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1.
Brittanias pocket pickd by mercenaries The choice spirits, or, Puffers for Sig Mingotas operas

Published / Created:
[1756]
Call Number:
756.00.00.40
Image Count:
1
Resource Type:
still image
Alternative Title:
Britanias pocket pickd by mercenaries, Britanias pocket picked by mercenaries, and Britannia's pocket picked by mercenaries
Description:
Titles etched below each image., Three playing card size designs on one plate, arranged vertically., and None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Elizabeth, Empress of Russia, 1709-1762, Augustus III, King of Poland, 1696-1763, Frederick II, King of Prussia, 1712-1786, Byng, John, 1704-1757, and Mingotti, Regina, 1722-1808.
Subject (Topic):
Britannia (Symbolic character), Seven Years' War, 1756-1763, Ammunition, Barrels, Cannons, Crowns, Eagles, Eclipses, Flags, British, Mercenaries (Soldiers), Musical instruments, National emblems, French, German, and Scepters
Found in:
Lewis Walpole Library > Brittanias pocket pickd by mercenaries The choice spirits, or, Puffers for Sig Mingotas operas ; Prussia mounting the German Eagle. [graphic]

2.
Desespoir des ennemis de la France a la découverte de leurs complots

Published / Created:
[1804]
Call Number:
804.00.00.20++
Image Count:
1
Resource Type:
still image
Abstract:
A political cartoon with 42 bust caricatures of members of a conspiracy discovered by no. 1 "La Vigilance du Gouvernement Français", a rooster or the Gallic cock, depicted at top center, holding "Correspondance de Mr. Draque - Ambassadeur de la Cour Britannique &c. &c." Those accused of participating in the conspiracy are: no. 2 "Le Prince de Galles" (possibly the Prince of Wales), no. 3 "Parti de l'Opposition", no. 4 "Le Comte d'Artois" (Charles X), no. 5 "Lord Windham", no. 6 "Lord Moira", no. 7 "Lord King", no. 8 "Mr. Vic-Kam", no. 9 "Lord With Wurth", no. 10 "Mr. Pitt", no. 11 "Mr. Drake", no. 12 "Mr. Adington", no. 13 "Le Général Limcol", no. 14 "Mr. Francis", no. 15 "Milord Cathcart", no. 16 "Monsieur, Frère du Roi de France" (Louis XVIII), no. 17 "Spencer Smith", no. 18 "Lord How Kersbury", no. 19 "Le Duc de Cambridge", no. 20 "Charlotte Reine d'Angleterre", no. 21 "Géorges III Roi d'Angleterre", no. 22 "Le Duc d'York" (Prince Frederick Augustus), no. 23 "Lord Windham", no. 24 "Le Comte de Darmouth", no. 25 "Le Duc de Portland", no. 26 "Sidney Smith", no. 27 "Sir Lucas Pepys", no. 28 "Mr. Canning", no. 29 "Fitz Williams", no. 30 "Lord Walsingham", no. 31 "Lord Nelson Admiral", no. 32 "L'amiral Duc Woeth", no. 33 "Mr. Tierney", no. 34 "Le Prince de Conde", no. 35 "Lord Malmesbury", no. 36 "Milord Harrowby", no. 37 "Mr. F. Millman", no. 38 "Heberden", no. 39 "Lord Grandville", no. 40 "Mr. Carnawon", no. 41 "Mr. Carlole", and no. 42 "Sir Robert Taulay."
Description:
Title from item. and Includes key with corresponding numbers identifying the persons depicted.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Charles X, King of France, 1757-1836., Pitt, William, 1759-1806., Louis XVIII, King of France, 1755-1824., Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818., George III, King of Great Britain, 1738-1820., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and Nelson, Horatio Nelson, Viscount, 1758-1805.
Subject (Topic):
History, National emblems, French, Roosters, Conspiracy, Enemies, and Faces
Found in:
Lewis Walpole Library > Desespoir des ennemis de la France a la découverte de leurs complots

3.
England. France [graphic].

Published / Created:
[1811?]
Call Number:
811.00.00.46+
Image Count:
1
Resource Type:
still image
Abstract:
On the left under the title "England" a bear sits at a table enjoying a hearty meal of roast beef and plum pudding while across from him sits a frog in a French uniform with a sword at his waist, a plate of only sauce before him and two turnips to the side. The fox toasts his companion with a glass while the bear holds up a large frothing mug of beer. A wine cooler in the foreground holds four bottles of wine. On the wall behind each figure is a round framed image: two birds above the bear and a woman holding a cross (a saint?) above the frog
Description:
Title from caption above image., Picture caption: England with roast beef & plumb pudding supplies, ... France with her frogs has very fine sauce., Publication date from unverified data from local card catalog record., Description based on imperfect impression; sheet trimmed within plate mark with loss of text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Sold by [...]
Subject (Topic):
Animals in human situations, Bears, Eating & drinking, Frogs, National emblems, British, and French
Found in:
Lewis Walpole Library > England. France [graphic].

4.
Great Britain's union, or, Litchfield races transpos'd : a new print, and ballad, to the tune of

Published / Created:
[1747]
Call Number:
747.10.00.07+
Image Count:
1
Resource Type:
text and still image
Alternative Title:
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
Found in:
Lewis Walpole Library > Great Britain's union, or, Litchfield races transpos'd : a new print, and ballad, to the tune of The first of August, or, &c.

5.
Scotch paradice a view of the Bute[eye]full garden of Edenburg [sic]. [graphic]

Published / Created:
[1763]
Call Number:
763.02.00.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Lord Bute and his political patronage. A view of a large garden with a tree at its centre at the top of which sits Bute holding two baskets of "golden pippins"; a devil with two serpentine legs sits on a low branch to right, excreting gold coins into the arms of a man with a fox's head (Henry Fox); to left, Princess Augusta climbs a ladder resting against the tree and reaches out to take an apple from the French ambassador, the duc de Nivernois, who sits beside the devil. Cumberland, wielding a large axe, is in the process of chopping down the tree saying "I'll cut you up root and branch". A group of Scots stand behind the tree waiting for fruits to fall, another stoops at the foot of the ladder to pick up an apple and glance up the princess's skirts; two prosperous gentlemen stand to the side holding baskets of fruit. A winged figure of Father Time flies towards the tree from the left while, on the right, a be-wigged devil (Mansfield) flies away squirting liquid from a clyster at a Charles Churchill who sits on the garden wall waving a stick; Temple and Newcastle climb over the wall into the garden and Pitt holding a flaming sword leaps down to attack a group of Scots. On the left of the scene, a cock standing on a dunghill is approached by a monkey (the Duke of Bedford, ambassador to Paris) carrying a paper lettered, "Articles of Agreement between John Bull & Lewis Gallus". Beyond, two further Scots carry off a bulging sack and the Union Flag. In the foreground, to left, is a barking British mastiff, and to right a sorrowful lion sits in shadow."--British Museum online catalogue
Alternative Title:
Scotch paradise and View of the Buteifull garden of Edenburg
Description:
Title from item., Title etched above image., The 'i' in Buteiful is an image of an 'eye', a rebus. "Eden" in Edenburg in all capitals., and Sheet trimmed within plate mark.
Publisher:
Sold at Sumpters political prints warehouse, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Churchill, Charles, 1731-1764, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Apple trees, Devil, Flags, Ladders, Lions, National emblems, French, British, Scottish, Paradise, and Roosters
Found in:
Lewis Walpole Library > Scotch paradice a view of the Bute[eye]full garden of Edenburg [sic]. [graphic]

6.
Scotch paradise a view of the Buteifull garden of Edenburg. [graphic]

Published / Created:
[1763]
Call Number:
763.02.00.02
Image Count:
1
Resource Type:
still image
Abstract:
"A complicated and fantastic design. The title implies the annual election of East India directors on the second Wednesday in April (11 Apr. in 1827). The Directors, twenty with portrait heads, with one or two shadowy heads behind, have wolves' paws, and wear, below their shoulders, sheeps' fleeces inscribed Golden Fleece or Fleece. In the middle sit the Chairman and Deputy Chairman, two profiles joined Janus-like. One (Lindsay, the Deputy), in profile to the left, says: Adsum qui feci in me convertite ferrum [sic]. The other (Sir G. Robinson, the Chairman), says: Nostrum sex sumus, discedentes lucemus et aucto splendore resurgemus [he is one of the six retiring Directors, to be re-elected after a year]. Before him are a book, Stamp Office Ledger. This could a tale unfold; a print of a man carrying a globe on his back (he was Chairman of the Globe Insurance Office), and papers: Joint Stock Companies and Morning Paper. In another presidential chair (right), at right angles to the Directors, sits a fierce-looking man with bull's horns holding a scourge inscribed The Board of Controul [showing he is Wynn, President of the Board]; he says: These wolves in sheeps cloathing must not take all the prey, give us John Bulls share. Facing him from the extreme left is a man at a slightly lower desk, who says: We care not a jot for the court of Proprietors. In the foreground are the Proprietors, grouped in three categories of animals. A pack of large dogs, 'the requisitionary pack', with human (portrait) heads, runs forward from the right, where there are circular tiers of benches (as used by the Proprietors on Court Days). The foremost is Cato, saying, Chairman you are all out of order, as to your lawyers I put them all at defiance. At his feet are papers: He gave him a Roland for his Oliver; A free Press, and Universal Knowledge. Next is Cæsar, saying, We are allowed in Parliament to ask questions Nemo nos impune lassessit [sic]. Argus [? Hume], with National reform in Church and State at his feet, asks: I am my own dog whose are you?. Cerberus answers: I am the House Dog but to your pack Adieu [perhaps James Rivett Carnac, Director-elect in place of Bosanquet]. Jason [? Capt. W. Maxfield], leaping over a paper inscribed The Bombay Marines Lamentations over their unmerited sufferings, says: I care not a fig for your majorities while truth, reason, and justice are on my side. Mad Tom says: One gymnastic leap would place me within the bar before you could say Jack Robinson. The last dog, P. Pry [see BM Satires 15138], its head obscured, barks at Wynn: Bow, Wow wow! Two other dogs with human heads are indicated, and there are also an obscure couple of normal dogs, saying, Pointers have good noses & capital eyes for fat bones. ..."--British Museum online catalogue
Alternative Title:
View of the beautiful garden of Edinburgh
Description:
Title etched below image., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Reduced copy, without plate number, of no. 4006 ("Scotch paradice") in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted to 31 x 46 cm with Bowditch's manuscript annotations on the mount.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Holland, Henry Fox, Baron, 1705-1774, Churchill, Charles, 1731-1764, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Subject (Topic):
Apple trees, Devil, Flags, Ladders, Lions, National emblems, French, British, Scottish, Paradise, and Roosters
Found in:
Lewis Walpole Library > Scotch paradise a view of the Buteifull garden of Edenburg. [graphic]

7.
The egotist [graphic].

Published / Created:
[1756]
Call Number:
756.00.00.76
Image Count:
1
Resource Type:
still image
Description:
Title from caption etched below image., Publisher identified from address., Plate numbered '72' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Military uniforms -- Personifications: Holland -- Personifications: France -- Personifications: England., and Mounted to 16 x 17 cm.
Publisher:
To be had at the Acorn facing Hungerford, Strand
Subject (Topic):
Dueling, Military uniforms, National emblems, British, Dutch, and French
Found in:
Lewis Walpole Library > The egotist [graphic].

8.
The ghost of Eustace Budgel Esqr. to the *man in blue most humbly inscrib'd to His Royal Highness

Published / Created:
[1742]
Call Number:
742.00.00.10+ Impression 1
Image Count:
1
Resource Type:
still image and noted music
Abstract:
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Found in:
Lewis Walpole Library > The ghost of Eustace Budgel Esqr. to the *man in blue most humbly inscrib'd to His Royal Highness the Prince of Wales *see the Chinese Orphan, a tragedy for the reason of this term / [graphic]

9.
The ghost of Eustace Budgel Esqr. to the *man in blue most humbly inscrib'd to His Royal Highness

Published / Created:
[1742]
Call Number:
742.00.00.10++ Impression 2
Image Count:
1
Resource Type:
still image and noted music
Abstract:
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Found in:
Lewis Walpole Library > The ghost of Eustace Budgel Esqr. to the *man in blue most humbly inscrib'd to His Royal Highness the Prince of Wales *see the Chinese Orphan, a tragedy for the reason of this term / [graphic]

10.
The raree show a political contrast to the print of the Times by Wm. Hogarth. [graphic]

Published / Created:
[October 1762]
Call Number:
762.10.08.01.2+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Found in:
Lewis Walpole Library > The raree show a political contrast to the print of the Times by Wm. Hogarth. [graphic]