The interior of the 'Cave of Despair', with demons put to flight by a ray of divine light from the letters 'I A H' in a triangle in the upper left corner of the design. Three wizards (right) in monkish robes tend a boiling cauldron inscribed: 'Eye of Straw & toe of Cade ... For the ingredients of our cauldron'. Facing them (right) sits the Devil enthroned, holding a trident, with a three-headed scaly monster beside him; he says: "Pour in Streams of Regal Blood Then the Charm is firm & good." Burning pamphlets feed the fire under the cauldron; they are being heaped up by Horne Tooke, from whose mouth issues a label: 'H - T. Tis time tis time tis time'. The next, stirring the contents, says "Thrice! and Twice King's Heads have fallen". The third (? Dr. Towers), [Perhaps Dr. Parr; Towers died 20 May 1799.] flourishing a broom-stick, says, "Thrice the Gallic Wolves have bayed"; he holds an open book: 'Lying Whore \ False Swearing'. Behind the wizards is a procession of the Opposition. The first three (abreast) are Bedford, Norfolk, and Lord Derby. They say respectively: "Where are they! - gone Pocketed the Church and Poorlands The Tythes next" ..."Oh fallen Sovereingty degraded Counseller" ...; "Poor joe is done No test or Corporation Acts" ... The next three are Fox, Erskine, and Tierney; they say respectively: "Where can I hide my secluded Head" ... "Ah woe is me - poor I" ... "Would I had never spoke of the Licentiousness of the Press". Behind them is Burdett, saying, "What can I report to my Friends at the Bastile" .... Behind there is an undifferentiated crowd entering the cave and headed by Thelwall holding a volume of 'Thelwalls Lectures' ... exclaiming, "Tm off to Monmouthshire". The procession is watched by a snaky monster (left). Above their heads and resting on clouds are small figures: the King, allegorically depicted, holding a serpent in each hand. Behind him are Pitt, saying, "Suspend their Bodies", (?) Grenville, (?) Windham, saying "Almighty God has been pleased to grant us a great Victory", and Kenyon, saying "Take them to the Kings Bench & Cold Bath fields" ... The divine ray is inscribed: 'Afflavit Deus et dissipantur \ Your Destruction cometh as a Whirlwind \ Vengeance is ripe.' Four winged demons fly off (right) in the smoke of the cauldron, three have collars on which their names are engraved: 'Robesp[ierre]', 'Voltaire', and 'Price'. An ape dressed as a newsboy, with 'Courier' on his cap (..., blows his horn towards the cauldron. Behind him, in the extreme right corner, is an open book: 'Analitical Review \ Fallen never to rise again.' The seditious papers which feed the fire are: 'Equali[ty]'; 'Blasphemy Sedition'; 'Sophims' [sic]; 'Heresy'; 'Atheism'; 'Resistance is Prudence'; 'Belshams History'; 'Whig Club'; 'The Vipers of Monarchy and Aristocracy will soon be strangled by the Infant Democracy' ... 'Fraud'; 'Third of September' [see BMSat 8122]; 'Rights of Nature' [by Thelwall, attacking Burke, 1796]; '21st of January' ... 'Frends Atheism'; 'Quigleys Dying Speech'... 'O'Connors Manifesto' ... 'Oakleys Pyrology'; 'Deism'; 'Kings can do good Joel Barlow'; 'Uritaranism' [sic]; 'Sedition'; 'France is free'; 'Duty of Insurrection'; 'Darwins topsy turvy Plants and Animals Destruction' [cf. BMSat 9240]; 'Kings are S------TS' [serpents, as in Barlow's 'Conspiracy of Kings', pub. J. Johnson, 1792]; 'Political Liberty'. 1 February 1799 Etching and Temporary local subject terms: Opposition -- Press: attack on radical press -- Potions -- Allusion to the Whig Club -- Reference to Kosciuszko uprising, Poland, 1794 --Reference to Jack Cade's Rebellion, 1450 -- Reference to Jack Straw and Wat Tyler -- Reference to the Great Rebellion, 1381 -- Reference to the Duke of Bedford's family
Description:
Title etched below image., Imprint altered: 'J. Wright, Piccadilly' after publication date burnished from plate., Frontispiece from: The Anti-Jacobin Review and Magazine. London, 1799, v. 2., and Sheet trimmed to plate mark.
Publisher:
Publish'd February 1st, 1799, for the Anti Jacobin Review, by T. Whittle, Peterborough Court, Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Voltaire, 1694-1778, Robespierre, Maximilien, 1758-1794, Price, Richard, 1723-1791, Pitt, William, 1759-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Thelwall, John, 1764-1834, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Caves, Devil, Demons, Monkeys, Monsters, Vice, and Wizards
The interior of the 'Cave of Despair', with demons put to flight by a ray of divine light from the letters 'I A H' in a triangle in the upper left corner of the design. Three wizards (right) in monkish robes tend a boiling cauldron inscribed: 'Eye of Straw & toe of Cade ... For the ingredients of our cauldron'. Facing them (right) sits the Devil enthroned, holding a trident, with a three-headed scaly monster beside him; he says: "Pour in Streams of Regal Blood Then the Charm is firm & good." Burning pamphlets feed the fire under the cauldron; they are being heaped up by Horne Tooke, from whose mouth issues a label: 'H - T. Tis time tis time tis time'. The next, stirring the contents, says "Thrice! and Twice King's Heads have fallen". The third (? Dr. Towers), [Perhaps Dr. Parr; Towers died 20 May 1799.] flourishing a broom-stick, says, "Thrice the Gallic Wolves have bayed"; he holds an open book: 'Lying Whore \ False Swearing'. Behind the wizards is a procession of the Opposition. The first three (abreast) are Bedford, Norfolk, and Lord Derby. They say respectively: "Where are they! - gone Pocketed the Church and Poorlands The Tythes next" ..."Oh fallen Sovereingty degraded Counseller" ...; "Poor joe is done No test or Corporation Acts" ... The next three are Fox, Erskine, and Tierney; they say respectively: "Where can I hide my secluded Head" ... "Ah woe is me - poor I" ... "Would I had never spoke of the Licentiousness of the Press". Behind them is Burdett, saying, "What can I report to my Friends at the Bastile" .... Behind there is an undifferentiated crowd entering the cave and headed by Thelwall holding a volume of 'Thelwalls Lectures' ... exclaiming, "Tm off to Monmouthshire". The procession is watched by a snaky monster (left). Above their heads and resting on clouds are small figures: the King, allegorically depicted, holding a serpent in each hand. Behind him are Pitt, saying, "Suspend their Bodies", (?) Grenville, (?) Windham, saying "Almighty God has been pleased to grant us a great Victory", and Kenyon, saying "Take them to the Kings Bench & Cold Bath fields" ... The divine ray is inscribed: 'Afflavit Deus et dissipantur \ Your Destruction cometh as a Whirlwind \ Vengeance is ripe.' Four winged demons fly off (right) in the smoke of the cauldron, three have collars on which their names are engraved: 'Robesp[ierre]', 'Voltaire', and 'Price'. An ape dressed as a newsboy, with 'Courier' on his cap (..., blows his horn towards the cauldron. Behind him, in the extreme right corner, is an open book: 'Analitical Review \ Fallen never to rise again.' The seditious papers which feed the fire are: 'Equali[ty]'; 'Blasphemy Sedition'; 'Sophims' [sic]; 'Heresy'; 'Atheism'; 'Resistance is Prudence'; 'Belshams History'; 'Whig Club'; 'The Vipers of Monarchy and Aristocracy will soon be strangled by the Infant Democracy' ... 'Fraud'; 'Third of September' [see BMSat 8122]; 'Rights of Nature' [by Thelwall, attacking Burke, 1796]; '21st of January' ... 'Frends Atheism'; 'Quigleys Dying Speech'... 'O'Connors Manifesto' ... 'Oakleys Pyrology'; 'Deism'; 'Kings can do good Joel Barlow'; 'Uritaranism' [sic]; 'Sedition'; 'France is free'; 'Duty of Insurrection'; 'Darwins topsy turvy Plants and Animals Destruction' [cf. BMSat 9240]; 'Kings are S------TS' [serpents, as in Barlow's 'Conspiracy of Kings', pub. J. Johnson, 1792]; 'Political Liberty'. 1 February 1799 Etching and Temporary local subject terms: Opposition -- Press: attack on radical press -- Potions -- Allusion to the Whig Club -- Reference to Kosciuszko uprising, Poland, 1794 --Reference to Jack Cade's Rebellion, 1450 -- Reference to Jack Straw and Wat Tyler -- Reference to the Great Rebellion, 1381 -- Reference to the Duke of Bedford's family
Description:
Title etched below image., Imprint altered: 'J. Wright, Piccadilly' after publication date burnished from plate., Frontispiece from: The Anti-Jacobin Review and Magazine. London, 1799, v. 2., Sheet trimmed to plate mark., 1 print : etching on laid paper ; sheet 29.8 x 46.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 9 of volume 6 of 14 volumes.
Publisher:
Publish'd February 1st, 1799, for the Anti Jacobin Review, by T. Whittle, Peterborough Court, Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Voltaire, 1694-1778, Robespierre, Maximilien, 1758-1794, Price, Richard, 1723-1791, Pitt, William, 1759-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Thelwall, John, 1764-1834, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Caves, Devil, Demons, Monkeys, Monsters, Vice, and Wizards
"A whole length satirical portrait of the Duke of Norfolk, directed to the right; in his left hand is the baton of Earl Marshal; his right hand is in his waistcoat pocket. He wears top-boots, a slouched hat, and his hair is closely cropped. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck."--British Museum online catalogue
Alternative Title:
Norfolk dumpling
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Food: allusion to dumplings -- Hair fashion: cropped hair -- Obesity., and Mss. annotations below title.
Publisher:
Pubd. Sepr. 21st, 1791, by H. Humphrey, No. 18 Old Bond Street
"A whole length satirical portrait of the Duke of Norfolk, directed to the right; in his left hand is the baton of Earl Marshal; his right hand is in his waistcoat pocket. He wears top-boots, a slouched hat, and his hair is closely cropped. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck."--British Museum online catalogue
Alternative Title:
Norfolk dumpling
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Food: allusion to dumplings -- Hair fashion: cropped hair -- Obesity., 1 print : etching on wove paper, hand-colored ; plate mark 18.3 x 14.5 cm, on sheet 27.0 x 20.8 cm., and Mounted on leaf 11 of volume 8 of 12.
Publisher:
Pubd. Sepr. 21st, 1791, by H. Humphrey, No. 18 Old Bond Street
Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg Lily., and Modern ms. annotations on mount identify several figures in the print; mounted to 29 x 39 cm.
Publisher:
Pubd. June 26th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Erskine, James Francis, 1743-1806, Windham, William, 1750-1810, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Fox, Charles James, 1749-1806
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint with stipple on wove paper ; plate mark 29.5 x 37.2 cm, on sheet 30.8 x 39.9 cm., Mounted on leaf 86 of James Sayers's Folio album of 144 caricatures., and Watermark, trimmed: J. Whatman 1811[?].
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 37 x 56 cm.
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 103.
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
"George III stands on a low rectangular platform placed upon a boarded floor and is approached from all sides by applicants for office. He is in back view, but turns his head in profile to the left, to inspect a group through his spy-glass, saying: Well Gentlemen,--I have taken a peep at you all: but I am afraid that you won't do--for some of you are too Heavy & Broad-Bottom'd for Service; & the rest seem to have no Bottom at all.--So Gentlemen, I think I shall he content with my Old Servants. In the front row (left), bowing low, are three Grenvilles, the Broad-Bottoms par excellence (see No. 10530): Grenville, holding a gold-laced coachman's hat and long whip, says: Does your Honor want a steady Broad-Bottom'd Coachman to drive you; in bowing he has split his tight breeches. His nephew Temple is next him, then the spectacled Buckingham who says: We'll do any Thing; his son (Temple) adds and in any Way! [cf. No. 10721]. Close behind is the emaciated Sidmouth, hat in hand and holding out a bottle labelled Cathartic; he says: Pray your Honor remember Doctor Slop! your Old Apothecary, who Physick'd the French! [see No. 9849]. Next him and nearer the spectator stands Whitbread, dressed as a porter, and mopping his head. His porter's knot is on the ground, inscribed: Saml Froth his Knot--Carries any Weight in any Weather. He supports against his knees a huge rectangular pile of Motions to be brought in the House of Commons. These are inscribed: Motion against Royal Family [cf. No. 11234]; Motion against the Ministry; against the War; against y Judges; against the Church; against Magna Charta; Motion against. He says: If his Honor wants an Honest Porter, I'm his Man! Behind him and on the extreme left Lord Henry Petty capers to a dancing-master's kit which he plays with his fingers; he asks: Does his Honor want a Fidler to play a Jig [see No, 10589]. Behind Petty and Whitbread are two men dressed as chairmen with straps across the shoulder: one is Grattan; the other (?) Ponsonby, asks: Does his Honor want a pair of Irish Chairmen to carry his Honor clean through the Mud? Behind these and in the doorway (left) is a group of three: Cobbett, holding up his hat and a sheaf of Cobbett Political Register, says: Does his Honor want a Patriotic Reformer? Burdett asks: Does his Honor want a Partner in Business!--ask him Townsend. Townsend, the Bow Street officer, holding up his constable's staff, faces the group, saying sternly: Out with you & be damn'd; from the back of his head a label floats towards the Grenvilles: Take care of your Pockets--Gentlemen Broad bottoms. Horne Tooke says: I'm not Bill Soanes [see No. 10708]. ..."--British Museum online catalogue
Alternative Title:
Old English gentleman pestered by servants wanting places
Description:
Title etched at bottom of image., Mounted to 32 x 46 cm., and Figures identified by ms. notes in a modern hand.
Publisher:
Pubd. May 16th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Burdett, Francis, 1770-1844, Cobbett, William, 1763-1835, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tooke, John Horne, 1736-1812, Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Tierney, George, 1761-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and St. Vincent, John Jervis, Viscount, 1735-1823
"George III stands on a low rectangular platform placed upon a boarded floor and is approached from all sides by applicants for office. He is in back view, but turns his head in profile to the left, to inspect a group through his spy-glass, saying: Well Gentlemen,--I have taken a peep at you all: but I am afraid that you won't do--for some of you are too Heavy & Broad-Bottom'd for Service; & the rest seem to have no Bottom at all.--So Gentlemen, I think I shall he content with my Old Servants. In the front row (left), bowing low, are three Grenvilles, the Broad-Bottoms par excellence (see No. 10530): Grenville, holding a gold-laced coachman's hat and long whip, says: Does your Honor want a steady Broad-Bottom'd Coachman to drive you; in bowing he has split his tight breeches. His nephew Temple is next him, then the spectacled Buckingham who says: We'll do any Thing; his son (Temple) adds and in any Way! [cf. No. 10721]. Close behind is the emaciated Sidmouth, hat in hand and holding out a bottle labelled Cathartic; he says: Pray your Honor remember Doctor Slop! your Old Apothecary, who Physick'd the French! [see No. 9849]. Next him and nearer the spectator stands Whitbread, dressed as a porter, and mopping his head. His porter's knot is on the ground, inscribed: Saml Froth his Knot--Carries any Weight in any Weather. He supports against his knees a huge rectangular pile of Motions to be brought in the House of Commons. These are inscribed: Motion against Royal Family [cf. No. 11234]; Motion against the Ministry; against the War; against y Judges; against the Church; against Magna Charta; Motion against. He says: If his Honor wants an Honest Porter, I'm his Man! Behind him and on the extreme left Lord Henry Petty capers to a dancing-master's kit which he plays with his fingers; he asks: Does his Honor want a Fidler to play a Jig [see No, 10589]. Behind Petty and Whitbread are two men dressed as chairmen with straps across the shoulder: one is Grattan; the other (?) Ponsonby, asks: Does his Honor want a pair of Irish Chairmen to carry his Honor clean through the Mud? Behind these and in the doorway (left) is a group of three: Cobbett, holding up his hat and a sheaf of Cobbett Political Register, says: Does his Honor want a Patriotic Reformer? Burdett asks: Does his Honor want a Partner in Business!--ask him Townsend. Townsend, the Bow Street officer, holding up his constable's staff, faces the group, saying sternly: Out with you & be damn'd; from the back of his head a label floats towards the Grenvilles: Take care of your Pockets--Gentlemen Broad bottoms. Horne Tooke says: I'm not Bill Soanes [see No. 10708]. ..."--British Museum online catalogue
Alternative Title:
Old English gentleman pestered by servants wanting places
Description:
Title etched at bottom of image., 1 print : etching on wove paper, hand-colored ; plate mark 25.9 x 36.5 cm, on sheet 29.8 x 40.7 cm., Watermark, partially trimmed: 1810 J. Whatman., and Mounted on leaf 64 of volume 6 of 12.
Publisher:
Pubd. May 16th, 1809, by H. Humphrey, 27 St. James's Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Burdett, Francis, 1770-1844, Cobbett, William, 1763-1835, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tooke, John Horne, 1736-1812, Perceval, Spencer, 1762-1812, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Tierney, George, 1761-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and St. Vincent, John Jervis, Viscount, 1735-1823
"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House., 1 print : etching on laid paper, hand-colored ; plate mark 29.2 x 42.8 cm, on sheet 30.5 x 44 cm., and Mounted on leaf 31 of volume 4 of 14 volumes.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
Satire on the seditious toast given by the Duke of Norfolk at the birthday dinner in honor of Charles James Fox, January 24, 1798. See British Museum catalogue no. 9168
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Whigs -- Celebrations: birthdays -- Furniture: chairs -- Emblems: cap of liberty as bonnet rouge -- Pictures amplifying subject: portrait of William III -- Wine glasses -- Food: Norfolk dumplings -- Bible: quotation from Daniel, 5 -- Devil., Watermark: E & P 1794., and Mounted to 42 x 29 cm.
Publisher:
Pubd. Feb. 12, 1798, by S.W. Fores, Corner of Sackville St., Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tooke, John Horne, 1736-1812, Lauderdale, James Maitland, Earl of, 1759-1839, and William III, King of England, 1650-1702
"Fantastic insects (l.), with human heads assail a hive (r.) standing on a low and very solid wooden stand, the 'Treasury-Bench'; ministerial bees emerge to defend it. The apex of the hive is a royal crown from which sprout ears of straw. In the upper left. corner is the grotesque body of Sidmouth terminating in a clyster-pipe inscribed 'Clysteria Ministeria'; the wings are bottles inscribed 'Emetic' and 'Cathartic' [cf. BMSat 9849]. Above him flies the head of (?) Fitzpatrick between wings inscribed 'Hedge Lane' and 'Chick-lane' (London slums and resorts of prostitutes). An adjacent aquiline profile resembles George Hanger. Below, and to the right., is Lauderdale, his wings patterned with tartan. Above (r.) is Erskine, in barrister's wig and bands, both wings inscribed 'Protest'. Next (r.), Moira is supported on ostrich-feather wings, indicating the Prince of Wales (see, e.g., BMSat 10253). Immediately below him is Grattan, with a barbed tail, his wings inscribed 'Irish Emancipation' [cf. BMSat 10404]. Next, and in the forefront, is Grey, like a dragon-fly (and striped blue and buff), his four wings inscribed 'Vanity'. In the next row below are (l. to r.) Ellenborough with malevolent features framed in a judge's wig; Bedford, his wings inscribed 'Disappointment'; Sheridan, his bloated body patterned like Harlequin (cf. BMSat 9916, &c), his wings inscribed 'Stale Jests' and 'Joe Miller'. The huge Temple has wings made of sheets of paper, inscribed 'Stationary', 'Fools-Cap', 'Gilt Post', and 'Wax', 'Pens', 'Wafers' [see BMSat 10721, &c.]. He spits copiously at the defenders. Next is the age-worn profile of Grafton. In the row below are (l. to r.) Lord Holland, with wings inscribed 'Volponean Rancour' [as nephew and devoted pupil of Fox, cf. BMSat 9892] and 'Kalpinist [Hindu] Subtilty'. Next, Lord Spencer, his wings inscribed 'Cunning Policy', and (behind) the profile of Lord Carlisle. Next, and immediately below his son Temple, is Buckingham, in spectacles and Garter ribbon, directing a blast from his 'broad bottom' against the crown on the hive. His wings are 'Catholic Loyalty' and 'Catholic Gratitude'. Close to him is the distended body of Grenville, marked with an irradiated cross and puffing a curling cloud at the enemy. His wings are 'Envy' and 'Ambition'. The three Grenvilles, 'Broad-Bottoms' (see BMSat 10530) par excellence, are close together, and in the centre front of the attack. ..."--British Museum online catalogue
Description:
Title etched below image., Mounted to 31 x 43 cm., and Pencil notations by Mrs. Annie Burr Lewis identifying most of the caricatured persons on the left.
Publisher:
Publish'd May 2d, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Ellenborough, Edward Law, Baron, 1750-1818, Grattan, Henry, 1746-1820, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Holland, Henry Richard Vassall, Baron, 1773-1840, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, William IV, King of Great Britain, 1765-1837, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Tierney, George, 1761-1830, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Canning, George, 1770-1827, Taylor, Michael Angelo, 1757-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Henry Dundas, Viscount, 1742-1811, and Rose, George, 1744-1818
"Fantastic insects (l.), with human heads assail a hive (r.) standing on a low and very solid wooden stand, the 'Treasury-Bench'; ministerial bees emerge to defend it. The apex of the hive is a royal crown from which sprout ears of straw. In the upper left. corner is the grotesque body of Sidmouth terminating in a clyster-pipe inscribed 'Clysteria Ministeria'; the wings are bottles inscribed 'Emetic' and 'Cathartic' [cf. BMSat 9849]. Above him flies the head of (?) Fitzpatrick between wings inscribed 'Hedge Lane' and 'Chick-lane' (London slums and resorts of prostitutes). An adjacent aquiline profile resembles George Hanger. Below, and to the right., is Lauderdale, his wings patterned with tartan. Above (r.) is Erskine, in barrister's wig and bands, both wings inscribed 'Protest'. Next (r.), Moira is supported on ostrich-feather wings, indicating the Prince of Wales (see, e.g., BMSat 10253). Immediately below him is Grattan, with a barbed tail, his wings inscribed 'Irish Emancipation' [cf. BMSat 10404]. Next, and in the forefront, is Grey, like a dragon-fly (and striped blue and buff), his four wings inscribed 'Vanity'. In the next row below are (l. to r.) Ellenborough with malevolent features framed in a judge's wig; Bedford, his wings inscribed 'Disappointment'; Sheridan, his bloated body patterned like Harlequin (cf. BMSat 9916, &c), his wings inscribed 'Stale Jests' and 'Joe Miller'. The huge Temple has wings made of sheets of paper, inscribed 'Stationary', 'Fools-Cap', 'Gilt Post', and 'Wax', 'Pens', 'Wafers' [see BMSat 10721, &c.]. He spits copiously at the defenders. Next is the age-worn profile of Grafton. In the row below are (l. to r.) Lord Holland, with wings inscribed 'Volponean Rancour' [as nephew and devoted pupil of Fox, cf. BMSat 9892] and 'Kalpinist [Hindu] Subtilty'. Next, Lord Spencer, his wings inscribed 'Cunning Policy', and (behind) the profile of Lord Carlisle. Next, and immediately below his son Temple, is Buckingham, in spectacles and Garter ribbon, directing a blast from his 'broad bottom' against the crown on the hive. His wings are 'Catholic Loyalty' and 'Catholic Gratitude'. Close to him is the distended body of Grenville, marked with an irradiated cross and puffing a curling cloud at the enemy. His wings are 'Envy' and 'Ambition'. The three Grenvilles, 'Broad-Bottoms' (see BMSat 10530) par excellence, are close together, and in the centre front of the attack. ..."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching with engraving on wove paper, hand-colored ; plate mark 25.7 x 35.8 cm, on sheet 29.0 x 40.0 cm., and Mounted on leaf 52 of volume 6 of 12.
Publisher:
Publish'd May 2d, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Ellenborough, Edward Law, Baron, 1750-1818, Grattan, Henry, 1746-1820, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Holland, Henry Richard Vassall, Baron, 1773-1840, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, William IV, King of Great Britain, 1765-1837, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Tierney, George, 1761-1830, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Canning, George, 1770-1827, Taylor, Michael Angelo, 1757-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Henry Dundas, Viscount, 1742-1811, and Rose, George, 1744-1818
Title from item., Attributed to Ansell in British Museum catalogue., Sheet trimmed within plate mark., Two lines of verse below title: Poor pilgrims blithe and jolly, in penance for past folly., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: -- Vagabonds -- Trades: rope making -- Scourges -- Leg irons -- Bonnets rouges -- Tools: mallets., and Watermark: Strasburg bend with initials E & P below.
Publisher:
Pubd. Novr. 20th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Norfolk, Charles Howard, Duke of, 1746-1815
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 45.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"The 'Gods', Hawkesbury, Addington, St. Vincent, lean down from the clouds to defend the 'Treasury' against the assault of the 'Giants', different groups of the Opposition forming a pyramid in the lower, and larger, part of the design. [These identifications are those of Miss Banks (on a B.M. print) confirmed by Lord Holland, who omits Lord Spencer but adds Tierney, called by Miss Banks 'no particular person'. The identifications of Wright and Evans are in several cases incorrect. Grego substitutes Lord Mulgrave for Dr. Lawrence (or Spencer) and omits Spencer and others. Lord Holland notes that only the portraits of Pitt, Addington, Fox, Norfolk, Buckingham, Grenville, and Derby are like their subjects.] These are grouped on rocks, and are naked or nearly so (with one exception). At the apex of the pyramid are Pitt and Dundas, smaller and less dangerous than Fox in the foreground (left). Pitt, much emaciated, stands with legs astride, looking up, and about to hurl a large bundle of papers: 'Knock-down Arguments'; two similar bundles lie at his feet: 'Death and Eternal Sleep' [cf. BMSat 8350], and 'Coup de Grace'. He wears a military cocked hat, jack-boots, and a sword-belt from which hangs a sabre, indicating his volunteer activities (see BMSat 10113, &c); round his loins is a girdle of grapes and vine-leaves (cf. BMSat 8798). Melville (Dundas), behind and below Pitt, raises a sword inscribed 'True Andrew-Ferrara' and a shield; he wears a Scots bonnet; a tartan plaid and kilt adorn his burly nudity. At Pitt's feet stands Wilberforce, a dwarf, holding a large volume, Duty of Man, and directing upwards a fountain which can never approach the clouds. On the lower part of this rock stands Canning, in an attitude like that of Pitt, prepared to hurl a bulky sheaf of papers: 'Killing Detections'; he registers sly amusement, and wears a girdle of feathers suggestive of a Red Indian. From behind the rock appear two shadowy figures, each with the pen in his mouth that indicates a Treasury secretary; one prepares to hurl a bundle of 'Charges', the other, below him, has a bundle of 'Long Charges'. They are Rose and Long, ex-Treasury secretaries, see BMSat 9722. In the foreground (left) is a lower rocky platform on which the obese Buckingham and his burly brother Lord Grenville hold up Fox by the legs. Fox, bulky and hairy, fires a blast of flame, smoke, and bullets from a blunderbuss', doing more execution than all the others together. He is completely nude; drapery hangs from the shoulders of his two supporters, and the pompous Buckingham wears spectacles and Garter ribbon. All register satisfaction, rather than ardour like the Pittites. Beside their rock, and on the extreme left are supporters of Fox: Norfolk with a kettle-drum slung from his neck on which he is performing with two wine-bottles (cf. BMSat 9261). Behind him is Carlisle, banging a marrow-bone on a cleaver inscribed 'Coalition Roast Beef' [reminiscent of the Foxite butchers at Westminster elections]. The profile of Burdett is on the extreme left; he wears a hat on which is a ribbon: 'no Bastile' [see BMSat 9878, &c], and holds a fringed banner on which are equally balanced scales and the motto 'In hoc Signo Vinces' [cf. BMSat 10416]; on its spear-point is poised a cap of liberty terminating in the bell that indicates Folly. Behind him an arm holds up a trumpet to which is attached a banner inscribed 'Honor Property Ability' [symbolic of the Whig oligarchy and stressing the gulf between Foxites and the supposedly levelling Burdett]. ..."--British Museum online catalogue
Alternative Title:
Giants storming heaven
Description:
Title etched below image., Two lines of text below title: "They never complain'd of fatigue, but like giants refreshed, were ready to enter immediately upon the attack! Vide Lord Ch--c-ll-r's Speech, 24th April 1804. "Not to destroy! but root them out of heaven." Milton., and Mounted on leaf 72 of volume 5 of 12.
Publisher:
Pubd. May 1st, 1804, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, St. Vincent, John Jervis, Viscount, 1735-1823, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, Canning, George, 1770-1827, Rose, George, 1744-1818, Long, Charles, 1761-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Carlisle, Frederick Howard, Earl of, 1748-1825, Norfolk, Charles Howard, Duke of, 1746-1815, Spencer, George John Spencer, Earl, 1758-1834, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
Title from caption below image., Printmaker from unverified data in local card catalog record., Temporary local subject terms: Literature: Pizarro, by Richard Brinsley Sheridan -- Furniture: Armchair -- Medicine: Bottle -- Medicine chest -- Jacobinism., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Pubd. by William Holland, No. 50, Oxford Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, Erskine, Thomas Erskine, Baron, 1750-1823, Norfolk, Charles Howard, Duke of, 1746-1815, and George III, King of Great Britain, 1738-1820
Doublures of character, or, Strikeing resemblances in phisiognomy, Strikeing resemblances in phisiognomy, and Striking resemblances in physiognomy
Description:
Title etched below image., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827], opposite page 82., Sheet trimmed within plate mark at bottom., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Reduced copy of a print with the same title etched by Gillray and published by John Wright in 1798 as an illustration to the Anti Jacobin review, v.1., Subject of each double portrait is identified with a Roman numeral followed by a description below title., Seven columns of text below title: I. The patron of liberty. Doublúre, the arch fiend. ..., Cf. Gillray, J. Fashionable Contrasts, 28., Cf. Satirical etchings of James Gillray, 59., Temporary local subject temrs: Satan -- Judas -- Silenus (Greek deity) -- Devil -- Highwaymen: Sixteen-String Jack -- Baboons - Jockeys., Temporary local Medical Library subject terms: Politics, British., and 1 print : soft ground etching and stipple ; plate mark 21.6 x 28.6 cm.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Bedford, Francis Russell, Duke of, 1765-1802, and Lavater, Johann Caspar, 1741-1801.
Doublures of character, or, Strikeing resemblances in phisiognomy, Strikeing resemblances in phisiognomy, and Striking resemblances in physiognomy
Description:
Title etched below image., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827], opposite page 82., Sheet trimmed within plate mark at bottom., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Reduced copy of a print with the same title etched by Gillray and published by John Wright in 1798 as an illustration to the Anti Jacobin review, v.1., Subject of each double portrait is identified with a Roman numeral followed by a description below title., Seven columns of text below title: I. The patron of liberty. Doublúre, the arch fiend. ..., Cf. Gillray, J. Fashionable Contrasts, 28., Cf. Satirical etchings of James Gillray, 59., Temporary local subject temrs: Satan -- Judas -- Silenus (Greek deity) -- Devil -- Highwaymen: Sixteen-String Jack -- Baboons - Jockeys., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Bedford, Francis Russell, Duke of, 1765-1802, and Lavater, Johann Caspar, 1741-1801.
"Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the left, and Satan, a snake round his neck, his agonized scowl a slight exaggeration of Fox's expression; behind them are flames. They are 'I. The Patron of Liberty, Doublûre, the Arch-Fiend' (cf. BMSats 6383, 9263, &c). Next is Sheridan, with bloated face, and staring intently with an expression of sly greed; his double clasps a money-bag: 'II. A Friend to his Country, Doubr Judas selling his Master'. The Duke of Norfolk, looking to the right, scarcely caricatured, but older than in contemporary prints. His double, older still, crowned with vines, holds a brimming glass to his lips, which drip with wine: 'III. Character of High Birth, Doubr Silenus debauching' (cf. BMSat 8159). (Below) Tierney, directed to the right, but looking sideways to the left: 'IV. A Finish'd Patriot, Doubr The lowest Spirit of Hell.' Burdett, in profile to the right, with his characteristic shock of forward-falling hair, trace of whisker, and high neck-cloth, has a raffish-looking double with similar but unkempt hair: 'V. Arbiter Elegantiarum, Doubr Sixteen-string Jack' [a noted highwayman]. Lord Derby, caricatured, in profil perdu, very like his simian double, who wears a bonnet-rouge terminating in the bell of a fool's cap: 'VI. Strong Sense, Doubr A Baboon.' The Duke of Bedford, not caricatured, and wearing a top-hat, has a double wearing a jockey cap and striped coat (see BMSat 9380): 'VII. A Pillar of the State, Doubr A Newmarket Jockey'."--British Museum online catalogue
Alternative Title:
Striking resemblances in phisiognomy
Description:
Title etched below image., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 612., Sheet trimmed within plate mark., and Temporary local subject temrs: Judas -- Highwaymen: Sixteen-String Jack -- Jockeys.
Publisher:
Publish'd Novr. 1st, 1798, by J. Wright, Piccadilly, for the Anti Jacobin review
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, and Bedford, Francis Russell, Duke of, 1765-1802
"Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the left, and Satan, a snake round his neck, his agonized scowl a slight exaggeration of Fox's expression; behind them are flames. They are 'I. The Patron of Liberty, Doublûre, the Arch-Fiend' (cf. BMSats 6383, 9263, &c). Next is Sheridan, with bloated face, and staring intently with an expression of sly greed; his double clasps a money-bag: 'II. A Friend to his Country, Doubr Judas selling his Master'. The Duke of Norfolk, looking to the right, scarcely caricatured, but older than in contemporary prints. His double, older still, crowned with vines, holds a brimming glass to his lips, which drip with wine: 'III. Character of High Birth, Doubr Silenus debauching' (cf. BMSat 8159). (Below) Tierney, directed to the right, but looking sideways to the left: 'IV. A Finish'd Patriot, Doubr The lowest Spirit of Hell.' Burdett, in profile to the right, with his characteristic shock of forward-falling hair, trace of whisker, and high neck-cloth, has a raffish-looking double with similar but unkempt hair: 'V. Arbiter Elegantiarum, Doubr Sixteen-string Jack' [a noted highwayman]. Lord Derby, caricatured, in profil perdu, very like his simian double, who wears a bonnet-rouge terminating in the bell of a fool's cap: 'VI. Strong Sense, Doubr A Baboon.' The Duke of Bedford, not caricatured, and wearing a top-hat, has a double wearing a jockey cap and striped coat (see BMSat 9380): 'VII. A Pillar of the State, Doubr A Newmarket Jockey'."--British Museum online catalogue
Alternative Title:
Striking resemblances in phisiognomy
Description:
Title etched below image., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 612., Sheet trimmed within plate mark., Temporary local subject temrs: Judas -- Highwaymen: Sixteen-String Jack -- Jockeys., and 1 print on wove paper : mixed method ; sheet 26 x 36 cm., mounted to 31 x 41 cm.
Publisher:
Publish'd Novr. 1st, 1798, by J. Wright, Piccadilly, for the Anti Jacobin review
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, and Bedford, Francis Russell, Duke of, 1765-1802
"Bust portraits of seven leaders of the Opposition, each with his almost identical double, arranged in two rows, with numbers referring to notes below the title. The first pair are Fox, directed slightly to the left, and Satan, a snake round his neck, his agonized scowl a slight exaggeration of Fox's expression; behind them are flames. They are 'I. The Patron of Liberty, Doublûre, the Arch-Fiend' (cf. BMSats 6383, 9263, &c). Next is Sheridan, with bloated face, and staring intently with an expression of sly greed; his double clasps a money-bag: 'II. A Friend to his Country, Doubr Judas selling his Master'. The Duke of Norfolk, looking to the right, scarcely caricatured, but older than in contemporary prints. His double, older still, crowned with vines, holds a brimming glass to his lips, which drip with wine: 'III. Character of High Birth, Doubr Silenus debauching' (cf. BMSat 8159). (Below) Tierney, directed to the right, but looking sideways to the left: 'IV. A Finish'd Patriot, Doubr The lowest Spirit of Hell.' Burdett, in profile to the right, with his characteristic shock of forward-falling hair, trace of whisker, and high neck-cloth, has a raffish-looking double with similar but unkempt hair: 'V. Arbiter Elegantiarum, Doubr Sixteen-string Jack' [a noted highwayman]. Lord Derby, caricatured, in profil perdu, very like his simian double, who wears a bonnet-rouge terminating in the bell of a fool's cap: 'VI. Strong Sense, Doubr A Baboon.' The Duke of Bedford, not caricatured, and wearing a top-hat, has a double wearing a jockey cap and striped coat (see BMSat 9380): 'VII. A Pillar of the State, Doubr A Newmarket Jockey'."--British Museum online catalogue
Alternative Title:
Striking resemblances in phisiognomy
Description:
Title etched below image., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 612., Sheet trimmed within plate mark., Temporary local subject temrs: Judas -- Highwaymen: Sixteen-String Jack -- Jockeys., 1 print : mixed method on wove paper ; plate mark 26.3 x 36.1 cm, on sheet 30.0 x 42.8 cm., Watermark, partially trimmed: 1794 J. Whatman., and Mounted on leaf 71 of volume 4 of 12.
Publisher:
Publish'd Novr. 1st, 1798, by J. Wright, Piccadilly, for the Anti Jacobin review
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, and Bedford, Francis Russell, Duke of, 1765-1802
"The Duke of Norfolk walks (right to left) in round-shouldered dejection immediately before two Grenadiers, one, Pitt, beating a drum, the other (? Windham) playing a fife. On his back is a placard: 'Washington \ 2000 Men \ make the \ Application. \ Champion of \ Liberty. \ Sovereign \ Majesty. \ People & &.' In front of him Dundas marches stiffly, holding a pike; he wears tartan with a plaid and feathered hat, with advocate's wig and bands. In the background (left) are two spectators: Fox, full-face, his handkerchief to his eye, and Sheridan, turning towards him with a monitory forefinger. From a window on the extreme right looks the King, a telescope to his eye, saying: "Drum away, Billy!! I wish they were all drummd out!!""--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: Grenadiers' uniform -- Spying glasses -- Drummers -- Signs: placards.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Str
Subject (Name):
George III, King of Great Britain, 1738-1820, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., and Sheet trimmed within plate mark on upper and lower edges.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., Sheet trimmed within plate mark on upper and lower edges., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 38.5 x 46.3 cm, on sheet 42.5 x 52.3 cm., and Mounted on leaf 6 of volume 6 of 12.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
Folding plate (also issued separately) to 'Anti-Jacobin Review', i. 285, illustrating extracts from a pamphlet published by Wright: Considerable allowance to those who purchase Thousands and Tens of Thousands for distribution. A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), ... 'I confess, that I became an United Irishman in 1796 & a Member of the National Executive, from 1796, to 1798. I knew the offer of French assistance was accepted at a meeting of the Executive in Summer 1796: I accompanied the Agent of the Executive (the late Lord Edward Fitzgerald) ...had an interview with General Hoche (who afterwards had the command of the expedition against Ireland) on which occasion every thing was settled between the parties with a view to the descent. ... "--British Museum online catalogue
Description:
Title etched below image., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opposite page 17., and Mounted to 30 x 37 cm.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Geographic):
Ireland
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Emblems, Judges, Justice, Nooses, Scales, Traitors, Trials, litigation, etc, Witnesses, History, and Politics and government
"A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), see BMSat 9244, &c. ... From O'Connor's pocket hangs a paper: 'The Press by O'Connor' [inflammatory organ of the United Irishmen, see BMSat 9186]. Round his neck is a noose of rope held by the hand emerging from clouds of the (invisible) Justice; in her right hand are equally balanced scales. The witnesses to O'Connor's character are speaking simultaneously. Four stand in the foreground in profile to the right, behind a barrier, looking towards the judge across a table. Fox (right), nearest O'Connor and the spectator, holds the book to his lips, his raised left arm thrust forward in a rhetorical gesture. ... From his pocket projects a book: 'Letters to Lord Ed F. M O'Connor &c &c.' (cf. BMSat 9244). Next stands Sheridan, with a sly expression, holding the book, 'Four Evangelists', his hat in his left hand; he testifies ... Next is Erskine, kissing the book, with left arm raised oratorically ... Next (left) is the Duke of Norfolk, kissing the book, his expression and attitude suggesting embarrassment. ... On the extreme left and behind Norfolk is Grattan. ... Among a crowd of other heads, chiefly hidden by labels, is one resembling Tierney. Above this phalanx of Opposition witnesses is a crowded gallery. Three counsel (the Attorney-General (Scott), Solicitor-General (Mitford), and (?) Garrow), who sit beneath the judges, are divided from the witnesses by a table covered with papers, &c, one being conspicuous: 'Charges of High Treason against Arthur O'Connor, Oliver Bond Dr McNevin.'"--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 285., and Temporary local subject terms: Irish Rebellion, 1798 -- Trials: O'Connor's treason trial at Maidstone, May 1798 -- Judges -- Witnesses -- Emblems: scales of Justice -- Noozes -- Pamphlets: Reference to Character or the Innocent Imposture.
Publisher:
Pubd. Octr. 1st, 1798, by J. Wright, 169 Piccadilly
Subject (Geographic):
England and London
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
"A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), see BMSat 9244, &c. ... From O'Connor's pocket hangs a paper: 'The Press by O'Connor' [inflammatory organ of the United Irishmen, see BMSat 9186]. Round his neck is a noose of rope held by the hand emerging from clouds of the (invisible) Justice; in her right hand are equally balanced scales. The witnesses to O'Connor's character are speaking simultaneously. Four stand in the foreground in profile to the right, behind a barrier, looking towards the judge across a table. Fox (right), nearest O'Connor and the spectator, holds the book to his lips, his raised left arm thrust forward in a rhetorical gesture. ... From his pocket projects a book: 'Letters to Lord Ed F. M O'Connor &c &c.' (cf. BMSat 9244). Next stands Sheridan, with a sly expression, holding the book, 'Four Evangelists', his hat in his left hand; he testifies ... Next is Erskine, kissing the book, with left arm raised oratorically ... Next (left) is the Duke of Norfolk, kissing the book, his expression and attitude suggesting embarrassment. ... On the extreme left and behind Norfolk is Grattan. ... Among a crowd of other heads, chiefly hidden by labels, is one resembling Tierney. Above this phalanx of Opposition witnesses is a crowded gallery. Three counsel (the Attorney-General (Scott), Solicitor-General (Mitford), and (?) Garrow), who sit beneath the judges, are divided from the witnesses by a table covered with papers, &c, one being conspicuous: 'Charges of High Treason against Arthur O'Connor, Oliver Bond Dr McNevin.'"--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 285., Temporary local subject terms: Irish Rebellion, 1798 -- Trials: O'Connor's treason trial at Maidstone, May 1798 -- Judges -- Witnesses -- Emblems: scales of Justice -- Noozes -- Pamphlets: Reference to Character or the Innocent Imposture., 1 print : etching on wove paper, hand-colored ; plate mark 19.4 x 26.2 cm, on sheet 22.6 x 29.4 cm., and Mounted on leaf 66 of volume 4 of 12.
Publisher:
Pubd. Octr. 1st, 1798, by J. Wright, 169 Piccadilly
Subject (Geographic):
England and London
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ..., and Sheet trimmed to plate mark.
Publisher:
Pubd. April 15th, 1799, by H. Humphrey, 27 St. James Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Sinclair, John, Sir, 1754-1835, Bedford, Francis Russell, Duke of, 1765-1802, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Jekyll, Joseph, 1754-1837, Walpole, George, 1761-1830, Pulteney, William, Lauderdale, James Maitland, Earl of, 1759-1839, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, and Grattan, Henry, 1746-1820
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ..., Sheet trimmed to plate mark., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 36.9 x 44.9 cm, on sheet 38.8 x 47.2 cm., and Mounted on leaf 10 of volume 5 of 12.
Publisher:
Pubd. April 15th, 1799, by H. Humphrey, 27 St. James Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Sinclair, John, Sir, 1754-1835, Bedford, Francis Russell, Duke of, 1765-1802, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Jekyll, Joseph, 1754-1837, Walpole, George, 1761-1830, Pulteney, William, Lauderdale, James Maitland, Earl of, 1759-1839, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, and Grattan, Henry, 1746-1820
Title from item., Printmaker from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Cattle -- Sheep -- Pigs -- Horses -- Farm animals -- Reference to Holkham.
Publisher:
publisher not identified
Subject (Name):
Coke, Thomas William, Earl of Leicester, 1752-1842 and Norfolk, Charles Howard, Duke of, 1746-1815
"The Foxites rise from their chairs at a club-meeting to sing the National Anthem in the manner of a catch, each repeating a different line. The chairman is Fox, who stands at the head of the table (l.) holding up a punch-bowl and ladle. He sings with upturned eyes, "God save great George our King". Sheridan and Norfolk are on his right. and left hand; both gaze at him intently; Norfolk sings "Long live our Noble King". Sheridan echoes "God save the King"; he holds up the music, inscribed with the same words. From his pocket hangs a playbill, only the words 'Vivant Rex et Regina' being visible. On the farther side of the table, next Norfolk, stands Moira, in regimentals, taller than the others and holding out his cocked hat. He says "Send him Victorious Happy and Glorious", and is followed by little Lord Derby, opposite, who stands with one foot on his chair, the other on the table, singing "Long to Reign over us \ God save the King." Lord Henry Petty, very small, leans against the back of Derby's chair, his right. arm round the waist of Erskine, who rests his left. arm on Petty's shoulder. Both wear their Chancellor's gowns, Erskine also his wig; the mace leans head downwards against his chair. They sing respectively: "O Lord our God arise" and "Scatter our Enimies". Opposite them stands Whitbread; he holds up a frothing tankard of 'Whitbre[ad's] Entire' [see BMSat 10421], singing "And make them Fall". On the extreme right., partly cut off by the margin, less ecstatic than the others, Grey [Identified by Miss Banks as Windham, but quite unlike him.] sings: "Confound their Politicks \ Frustrate their Knaveish tricks \ On thee our hopes we fix, God save us all." The Royal Arms decorate Fox's ornate armchair. From the back of Sheridan's overturned chair it appears that the other chairs are similarly decorated."--British Museum online catalogue
Description:
Title engraved above image., Imprint, publication date, and artist from British Museum catalogue., Description based on imperfect impression; sheet trimmed within plate mark resulting in loss of imprint and printmaker., and Mounted to 30 x 41 cm; ms. annotations in modern hand, identifying subjects in print.
Publisher:
Pubd. March 1805 by Walker, No. 7 Cornhill
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, George III, King of Great Britain, 1738-1820, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Smith-Stanley, Edward, 1752-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, and Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863
"The resigning Ministers issue from the arched gateway of the 'Treasury', led by Pitt (right) who, with an oratorical gesture, holds out a document: 'Justice of Emancipating ye Catholicks'. Behind him is Dundas (Secretary of State for War), holding Pitt's right arm, and not in the usual Scottish dress (though he wears a tartan waistcoat). He holds a document: 'Advantages of the Union'; from his coat pocket issues a paper: 'Successes in the East'. Next walks Grenville (Foreign Secretary) in peer's robes holding a paper: 'Acquisitions from ye War. Malta, Cape of Good Hope, Dutch Islands' [Ceylon captured 1796]. Behind him walk Spencer (First Lord), holding 'Enemies Ships taken & Des[troyed]', and Loughboroug in his Chancellor's wig. Three heads are dimly visible in the shadow of the archway. From the left the Opposition, in the guise of a plebeian rabble, advance towards the Treasury gate but are held back by a sturdy grenadier sentry at the point of the bayonet. He is back view, with 'G.R' on his busby, and is probably George III, possibly Addington. Facing him, against the Treasury wall, is his sentry-box, placarded: 'G.R Orders for keeping all improper Persons out of the Public Offices'. The rabble are led by Sheridan and Tierney; the former a butcher with cleaver raised to strike, the latter a ragged cobbler wearing a bonnet rouge; he is about to fling a cat which he holds by the tail. Behind them are Jekyll, as a chimney-sweep with brush and shovel, but wearing a barrister's wig and (tattered) gown, Bedford dressed as a jockey and holding out whip and cap (cf. BMSat 9261, &c), Nicholls and Tyrhwitt Jones, both holding up hats with tricolour cockades. At the back are Norfolk, about to hurl a bottle of wine, and Burdett. There is also raised above the crowd an arm which has just hurled a full tankard of 'Whitbread's Entire' [see BMSat 10421]. Other missiles include a lighted squib, a bludgeon, vegetables, and a book: 'Jacobin Charges, Speeches Essays'. Bedford cries: "Push on, dam'me! - work 'em! - its our Turn now!" The sentry answers: "Your Turn! - no, no! - whoever goes out You'll not come in!" In the foreground, on the extreme left, are two dwarfish and ragged little newsboys blowing their horns; on the cap of one is 'Morning Chronicle' [see BMSat 9240]. Below the design: "Men in conscious Virtue bold! "Who dare their Honest purpose hold. "Nor heed the Mob's tumultuous cries; "And the vile rage of Jacobins - despise.""--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 37 of volume 5 of 12.
Publisher:
Pubd. Feby. 24th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Nicholls, John, 1745?-1832, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Jones, Thomas Tyrwhitt, Sir, 1765-1811, Burdett, Francis, 1770-1844, and Jekyll, Joseph, 1754-1837
"John Bull crouches on hands and knees on a flat-topped rock: 'Rock of Broad-Bottom'd Security' [cf. BMSats 10530]. On his back is an enormous money-bag: 'The Sinking-Fund - i.e - Taxations of 42 Millions pr Annum'. Petty stands astride on the guineas in the gaping mouth of the bag, shovelling a cascade of coins to greedy ministerialists who stand below, outside the stone gateway of the 'Treasury', whose wall is on the left John, a yokel, out-at-elbows, looks up to say mournfully: " - Toss away! Toss away! my good Boy! toss away!!! - oh how kind it is, to ease me of this Terrible Load!" Petty, looking down, answers: "Patience, Johnny! - ar'nt I tossing-away as fast as I can? ar'nt I reducing of your Taxes to sh/17 & 6d in the Pound? - why you ought to think yourself quite comfortable & Easy, Johnny!" Those nearest the rock are Windham and the fat Lord Temple, with his back to it, catching the coins that overflow from a great heap in the peer's robe which his uncle, Grenville, holds up. Between Grenville and Windham the Marquis of Buckingham has a brimming hat-full. Behind Buckingham' Howick holds up a large hat high above his head. Sidmouth, bending obsequiously, catches some of the overflow from Grenville's store; between him and Temple, a dog, its collar inscribed 'Vansit[tart]' gapes for the small droppings from his master's receptacle (he was Secretary of the Treasury). Behind Grenville, Ellenborough receives a heavy shower on his head. Sheridan, as Harlequin (cf. BMSat 9916), his wooden sword held behind his back, holds out with a servile gesture a (full) bonnet rouge shaped like a fool's cap. Behind him, Lauderdale, in Highland dress, holds out a Scots cap. Towering above Sheridan, Moira holds up an enormous cocked hat, trimmed with the Prince's feathers, and receives, after Grenville, the largest harvest of coin. In his right. hand are papers: 'Price of Stocks'. Between him and Ellenborough, the Duke of Clarence holds up a chamber-pot, inscribed 'Royal Jordan' [see BMSat 7909, &c.]. Behind him is the head of the Duke of York. Erskine, on the left, holds out the Purse of the Great Seal. Next him are Spencer, holding up a cocked hat, and Norfolk, holding up a punch-bowl, inscribed 'Majesty of the People', the toast given by him, which, inter alia, led to his rightemoval from the Privy Council (see BMSat 9168, &c). An aquiline profile, next Norfolk, suggests George Hanger. A youthful face on the extreme left. may indicate Lord Holland. Within the shadow of the Treasury gate other hats are held out, suggesting many more within. ..."--British Museum online catalogue
Description:
Title etched at top of image., The 'r' in 'pretty' in subtitle is etched above the line, inserted into the word 'petty' using a caret., The '3' in '23th' in imprint statement seems to be etched over a '0.' See British Museum catalogue., and Mounted on leaf 38 of volume 6 of 12.
Publisher:
Pubd. Feby. 23th [sic], 1807, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Windham, William, 1750-1810, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Hanger, George, 1751?-1824, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Canning, George, 1770-1827, and Perceval, Spencer, 1762-1812
"Fox as Falstaff, enormously fat, with a pleased smile, stands declaiming: "The Laws of England are at my commandment. Happy are they which have been my friends; & woe to my Lord Chanr." On the right stands Hanger as Pistol, in a swaggering attitude, legs astride, left hand on his bludgeon (cf. British Museum Satires No. 6924), right on his hip. He is in Elizabethan dress, but wears an enormous cocked hat and a large sabre. He says: "Sir John, thy under lambkin now is King Harry the fifth's the man. I speak the truth. When Pistol lies, do thus; and fig me, like the bragging Spaniard." On the left, clasping his hands ecstatically, stands Sheridan as Bardolph, his face bloated with drink. He says, "O joyful day! - I would not take a Knighthood for my fortune." Between and behind Sheridan and Fox stands 'Shallow' (Duke of Norfolk), rather disconsolate, saying, "Sir John, I hope you'll pay me back my Thousand Pounds." In the background is the colonnade of Carlton House, and (left) the back of Fox's travelling-carriage, inscribed, 'From Bologna'. ..."--British Museum online catalogue
Alternative Title:
King Henry IV, the last scene and King Henry the Fourth, the last scene
Description:
Title etched below image, on either side of centered text., Printmaker from British Museum catalogue., Four lines of text centered below image: "To ride day & night; not to deliberate, not to remember, not to have patience to shift me, but to stand stained with travel & sweating with desire to see him ...", Below image in lower right: Shortly will be published a series of plate [sic] from K. Henry IV., Temporary local subject terms: Reference to Horace Walpole, 1717-1797 -- Regency crisis -- Shakespeare's Henry IV: II.V.V -- Buildings: Carlton House -- Vehicles: Travelling carriage., Beneath the design, written in ink: Fox-return'd hastily from the Continent on hearing of the King's illness-1788., and 1 print on laid paper : etching with stipple : plate mark 26.5 x 43 cm, on sheet 31x 48 cm.
Publisher:
Pub. Novr. 29, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Falstaff, John, Sir (Fictitious character),, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Carlton House (London, England),
"Fox as Falstaff, enormously fat, with a pleased smile, stands declaiming: "The Laws of England are at my commandment. Happy are they which have been my friends; & woe to my Lord Chanr." On the right stands Hanger as Pistol, in a swaggering attitude, legs astride, left hand on his bludgeon (cf. British Museum Satires No. 6924), right on his hip. He is in Elizabethan dress, but wears an enormous cocked hat and a large sabre. He says: "Sir John, thy under lambkin now is King Harry the fifth's the man. I speak the truth. When Pistol lies, do thus; and fig me, like the bragging Spaniard." On the left, clasping his hands ecstatically, stands Sheridan as Bardolph, his face bloated with drink. He says, "O joyful day! - I would not take a Knighthood for my fortune." Between and behind Sheridan and Fox stands 'Shallow' (Duke of Norfolk), rather disconsolate, saying, "Sir John, I hope you'll pay me back my Thousand Pounds." In the background is the colonnade of Carlton House, and (left) the back of Fox's travelling-carriage, inscribed, 'From Bologna'. ..."--British Museum online catalogue
Alternative Title:
King Henry IV, the last scene and King Henry the Fourth, the last scene
Description:
Title etched below image, on either side of centered text., Printmaker from British Museum catalogue., Four lines of text centered below image: "To ride day & night; not to deliberate, not to remember, not to have patience to shift me, but to stand stained with travel & sweating with desire to see him ...", Below image in lower right: Shortly will be published a series of plate [sic] from K. Henry IV., Temporary local subject terms: Reference to Horace Walpole, 1717-1797 -- Regency crisis -- Shakespeare's Henry IV: II.V.V -- Buildings: Carlton House -- Vehicles: Travelling carriage., 1 print : etching on laid paper, hand-colored ; sheet 25.5 x 41.9 cm., Sheet trimmed within plate mark., and Mounted on leaf 49 of volume 2 of 12.
Publisher:
Pub. Novr. 29, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Falstaff, John, Sir (Fictitious character),, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Carlton House (London, England),
"A reception given by Mr. and Mrs. Fox to various groups of the Opposition, [With one or two exceptions the identifications are those of Miss Banks; the characterization is excellent, and most are unmistakeable.] in which the arrangement has political and social significance. Three Grenvilles bow to the host and hostess; the Marquis of Buckingham, wearing his ribbon, holding hat and gold-headed cane and showing a gouty leg and foot, bends low. Next is Lord Grenville, clasping his hat to his breast, more ingratiating but less obsequious than his brother. Next is the stout Lord Temple, awkwardly imitating his uncle's gesture. Fox, wearing a sword, returns Buckingham's bow, his hand on his heart; on his right. stands the fat Mrs. Fox, curtseying, and ogling Grenville. She holds a fan on which is a profile portrait of 'Napoleone Ist'; from her pocket projects a flask of 'French Brandy', indicative of her antecedents (cf. BMSats 7370, 10589) as well as her sympathies, cf. BMSat 9892). On the extreme right. is the Prince of Wales, in back view, the greater part of his figure cut off by the margin, but unmistakable. From his pocket projects a paper: 'Henry IV. Sc. I [sic] Pr of W -l know you all, & shall . . . while.' A short fat man gazes up at him admiringly, obsequiously amused; he is identified by Miss Banks as 'Mr [i.e. General] Fitzpatrick', but resembles M. A. Taylor. Beside him is a dog, his collar inscribed 'Tommy Tattle' [? Thomas Tyrwhitt]. Mrs. Fitzherbert sits, in semi-state, in the corner of a sofa, holding a fan on which are the Prince's feathers and 'Ich Dien'; she is about to take a ticket, 'Coalition Masquerade', proffered with ingratiating vivacity by Lord Carlisle. Next Carlisle behind the sofa stands the Duke of Clarence, facing the Prince, and cruelly caricatured. Mrs. Jordan takes his right. arm, but is reading Jobson & Nell [characters in 'The Devil to pay] with the Farce of Equality' [see BMSat 7908, &c.]. Behind the pair are Col. McMahon, sly and furtive, and a large man, resembling the Duke of York. [Identified by Miss Banks as 'Mr. Tyrwitt', but Tommy Tyrwhitt was noted for his small size. ] Behind Mrs. Fitzherbert, Erskine, in wig and gown, delightedly holds up a large paper (the words partly obscured): 'Arraignments for the new Broad-Bottom'd Administration [cf. BMSat 10530], Citn Volpone [see BMSat 9892] . . . Lord Pogy [Grenville] . . . Madame Volpone .. . Cit . . . Ego [Erskine, see BMSat 9246], Lord High [Chancellor], Greyhound [Grey], H . . . Tooke . . ., Tierney' [imaginatively legible]. ..."--British Museum online catalogue
Alternative Title:
Grand cooperative meeting at St. Ann's Hill
Description:
Title etched below image., Text following title: Respectfully dedicated to the admirers of a "Broad-Bottom'd administration.", Sheet trimmed within plate mark., and Mounted on leaf 74 of volume 5 of 12.
Publisher:
Publish'd June 18th, 1804, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, Taylor, Michael Angelo, 1757-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Erskine, Thomas Erskine, Baron, 1750-1823, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Spencer, George John Spencer, Earl, 1758-1834, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, John Russell, Duke of, 1766-1839, Walpole, George, 1761-1830, Jones, Thomas Tyrwhitt, Sir, 1765-1811, Adair, Robert, Sir, 1763-1855, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Smith-Stanley, Edward, 1752-1834, Nicholls, John, 1745?-1832, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Gordon, Jane Maxwell Gordon, Duchess of, d. 1812, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Tierney, George, 1761-1830, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Salisbury, James Cecil, Marquess of, 1748-1823, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., George III, King of Great Britain, 1738-1820, and Napoleon I, Emperor of the French, 1769-1821
"Two enormously fat courtesans sit side by side on a settee which they completely fill; between them and on the knees of both sits the Duke of Norfolk, a wine-glass in his left hand, in his right he holds the hand of one of the women at whom he gazes with a smile. Both women look amorously at him; they are dressed decorously and without extravagance. At the Duke's feet lies his baton as hereditary Earl Marshal. Above the two women is etched: (left) 'The Royal Sovereign, was formerly to be seen by all admirers of Natural Curiosities at Sixpence pr Head, & is reported to weigh near Forty-Stone', (right) 'Nell H--t--n, weighs rather under Thirty Stone; & in the absence of the Great Man, his place is agreeably filled by T------ W-----d, the celebrated collector on the Highway.' After the title is etched: 'Vide. Strand Lane; Temple Barr; &c. &c. &c.' [places frequented by prostitutes]."--British Museum online catalogue
Alternative Title:
Rich pickings for a noble appetite
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Furniture: settees -- Dishes: wine glasses -- Emblems: baton of Hereditary Earl Marshall., and Watermark: Armorial shield with fleur de lis above and monogram W below.
Publisher:
Pubd. May 1792 by H. Humphrey, No. 18 Old Bond Street
"Two enormously fat courtesans sit side by side on a settee which they completely fill; between them and on the knees of both sits the Duke of Norfolk, a wine-glass in his left hand, in his right he holds the hand of one of the women at whom he gazes with a smile. Both women look amorously at him; they are dressed decorously and without extravagance. At the Duke's feet lies his baton as hereditary Earl Marshal. Above the two women is etched: (left) 'The Royal Sovereign, was formerly to be seen by all admirers of Natural Curiosities at Sixpence pr Head, & is reported to weigh near Forty-Stone', (right) 'Nell H--t--n, weighs rather under Thirty Stone; & in the absence of the Great Man, his place is agreeably filled by T------ W-----d, the celebrated collector on the Highway.' After the title is etched: 'Vide. Strand Lane; Temple Barr; &c. &c. &c.' [places frequented by prostitutes]."--British Museum online catalogue
Alternative Title:
Rich pickings for a noble appetite
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Furniture: settees -- Dishes: wine glasses -- Emblems: baton of Hereditary Earl Marshall., 1 print : etching on laid paper, hand-colored ; plate mark 24.7 x 34.9 cm, on sheet 27.0 x 37.0 cm., and Mounted on leaf 38 of volume 8 of 12.
Publisher:
Pubd. May 1792 by H. Humphrey, No. 18 Old Bond Street
"Lansdowne, Norfolk, and Grafton stand together wearing the dress of the Conseil des Anciens: a violet robe and cap, with a scarlet sash, over which hangs a white cloak in classical folds, the border of robe and cloak being embroidered in red. Lansdowne (centre) holds a book, the fingers of his right hand are raised, and he smiles slyly. Norfolk (left) and Grafton (right) listen to him with conspiratorial intentness. Under their feet are flag-stones."--British Museum online catalogue
Description:
Title etched below image., Second plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory Conseil des Anciens.
Publisher:
Pubd. April 18th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Norfolk, Charles Howard, Duke of, 1746-1815, Lansdowne, William Petty, Marquis of, 1737-1805, and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"Lansdowne, Norfolk, and Grafton stand together wearing the dress of the Conseil des Anciens: a violet robe and cap, with a scarlet sash, over which hangs a white cloak in classical folds, the border of robe and cloak being embroidered in red. Lansdowne (centre) holds a book, the fingers of his right hand are raised, and he smiles slyly. Norfolk (left) and Grafton (right) listen to him with conspiratorial intentness. Under their feet are flag-stones."--British Museum online catalogue
Description:
Title etched below image., Second plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., Temporary local subject terms: French costume: Directory Conseil des Anciens., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 26.2 x 19.5 cm, on sheet 37.4 x 26.8 cm., and Mounted on leaf 42 of volume 4 of 12.
Publisher:
Pubd. April 18th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Norfolk, Charles Howard, Duke of, 1746-1815, Lansdowne, William Petty, Marquis of, 1737-1805, and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"Pitt as, a Roman charioteer, wearing a laurel wreath, is seated in an ornate chariot drawn (left to right) by the British Lion and the White Horse of Hanover (cf. BMSat 8691). He holds the reins, but scarcely controls the galloping pair. One foot rests on a shield bearing a fanged serpent, and wreathed with serpents, inscribed: 'Exit Python Republicanus'. Behind him is a book decorated with a lyre inscribed 'Magna Charta'. Ornate projections from the back of the chariot support the disk of the 'Sun of the Constitution': the Hebrew letters for Jehovah are surrounded by the words COMMONS . KING . LORDS; this is irradiated, the royal arms being etched partly on the sun, partly on its rays, and immediately behind Pitt. Two cherubs fly behind the chariot and on the extreme left; one holds up a 'Bible', the other a family tree of the 'Brunswick Succession': from the base, inscribed 'Ge III', rises 'G IV', from whose circle sprout five stems; beneath is inscribed: 'And future Kings, and Monarchs yet unborn'. A fringed cloth on the back of the horse is covered by the royal arms; one on the lion has Britannia, seated as on coins, but holding up a dagger in one hand, a birch-rod in the other. Both animals dash furiously forward in pursuit of the Opposition. The horse snorts fire; from his forehead thunderbolts dart towards the fugitives. The chariot is on an ascending slope of smooth cloud, lit by the 'Sun of the Constitution' (cf. BMSat 8287, &c.) and strewn with roses which fall from the draperies of Justice, who floats before the chariot, leading it on, her head surrounded by a scroll inscribed 'Honorable Peace, or Everlasting War'. In her left hand she holds up her balanced scales, in her right she grasps a flag-staff on which the British flag floats above a tattered tricolour pennant, inscribed 'Republic'. From under the dark and turbulent edges of the cloud-path the Opposition flee into the void. On the extreme left is the half length figure of a monstrous hag, her hair composed of serpents spitting fire, with a fillet inscribed 'The Whig Club'. In her right hand she holds one of the serpents which issue from her pendent breasts, in the left is an almost extinguished firebrand. She glares up in impotent rage. Beneath the horse and lion (right) are the heads and shoulders of (left to right) Sheridan, Fox, and Stanhope, their hair streaming behind them; each drops a dagger from his raised right hand. Sheridan and Fox have expressions of gloomy terror, Stanhope is melancholy but composed. In the abyss beneath the clouds are three small winged creatures: an owl (left) with the head of Lansdowne, two bats, one with the head of M. A. Taylor, the other (right) with that of Erskine. In their flight they have left behind them on the path of cloud three papers: 'Plan for inflaming the Dissenters in Scotland'; 'A scheme for raising the Catholicks in Ireland' (cf. BMSat 8632); 'Jacobin Prophecies for breeding Sedition in England' (an allusion to Brothers, see BMSat 8627, &c). A second group flees upwards away from the thunderbolts of the Hanoverian horse; from the head of each falls a bonnet-rouge whose peak terminates in a (fool's) bell (cf. BMSat 9374). They are Lauderdale, with clasped hands, the Duke of Norfolk looking round apprehensively, above him the Duke of Grafton, and above again Lord Derby. [Lord Holland gives alternative identifications: Stanhope is Francis, and Grafton is Stanhope. These two, however, closely resemble other heads by Gillray of Stanhope and Grafton.] Above their heads and among the clouds are fleeing serpents, a bonnet-rouge, a book: 'Irruption of the Goths and Vandals. 2d Edition', and a scroll whose ragged edges merge in cloud: 'Patriotick Propositions. Peace, Peace on any Terms. Fraternisation Unconditional Submission No Law, no King, No God.' Another branch of cloud diverges to the left behind Justice. Its upper part is covered with wrecked ships and tiny fleeing figures. These are little sansculottes, all with large bonnets-rouges, one naked, others barelegged except for boots or sabots. They drop their swords."--British Museum online catalogue
Alternative Title:
Sun of the Constitution rising superior to the clouds of Opposition
Description:
Title etched below image., Sheet trimmed leaving thread margins., and Temporary local subject terms: Vehicles: Roman chariot -- Emblems : British Lion -- Emblems: the Horse of Hanover -- Symbols: figure of Justice -- Flags: British flag -- French republican flag -- Symbols: bonnet rouge -- Reference to Magna Charta -- Reference to George III and George IV -- Britannia -- Royal arms -- Reference to the Brunswick succession -- Reference to Bible -- Whig Club -- Monsters -- Sansculottes -- Reference to Jacobins -- Weapons: daggers -- Cherubs -- Sun of the Constitution -- Reference to the Parliament.
Publisher:
Pubd. April 30th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Taylor, Michael Angelo, 1757-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Norfolk, Charles Howard, Duke of, 1746-1815
"Pitt as, a Roman charioteer, wearing a laurel wreath, is seated in an ornate chariot drawn (left to right) by the British Lion and the White Horse of Hanover (cf. BMSat 8691). He holds the reins, but scarcely controls the galloping pair. One foot rests on a shield bearing a fanged serpent, and wreathed with serpents, inscribed: 'Exit Python Republicanus'. Behind him is a book decorated with a lyre inscribed 'Magna Charta'. Ornate projections from the back of the chariot support the disk of the 'Sun of the Constitution': the Hebrew letters for Jehovah are surrounded by the words COMMONS . KING . LORDS; this is irradiated, the royal arms being etched partly on the sun, partly on its rays, and immediately behind Pitt. Two cherubs fly behind the chariot and on the extreme left; one holds up a 'Bible', the other a family tree of the 'Brunswick Succession': from the base, inscribed 'Ge III', rises 'G IV', from whose circle sprout five stems; beneath is inscribed: 'And future Kings, and Monarchs yet unborn'. A fringed cloth on the back of the horse is covered by the royal arms; one on the lion has Britannia, seated as on coins, but holding up a dagger in one hand, a birch-rod in the other. Both animals dash furiously forward in pursuit of the Opposition. The horse snorts fire; from his forehead thunderbolts dart towards the fugitives. The chariot is on an ascending slope of smooth cloud, lit by the 'Sun of the Constitution' (cf. BMSat 8287, &c.) and strewn with roses which fall from the draperies of Justice, who floats before the chariot, leading it on, her head surrounded by a scroll inscribed 'Honorable Peace, or Everlasting War'. In her left hand she holds up her balanced scales, in her right she grasps a flag-staff on which the British flag floats above a tattered tricolour pennant, inscribed 'Republic'. From under the dark and turbulent edges of the cloud-path the Opposition flee into the void. On the extreme left is the half length figure of a monstrous hag, her hair composed of serpents spitting fire, with a fillet inscribed 'The Whig Club'. In her right hand she holds one of the serpents which issue from her pendent breasts, in the left is an almost extinguished firebrand. She glares up in impotent rage. Beneath the horse and lion (right) are the heads and shoulders of (left to right) Sheridan, Fox, and Stanhope, their hair streaming behind them; each drops a dagger from his raised right hand. Sheridan and Fox have expressions of gloomy terror, Stanhope is melancholy but composed. In the abyss beneath the clouds are three small winged creatures: an owl (left) with the head of Lansdowne, two bats, one with the head of M. A. Taylor, the other (right) with that of Erskine. In their flight they have left behind them on the path of cloud three papers: 'Plan for inflaming the Dissenters in Scotland'; 'A scheme for raising the Catholicks in Ireland' (cf. BMSat 8632); 'Jacobin Prophecies for breeding Sedition in England' (an allusion to Brothers, see BMSat 8627, &c). A second group flees upwards away from the thunderbolts of the Hanoverian horse; from the head of each falls a bonnet-rouge whose peak terminates in a (fool's) bell (cf. BMSat 9374). They are Lauderdale, with clasped hands, the Duke of Norfolk looking round apprehensively, above him the Duke of Grafton, and above again Lord Derby. [Lord Holland gives alternative identifications: Stanhope is Francis, and Grafton is Stanhope. These two, however, closely resemble other heads by Gillray of Stanhope and Grafton.] Above their heads and among the clouds are fleeing serpents, a bonnet-rouge, a book: 'Irruption of the Goths and Vandals. 2d Edition', and a scroll whose ragged edges merge in cloud: 'Patriotick Propositions. Peace, Peace on any Terms. Fraternisation Unconditional Submission No Law, no King, No God.' Another branch of cloud diverges to the left behind Justice. Its upper part is covered with wrecked ships and tiny fleeing figures. These are little sansculottes, all with large bonnets-rouges, one naked, others barelegged except for boots or sabots. They drop their swords."--British Museum online catalogue
Alternative Title:
Sun of the Constitution rising superior to the clouds of Opposition
Description:
Title etched below image., Sheet trimmed leaving thread margins., Temporary local subject terms: Vehicles: Roman chariot -- Emblems : British Lion -- Emblems: the Horse of Hanover -- Symbols: figure of Justice -- Flags: British flag -- French republican flag -- Symbols: bonnet rouge -- Reference to Magna Charta -- Reference to George III and George IV -- Britannia -- Royal arms -- Reference to the Brunswick succession -- Reference to Bible -- Whig Club -- Monsters -- Sansculottes -- Reference to Jacobins -- Weapons: daggers -- Cherubs -- Sun of the Constitution -- Reference to the Parliament., 1 print : etching & engraving on wove paper, hand-colored ; plate mark 35.0 x 45.3 cm, on sheet 40.0 x 50.6 cm., and Mounted on leaf 52 of volume 3 of 12.
Publisher:
Pubd. April 30th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Taylor, Michael Angelo, 1757-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Norfolk, Charles Howard, Duke of, 1746-1815
"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", and Mounted to 37 x 56 cm.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", 1 print : etching on laid paper, hand-colored ; sheet 32.0 x 45.3 cm., Sheet trimmed within plate mark on upper and lower edges., and Mounted on leaf 31 of volume 2 of 12.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", 1 print : etching on laid paper ; sheet 32.4 x 45.3 cm., Sheet trimmed to plate mark., and Mounted on leaf 32 of volume 2 of 12.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
