"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
A satire on the financial crisis of 1720 ... Time draws back the curtain to reveal what appears to be a large painting showing a 'Roomse Schilderij', the deathbed of Pope Clement XI in March 1721. In front of the bed stand John Law and the Old Pretender, who has lost his wig and hat; they hold strings attached to the sails of a windmill on the canopy of the bed, beside which are the French cock, the Imperial eagle and the lion of the Netherlands. A thread encircles the waists of Law, the Pretender and Cardinal Alberoni who stands on the far side of the bed. At the head of the bed stands a group of cardinals holding up the papal tiara as the future Innocent XIII reaches for it; his medallion portrait hangs above, with an angel driving away a devil as the background. The Director being pushed forward by the satyrs is now identified as Robert Knight, cashier of the South Sea Company; coins fall from his pocket. The town in the distance is now 'Vryplaats'. The two vignettes at the bottom of the sheet have been changed, that on the left, which still has the same design is now identified as the son of the Pretender (born in 1720); that on the right, now showing a wheel of fortune with Pope Innocent at the top holding a scourge which he directs towards Law who falls down at the left, and destroying with a lightning bolt a paper representing the constitution as the Pretender ascends on the right; Cardinal Alberoni is at the bottom of the wheel. Engraved Dutch title, inscriptions, and verse in three columns which differs from those in the original state
Description:
Title from item., Title translation in British Museum catalogue: Bombario, O death, you were no friend to law when you shot down Pope Clement., State, with depiction of a chamber containing pope's deathbed in the right portion of the image., Publication date from British Museum catalogue., Three columns of verse in Dutch at bottom of image, titled: 't Cashot van Mr. Knigt zuidzee actie Kassier en de roomse schildery en medali., Plate 33 from: Het groote tafereel der dwaasheid ... , v. 1., Temporary local subject terms: Pictures amplifying subject -- Rome: allusion to "Romish picture" -- Architectural details: palace interior -- Freetown -- Popes -- Furniture: canopyed bed -- Papal deathbed -- Destruction of Constitution -- Crimes: South Sea -- France as crowing cock -- Rome as eagle -- England as lion -- Mississippi scheme -- Humbug -- Reference to Venetian trade -- Clergy -- Papacy: tiara and keys -- Father Time with hourglass -- Death as skeleton with sickle -- Portraits: Innocent XIII -- Satyrs with spears -- Capital punishment: gallows -- Bags of money -- Zanies -- Bladder: noisemaker -- Emblems: papal emblems -- Mottoes: S.P.Q.R. -- Schemes -- Symbols: wheel of fortune -- Symbols: tomb of death., and Watermark in the lower portion of sheet, countermark in the upper portion.
Publisher:
publisher not identified
Subject (Name):
Clement XI, Pope, 1649-1721, Innocent XIII, Pope, 1655-1724, James, Prince of Wales, 1688-1766, Alberoni, Guilio, Cardinal, 1664-1752, Knight, Robert, 1675-1744, and Law, John, 1671-1729
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Cardinals, Emblems, National emblems, and Windmills
"Satire on Cardinal Fleury and French dejction at the success of Admiral Vernon, coupled with condemnation of Robert Walpole for his initial opposition to the war. Fleury, finely dressed in cardinal's robes, rises from a chair and teeters on the edge of a cliff, looking in alarm at a medallion with a laureated head lettered, "Admiral Vernon"; under his arm is a scroll, lettered, "His iron will geet ye better of my Gold./G[o]d, he'll take all our Aquisitions in America." July 1740. Behind Fleury is a wall covered in graffiti: a gallows from which hangs a fat man (Walpole) lettered, "No matter yt he is long than ye Gallow's"; a man with the head of a bird who pushes a wheelbarrow; a windmill; a donkey laden with a pack; the heady of an angry Spaniard with a bird on his hat; another Spaniard, whole-length, leaning on a stick, a dog biting the tail of his cloak and two birds flying around his head; in the middle of the wall is a circular opening through which can be seen "Poor Hosier's Fleet"; a cock lettered, "Crown'd twice", stands on the wall. A pole rises from the wall, bearing a severed head, lettering identifies this as "Wall/Pole"; a ribbon hangs from the mouth lettered, "What Pity is it we can die but Once to serve our Country/Ad. Cato." Behind the wall on the right, is an imposing building flying the union flag; three crowns rest on clouds, and lightning flashes in the sky. The scene is set in a rococo frame with verses below."--British Museum online catalogue
Alternative Title:
Preferment of the barber's block
Description:
Title from item., Attributed to Bickham the Younger by British Museum catalogue., Six lines of verse below title: --Age thou art sham'd! Rome thou hast lost the breed of noble bloods! ..., and With spine title: Caricatures anglaise 1740.
Publisher:
According to act, July 1740. Sold at [the] Black-moor's Head opposite Surry Street, Strand
Subject (Geographic):
France.
Subject (Name):
Fleury, André Hercule de, 1653-1743, Walpole, Robert, Earl of Orford, 1676-1745, Vernon, Edward, 1684-1757, and Hosier, Francis, 1673-1727.
Subject (Topic):
Austrian Succession, War of, 1740-1748, Naval operations, Cardinals, Gallows, and National emblems
"Satire on Cardinal Fleury and French dejction at the success of Admiral Vernon, coupled with condemnation of Robert Walpole for his initial opposition to the war. Fleury, finely dressed in cardinal's robes, rises from a chair and teeters on the edge of a cliff, looking in alarm at a medallion with a laureated head lettered, "Admiral Vernon"; under his arm is a scroll, lettered, "His iron will geet ye better of my Gold./G[o]d, he'll take all our Aquisitions in America." July 1740. Behind Fleury is a wall covered in graffiti: a gallows from which hangs a fat man (Walpole) lettered, "No matter yt he is long than ye Gallow's"; a man with the head of a bird who pushes a wheelbarrow; a windmill; a donkey laden with a pack; the heady of an angry Spaniard with a bird on his hat; another Spaniard, whole-length, leaning on a stick, a dog biting the tail of his cloak and two birds flying around his head; in the middle of the wall is a circular opening through which can be seen "Poor Hosier's Fleet"; a cock lettered, "Crown'd twice", stands on the wall. A pole rises from the wall, bearing a severed head, lettering identifies this as "Wall/Pole"; a ribbon hangs from the mouth lettered, "What Pity is it we can die but Once to serve our Country/Ad. Cato." Behind the wall on the right, is an imposing building flying the union flag; three crowns rest on clouds, and lightning flashes in the sky. The scene is set in a rococo frame with verses below."--British Museum online catalogue
Alternative Title:
Preferment of the barber's block
Description:
Title from item., Attributed to Bickham the Younger by British Museum catalogue., Six lines of verse below title: --Age thou art sham'd! Rome thou hast lost the breed of noble bloods! ..., and Watermark: Strasburg lily with initials L V G below.
Publisher:
According to act, July 1740. Sold at [the] Black-moor's Head opposite Surry Street, Strand
Subject (Geographic):
France.
Subject (Name):
Fleury, André Hercule de, 1653-1743, Walpole, Robert, Earl of Orford, 1676-1745, Vernon, Edward, 1684-1757, and Hosier, Francis, 1673-1727.
Subject (Topic):
Austrian Succession, War of, 1740-1748, Naval operations, Cardinals, Gallows, and National emblems
Title from item., "Price 1s"--Lower right corner., One line of text following title: NB. The beasts represent certain monarchs, and the birds certain kingdoms, the eagle in particular Germany with her nine electors., Temporary local subject terms: Russian bear -- German eagle and 9 eaglets (electors) -- French fox and fox cub -- Hungarian peacock -- Prussian jay -- British lion -- Dutch goose -- Austrian bull -- Bavarian hound -- Morrocan tunis (camel) -- Swiss bat -- Venetian dolphin -- Walpolian owl -- Spanish griffin -- Swedish ostrich -- Swan of Lorain -- Roman cat -- Danish stork -- Persian rhinoceros -- Turkish elephant -- Norwegian frog -- Pretender's serpent -- Bills: excise, 1741 -- Torches -- German elections, 1741 -- Europe as beehive -- Hanoverian turnips -- Count Joseph Edward Gage, 1678?-1753?, and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Bath, William Pulteney, Earl of, 1684-1764, and Cobham, Richard Temple, Viscount, 1669?-1749
Subject (Topic):
National emblems, British, Danish, Dutch, German, Hungarian, Prussian, Roman, Russian, Swiss, Spanish, Swedish, and Turkish
Title from item., "Price 1s"--Lower right corner., One line of text following title: NB. The beasts represent certain monarchs, and the birds certain kingdoms, the eagle in particular Germany with her nine electors., and Temporary local subject terms: Russian bear -- German eagle and 9 eaglets (electors) -- French fox and fox cub -- Hungarian peacock -- Prussian jay -- British lion -- Dutch goose -- Austrian bull -- Bavarian hound -- Morrocan tunis (camel) -- Swiss bat -- Venetian dolphin -- Walpolian owl -- Spanish griffin -- Swedish ostrich -- Swan of Lorain -- Roman cat -- Danish stork -- Persian rhinoceros -- Turkish elephant -- Norwegian frog -- Pretender's serpent -- Bills: excise, 1741 -- Torches -- German elections, 1741 -- Europe as beehive -- Hanoverian turnips -- Count Joseph Edward Gage, 1678?-1753?
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Bath, William Pulteney, Earl of, 1684-1764, and Cobham, Richard Temple, Viscount, 1669?-1749
Subject (Topic):
National emblems, British, Danish, Dutch, German, Hungarian, Prussian, Roman, Russian, Swiss, Spanish, Swedish, and Turkish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: British Lion -- The White Horse of Hanover -- British territorial concessions: Cape Breton to France.
Publisher:
Publisher not identified
Subject (Name):
Edward III, King of England, 1312-1377, Henry V, King of England, 1387-1422, Cromwell, Oliver, 1599-1658, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Treaty of Aix-la-Chapelle, Devil, Hostages, Military uniforms, British, National emblems, and Hanoverian
