"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
A satire on the financial crisis of 1720 ... Time draws back the curtain to reveal what appears to be a large painting showing a 'Roomse Schilderij', the deathbed of Pope Clement XI in March 1721. In front of the bed stand John Law and the Old Pretender, who has lost his wig and hat; they hold strings attached to the sails of a windmill on the canopy of the bed, beside which are the French cock, the Imperial eagle and the lion of the Netherlands. A thread encircles the waists of Law, the Pretender and Cardinal Alberoni who stands on the far side of the bed. At the head of the bed stands a group of cardinals holding up the papal tiara as the future Innocent XIII reaches for it; his medallion portrait hangs above, with an angel driving away a devil as the background. The Director being pushed forward by the satyrs is now identified as Robert Knight, cashier of the South Sea Company; coins fall from his pocket. The town in the distance is now 'Vryplaats'. The two vignettes at the bottom of the sheet have been changed, that on the left, which still has the same design is now identified as the son of the Pretender (born in 1720); that on the right, now showing a wheel of fortune with Pope Innocent at the top holding a scourge which he directs towards Law who falls down at the left, and destroying with a lightning bolt a paper representing the constitution as the Pretender ascends on the right; Cardinal Alberoni is at the bottom of the wheel. Engraved Dutch title, inscriptions, and verse in three columns which differs from those in the original state
Description:
Title from item., Title translation in British Museum catalogue: Bombario, O death, you were no friend to law when you shot down Pope Clement., State, with depiction of a chamber containing pope's deathbed in the right portion of the image., Publication date from British Museum catalogue., Three columns of verse in Dutch at bottom of image, titled: 't Cashot van Mr. Knigt zuidzee actie Kassier en de roomse schildery en medali., Plate 33 from: Het groote tafereel der dwaasheid ... , v. 1., Temporary local subject terms: Pictures amplifying subject -- Rome: allusion to "Romish picture" -- Architectural details: palace interior -- Freetown -- Popes -- Furniture: canopyed bed -- Papal deathbed -- Destruction of Constitution -- Crimes: South Sea -- France as crowing cock -- Rome as eagle -- England as lion -- Mississippi scheme -- Humbug -- Reference to Venetian trade -- Clergy -- Papacy: tiara and keys -- Father Time with hourglass -- Death as skeleton with sickle -- Portraits: Innocent XIII -- Satyrs with spears -- Capital punishment: gallows -- Bags of money -- Zanies -- Bladder: noisemaker -- Emblems: papal emblems -- Mottoes: S.P.Q.R. -- Schemes -- Symbols: wheel of fortune -- Symbols: tomb of death., and Watermark in the lower portion of sheet, countermark in the upper portion.
Publisher:
publisher not identified
Subject (Name):
Clement XI, Pope, 1649-1721, Innocent XIII, Pope, 1655-1724, James, Prince of Wales, 1688-1766, Alberoni, Guilio, Cardinal, 1664-1752, Knight, Robert, 1675-1744, and Law, John, 1671-1729
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Cardinals, Emblems, National emblems, and Windmills
"Satire on Cardinal Fleury and French dejction at the success of Admiral Vernon, coupled with condemnation of Robert Walpole for his initial opposition to the war. Fleury, finely dressed in cardinal's robes, rises from a chair and teeters on the edge of a cliff, looking in alarm at a medallion with a laureated head lettered, "Admiral Vernon"; under his arm is a scroll, lettered, "His iron will geet ye better of my Gold./G[o]d, he'll take all our Aquisitions in America." July 1740. Behind Fleury is a wall covered in graffiti: a gallows from which hangs a fat man (Walpole) lettered, "No matter yt he is long than ye Gallow's"; a man with the head of a bird who pushes a wheelbarrow; a windmill; a donkey laden with a pack; the heady of an angry Spaniard with a bird on his hat; another Spaniard, whole-length, leaning on a stick, a dog biting the tail of his cloak and two birds flying around his head; in the middle of the wall is a circular opening through which can be seen "Poor Hosier's Fleet"; a cock lettered, "Crown'd twice", stands on the wall. A pole rises from the wall, bearing a severed head, lettering identifies this as "Wall/Pole"; a ribbon hangs from the mouth lettered, "What Pity is it we can die but Once to serve our Country/Ad. Cato." Behind the wall on the right, is an imposing building flying the union flag; three crowns rest on clouds, and lightning flashes in the sky. The scene is set in a rococo frame with verses below."--British Museum online catalogue
Alternative Title:
Preferment of the barber's block
Description:
Title from item., Attributed to Bickham the Younger by British Museum catalogue., Six lines of verse below title: --Age thou art sham'd! Rome thou hast lost the breed of noble bloods! ..., and Watermark: Strasburg lily with initials L V G below.
Publisher:
According to act, July 1740. Sold at [the] Black-moor's Head opposite Surry Street, Strand
Subject (Geographic):
France.
Subject (Name):
Fleury, André Hercule de, 1653-1743, Walpole, Robert, Earl of Orford, 1676-1745, Vernon, Edward, 1684-1757, and Hosier, Francis, 1673-1727.
Subject (Topic):
Austrian Succession, War of, 1740-1748, Naval operations, Cardinals, Gallows, and National emblems
"Satire on Cardinal Fleury and French dejction at the success of Admiral Vernon, coupled with condemnation of Robert Walpole for his initial opposition to the war. Fleury, finely dressed in cardinal's robes, rises from a chair and teeters on the edge of a cliff, looking in alarm at a medallion with a laureated head lettered, "Admiral Vernon"; under his arm is a scroll, lettered, "His iron will geet ye better of my Gold./G[o]d, he'll take all our Aquisitions in America." July 1740. Behind Fleury is a wall covered in graffiti: a gallows from which hangs a fat man (Walpole) lettered, "No matter yt he is long than ye Gallow's"; a man with the head of a bird who pushes a wheelbarrow; a windmill; a donkey laden with a pack; the heady of an angry Spaniard with a bird on his hat; another Spaniard, whole-length, leaning on a stick, a dog biting the tail of his cloak and two birds flying around his head; in the middle of the wall is a circular opening through which can be seen "Poor Hosier's Fleet"; a cock lettered, "Crown'd twice", stands on the wall. A pole rises from the wall, bearing a severed head, lettering identifies this as "Wall/Pole"; a ribbon hangs from the mouth lettered, "What Pity is it we can die but Once to serve our Country/Ad. Cato." Behind the wall on the right, is an imposing building flying the union flag; three crowns rest on clouds, and lightning flashes in the sky. The scene is set in a rococo frame with verses below."--British Museum online catalogue
Alternative Title:
Preferment of the barber's block
Description:
Title from item., Attributed to Bickham the Younger by British Museum catalogue., Six lines of verse below title: --Age thou art sham'd! Rome thou hast lost the breed of noble bloods! ..., and With spine title: Caricatures anglaise 1740.
Publisher:
According to act, July 1740. Sold at [the] Black-moor's Head opposite Surry Street, Strand
Subject (Geographic):
France.
Subject (Name):
Fleury, André Hercule de, 1653-1743, Walpole, Robert, Earl of Orford, 1676-1745, Vernon, Edward, 1684-1757, and Hosier, Francis, 1673-1727.
Subject (Topic):
Austrian Succession, War of, 1740-1748, Naval operations, Cardinals, Gallows, and National emblems
Title from item., "Price 1s"--Lower right corner., One line of text following title: NB. The beasts represent certain monarchs, and the birds certain kingdoms, the eagle in particular Germany with her nine electors., and Temporary local subject terms: Russian bear -- German eagle and 9 eaglets (electors) -- French fox and fox cub -- Hungarian peacock -- Prussian jay -- British lion -- Dutch goose -- Austrian bull -- Bavarian hound -- Morrocan tunis (camel) -- Swiss bat -- Venetian dolphin -- Walpolian owl -- Spanish griffin -- Swedish ostrich -- Swan of Lorain -- Roman cat -- Danish stork -- Persian rhinoceros -- Turkish elephant -- Norwegian frog -- Pretender's serpent -- Bills: excise, 1741 -- Torches -- German elections, 1741 -- Europe as beehive -- Hanoverian turnips -- Count Joseph Edward Gage, 1678?-1753?
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Bath, William Pulteney, Earl of, 1684-1764, and Cobham, Richard Temple, Viscount, 1669?-1749
Subject (Topic):
National emblems, British, Danish, Dutch, German, Hungarian, Prussian, Roman, Russian, Swiss, Spanish, Swedish, and Turkish
Title from item., "Price 1s"--Lower right corner., One line of text following title: NB. The beasts represent certain monarchs, and the birds certain kingdoms, the eagle in particular Germany with her nine electors., Temporary local subject terms: Russian bear -- German eagle and 9 eaglets (electors) -- French fox and fox cub -- Hungarian peacock -- Prussian jay -- British lion -- Dutch goose -- Austrian bull -- Bavarian hound -- Morrocan tunis (camel) -- Swiss bat -- Venetian dolphin -- Walpolian owl -- Spanish griffin -- Swedish ostrich -- Swan of Lorain -- Roman cat -- Danish stork -- Persian rhinoceros -- Turkish elephant -- Norwegian frog -- Pretender's serpent -- Bills: excise, 1741 -- Torches -- German elections, 1741 -- Europe as beehive -- Hanoverian turnips -- Count Joseph Edward Gage, 1678?-1753?, and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Bath, William Pulteney, Earl of, 1684-1764, and Cobham, Richard Temple, Viscount, 1669?-1749
Subject (Topic):
National emblems, British, Danish, Dutch, German, Hungarian, Prussian, Roman, Russian, Swiss, Spanish, Swedish, and Turkish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: British Lion -- The White Horse of Hanover -- British territorial concessions: Cape Breton to France.
Publisher:
Publisher not identified
Subject (Name):
Edward III, King of England, 1312-1377, Henry V, King of England, 1387-1422, Cromwell, Oliver, 1599-1658, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Treaty of Aix-la-Chapelle, Devil, Hostages, Military uniforms, British, National emblems, and Hanoverian
Title from item., Publication information from British Museum online catalogue., Temporary local subject terms: Violin -- Treaties: Aix-la-Chapelle, 1748 -- Personifications: nobles and wheelbarrow vendors -- Hostage: British hostages to France -- Emblems: fool's head -- Hanover turnips., and Watermark: Strasburg lily with initials L V G below.
Publisher:
G. Bickham
Subject (Name):
Louis XV, King of France, 1710-1774, Fredrik I, King of Sweden, 1676-1751, George II, King of Great Britain, 1683-1760, Maria Theresa, Empress of Austria, 1717-1780, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Klemens August, of Bavaria, 1700-1761, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Cathcart, Charles Schaw Cathcart, Lord, 1721-1776
Subject (Topic):
Flags, Musical instruments, National emblems, Hanoverian, and Wheelbarrows
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet trimmed to 193 x 231 mm and annotated in Hogarth's hand(?): Aprl 2 1750, Robt. Thomson Esqr., N534. Also signed: "Wm. H[ogarth]".
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson. and Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over."
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet 266 x 273 mm and annotated in Hogarth's hand(?): April 28 1750, Ja. Theoball Esqr., N1249. Also signed: "Wm. H[ogarth] 3 shilllings". With his wax seal.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", Ms. note: See Mr. Nichols's book, 3d. edit. p. 284., Subscription ticket is filled in: April 10 1750 and illegible name. A scrap of paper attached at lower right with Hogarth's signature, 3 shillings, and Hogarth's wax seal., and On page 127 in volume 2. Sheet trimmed to: 18.1 x 23 cm.
Britanias pocket pickd by mercenaries, Britanias pocket picked by mercenaries, and Britannia's pocket picked by mercenaries
Description:
Titles etched below each image., Three playing card size designs on one plate, arranged vertically., and None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Elizabeth, Empress of Russia, 1709-1762, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Byng, John, 1704-1757, and Mingotti, Regina, 1722-1808.
Subject (Topic):
Britannia (Symbolic character), Seven Years' War, 1756-1763, Ammunition, Barrels, Cannons, Crowns, Eagles, Eclipses, Flags, British, Mercenaries (Soldiers), Musical instruments, National emblems, French, German, and Scepters
Satire: Britannia, whose spear is broken in her hand, sits on a monumental statue which is placed on a pedestal of "Rotten Stone"; she says: "My leaness my leaness, wo untio me the treacherous dealers have dealt treacherously, yea the treacherous dealers have dealt very treacherously. ..." At the foot of the monument lies the British Lion, dreadfully emaciated, wounded by three daggers, and breathing his last. Near him are the personifications Truth, Rapine, Envy, Ingratitude, and Infidelity -- representations of the powers of Europe
Description:
Title from item., Plate numbered '22' in upper right corner., Sheet trimmed within plate mark., Four lines of verse below image: See here a monument of shame / Indelible the Horrid Name / Shame on your Actions, Cursed Tricks / To the latest Time -- O! fifty-six.", and Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Europe
Subject (Topic):
Foreign relations, Britannia (Symbolic character), Allegories, and National emblems
Title from caption etched below image., Publisher identified from address., Plate numbered '72' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Military uniforms -- Personifications: Holland -- Personifications: France -- Personifications: England., and Mounted to 16 x 17 cm.
Publisher:
To be had at the Acorn facing Hungerford, Strand
Subject (Topic):
Dueling, Military uniforms, National emblems, British, Dutch, and French
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer, Coach overturned, and Coach overturn'd
Description:
Title etched above image., Publication date from British Museum catalogue., and Four columns of verse below image: With raptures Britannia take notice at last, proud Sawney turn'd over by driving too fast ...
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
Reduced copy, from "The mountebank" (British Museum catalogue no. 3854), with out the inscriptions on the papers. The charletan's speech ends with : .. See here my lads heres the Golden Lozenges which will cure ye all make ye hauld up yr. heads and turn out mucle southern loons. A crowd mostly wearing Scotch plaid assemble on a mountebank's stage, bowing to him. Behind a line of curtains suggest a bed and a box of treasure on the floor. Lord Bute is the charlatan and stands holding money bags in each hand. A middle aged woman in a Welsh hat (the Princess of Wales) looks from between the curtains and listens with pleasure to the charlatan. The zany of the quack is a gaunt man in a Scotch plaid dressing gown and a tall fool's cap and holding a copy of "The Briton" under his arm and a horn in his girdle
Alternative Title:
Scotch quack
Description:
Title etched below image; expanded title from British Museum catalogue., Numbered '20' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. 5th ed. [London] : Sold at Mr. Sumpter's bookseller, [1763]., and Mounted to 33 x 43 cm.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Crowds, Ethnic stereotypes, Hats, National emblems, Scottish, Welsh, Quacks, and Swindlers
"The Princess of Wales and the Earl of Bute drag the British Lion, or George III, in a small car, such as children use, decorated with a big Thistle; on the king's head is a very large jack boot, which, falling over his face, blinds him. Pitt leans over the balcony and endeavours to remove the boot, i.e. to deliver the British Lion from the influence of Bute. The Duke of Cumberland, very fat, wearing the costume supposed to be appropriate to Roman generals, rushes forward to aid the king, his nephew. A soldier, a sailor, and a lawyer endeavour to hold back a wheel of the car, pulling at a rope attached to it. A number of persons, male and female, stand under the balcony and look on. In the background a harbour is indicated by the masts of ships. On our left is "THE OLD BRITISH WARE HOUSE", from which merchants are despatching bales of goods to "Pondicherry", "Martinico 1'', "Guadeloup", "Louisbourg", and "Quebec". These are the names of places captured from the French during the war which it was proposed to conclude by the peace promoted by Lord Bute, and agreed to in 1762. A Frenchman and a Spaniard, colonists (?), are receiving these goods in an amicable way. ... This satire was doubtless designed to induce the ministry of Lord Bute to desist from surrendering the places in question to the French as, even thus early in the negotiations, it was rumoured they intended to do. ...The minister and the princess drag the car towards a "Hosptial for Scoth pensioners." On our right, at the windows, three Scotchmen appear. Hogarth, mounted on a ladder, is busily painting a Scotch Thistle on the sign of the hospital. On his paint-pot is written: "500 250". This refers to Hogarth as the recipient of a pension, or rather as Serjeant-Painter to the king, and especially to the publication of "The Times. Plate I” ..."--British Museum catalogue
Alternative Title:
Political strugle and Political struggle
Description:
Title etched below image. and Cf. No. 3885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820,, Augusta, Princess of Wales, 1719-1772,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Bute, John Stuart, Earl of, 1713-1792,, Pitt, William, Earl of Chatham, 1708-1778,, Hogarth, William, 1697-1764,, Holland, Henry Fox, Baron, 1705-1774,, and East India Company.
Subject (Topic):
Britannia (Symbolic character), Chariots, City & town life, National emblems, British, Scottish, Taxes, and Warehouses
Title etched below image., Plate numbered '3' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Street scenes -- Coffee-houses -- Male dress: Roman armor -- Emblems: jack boot (Lord Bute) -- Buildings: warehouse -- Reference to the peace negotiation in Paris, 1762: territorial concessions -- Reference to the East India Company -- Excise -- Whigs -- Chancellors -- Vehicles: go-cart -- Buildings: hospital., and Mounted to 31 x 33 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
"Satire on Lord Bute in the form of a reply to Henry Howard's bawdy ballad, "The Queen's Ass" (BM Satires 3870): the zebra kicks Howard, who has fallen to the ground, behind him a group of men comprising John Fielding, the three Cherokee chiefs who visited London in 1762, and another who may be identified as the man referred to in the verse below as "M-re [who] sally'd forth the fair Sex to relieve"; on the right, Bute, dressed in tartan and wearing a boot, riding a tamed British Lion; a Jewish stockbroker in the stocks; and George Whitfield looking into a mirror which reflects the image of an ass. In the background Charles Churchill, wielding a stick, chases off Bute's supporters, the journalists Arthur Murphy and Tobias Smollett, who raise their hands in surprise. Engraved inscriptions, title and verses in two columns by "Fartinando", to be sung to the tune of "The Ass in the Chaplet"."--British Museum online catalogue
Alternative Title:
Answer to Harry Howard's ass
Description:
Caption title below etching., Engraved broadside poem illustrated with etching at top of sheet (late mark 30.1 x 20 cm). Etching signed: J. Jones delin et sculpt., Harry H----d's = Henry Howard., Publication date from British Museum catalogue., The lion bears some resemblance to those designed by Jefferyes Hamett O'Neale for the Ladies Amusement (first published by Sayer in 1760), especially plate 108, and was perhaps copied from his work. Cf. British Museum online catalogue., Ten stanzas of verse below title: Permit me good people (a whimsical bard) and snarl not [the] critical class ..., and Mounted to 35 x 41 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Whitefield, George, 1714-1770, Fielding, John, Sir, 1721-1780, Murphy, Arthur, 1727-1805, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Cherokee Indians, Jews, Clergy, England, National emblems, British, Stocks (Punishment), and Zebras
Title etched above image., Three lines of text below image: In justice to Mr. Hogarth, the engraver of this plate declares to the public ..., Reduced and reversed copy of The Butifyer: a touch upon The Times Plate I by Paul Sandby. See British Museum catalogue., Plate numbered '16' in upper right corner., From British Museum catalogue: Published as the Act Directs sep 1762 Price 1s., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's, [1763]., and Mounted to 31 x 41 cm.
Publisher:
E. Sumpter
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792., Hogarth, William, 1697-1764, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Temple, Richard Grenville-Temple, Earl, 1711-1779, Pitt, William, Earl of Chatham, 1708-1778, and St. James's Palace (London, England)
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Hogarth 762.10.00.03 Box 111
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. The Briton, a journal devoted to Lord Bute lies on the foot of the boot; the scroll of "a Scotch Peace" is on the ground at the side. The "Auditor" (Arthur Murphy) bows before the boot. Other adorers include an old clergyman in spectacles. The blockhead, like those used by hairdressers, wears a Scotch "bonnet". On the ground near the pole stands William Hogarth as an old man with ass-ears and holding a print of "The Times" as he rushes forward to appeal to Charles Churchill who walks him from the right with a large whip in his right hand. In the background (right) the sun rises behind a flight of stairs as the Duke of Cumberland and Edward, Duke of York descend
Description:
Title etched above image., A reduced and reversed copy of a print first published by George Townshend. See British Museum catalogue, v. 4, no. 3977., Numbered '25' in upper right corner, from the illustrations to "The British Antidote to Caledonian poison.", and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1762]
Call Number:
Hogarth 762.10.23.01 Box 111
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Lord Bute and Hogarth, with the head of Bute on a pole that rises from a huge jack-boot, the satirical emblem of John Stuart, Earl of Bute. On the boot is a meridian sun or Star of the Garter, a part of the Order's motto partial visible. The Briton, a journal devoted to Lord Bute lies on the foot of the boot; the scroll of "a Scotch Peace" is on the ground at the side. The "Auditor" (Arthur Murphy) bows before the boot. Other adorers include an old clergyman in spectacles. The blockhead, like those used by hairdressers, wears a Scotch "bonnet". On the ground near the pole stands William Hogarth as an old man with ass-ears and holding a print of "The Times" as he rushes forward to appeal to Charles Churchill who walks him from the right with a large whip in his right hand. In the background (right) the sun rises behind a flight of stairs as the Duke of Cumberland and Edward, Duke of York descend
Alternative Title:
Boot and the block-head and Boot and the blockhead
Description:
Title etched above image., Print made by: George Townshend. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Bute, John Stuart, Earl of, 1713-1792, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Murphy, Arthur, 1727-1805
Title from caption etched above image., Reversed copy, with changes in title, of the etching illustrating No. 3917 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Outdoor stage: mountebank's stage -- Arms of the City of London -- Emblems: spear and cap of Liberty -- Emblems: fleur-de-lis -- Personifications: France as an ape -- Shields: Britannia's shield with Scotch thistle and Cross of St. Andrew's -- Emblems: Scotch thistle -- Clyster pipe -- Dutchmen -- Spaniards.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Smollett, T. 1721-1771 (Tobias),, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Britannia (Symbolic character), Ethnic stereotypes, Medical equipment & supplies, National emblems, Quacks, and Vomiting
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer and Coach overturned
Description:
Title etched above image., Publication date from that of the book in which this plate was published., Two columns of verse below image: With raptures, Britannia take notice at last, proud Sawney's turn'd over by driving too fast ..., Plate numbered '31' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's, [1763]., and Mounted to 29 x 31 cm.
Publisher:
E. Sumpter
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows