Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", Ms. note: See Mr. Nichols's book, 3d. edit. p. 284., Subscription ticket is filled in: April 10 1750 and illegible name. A scrap of paper attached at lower right with Hogarth's signature, 3 shillings, and Hogarth's wax seal., and On page 127 in volume 2. Sheet trimmed to: 18.1 x 23 cm.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet 266 x 273 mm and annotated in Hogarth's hand(?): April 28 1750, Ja. Theoball Esqr., N1249. Also signed: "Wm. H[ogarth] 3 shilllings". With his wax seal.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson. and Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over."
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet trimmed to 193 x 231 mm and annotated in Hogarth's hand(?): Aprl 2 1750, Robt. Thomson Esqr., N534. Also signed: "Wm. H[ogarth]".
"William IV, as Mars, in Roman armour, stands defiantly in a war-chariot drawn by three galloping horses, ridden by Discord, a virago with serpents for hair, who brandishes a handful of serpents. He holds a shield inscribed 'Signed Protocols', and a levelled spear; on his helmet is a dragon with gaping jaws. The chariot advances upon terrified Dutch soldiers (left), who flee; one drops his musket, but one on the extreme left (William I) stands firm beside the muzzle of a cannon and glares at the King with an obstinate scowl. They have high-crowned hats, with a ribbon inscribed 'Orange'. Facing the chariot-horses (left) are a menacing Russian bear and a Prussian Death's Head hussar with a levelled blunderbuss. Discord, looking sideways at the Prussian though turning away from him, says: 'A word in your Ear! there's nothing meant, its all show just to frighten these Dutchmen a little'. Under the chariot is a document inscribed 'Treatys'; the wheel is about to collide with a large stone inscribed 'Ireland', on which the features of O'Connell are faintly suggested. Behind the chariot are three Furies, with serpents for hair, and holding firebrands and bunches of serpents. Rushing forward, they urge the King on; they are (left to right) Grey, Durham, and Brougham. As a background to the chariot a swarm of countless frogs (French soldiers) is dimly suggested; they rush forward, with a tricolour flag. On the front of the chariot perches a Gallic cock. In the foreground (right) stands John Bull, stout and spectacled; he clutches his 'Reform Bill', and gapes up in horror, saying, 'Hey dey here's a bobbery, just as I was going to look over my Reform Bill quietly, what do they mean not to go to war sure now,!! after suffering Poland to be annihilated & Germany trampled on, Oh nonsense! Nonsense'."--British Museum online catalogue
Description:
Title from text below image., Printmaker from British Museum online catalogue., Publisher from publisher's statement "Published on the first of every month by Thos. McLean, 26 Haymarket, London" on first page of magazine; date of publication from series numbering "Vol. 3rd, Novr. 1st, 1832" on first page of magazine. See British Museum catalogue., Fourth page of a monthly magazine that consisted of four pages., and Imperfect; sheet trimmed resulting in loss of series title and numbering from top edge.
Publisher:
T. McLean
Subject (Name):
William IV, King of Great Britain, 1765-1837, William I, King of the Netherlands, 1772-1843, O'Connell, Daniel, 1775-1847., Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Grey, Charles Grey, Earl, 1764-1845, Durham, John George Lambton, Earl of, 1792-1840, and Mars (Roman deity)
Subject (Topic):
John Bull (Symbolic character), Armor, Chariots, Snakes, Shields, Spears, Firearms, Soldiers, Dutch, Prussian, National emblems, Bears, Frogs, and Roosters
Title from item., "Price 1s"--Lower right corner., One line of text following title: NB. The beasts represent certain monarchs, and the birds certain kingdoms, the eagle in particular Germany with her nine electors., Temporary local subject terms: Russian bear -- German eagle and 9 eaglets (electors) -- French fox and fox cub -- Hungarian peacock -- Prussian jay -- British lion -- Dutch goose -- Austrian bull -- Bavarian hound -- Morrocan tunis (camel) -- Swiss bat -- Venetian dolphin -- Walpolian owl -- Spanish griffin -- Swedish ostrich -- Swan of Lorain -- Roman cat -- Danish stork -- Persian rhinoceros -- Turkish elephant -- Norwegian frog -- Pretender's serpent -- Bills: excise, 1741 -- Torches -- German elections, 1741 -- Europe as beehive -- Hanoverian turnips -- Count Joseph Edward Gage, 1678?-1753?, and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Bath, William Pulteney, Earl of, 1684-1764, and Cobham, Richard Temple, Viscount, 1669?-1749
Subject (Topic):
National emblems, British, Danish, Dutch, German, Hungarian, Prussian, Roman, Russian, Swiss, Spanish, Swedish, and Turkish
Title from item., "Price 1s"--Lower right corner., One line of text following title: NB. The beasts represent certain monarchs, and the birds certain kingdoms, the eagle in particular Germany with her nine electors., and Temporary local subject terms: Russian bear -- German eagle and 9 eaglets (electors) -- French fox and fox cub -- Hungarian peacock -- Prussian jay -- British lion -- Dutch goose -- Austrian bull -- Bavarian hound -- Morrocan tunis (camel) -- Swiss bat -- Venetian dolphin -- Walpolian owl -- Spanish griffin -- Swedish ostrich -- Swan of Lorain -- Roman cat -- Danish stork -- Persian rhinoceros -- Turkish elephant -- Norwegian frog -- Pretender's serpent -- Bills: excise, 1741 -- Torches -- German elections, 1741 -- Europe as beehive -- Hanoverian turnips -- Count Joseph Edward Gage, 1678?-1753?
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Bath, William Pulteney, Earl of, 1684-1764, and Cobham, Richard Temple, Viscount, 1669?-1749
Subject (Topic):
National emblems, British, Danish, Dutch, German, Hungarian, Prussian, Roman, Russian, Swiss, Spanish, Swedish, and Turkish
Title from item., Publication information from British Museum online catalogue., Temporary local subject terms: Violin -- Treaties: Aix-la-Chapelle, 1748 -- Personifications: nobles and wheelbarrow vendors -- Hostage: British hostages to France -- Emblems: fool's head -- Hanover turnips., and Watermark: Strasburg lily with initials L V G below.
Publisher:
G. Bickham
Subject (Name):
Louis XV, King of France, 1710-1774, Fredrik I, King of Sweden, 1676-1751, George II, King of Great Britain, 1683-1760, Maria Theresa, Empress of Austria, 1717-1780, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Klemens August, of Bavaria, 1700-1761, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Cathcart, Charles Schaw Cathcart, Lord, 1721-1776
Subject (Topic):
Flags, Musical instruments, National emblems, Hanoverian, and Wheelbarrows
"The Prince of Wales (left) leads a goat with the head of Mrs. Fitzherbert (right) to the door of the forecourt of a large town-house, held partly open by the Duchess of York. She says, "O Dunder & Wonder! - what Cratur is dat which you are bringing here ? - relation of mine, indeed? - no, no! - me know no Nanny-goat-Princess! - so set off, with your bargain, you poor - Toasted - Cheese! you! - for she sha'nt come in here, to poison the house! - off! - off! - off." The Prince, who wears in his hat a leek, with his motto, 'ich dien', answers, "Not open the Toor ? - Cot-splutter-a-nails - when Nanny is come to see you, herself? - vhy isn't Nanny a Princess too ? - & a Velch Princess? - and hur is come to visit hur Brothers & hur Sisters! - & not to let hur in? why the Voman is mad, sure!" In place of a star he wears a medallion enclosing a pair of goat's horns. He holds his goat by a ribbon wreathed with roses. Mrs. Fitzherbert has goat's horns and wears a coronet with the Prince's feathers; she looks up at him with an expression of dignified surprise. ... The door of the Duke's house is surmounted by a pediment decorated with the Prussian eagle and pairs of doves (an emblem on the Duchess's state-bed, 'Lond. Chronicle', 21 Dec. 1792)"--British Museum online catalogue
Alternative Title:
Prussian reception
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 12th, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Emblems, Goats, Lanterns, National emblems, Welsh, and Prussian
Title etched above image., Sheet trimmed within plate mark on top resulting in partial loss of title., Following imprint: Price 6d., Four columns of verse below image: Behold corruption openly profest , the Venal Lawyer ..., Temporary local subject terms: Emblems: anchor -- Paintings amplifying subject: portrait of Edward II -- Reference to William Allen, d. 1768 -- Mythology: alllusion to King Midas -- Personifications: Equity -- Reference to Magna Charta -- Emblems: sword of Justice -- Emblems: shield of integrity., Mounted to 33 x 47 cm., and Watermark.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, Wilkes, John, 1725-1797, Mortimer, Roger de, Earl of March, 1287?-1330, and King's Bench Prison (London, England)
Subject (Topic):
Britannia (Symbolic character), Embelms, Demons, National emblems, English, Scottish, Pulpits, and Thrones
"Canning and Eldon, both in shirt-sleeves and about equally matched, face each other in a small boat: Cabinet. Cock Boat. The very ornate boat resembles a Canadian canoe in general shape; the paddles go through big apertures encircled by the points of a star; that of Canning is Deplomatic Sagacity; Eldon uses the mace, which is inscribed Pelf Patronage Parsimony [see British Museum Satires No. 15139]. At each end of the boat is a figure-head, one of the supporters of the Royal Arms, each with a flag-staff set in its head. Behind Canning (left) is the Unicorn; his flag Catholic Supremacy. The Lion is behind Eldon (right), with the flag of Protestant Ascendancy. Canning: I shall be too much for you you are too slow in your Motions. Eldon : I doubt it! The Purse of the Great Seal hangs over the boat beside Eldon, who wears wig and bands. On the extreme right the sun rises (or sets)--it irradiates the sky behind Eldon."--British Museum online catalogue
Alternative Title:
Long pull, a strong pull, and a pull all'togather
Description:
Title etched below image. and Text below title: When two row in the same boat, they may pull different ways; but when two ride on one horse, one must ride behind. A House divided against itself can not stand!!!
Publisher:
Pubd. March 16, 1827, by S.W. Fores - Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Canning, George, 1770-1827 and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Rowboats, Ceremonial maces, Flags, Ship figureheads, Unicorns, Lions, National emblems, and Sunrises & sunsets
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
"Lady Cecilia Johnston (three-quarter length), seated in an armchair in profile to the left, leans forward to kiss the nose of a large goat which puts a hoof on her chest. Identified by Grego as Sir W. W. Wynn, but improbably."--British Museum online catalogue
Alternative Title:
St. Cecilia charming the brute and Seduction of the Welch ambassador
Description:
Title etched above image., Printmaker from British Museum catalogue., Day of publication in imprint seems to have been burnished from plate., and Mounted to 28 x 39 cm.
Publisher:
Pubd. Feby. th [sic], 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Johnston, Henrietta Cecilia, Lady, 1727-1817 and Williams-Wynn, Watkin, 1772-1840
Subject (Topic):
Courtship, Goats, Kissing, National emblems, and Welsh
"The Princess of Wales and the Earl of Bute drag the British Lion, or George III, in a small car, such as children use, decorated with a big Thistle; on the king's head is a very large jack boot, which, falling over his face, blinds him. Pitt leans over the balcony and endeavours to remove the boot, i.e. to deliver the British Lion from the influence of Bute. The Duke of Cumberland, very fat, wearing the costume supposed to be appropriate to Roman generals, rushes forward to aid the king, his nephew. A soldier, a sailor, and a lawyer endeavour to hold back a wheel of the car, pulling at a rope attached to it. A number of persons, male and female, stand under the balcony and look on. In the background a harbour is indicated by the masts of ships. On our left is "THE OLD BRITISH WARE HOUSE", from which merchants are despatching bales of goods to "Pondicherry", "Martinico 1'', "Guadeloup", "Louisbourg", and "Quebec". These are the names of places captured from the French during the war which it was proposed to conclude by the peace promoted by Lord Bute, and agreed to in 1762. A Frenchman and a Spaniard, colonists (?), are receiving these goods in an amicable way. ... This satire was doubtless designed to induce the ministry of Lord Bute to desist from surrendering the places in question to the French as, even thus early in the negotiations, it was rumoured they intended to do. ...The minister and the princess drag the car towards a "Hosptial for Scoth pensioners." On our right, at the windows, three Scotchmen appear. Hogarth, mounted on a ladder, is busily painting a Scotch Thistle on the sign of the hospital. On his paint-pot is written: "500 250". This refers to Hogarth as the recipient of a pension, or rather as Serjeant-Painter to the king, and especially to the publication of "The Times. Plate I” ..."--British Museum catalogue
Alternative Title:
Political strugle and Political struggle
Description:
Title etched below image. and Cf. No. 3885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820,, Augusta, Princess of Wales, 1719-1772,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Bute, John Stuart, Earl of, 1713-1792,, Pitt, William, Earl of Chatham, 1708-1778,, Hogarth, William, 1697-1764,, Holland, Henry Fox, Baron, 1705-1774,, and East India Company.
Subject (Topic):
Britannia (Symbolic character), Chariots, City & town life, National emblems, British, Scottish, Taxes, and Warehouses
"Prince Leopold (right), in uniform, puts his head through a glassless aperture in a window in the door of his 'Grecian Establish[ment]--Co[burg]', to look intently at a fat Turk who stands in profile to the right, elaborately dressed and holding a long pipe with smoking bowl. The door, partly cut off by the right margin, is flanked by a Corinthian pillar and set in a wall on which are placards: 'This . Shop!!! will shortly open under entire new Management--Vivant [sic] Rex'; a Union Jack poster (partly covered); the Russian eagle, and a fleur-de-lis, the two last inscribed 'Loan'. The Turk: 'What have you taken the Shop? well if you take my advice you will not give Your Customers too much Credit for I can tell you they are a queer set to deal with by the bye they nearly ruined me--and mind that you look sharp after your Shopmen'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 50 x 36 cm.
Publisher:
Pub. April 10, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Léopold I, King of the Belgians, 1790-1865
Subject (Topic):
Turks, Ethnic stereotypes, Doors & doorways, National emblems, and Signs (Notices)
Title from British Museum catalogue., Publication date based on the beginning of Chatham's administration, July 30, 1766., Sheet trimmed within plate mark resulting in loss of title., Three columns of verse below image: The monkey Scot no more shall boast, 'tis he at C-t who rules the roast ..., Temporary local subject terms: Emblems: thistle and white rose of Stuarts -- Royal crown -- Emblems: jack boot as Lord Bute -- Pictures amplifying subject -- British Lion -- Ministries: Pitt's ministry, 1766., and Mounted to 33 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Beckford, William, 1709-1770, and Temple, Richard Grenville-Temple, Earl, 1711-1779
Subject (Topic):
Cats, Dogs, Fireplaces, Monkeys, National emblems, British, and Scotland
Satire with three-quarters length portraits of Wilkes (left), Bute (middle), and Hogarth (right) in oval cartouches; below each portrait is an acrostic of the name of the sitter above. Wilkes holds a book marked "North Briton, No. 17" which was published 25 September 1762. In front of the portrait at the base of the oval is a book marked "North Briton No. 45". Wilkes's frame is decorated with a cap, staff, and wreath of "Liberty"; on a ribbon is "Magna Carta". Bute looks out at the viewer, a book inscribed "Cyder and Perry &c. &c" at the base of the oval frame; a scourge and manacles are place on either side of the frame, alluding to the prosecution undertaken by the ministry of Lord Bute. Hogarth is shown in profile sketching Wilkes and looking across the portrait of Bute. The book at the base of the frame is "Line of Beauty". The heads of Folly and Envy decorate the frame; above is Hogarth's dog Trump
Alternative Title:
Champions of liberty
Description:
Title engraved in banner above image., Sheet trimmed to plate mark., and On page 295 in volume 3. Sheet trimmed to: 23.7 x 31.5 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764, Bute, John Stuart, Earl of, 1713-1792, and Wilkes, John, 1725-1797
Subject (Topic):
Caricatures and cartoons, Artists, Dogs, National emblems, Scottish, Newspapers, and Politicians
Satire with three-quarters length portraits of Wilkes (left), Bute (middle), and Hogarth (right) in oval cartouches; below each portrait is an acrostic of the name of the sitter above. Wilkes holds a book marked "North Briton, No. 17" which was published 25 September 1762. In front of the portrait at the base of the oval is a book marked "North Briton No. 45". Wilkes's frame is decorated with a cap, staff, and wreath of "Liberty"; on a ribbon is "Magna Carta". Bute looks out at the viewer, a book inscribed "Cyder and Perry &c. &c" at the base of the oval frame; a scourge and manacles are place on either side of the frame, alluding to the prosecution undertaken by the ministry of Lord Bute. Hogarth is shown in profile sketching Wilkes and looking across the portrait of Bute. The book at the base of the frame is "Line of Beauty". The heads of Folly and Envy decorate the frame; above is Hogarth's dog Trump
Alternative Title:
Champions of liberty
Description:
Title engraved in banner above image., Sheet trimmed to plate mark., and Numbered in ms. on verso: N14290.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764, Bute, John Stuart, Earl of, 1713-1792, and Wilkes, John, 1725-1797
Subject (Topic):
Caricatures and cartoons, Artists, Dogs, National emblems, Scottish, Newspapers, and Politicians
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish