Muller, Harmen Jansz. (Harmen Janszoon), approximately 1538-1617, printmaker
Published / Created:
[not after 1617]
Call Number:
Print00933
Image Count:
1
Resource Type:
still image
Alternative Title:
[Thou shalt not commit adultery: Bathsheba receiving the message from David].
Description:
Title from item., Date derived from printmaker's date of death., Place of publication derived from publisher's place of residence., After title: Exod. XX., Within image: ij. Samuel xi.Cap. ; 6., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
H. Cock excude
Subject (Name):
Bathsheba (Biblical figure). and David, King of Israel.
Subject (Topic):
Baths, Ten commandments, Adultery, Hygiene, Public baths, Dressing & grooming equipment, Servants, Bathing, Grooming, Biblical events, and Mirrors
"An engraving, which represents a clergyman (? Jeremy Taylor) showing to a lady (? Lady Carberry) a mirror, in which she is reflected as a skeleton; by her side is a child, who points to the mirror; and behind her stands an old man, lifting up his hands in astonishment. On the table, which sustains the mirror, is written "Fades natiuitatis suae, James 5. 23"; and on a scroll on the ground, "Vigilate et Orate quia nescitis horam"."--British Museum catalogue
Description:
Title and printmaker from the British Museum catalogue., Publication place and date inferred from other states described in the British Museum catalogue., Sheet trimmed to plate mark., Cf. No. 821 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., Later annotations in an unidentified hand on verso, partially trimmed off and covered by mounting sheet., and Window mounted to 23 x 14 cm.
Publisher:
publisher not identified
Subject (Topic):
Mirrors, Clergy, Skeletons, Children, and Older people
Framed in an oval, the writer George Saville Carey is shown looking to his left while holding a mirror up in his extended right arm and holding a theater mask in his left arm, bent at the elbow
Description:
Title devised by cataloger. and For further information, consult library staff.
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 44 cm., and Dated '1722' in unknown contemporary hand after title.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
"Satire on the general election of 1722 showing a grand room with two long windows and a pier glass between; to the left of this is a screen with seven folds. On the right three men, one holding a staff of office, can be discerned behind the screen reflected in the glass. From the left side of the screen an electoral candidate walks towards a voter grasping him by his right hand and with his left slipping a purse into the man's pocket. The voter is identified in the verses as a member of a corporation in a borough where only such members could vote; his leg is shackled by a chain. His wife listens to a clergyman who stands in a doorway assuring her "bribery no sin". The devil hovers over the candidate touching the voter on the shoulder and holding a blank scroll. Two boys in the foreground point to the transaction, one holding a wooden shoe, symbol of the oppressive French regime. The screen itself is adorned with little stars, at the top the years 1715-1722 are marked on the seven folds and the names of various acts passed by the previous government, "Quarantine Act .../South Sea Act/Act to indemnify S.S. V[illai]ns/Part of ye Succession Act repeal'd/Septennial Act".--British Museum online catalogue
Alternative Title:
Election carried by bribery and the devil
Description:
Title from caption in ribbon above image., Questionable attribution to Hogarth in unverified card catalog record., Sheet trimmed to plate mark., Four stanzas of verse below image: Here's a minion sent down to a corporate town, in hopes to be newly elected ... That betrays the whole kingdom to slav'ry.", and Imperfect impression: sheet trimmed to 162 x 175 mm.
Publisher:
publisher not identified
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
South Sea Company. and Great Britain. Parliament
Subject (Topic):
Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "4"--Upper right corner., Number 9 in the series. See Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Caption on either side of title begins: "No sooner was he come t' himself, But on his Neck a sturdy Elf ..."
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "4"--Upper right corner., Number 9 in the series. See Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., Caption on either side of title begins: "No sooner was he come t' himself, But on his Neck a sturdy Elf ...", and On page 36 in volume 1. Plate trimmed to: 26.6 x 35 cm.
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
Surugue, Louis, approximately 1686 -1762, printmaker, publisher
Published / Created:
[1745]
Call Number:
Folio 75 H67 800 v.1 (Oversize)
Image Count:
1
Abstract:
Allegorical scene with Decrepitude as an old woman in extravagant costume putting another beauty spot on her face and looking at her reflection in a mirror on a washstand, while Madness personified by young woman with fool's bauble hanging from a sash is helping her getting dressed; above them, Cupid flying with arrow in his hand."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark., See no. 2211 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and On page 72 in volume 1.
Publisher:
Chez L. Surugue graveur du roy ruë des Noyers, attenant le Magazin de Papier vis-a-vis St. Yves, A.P.D.R.
Subject (Geographic):
France
Subject (Name):
Ward, John, 1678-1758
Subject (Topic):
Death and burial, Aging, Clothing & dress, Cupids, Cosmetics, Dressing tables, Mirrors, and Women domestics
"A satire on William Pitt on his accepting office in government showing him reacting in horror to the sight of the ghost of Sarah, Duchess of Marlborough who appears in her shroud saying “Furies Wheres my 10000 £”, in one hand she holds a paper lettered “Taken a Place” and another lettered “Voted for ye C(our)t”. Her other hand points down to a portrait of Lord Chesterfield on the floor which has been torn from its frame on the wall and in this hand she holds a paper lettered “and you too 20000£”. Behind her is a statue of Queen Anne. Flashes of lightening come through the window at the back of the room aimed at Pitt as he sits at a table with two candles on it writing “an answer to T.H.” also on the table are “Letters to W(ilia)m. P(itt) Tr(easurer) of I(relan)d” and “Letter to W(ilia)m P(itt) by T. H-y Esq. On his forehead is written “HANOVER T(urnip)S”."--British Museum online catalogue
Alternative Title:
The ghost of a Duchess to William Pitt Esqr
Description:
Title from item., Sheet trimmed within plate mark., Thirteen lines of verse in three columns below image: Ungrateful P---. You have me bitt! ..., Temporary local subject terms: Statues: statue of Queen Anne on pedestal -- Ghosts: the Duchess of Marlborough -- Lightning bolts -- Female dress: Queen Anne's dress -- Lighting: candlesticks -- Furniture -- Furniture -- Furnishings: wall clock and bracket -- Letters -- Legacy., Watermark., and Mounted to 32 x 43 cm.
Publisher:
Publishd. for L. Raymond
Subject (Name):
Anne, Queen of Great Britain, 1665-1714, Marlborough, Sarah Jennings Churchill, Duchess of, 1660-1744, and Pitt, William, Earl of Chatham, 1708-1778
Satirical view of London life, with a riotous wedding party at the Tavern at Rederiff: for full description see Catalogue of prints and drawings in the British Museum
Description:
Title from item., John June identified as the printmaker in the British Museum catalogue,, Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., and Temporary local subject terms: Officer's uniform -- Sailor's uniform -- Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Pictures: portraits -- Creditors.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Title from item., Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., Temporary local subject terms: Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Creditors., and Loose impression removed from the Kinnaird Coll.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Subject (Topic):
Amputees, Bailiffs, Black people, Bowls (Tableware), Candlesticks, Clergy, Dance, Military uniforms, British, Mirrors, Musical instruments, Pipes (Smoking), Portratis, Prostitutes, Sconces, Servants, Tables, Violins, and Weddings
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The fifth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this fifth drawing, Edward sits in a parlor holding the hand of a young lady as she looks down demurely. Behind the couple, an older woman sits on a sofa sewing, her basket at the table before her. In addition to the fashionable sofa and chairs, the room is decorated with an ornate mirror with swags on the wall behind. On the wall to the left is a marble mantel with a Buddha and other decorative china
Description:
Title devised by cataloger., Text in faint pencil below image: Edward [illegible text]., Signed "Dodd" in lower left and numbered '5' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Blacks, Allegorical drawings, Buddhas, Courtship, Mirrors, Parables, Parlors, and Sewing
The twelfth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this twelfth drawing, Charles is in a coffin in his parlor. His wife cries into her handkerchief as two men with looks of pity point to the long sheet of paper with his list of debts. Her two children cling to her with fear and sadness. Two other men go about the room putting tags on the urns and other furnishings in preparation for their sale. The pistol on the sofa suggests Charles's suicide
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '12' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
pub. according to act of Parliamt., March 21st 1754.
Call Number:
754.03.21.01+
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Eight lines of verse below image, in two columns on either side of title: The figure's odd - yet who wou'd think? (WIthin this tunn of meat & drink) ..., Temporary local subject terms: Hand mirrors -- Mythology: satyr -- Bills of fare -- Drink -- Sheet music., and Watermark: Strasburg bend.
Publisher:
publisher not identified
Subject (Name):
Handel, George Frideric, 1685-1759
Subject (Topic):
Musicians, Musical instruments, Organs, Mirrors, Supernatural beings, Food, and Beverages
Title from item., Publication date from an unverified card catalog record., and Temporary local subject terms: Furniture: toilet-table -- Female dress: fans -- Curtains -- Furnishings: oval hanging mirrors with carved frames and sconces.
Publisher:
Printed for Robt. Sayer, Printseller in Fleet Street
Subject (Topic):
Boxes, Combs, Dressing & grooming equipment, Jewelry, and Mirrors
A young woman seated in a caned armchair with cushions, directed to right, wearing a frilled cap, a dark apron over her gown with long sleeves and ruffles at the elbow, spinning and glancing at the viewer; a fireplace with a work bag hanging a fire screen in front of it, to the right; an urn on the mantel piece with a mirror on the wall, curtains behind on right and left; after Heilmann
Alternative Title:
Domestic amusement and Lovely spinner
Description:
Title from caption etched below image., Date from unverified card catalog., Sheet trimmed to plate mark., Companion print to: Domestick amusement. The fair seamstress., and Watermark.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Topic):
Chairs, Fireplaces, Interiors, Mirrors, Purses, Sewing equipment & supplies, Spinning, Spinning apparatus, and Young adults
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "9" in upper left corner., Eighteen lines of verse in three columns, below image: No sooner was the come t' himslef But on his neck a sturdy elf ... And that which was proved true before Prove false again? Two hundred more., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90., and From a set of twelve prints, all with two sewing holes along left edge.
publish'd according to act of Parliament, June 1st 1769.
Call Number:
769.06.01.01+
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 27 x 39 cm.
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
769.05.01.01+
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., and Probably a 19th century impression, based on the quality of the paper.
publish'd according to act of Parliament, June 1st 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; sheet 22.5 x 34.2 cm, folded to 22.5 x 24.8 cm., Imperfect; sheet trimmed within plate mark with loss of publication line from bottom edge., Mounted to 26 x 32 cm., and Mounted on page 61 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
A scene in a coffee-house. Two men, one in a queue wig and with a pistol, another in club wig and with a sword, are fighting a duel while three frightened customers are trying to leave and another one cowers behind a settee next to a low table with coffee service on it. Behind another settee, a barmaid holds up her hands in horror. The gentleman with the pistol uses it to parry the sword thrusts of his opponent whose forehead is bleeding. A cat with an arched back and a dog barks look at the scene from the left. The room is decorated with a large mirro and shelves with wine glases, china bowls, and pitchers
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Two groups of persons who are candidates for the place of hangman. Inscribed labels issue from the persons of four of them. Two men sit side by side on a settee, wearing curiously shaped crowns or coronets, one (left) shaped like a wall. The former holds a paper inscribed "To J------e G------m" showing that he is Justice Gillam, who ordered the soldiers to fire on the Wilkite mob outside the King's Bench Prison on 10 May 1768 (see British Museum Satires No. 4201). He says: "Everyone knows my abilities as a Man-killer". His companion says: "Let the Place be held by Commission and let the two Kennedies & my self, be Lords Commissioners of the Rope". Behind, and to the left of the settee three persons stand together: A rough-looking man, flourishing a stick says: "I wont accept of ye Office without a Peerage to Support its Dignity". Next him is a Judge in wig and robes. On the right., their backs to a window, stand three men; Sir Fletcher Norton in his Speaker's robes, and the horns which indicate that he is 'Sir Bullface Double Fee', see British Museum Satires No. 4238, 4462, and index, says: "B------n S------h has spoil'd ye Trade, if Murderers were to be hang'd ye Place might be worth acceptce". He stands between the two Kennedy brothers and is alluding to the reprieve (for transportation) of one of them, the other having been acquitted. "B------n S------h" may be intended for Sir Sidney Stafford Smythe, a baron of the Exchequer. This reprieve was for the murder of a watchman in a drunken brawl, and was believed to be due to the influence of the young men's sister, Polly or Kitty Kennedy, see 1935,0522.2.2 and British Museum Satires No., 4463. It was made a political question by Parson Horne and others, see Walpole, 'Memoirs of the Reign of George IV', 1845, iv. 110-11; Stephens, 'Memoirs of Horne Tooke', i. 185. 1770."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed to and within plate mark., Probably an illustration in The Oxford magazine, v. 4, page 113., Temporary local subject terms: Law: judge -- Law: speaker -- Emblems: crown of the City of London -- Furnishings: settee -- Paddle -- Hangmen: Tom Turlis -- Kennedy Brothers' reprieve -- Matthew Kennedy -- Patrick Kennedy -- Justice Samuel Gillam, Magistrate of Surrey, 1715-1793? -- Nicknames: Sir Bullface Double-fee (i.e., Sir Fletcher Norton)., and Mounted to 13 x 18 cm.
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., After Hogarth., Caption on either side of title begins: "No sooner was he come t' himself, but on his neck a sturdy Elf ... And that which was prov'd true before prove false again two hundred more.", Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90.
"Satire on fashion: a French hairdresser mounts a ladder to arrange with tongs the curls of a lady with an enormous coiffure, while another man with a long queue, evidently her husband, holds a sextant to measure the height."--British Museum online catalogue
Alternative Title:
Ladies absurdity
Description:
Title engraved below image., Initial letters of publisher's name in imprint form a monogram., Temporary local subject terms: Macaronies -- Headdresses -- Naval officers -- Military uniforms -- Naval officer's uniform -- Trades: hairdressers -- Furnishings -- Carpet -- Pictures amplifying subject -- Hairdressing implements: curling tongs -- Step ladders -- Naval instruments: quadrant., and Watermark: countermark W.
Publisher:
Pubd. accordg. to act of Parllt., July 15th 1771, by MDarly, No. 39 Strand, & R. Sayer at the Golden Buck, Fleet Street
Subject (Topic):
Dandies, French, Hairstyles, Hairdressing, Mirrors, Floor coverings, Ladders, and Sextants
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., and For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '22' in upper left and '12' in upper right corner., Another state, with two plate numbers and by a different publisher. Cf. No. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: countermark IV.
Publisher:
Pub. according to act June 26th 1772, by MDarly, (39) Strand
Subject (Topic):
Black people, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
"Satire on ageing macaronis; an elderly man wearing an elaborate wig stands whole-length to front in a fashionable interior, his right hand to his chin, his left in his breeches pocket."--British Museum online catalogue
Alternative Title:
How do you like me
Description:
Title engraved below image., Imperfect; publication date erased from end of imprint statement. Missing text supplied from impression in the British Museum., Plate numbered '260' in lower left corner., and Temporary local subject terms: Bag wig -- Furniture: oval mirror in gold frame -- Furniture: upholstered chair -- Furnishings: window curtain.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
Leaf 18. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A group of macaronis in a dressing room, one having his hair dressed by a flamboyant hairdresser and his young black assistant, another practising fencing, a third plays with his pet cockatoo, another looks down at a servant boy who is spilling a tray of cups. The pictures on the wall allude to the action ("Morning Devotion") and themes (Rotten Row Macaroni) in the print; also an ornate mirror is centered in the room on the wall. On the floor is a sheet with the Newmarket horse races listed. The man having his hair tended wears beauty patches on his cheek
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., For another version of this design in reverse, see no. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., On leaf 18., and 1 print : etching with engraving on laid paper ; plate mark 25.3 x 35.2 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. according to act June 26th, 1772, by MDarly, (39) Strand
Subject (Topic):
Blacks, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Leaf 72. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A man standing in profile and shown full-length walking to the right as he looks at himself in a hand-mirror. He wears a very tall wig, the queue tied in back with a very large bow, and a ruffled shirt. In his left hand he holds a tasselled cane
Description:
Title etched below image., Signed by unidentified printmaker "J.H.", Initial letters of publisher's name in imprint form a monogram., "Who calls me a macaroni"--Text above image., Plate numbered "v. 3" in upper left corner and "1" in upper right corner., For a brief mention of this print, see description for no. 5005 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Toupee wigs -- Tasselled canes -- Lockets., and First of three plates on leaf 72.
Publisher:
Pubd. by MDarly, April 2nd, 1772, accor. to act, (39) Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Mirrors, and Staffs (Sticks)
A young man seated on a chair holds his head up while a young woman sitting astride in his lap shaves his neck. On the floor is an ornate carpet and pictures adorn the walls on either side of an oval mirror
Description:
Title engraved below image., Series numbers in upper left and right corner of plate, respectively: V.3 16., Initial letters of publisher's name form a monogram., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Jany. 1, 1773, by MDarly, 39 Strand
Subject (Topic):
Couples, Floor coverings, Mirrors, Paintings, Shaving, and Shaving equipment
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Fops -- Toupée wig with club., 'June' missing in original imprint due to a poorly mended tear in the sheet., and Publication date from watermark on plates 12, 24 ,30, and 32 in the series: 1816.
A dandy shown full-length seated to right, holding a phial to his nose and gazing at his reflection while a hairdresser prepares to attach a looped queue to his wig
Alternative Title:
Lily-white maccaroni and Lily-white macaroni
Description:
Title etched below image., Carington Bowles was located at this address between 1766 and 1793; date of 1774 based on other prints in a series on the same topic., Numbered '210' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Carington Bowles, No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
Great Britain
Subject (Topic):
Braids (Hairdressing), Clothing & dress, Dandies, Hairdressing, Mirrors, and Wigs
Leaf 49. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man with the profile of an animal, perhaps a sheep, wearing gown and bands, holds a large tie-wig of the kind worn by judges in his left hand, the fingers of his right hand are held out as if in calculation; he looks at himself in an ornately framed oval mirror on the wall with an expression of singular imbecility. An open door in the back wall shows rows of books in a book-case: on its lintel stands a bust. An oval (half length) portrait hangs on the left of the door, it is of a man in wig and bands, probably the subject of the caricature. Two high-backed chairs are the only furniture of the room."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of text below title: To wig - or not to wig, that is the question., Sheet partially trimmed within plate mark., Plate numbered "V. 3" in upper left corner and "14" in upper right corner., Temporary local subject terms: Pictures amplifying subject: Portrait of a man in a wig., and Watermark (partially cut off): Strasburg bend with initials G R below.
Publisher:
Pubd. April 27, 1774, by MDarly, 39 Strand
Subject (Topic):
Bookcases, Chairs, Interiors, Judges, Law offices, Lawyers, Mirrors, Sculpture, Sheep, and Wigs
Leaf 49. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man with the profile of an animal, perhaps a sheep, wearing gown and bands, holds a large tie-wig of the kind worn by judges in his left hand, the fingers of his right hand are held out as if in calculation; he looks at himself in an ornately framed oval mirror on the wall with an expression of singular imbecility. An open door in the back wall shows rows of books in a book-case: on its lintel stands a bust. An oval (half length) portrait hangs on the left of the door, it is of a man in wig and bands, probably the subject of the caricature. Two high-backed chairs are the only furniture of the room."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of text below title: To wig - or not to wig, that is the question., Sheet partially trimmed within plate mark., Plate numbered "V. 3" in upper left corner and "14" in upper right corner., Temporary local subject terms: Pictures amplifying subject: Portrait of a man in a wig., First of two plates on leaf 49., and 1 print : etching on laid paper ; plate mark 17.5 x 23.7 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pubd. April 27, 1774, by MDarly, 39 Strand
Subject (Topic):
Bookcases, Chairs, Interiors, Judges, Law offices, Lawyers, Mirrors, Sculpture, Sheep, and Wigs
A man wearing laced coat and sword and holding a snuff box leans on an elaborately carved console table of the pump room at Bath, admiring himself in a mirror. An illustration for the "History of Captain S_: or, the Bath Adonis."
Description:
Title from item., Sheet trimmed within plate mark., Date and publication information from British Museum catalogue., and Extended to 26 x 18 cm.
Publisher:
The Matrimonial Magazine?
Subject (Geographic):
Bath (England) and England
Subject (Topic):
Dandies, British, Clothing & dress, Furniture, Mirrors, Wallpaper, and Tables
A homely woman stands facing right, in an outdoor setting with trees in the distance. She is dressed in a ruffled dress, her hair topped by an elaborate bonnet with ribbons and bows. In her left hand she carries a mirror which she regards with a smile
Description:
Title from item., Publisher's initials "MD" form a monogram., and Numbered in plate at top: V. 2, 71.
"Interior of a poorly-appointed barber's shop. The barber (left) is shaving a customer who sits in profile to the left facing the window, he holds his razor carelessly, to his customer's alarm, while looking eagerly towards another customer, who sits (right) on a stool in profile to the left, reading from the 'Morning Chronicle'. The barber's assistant or apprentice, a small ragged fellow, gapes up at the reader, he straddles across the stand of a barber's block on which is the wig which he is combing. Two other customers listen intently, both wear aprons, one of them is a shoemaker with a last under his arm. The man reading is shown to be a tailor by the yard-measure which hangs from his coat-pocket. On the wall hang coat, hat, wig, a broken looking-glass, a ballad, a roller-towel. In the window wigs are suspended. On the floor are two wig-boxes (left), inscribed 'Mr Deputy Grizzle' and 'Mr Snipp', a barber's bowl, and a night-cap."--British Museum online catalogue
Description:
Title from text below image., After Dighton. See British Museum catalogue., Sheet trimmed to plate mark., Numbered "477" in lower left corner., The Lewis Walpole Library: For later engraving published by Bowles & Carver, see 782.05.20.02.2++., No. 23 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., and Mounted to 41 x 34 cm.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
"Fox acts as barber to the Duchess of Devonshire; he applies a razor to her cheek, holding her chin. She is seated on a settee (left) covered with striped material. Sam House stands (right) holding a barber's bowl, a towel under his arm."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., and Mounted to 29 x 36 cm.
Publisher:
Pubd. May 10, 1784, by J. Moore, No. 19 Hallon [i.e. Hatton?] Street
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, and House, Samuel, -1785
Subject (Topic):
Barbers, Chairs, Mirrors, Shaving, Shaving equipment, and Sofas
"The interior of a well-furnished room with a carpeted floor. A young woman turns aside with a gesture of disgust from a young man of simian appearance who is grinning sheepishly. Her father stands behind her with outstretched arms, pleading desperately for her acceptance of the man. The suitor, holding his hat in both hands, turns away from the lady with an imbecile grin, but is being pushed towards her by a third man, probably his father. Through two sash-windows (left) appear houses and the steeple of a church. Between them is an oval mirror in a carved frame. A landscape hangs on the other wall (right) perhaps symbolically amplifying the subject; a waterfall flows over a large stand of rocks with a sole tree bending in the wind
Alternative Title:
Happiness sacrifised to riches
Description:
Title from text below image., Artist identified as Robert Dighton in the British Museum online catalogue, registration no.: 1935,0522.1.136., Sheet trimmed to plate mark., Numbered "516" in lower left corner., No. 27 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Children, Couples, Fathers, Interiors, Marriage, Mirrors, Parlors, and Rugs
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., and Mounted on page 35.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
Charles James Fox is depicted from behind, leaning on a table, regarding his reflection in a mirror. The face looking back at him is that of Oliver Cromwell. Fox is waving a document marked "Resolutions" and an issue of the Morning Chronicle is visible on the table
Description:
Title etched below image., Signed with the monogram of James Sayers., Numbered in lower left corner: Plate [the] 5th., 1 print : etching on wove paper ; plate mark 27.5 x 22.7 cm, on sheet 29.7 x 24.5 cm., and Mounted on leaf 23 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 20th January 1784 by Jas. Bretherton, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806 and Cromwell, Oliver, 1599-1658
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and Mounted to 21 x 26 cm.
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Watermark in center of sheet: J Whatman., and Mounted to 37 x 31 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
"Two fashionably dressed shopmen supply ladies with pads to extend their dresses at the back. Two other ladies have already been fitted; a fifth, who is buxom, sits on a stool clasping an inflated specimen at which she smiles with satisfaction. Various types of these pads or 'derrières' hang on the wall, and a pile lies on the ground (right). A dog, shaved in the French manner showing very thin hindquarters, is begging. Beneath the title is engraved: 'Derriere begs leave to submit to the attention of that most indulgent part of the Public the Ladies in general, and more especially those to whom Nature in a slovenly moment has been niggardly in her distribution of certain lovely Endowments, his much improved (aridæ nates) or Dried Bums so justly admired for their happy resemblance to nature. Derriere flatters himself that he stands unrivalled in this fashionable article of female Invention, he having spared neither pains nor expence in procuring every possible information on the subject, to render himself competent to the artfully supplying this necessary appendage of female excellence.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Watermark in center of sheet: fleur-de-lis with CV [monogram] below.
Publisher:
Published July 11th 1785 by S.W. Fores, No. 3 Piccadilly
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and 1 print : etching with stipple on laid paper ; plate mark 17.5 x 22.5 cm, on sheet 22 x 24 cm
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
Verso of leaf 91. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Publication date of 25 April 1785 supplied by the British Museum catalogue for an impression lacking the imprint statement; this date apparently based on that of the companion print entitled: Evening consolation., Temporary local subject terms: Furniture: Armchairs -- Broken bellows -- Lighting: Dark lantern -- Emblems: Dark lantern of conspiracy -- Bellows as emblem of Ld. North., Mounted on verso of leaf 91., and 1 print : aquatint and etching on laid paper ; plate mark 36 x 25.6 cm, on sheet 39.3 x 25.9 cm, mounted to 44.4 x 27.5 cm.
Publisher:
Pubd. Feby. 25th, 1785, by H. Humphrey, New Bond Street
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs
