at the door represents "Modern Hospitality in the Character of Old Age, left to take care of Furniture, & answer Duns that the Family is in the Country"; 14. fishing boats at sea are reminders that "One British Buss [fishing boat] of more service to the Community than ten Italian Singers"."--British Museun online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Eight lines of text below image: Explanation. 1 British Nobility disguis'd, 2 Return'd from the Polite Tour, 3 Foreign Insolence express'd by the French valet de chambre daring to insult 4 English Bravery in distress ..., and Mounted to 26 x 35 cm., window mounted to 29 x 41 cm.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill & Carington Bowles in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Name):
Garrick, David, 1717-1779 and Toft, Mary, 1703-1763
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[ca. 1750]
Call Number:
750.00.00.29
Image Count:
1
Resource Type:
still image
Abstract:
An old soldier, dressed in the uniform of a Chelsea pensioner, walks to the right in a cobblestone courtyard. St. Paul's Church appears in the background
Description:
Sheet trimmed within plate mark. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
St. Paul's Church (Covent Garden, London, England)
publish'd according to act of Parliament, March 28th, 1750.
Call Number:
750.03.28.01
Image Count:
1
Resource Type:
still image
Alternative Title:
Modern commander
Description:
Title from text below image., Two columns of verse below title: From Mid: to Lieutenant, Bluff, quickly doth rise ..., "Price 6d.", Companion print to: The military nurse, or, Modern officer., Temporary local subject terms: Naval uniforms -- Stern cabin -- Guns., and Watermark: Fleur-de-lis.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Warren, Peter, Sir, 1703-1752 and Great Britain. Royal Navy.
Subject (Topic):
Promotions, Cannons, Military uniforms, British, and Ships
"A boy officer in cabin sitting by a bowl of punch and smoking, with servant."--British Museum online catalogue
Alternative Title:
Modern commander
Description:
Title etched below image., Publication date based on Carington Bowles's separation of his own business from his father's. Cf. I. Maxted. London book trades., Sheet trimmed within plate mark., Two columns of verse below title: From Mid: to Lieutenant, bluff, quickly doth rise ..., Companion print to: The military nurse, or Modern officer., Copy of a print of the same title published in 1750. Cf. No. 3089 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Mounted to 29 x 21 cm., and Watermark.
Publisher:
Printed for Carington Bowles, Map & Printseller in St. Pauls Church Yard, London
Subject (Geographic):
Great Britain. and England
Subject (Name):
Warren, Peter, Sir, 1703-1752
Subject (Topic):
Promotions, Cannons, Military uniforms, British, and Ships
Leaf 11. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Sir Thomas Rumbold is depicted vomiting his ill-gotten wealth into a chamber pot decorated with a thistle. Kneeling beside it and embracing the chamber pot is Henry Dundas, Lord Advocate of Scotland who oversaw the prosecution of Rumbold in 1782-3. Rumbold's ankles are chained to two weights signed "Sureties," a reference to restriction on his leaving the country before the case was dropped in 1783. He is supported by his son, Captain Rumbold of 1st Life Guards, dressed in his regimentals and wearing a gorget. Behind them, an Englishman gallops on an elephant saddled with an enormous bag signed "Roupees." An Indian sitting behind him is holding a tall parasol above his head
Alternative Title:
Lord Advocates amusement
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6169 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text in upper left margin: Political characters & caracatures of 1783. No. 1., and On leaf 11 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Jan. 21, 1783, by E. D'Archery, St. James's Street and Field & Tuer
Subject (Geographic):
England, Great Britain, and India.
Subject (Name):
Fox, Charles James, 1749-1806, Rumbold, Thomas, Sir, 1736-1791, Rumbold, Richard William, Captain, 1760-1786, and Dundas, Henry, 1742-1811
Subject (Topic):
Gorgets (Military insignia), Coins, Elephants, Vomiting, Chamber pots, Military uniforms, British, Clothing & dress, and Colonies
Sir Thomas Rumbold is depicted vomiting his ill-gotten wealth into a chamber pot decorated with a thistle. Kneeling beside it and embracing the chamber pot is Henry Dundas, Lord Advocate of Scotland who oversaw the prosecution of Rumbold in 1782-3. Rumbold's ankles are chained to two weights signed "Sureties," a reference to restriction on his leaving the country before the case was dropped in 1783. He is supported by his son, Captain Rumbold of 1st Life Guards, dressed in his regimentals and wearing a gorget. Behind them, an Englishman gallops on an elephant saddled with an enormous bag signed "Roupees." An Indian sitting behind him is holding a tall parasol above his head
Alternative Title:
Lord Advocates amusement
Description:
Title etched below image., Printmaker from British Museum catalogue., Text above upper left border: Political characters & caracatures of 1782. No. 1., Sheet trimmed within plate mark., 1 print : etching on wove paper ; plate mark 18.8 x 21.5 cm, on sheet 21.3 x 24.4 cm., Text above upper left border has the date "1782" changed to "1783" in manuscript., and Mounted on leaf 50 of volume 1 of 12.
Publisher:
Pubd. Jan. 21, 1783, by E. D'Archery, St. James's Street
Subject (Geographic):
England, Great Britain, and India.
Subject (Name):
Rumbold, Thomas, Sir, 1736-1791, Rumbold, Richard William, Captain, 1760-1786, and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
Gorgets (Military insignia), Coins, Elephants, Vomiting, Chamber pots, Military uniforms, British, Clothing & dress, and Colonies
Sir Thomas Rumbold is depicted vomiting his ill-gotten wealth into a chamber pot decorated with a thistle. Kneeling beside it and embracing the chamber pot is Henry Dundas, Lord Advocate of Scotland who oversaw the prosecution of Rumbold in 1782-3. Rumbold's ankles are chained to two weights signed "Sureties," a reference to restriction on his leaving the country before the case was dropped in 1783. He is supported by his son, Captain Rumbold of 1st Life Guards, dressed in his regimentals and wearing a gorget. Behind them, an Englishman gallops on an elephant saddled with an enormous bag signed "Roupees." An Indian sitting behind him is holding a tall parasol above his head
Alternative Title:
Lord Advocates amusement
Description:
Title etched below image., Printmaker from British Museum catalogue., Text above upper left border: Political characters & caracatures of 1782. No. 1., Sheet trimmed within plate mark., and Text above upper left border has the date "1782" changed to "1783" in manuscript.
Publisher:
Pubd. Jan. 21, 1783, by E. D'Archery, St. James's Street
Subject (Geographic):
England, Great Britain, and India.
Subject (Name):
Rumbold, Thomas, Sir, 1736-1791, Rumbold, Richard William, Captain, 1760-1786, and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
Gorgets (Military insignia), Coins, Elephants, Vomiting, Chamber pots, Military uniforms, British, Clothing & dress, and Colonies
A soldier who has lost his right arm begs from an elderly man in old-fashioned dress whose hands are deep in his coat-pockets. The miser (right) walks away scowling sideways at the soldier. Beneath the title: He had a canvass bag which contain 'd what would answer the purpose, but his Callous soul caught the alarm at the Old Souldiers supplication; & it was hurried with rapidity of lightning into his pocket.' Behind is a high stone wall and a London street-lamp
Description:
Title from item., Quote from a story of the same title from The adventures of a hackney coach printed below the title: He had a canvass bag which contain'd ..., and Publisher's device in lower right corner of sheet: S.W.F.
Publisher:
Published July 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Kilner, Dorothy, 1755-1836.
Subject (Topic):
Amputees, Carriages & coaches, Military uniforms, British, Stone walls, Street lights, and Veterans
Leaf 95. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length caricature portrait of a thin man with a large head walking or running in profile to the right. His wig is a high toupet with a queue in a black bag. In his left hand he holds out a small three-cornered hat, in his right is a sword whose point rests on the ground. He wears a short coat with facings and epaulettes, and a ruffled shirt."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text below title: O -[Wilkes?] beware of this tremendous hat and arm, for should we by chance to meet it would me harm, for tho I to the world a poli-n now appear, yet d-n me but to my angelic wh-e am sincere., Plate numbered "v. 6" in upper left corner and "4" in upper right corner., For a variant (earlier?) state without plate numbering, see no. 5151 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and First of three plates on leaf 95.
Publisher:
Pub. accor. to act by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hairstyles, Military uniforms, Wigs, Hats, and Daggers & swords
"Whole length caricature portrait of a thin man with a large head walking or running in profile to the right. His wig is a high toupet with a queue in a black bag. In his left hand he holds out a small three-cornered hat, in his right is a sword whose point rests on the ground. He wears a short coat with facings and epaulettes, and a ruffled shirt."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Text below title: O -[Wilkes?] beware of this tremendous hat and arm, for should we by chance to meet it would me harm, for tho I to the world a poli-n now appear, yet d-n me but to my angelic wh-e am sincere., and Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773.
Publisher:
Pub. accor. to act by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hairstyles, Military uniforms, and Wigs
Title from item., Initial letters of publisher's name in imprint form a monogram., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Spying glasses -- Veterans -- Eye patches., Watermark: Strasburg bend (partially trimmed) with initials L V G below., and Mounted to 27 x 32 cm.
Publisher:
Pub May 1, 1773, by MDarly, 39 Strand
Subject (Topic):
Amputees, Dandies, British, Military uniforms, and Peg legs
Title from text above images., Five designs on one plate, each depicting a different scene., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Augt. 5th, 1827, by G. Humphrey, No. 24 St. James Street, Piccadilly
Subject (Topic):
Military uniforms, British, Military bands, and Boots
"Fox, wearing a military cocked hat, with civilian dress, threatens Prussia (or Frederick William III) with his sabre, while he puts a foot on the sword that Prussia has dropped. The latter, a grotesque figure with a long pigtail and moustaches, kneels terrified at his feet, clasping his hands in supplication. His Death's Head Hussar cap falls from his thrown-back head; he wears a fur-trimmed cloak and tunic, with a badge of the Prussian Eagle on his sleeve, with half-boots and extravagant spurs. Fox says, with an expression of sour and calculating contempt, " - O you Prussian Marauder, you! - what I've caught you at last? - what, You took me for a double-faced-Talleyrand! did you? - did you think I was like yourself, to Look One way & Row another? - what you thought because I make Loyal Speeches now, that I must be a Turncoat? - O you Frenchified Villain! - I'll teach you to humbug & insult my poor, dear, dear Master? - & to join with such Rascals as Boney, & O'Conner!" Prussia exclaims, terrified, "indeed! indeed! indeed! I could not help it. - " Meanwhile, Napoleon, holding his sabre, and wearing feathered bicorne, with spurred jack-boots, furtively hastens up to Fox from behind, to read the open book which the latter displays to him behind his back: 'State of the Nation'.
Alternative Title:
Magnanimous minister chastising Prussian perfidy and Magnanimous minister chastiseing Prussian perfidy
Description:
Title from caption below image., Text following title: "Vide Morning Chronicle.", and Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10560
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806.
Subject (Topic):
Admirals, British, Military uniforms, and Clothing & dress
"A London scene: in the foreground men and women flee diagonally from right to left towards the spectator away from a bullock (right) in the middle distance, pursued by men with sticks. The fugitives include a little chimney-sweeper on the extreme left, a stout citizen wearing a high hat, an old military officer on crutches, a woman who has fallen to the ground, a Billingsgate woman with a basket of fish on her head, the contents about to fall, a would-be beau crouching behind a barrel and taking snuff. The bullock has tossed a dog into the air. The background of houses with an open space enclosed by railings suggests Smithfield Market."--British Museum online catalogue
Description:
Title from item., After Dighton. See British Museum catalogue., Temporary local subject terms: Beaux -- Chelsea pensioners' uniform., and Watermark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, published as the act directs
Subject (Geographic):
England and London.
Subject (Name):
Smithfield Markey,
Subject (Topic):
Animal fighting, Barrels, Bulls, City & town life, Crowds, Fishmongers, Food vendors, Markets, Military uniforms, and British
A goose-stepping officer carrying a javelin and a tricorne hat and wearing a pigtail queue marches towards the left in an outdoor setting. Coxheath was a military encampment
Description:
Title from item. and Numbered in upper margin, v. 2, 78.
Publisher:
Pub. Novr. 5, 1778 by Darly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Wigs, Spears, Military uniforms, British, Military officers, and Hairstyles
"A farm-yard scene with Windsor Castle in the distance (right). In the centre four pigs feed at a trough; George III (right) and Queen Charlotte (left) stand on each side of it facing each other in profile, both slightly caricatured. At the King's feet are a bucket and a young pig. The Queen scatters grain to chickens and ducks. On the right a guardsman walks off carrying a bundle of turnips across his shoulder (see BMSat 6946). In the background (left) are haystacks and farm buildings; from one projects the sign of a royal crown inverted. A young woman (probably one of the princesses) advances with a basket (cf. BMSat 7897). On the right is a large placard on a post, 'Mantraps & Spring Guns'. Behind it are sheep."--British Museum catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Attributed to Kingsbury in Angelo's Reminiscences, 1904, v. i, p.326., Watermark in center of sheet: J Whatman., and Queen Charlotte and George III identified by ms. note in a contemporary hand.
Publisher:
Pubd. Aprll [sic] 29, 1786 by S.W. Fores at the Caracature Warehouse, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Windsor Castle,
Subject (Topic):
Farms, Farmers, Poultry, Sheep, Haystacks, Military uniforms, British, Signs (Notices), Swine, and Troughs
Young lady in a riding dress and ornate hat descends a rope ladder from her bedroom window in a mansion and into the arms of a soldier. A carriage, with her luggage propped against it, is waiting to take them to a Scottish border town
Alternative Title:
Tripp to Scotland and Trip to Scotland
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the act directs
Subject (Geographic):
England
Subject (Topic):
Couples, Elopements, Carriages & coaches, Military uniforms, British, Clothing & dress, and Dwellings
Title from text above image., Caption below image: When two silly dogs fight, in comes Pug & steals [the] bone., Sheet trimmed within plate mark., Plate numbered '73' in upper right corner., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., Copy of No. 3464 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Personifications: Holland -- Personifications: France -- Personifications: England.
Title etched below image., Sheet trimmed within plate mark on three edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Medical Fees -- Unsuccessful treatment, 1 print : etching and aquatint, hand-colored., Imperfect; sheet trimmed within plate mark with loss of all text from lower margin., and Pasted to mounting sheet with ink and wash border.
Publisher:
Publish'd April 1st, 1786, by H. Brookes, Coventry Street
Subject (Topic):
Death, Sick persons, Physicians, Wages, Military uniforms, and British
Title etched below image., Sheet trimmed within plate mark on three edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Medical Fees -- Unsuccessful treatment, Imprint statement crossed out in ink and new statement added below in a contemporary hand: London, Pub. by W. Holland, Oxford Street., and Mounted on leaf 42 of volume 2 of 14 volumes.
Publisher:
Publish'd April 1st, 1786, by H. Brookes, Coventry Street
Subject (Topic):
Death, Sick persons, Physicians, Wages, Military uniforms, and British
"Satire on the Duke of Newcastle and Lord Barrington suggesting that their conduct of the war is influenced by, respectively, corruption and incompetence, with reference here to the disgrace of General Fowke and Admiral Byng."--British Museum online catalogue
Alternative Title:
Discard
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Four columns of verse below image: I've heard of times (pray God defend us, we're not so good but he may mend us) ..., Temporary local subject terms: Naval uniforms: officers' uniforms -- Literature: Shakespeare., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Anson, George Anson, Baron, 1697-1762, Barrington, William Wildman Barrington, Viscount, 1717-1793, Byng, John, 1704-1757, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Thrones, and Eagles
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 30 Jan. 1773 by J. Bretherton. Cf. no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Vide Tris. Shandy, vol. 2d., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Medical -- Dr. Slop., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[30 January 1773]
Call Number:
Bunbury 773.01.30.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Text below title: Vide Tris. Shandy, vol. 2d., Sheet trimmed within plate mark., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Dr. Slop., and Watermark: L.V.G.
Publisher:
Publish'd as the act directs, 30th Jany. 1773, by J. Bretherton, No. 134 New Bond Street
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes
"The three witches of Macbeth, hooded and cloaked, each holding a broom, are Liverpool (left), Sidmouth and Castlereagh (right). They surround a huge cauldron inscribed 'Cast--gh & C° Brass Manufacturers Fecit.', each adding something to the flames which tower up from it, surrounded by heavy smoke. A winged Devil at the apex of the design empties into the cauldron the contents of an 'Infernal Green Bag'; from it fall a dagger, a leech, tiny figures, manacles, a razor, an antlered animal's head, many legal papers docketed 'Lies'. Others are contributed by the witches; papers inscribed: 'Divorce', 'Reports', 'Leach', and 'Cooke'. There are also flames under the pot, which, are tended by two naked demons, one with the head of Canning who uses bellows inscribed 'Mother Hunn' [see British Museum Satires No. 13617]; the other with the head of Wellington, who uses a red-hot 'Waterloo Poker'. The Canning-demon sits on the back of a naked female demon (? his mother) who is blowing the flames. On the extreme left and right, each attended by a 'Blue Devil' (cf. British Museum Satires No. 14598), stand George IV and the Duke of York. The King, his arms raised, exclaims: "Tell me ye d--n'd infernal Hags of Night, shall Fr--k reign?" [i.e. shall he get a divorce, remarry, and block his brother's succession, see No. 13789]. He stretches across the crown and sceptre which are on the ground. His Blue Devil, touching the George which is suspended from his neck, and his gartered leg ('Honi So[it]'), says: "All hail Macbeth! thou'rt now the cause of Laughter." The Duke of York, in uniform and holding a naked sword inscribed 'the Army', says: "I'll do!--I'll do!--I'll do!--" His attendant Blue Devil: "All hail Macduff!! that shall be K--g hereafter--." The witches chant their parodies. Liverpool: "In the Cauldron first we'll mingle, What shall make great Macbeth single; Oath of an Italian Slave-- Earth of Snuffy [Queen Charlotte] from the grave-- Blood of Radicals--and last In let the Divorce be cast, Hubble, bubble,Toil and trouble, Fire blase and Cauldron bubble!!--" Castlereagh: "Put in C--ke of Lincolns Inn, All that's evil, all that's sin, L--ch's honor--and Britain's shame, Put them in, and fan the flame, Now the broth is good and strong, Macbeth shall again be young." Sidmouth: "Cats, that draw the Soldiers blood, Chains, that bind the brave and good, Tongue of slander, Eye of hate, Mix--and now our charm's complete." He holds a scourge, the attribute of Castlereagh, cf. British Museum Satires No. 14135."--British Museum online catalogue
Alternative Title:
Shakespeare travestie and Shakespeare travesty
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 54 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV," "Liverpool," "Sidmouth," "Londonderry," "Wellington," and "Duke of York" identified in pencil at bottom of sheet; name of "Canning" added in pencil on mounting sheet, beneath his depiction in the print. Date "Aug. 1820" written in ink in lower right. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wellington, Arthur Wellesley, Duke of, 1769-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Leach, John, 1760-1834., and Shakespeare, William, 1564-1616.
Subject (Topic):
Politicians, Witches, Cauldrons, Capes (Clothing), Brooms & brushes, Fire, Bags, Devil, Daggers & swords, Worms, Demons, Whips, Divorce, Crowns, Scepters, Military uniforms, and British
The Duke of Wellington flys in a cloudy sky on a large quill pen, holding a pair of reins which are attached to the tip of the pen. From the tip hangs a scroll which reads "Bill for the relief of Roman Catholics." The point of the pen strikes George IV's eye; he stands in profile on the far right and exclaims "Oh, my eye the fellow has blinded me." Wellington looks over his shoulder at a bird with the head of Grey who flies after him from the left, beneath the pen's feather. Grey calls, "I say you Old Soldier you have stole one of my feathers! Hollo'a stop thief."
Alternative Title:
Borrowed plume
Description:
Title etched below image., The artist's signature is an imitation of W. Heath's Paul Pry Esq., but this figure is obese and leans on a cudgel. Cf. British Museum catalogue., and Window mounted to 26 x 35 cm.
Publisher:
Pubd. 1829 by S. Gans, Southampton Street, Strand
Subject (Geographic):
British
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Anti-Catholicism, Military uniforms, and Pens
"A fat fishwife (left) and George Hanger face each other with clenched fists. Between the combatants in the background are ships at anchor close to the shore. Another fishwife stands behind Bess holding out a lemon. Behind Hanger (right) stand the Prince of Wales and Prince William, the latter in naval coat and striped trousers. Between the Prince and Hanger stands the Duke of York; on the extreme right is a rough-looking sailor. Hanger's club lies at his feet. Beneath the title is etched: 'Fought at Plymouth to the Amusement of their Royal Highness's the Prince of Wales Duke of York & Prince William Henery. This battle lasted only two minutes being Decided on the first onset by a knock down Blow from Big Bess which Entirely Did up the Prig Major. NB Big Bess was carried in Triumph through the Town Exclaiming I have done the Major [a parody of Humphries's 'I have done the Jew'].'"--British Museum online catalogue
Description:
Title from item., Suggested attribution to Kingsbury from British Museum catalogue., Temporary local subject terms: Pugilism -- Trades: Fishwife -- Naval uniforms., Mounted to 29 x 42 cm., and Watermark.
Publisher:
Pub'd 4 Feb. 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, William IV, King of Great Britain, 1765-1837, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Fighting, Lemons, Military uniforms, British, Sailors, and Sailing ships
"Scene outside a posting inn. A man (right) riding right to left clutches his horse round the neck, he has lost his stirrups and his hat flies off. The horse is rearing, startled by the drum and fifes of a recruiting party in Guards' uniform led by an officer with a drawn sword, and followed by three recruits wearing ribbon favours in their hats. The rider is fashionably dressed in riding clothes, a pair of curling tongs falls from his pocket, a box which he was carrying has fallen to the ground, where various articles of the barber's trade have fallen from it: tresses of hair, a packet of "Powder", a comb, razor, &c. In the background is a three-storied inn, with bay-windows on all floors. Spectators watch from the windows. The sign is hung from a standard (right); behind (left) are outhouses inscribed "Licensed to [hire] post horses"; a coach stands in front of them."--British Museum online catalogue
Description:
Title from item. and Plate numbered '474' in lower left corner.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
Margate (England)
Subject (Topic):
Barbers, Carriages & coaches, Taverns (Inns), Military uniforms, British, Musical instruments, Outbuildings, Signs (Notices), and Spectators
Two military officers on horseback beside a fence, one tall and thin with a walking stick under his arm, following another who is short and corpulent who holds his sword by the blade
Alternative Title:
City defenders
Description:
Title from item.
Publisher:
Pub by M Darly Sept 1, 1780 (39) Strand
Subject (Topic):
Military officers, British, Military uniforms, Horseback riding, Staffs (Sticks), Daggers & swords, and Wigs
Leaf 85. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man in military dress walking or running in profile to the right. His right hand holds a cane, his left the hilt of a sabre. His queue, twisted like a rope, is looped up with narrow ribbon. He wears a hat with a feather, a coat with facings and epaulettes, a ruffled shirt, and half-boots."--British Museum online catalogue
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "19" in upper right corner., First of three plates on leaf 85., and 1 print : etching on laid paper ; plate mark 17.2 x 12.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd as the act directs, Septr. 21, 1772, by M. Darly, 39 Strand
Subject (Topic):
Military uniforms, British, Dandies, Daggers & swords, Staffs (Sticks), Hats, and Feathers
Leaf 85. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man in military dress walking or running in profile to the right. His right hand holds a cane, his left the hilt of a sabre. His queue, twisted like a rope, is looped up with narrow ribbon. He wears a hat with a feather, a coat with facings and epaulettes, a ruffled shirt, and half-boots."--British Museum online catalogue
Description:
Title etched below image., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., and Plate numbered "v. 4" in upper left corner and "19" in upper right corner.
Publisher:
Publish'd as the act directs, Septr. 21, 1772, by M. Darly, 39 Strand
Subject (Topic):
Military uniforms, British, Dandies, Daggers & swords, Staffs (Sticks), Hats, and Feathers
"Caricature on the trial of Queen Caroline, with the charges being laid before the Lord Chancellor."--British Museum online catalogue
Alternative Title:
School boy and his master
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 102 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Leach," "Majocchi," "Sidmouth," "Liverpool," "Eldon," "D. York," and "Wellington" identified in ink below image; date "Oct. 1820" written in lower right corner of sheet.
Publisher:
Published October 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Majocchi, Theodore, active 1820, Leach, John, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Politicians, Military officers, Military uniforms, British, Scepters, Daggers & swords, Worms, Coats of arms, Tables, Bags, Rats, and Books
"Wellington, in uniform, stands in profile to the left, with sword erect. He has enormous ass's ears, and to his back the body and hindlegs of an ass are attached. With his left hand he holds a Chancellor of the Exchequer's gown over the ass's back. Above, and behind his head: I should be mad--or worse, than mad--to think of taking the office of P---- e M---- r."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from the British Museum catalogue., and Matted to: 45 x 31 cm.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Military uniforms, British, Donkeys, Daggers & swords, and Robes
In front of a cottage, a long-haired young apprentice or tradesman in his leather apron smiles proudly as he tries on a red military coat, despite the pleas of his sweetheart who tries to pull him away. A young recruiting sergeant offers the new recruit his own plumed hat to try on, together with a tankard of ale, while in the background a drummer in a grenadier cap looks on and drinks from a glass. A recruiting broadside is tacked on the wall above, addressed to "All aspiring young men who despise slavery..."
Alternative Title:
Arts yield to arms
Description:
Sheet trimmed within plate mark., Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", Numbered in lower left of plate 381., and Publication date erased from print.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England and Manchester.
Subject (Topic):
Military uniforms, British, Hats, and Recruiting & enlistment
"George III, half length, stands in profile to the left, a holding a tiny Napoleon on the palm of his right hand, and inspecting him through a spy-glass. He says: "My little friend Grildrig, you have made a most admirable \ "panegyric upon Yourself and Country, but from what I can \ "gather from your own relation & the answers I have with \ "much pains wringed & extorted from you, I cannot but con- \ "-clude you to be one of the most pernicious, little - odious \ "-reptiles, that nature ever suffer'd to crawl upon the surface of the Earth." He wears military uniform with a bag-wig. The only background is a dark cloud-like shadow across the lower part of the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Artist identified as Lt-Col Thomas Braddyll, a young amateur who supplied designs for satirical prints to James Gillray. See British Museum catalogue., Text following title: Vide Swift's Gulliver: Voyage to Brobdingnag., Sheet trimmed within plate mark on lower edge., and Watermark: J. Ruse 1802.
Publisher:
Pubd. June 26th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, George III, King of Great Britain, 1738-1820, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Adaptations, parodies, etc, Telescopes, Military uniforms, British, and French
"George III, half length, stands in profile to the left, a holding a tiny Napoleon on the palm of his right hand, and inspecting him through a spy-glass. He says: "My little friend Grildrig, you have made a most admirable \ "panegyric upon Yourself and Country, but from what I can \ "gather from your own relation & the answers I have with \ "much pains wringed & extorted from you, I cannot but con- \ "-clude you to be one of the most pernicious, little - odious \ "-reptiles, that nature ever suffer'd to crawl upon the surface of the Earth." He wears military uniform with a bag-wig. The only background is a dark cloud-like shadow across the lower part of the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Artist identified as Lt-Col Thomas Braddyll, a young amateur who supplied designs for satirical prints to James Gillray. See British Museum catalogue., Text following title: Vide Swift's Gulliver: Voyage to Brobdingnag., Sheet trimmed within plate mark on lower edge., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 35.5 x 25.4 cm, on sheet 36.6 x 27.4 cm., and Mounted on leaf 59 of volume 5 of 12.
Publisher:
Pubd. June 26th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, George III, King of Great Britain, 1738-1820, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Adaptations, parodies, etc, Telescopes, Military uniforms, British, and French
Title engraved below image., Artist from Sotheby's catalog., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Name):
Riou, Edward, 1762-
Subject (Topic):
Axes, Icebergs, Livestock, Rescue work, Sailors, Ships, Shipwrecks, Telescopes, Military uniforms, and British
"Brougham's state carriage extends across the design with the horses' heads approaching the arch leading to Horse Guards Parade (right), where the muzzle of the Regent's Bomb ... is seen. Life Guardsmen try to stop the coach; an officer has fallen awkwardly on the cobbles. Brougham leans from the window holding a bulky mace in his right hand; with the left hand he points to the right, saying: 'With Law's proud emblem glittering in this hand, Who dares the Champion of Reform withstand? Go, Bloodless Warriors! seek your Chiefs, & say The stern School Master's in the Field to-day'. The coachman lashes the horses, the two footmen behind the coach are grinning. The coach has many coroneted crests, ... and a coat of arms, correct except for the supporters who are broom-girls ... and with Brougham's motto 'Pro Rege, Lege Grege'. See British Museum catalogue
Description:
Title from caption below image., Text above image: Cedant arma togae., Two lines of text below title: He said, and hasty o'er the gasping throng, Drives the swift steeds; the chariot smokes along. Homers Illiad. B VIII. 190'. 25 April 1831, and "(2nd edition)"--Following imprint.
Publisher:
Published by Geo. Humphrey, 24 St. James's Street
Subject (Name):
Great Britain. Army. Life Guards, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Subject (Topic):
Military uniforms, British, and Carriages & coaches
Two soliders shown full-length, one facing forward and the other in profile looking left
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 13, 1831, for W. Heath at 56 Quadrant Regent Street
Subject (Topic):
Daggers & swords, Military uniforms, British, Bayonets, and Rifles
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: British Lion -- The White Horse of Hanover -- British territorial concessions: Cape Breton to France.
Publisher:
Publisher not identified
Subject (Name):
Edward III, King of England, 1312-1377, Henry V, King of England, 1387-1422, Cromwell, Oliver, 1599-1658, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Treaty of Aix-la-Chapelle, Devil, Hostages, Military uniforms, British, National emblems, and Hanoverian
publish'd according to act of Parliament, Septr. 12th, 1745.
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 1. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashion showing a crowd of people in St James's Park in front of Buckingham House. In the centre is a short, fat women wearing a large hooped skirt and saque, a lace cap and black lace mittens, and carrying a closed fan. On the left a young country gentleman, wearing a quilted waistcoat and holding a riding whip, is arm in arm with fashionably dressed man who seems to be showing him the promenade, they both wear breeches that end above the knee and high-heeled shoes with large tongues; the latter leers at a young woman, apparently a prostitute, wearing a straw hat with a soft brim who lifts her huge hooped skirt to reveal her ankle. She is walking with another young woman wearing a dark cloak with a hood; she wears a small cap and her hair is dressed in ringlets. In the centre, behind the fat woman, two men embrace, one of whom wears an eye patch. Another young woman, dressed in a similar fashion to the fat woman, stands to her right; behind her is another young woman wearing a hat with a very large brim. Next are two more young men,wearing large tricorne hats, tight coats the skirts of which open out in pleats below the waist, and high-heeled shoes one apparently pointing out matters of interest to the other who is possibly a young officer as he wears a sword and a cockade in his hat; his hair or wig is dressed in a large bag-wig. On the far right, a soldeir wearing large riding boots, walks away with a young woman wearing a laced hat."--British Museum online catalogue
Description:
Title engraved below image., Probably a later state, with printseller's statement burnished from plate. For a variant state with "Sold by C. Moseley, engraver & printseller in Round Court in the Strand" following price statement, see No. 2774 in the Catalogue of prints and drawings in the British Museum, v. 3., Sheet trimmed within plate mark., "Price 6d."--Following imprint., 1 print : etching and engraving ; sheet 22.6 x 31.6 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper and mounted to 26 x 32 cm., and Mounted opposite page 1 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Clothing & dress, Crowds, Fans (Accessories), Military uniforms, British, and Parks
publish'd according to act of Parliament, Septr. 12th, 1745.
Call Number:
745.09.12.01+
Collection Title:
Opposite page 1. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashion showing a crowd of people in St James's Park in front of Buckingham House. In the centre is a short, fat women wearing a large hooped skirt and saque, a lace cap and black lace mittens, and carrying a closed fan. On the left a young country gentleman, wearing a quilted waistcoat and holding a riding whip, is arm in arm with fashionably dressed man who seems to be showing him the promenade, they both wear breeches that end above the knee and high-heeled shoes with large tongues; the latter leers at a young woman, apparently a prostitute, wearing a straw hat with a soft brim who lifts her huge hooped skirt to reveal her ankle. She is walking with another young woman wearing a dark cloak with a hood; she wears a small cap and her hair is dressed in ringlets. In the centre, behind the fat woman, two men embrace, one of whom wears an eye patch. Another young woman, dressed in a similar fashion to the fat woman, stands to her right; behind her is another young woman wearing a hat with a very large brim. Next are two more young men,wearing large tricorne hats, tight coats the skirts of which open out in pleats below the waist, and high-heeled shoes one apparently pointing out matters of interest to the other who is possibly a young officer as he wears a sword and a cockade in his hat; his hair or wig is dressed in a large bag-wig. On the far right, a soldeir wearing large riding boots, walks away with a young woman wearing a laced hat."--British Museum online catalogue
Description:
Title engraved below image., Probably a later state, with printseller's statement burnished from plate. For a variant state with "Sold by C. Moseley, engraver & printseller in Round Court in the Strand" following price statement, see No. 2774 in the Catalogue of prints and drawings in the British Museum, v. 3., Sheet trimmed within plate mark., "Price 6d."--Following imprint., Temporary local subject terms: Outdoor scenes., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Geographic):
Saint James's Park (London, England), and England
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Clothing & dress, Fans (Accessories), Military uniforms, and British
Title from caption below image., Restrike. Date of printing based on watermark., Publisher's advertisement below image in lower right: Folio's of caracatures [sic] lent out for the evening., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each pair., Plate numbered in upper right corner: Vol. 1, pl. 12., For other prints in the set, see the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8925, Temporary local subject terms: Female costume, 1796 -- Male costume, 1796., and Watermark: J. Whatman 1822.
Publisher:
Pubd. Jaunary [sic] 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Courtship, Couples, Marriage, Military uniforms, and British
"General Gunning stands in profile to the right before the door of his house, a bludgeon in his hand, driving before him his wife and daughter both scantily clad, but the latter with feathers in her hair. On the left is a military officer (Bowen) sheathing a sword in a broken sheath; Mrs. Bowen stands behind him. From General Gunning's pocket protrude papers: 'aff. by Mr B' and 'Am by Mr B.' He says "Now I shall save a 1000 a year in Housekeeping & keep as many - [whores] as I like." Miss Gunning says "Oh thus to be persecuted & rob'd of - all for Lorn." Mrs. Gunning says "Oh! my Darling my Angel fear not the machinations of these Combind plotters while you have a Mothers arms to support you". She points towards a woman's face at a window (? or in a picture) over which is etched: 'Here my Inosent shall you find a parants Care to soothe your troubles & every honest means pursued to discover those base dark assas[sins]'. Bowen says "Oh how they did run we have done the Business". His wife says "Aye Aye Clear off did not I do my part well.""--British Museum online catalogue
Alternative Title:
Specimen of martial prowess
Description:
Title from item., Printmaker from British Museum online catalogue., Publisher's annoucement following imprint: ... whare [sic] may be seen the compleatist [sic] collection of caricature prints & drawings in the Kingdom. Admite. 1 s & &., Temporary local subject terms: General's uniform -- Captain's uniform -- Bludgeons -- Weapons -- Expulsion -- Allusion to the Gunning scandal -- Capt. Bowen -- Mrs. Bowen., and Watermark: J Whatman.
Publisher:
Pub. March 27, 1791, by S.W. Fores, No. 3 Piccadilly ...
Subject (Name):
Gunning, John, -1797, Gunning, Miss 1769-1823 (Elizabeth),, and Gunning, Mrs. 1740?-1800 (Susannah),
