A grotesquely caricatured, thin and ragged Tom Paine, dressed as a tailor with huge scissors hanging from his pants, kneels before a gigantic crown; he uses a tape measure to determine its dimensions. He wears a French-style hat with a cockade inscribed "vive la liberty". He ruminates on his task,a satire on the first part of his Rights of man
Alternative Title:
Tommy Paine, the little American taylor, taking the measure of the crown for a new pair of revolution breeches
Description:
Title etched below image., Printmaker from British Museum catalogue., At top of design: Humbly dedicated to the Jacobine clubs of France and England by Common Sense. "These are your gods, O, Israel!", Plate shows signs of reworking; 'the' following 'Tommy Paine' in title etched twice, with the repeated word on the second line of title scored through and mostly burnished from plate., and Mounted to 43 x 29 cm.
Publisher:
Pubd. May 23th [sic], 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Burke, Edmund, 1729-1797., Paine, Thomas, 1737-1809, and Paine, Thomas, 1737-1809.
A grotesquely caricatured, thin and ragged Tom Paine, dressed as a tailor with huge scissors hanging from his pants, kneels before a gigantic crown; he uses a tape measure to determine its dimensions. He wears a French-style hat with a cockade inscribed "vive la liberty". He ruminates on his task,a satire on the first part of his Rights of man
Alternative Title:
Tommy Paine, the little American taylor, taking the measure of the crown for a new pair of revolution breeches
Description:
Title etched below image., Printmaker from British Museum catalogue., At top of design: Humbly dedicated to the Jacobine clubs of France and England by Common Sense. "These are your gods, O, Israel!", Plate shows signs of reworking; 'the' following 'Tommy Paine' in title etched twice, with the repeated word on the second line of title scored through and mostly burnished from plate., 1 print : etching on wove paper, hand-colored ; plate mark 35.5 x 25.1 cm, on sheet 41.9 x 28.7 cm., and Mounted on leaf 66 of volume 2 of 12.
Publisher:
Pubd. May 23th [sic], 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Burke, Edmund, 1729-1797., Paine, Thomas, 1737-1809, and Paine, Thomas, 1737-1809.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[2 September 1791]
Call Number:
791.09.02.01
Image Count:
1
Resource Type:
still image
Abstract:
"A French patriot, wearing a cocked hat with large tricolor cockage, rests his hand on a bludgeon; from his pocket issues the "Rights of Man. Paine". In the background a noose dangles from a lamppost on which is fixed a bleeding head"--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed mostly within plate mark., and Mounted to 37 x 26 cm.
Publisher:
Pub. Septr. 2, 1791, by S.W. Fores, N.3 Piccadilly
Subject (Geographic):
France
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Decapitations, History, Gallows, Nooses, and Street lights
In his meager attic lodgings, a man dresses as his land lady looks on. On the wall is a poster with a portrait of Thomas Paine and a partially torn sign with the words "Buggs distroy'd", the art amplifying the subject
Description:
Title engraved below image., From the Laurie & Whittle series of Drolls., Plate numbered '174' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 28th Novr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Attics, Landlord & tenant relations, Mirrors, Poverty, and Shaving equipment
"Britannia (left), a buxom young woman, clasps the trunk of a large oak, while Paine tugs with both hands at her stay-lace, placing a large foot on her posteriors. He wears blue and buff with a tricolour cockade on his bonnet rouge. From his coat pocket protrudes a pair of scissors and a tape inscribed: 'Rights of Man'. His face is blotched with drink and his expression is fiercely intent, but he is neatly dressed. Behind him is a thatched cottage inscribed: 'Thomas Pain, Stay-maker from Thetford. Paris Modes, by express.' Britannia looks over her shoulder at the stay-maker (cf. BMSat 9240) with an expression of pained reproach. Her shield leans against the tree; her spear is on the ground; across it lies an olive-branch."--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Re-form at the expence of constitution and Reform at the expence of constitution
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate first issued with title: Fashion before ease, or, A good constitution sacrificed for a fantastick form., Sheet trimmed within plate mark., and Mounted on leaf 23 of volume 3 of 12.
Publisher:
Pubd. Jany. 2d, 1793, by H. Humphrey, No. 18 Old Bond Street
Eight figures in two rows are depicted reading Thomas Paine's pamphlet The Rights of Man, each gesturing dramatically and each with a lengthy quote above his head either praising or denouncing the ideas expressed. On the top row are Edmund Burke (reading the passages referring to himself), Charles Fox, George III, and Charles Jenkinson. In the second row, Queen Charlotte, Mary Wollstonecraft Godwin, William Pitt, and Richard Sheridan seem to address each other in a similarly lively debate of contrasting responses to Paine's arguments
Description:
Title etched below image., Attributed to F.G. Byron. See An Oxford Companion to the Romantic Age .../ Iain McCalman. Oxford : Published by Oxford University Press, 2001, p. 20., Below image on right: In Holland's exhibition rooms may be seen the largest collection of caricatures in Europe. Admitte. on shilg, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on sides., For further information, consult library staff., and Pencil annotations identify each of the caricatures, but identifies Mary Wollstonecraft as Hannah More. Questionable printmaker attribution in local card catalog: R. Newton f.?
Publisher:
Pubd. May 26, 1791 by William Holland, No. 50 Oxford Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Paine, Thomas, 1737-1809., George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Jenkinson, Chalres, 1727-1808., Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
History, Foreign public opinion, British, and Politics and government
"Britannia (left), a buxom young woman, clasps the trunk of a large oak, while Paine tugs with both hands at her stay-lace, placing a large foot on her posteriors. He wears blue and buff with a tricolour cockade on his bonnet rouge. From his coat pocket protrudes a pair of scissors and a tape inscribed: 'Rights of Man'. His face is blotched with drink and his expression is fiercely intent, but he is neatly dressed. Behind him is a thatched cottage inscribed: 'Thomas Pain, Stay-maker from Thetford. Paris Modes, by express.' Britannia looks over her shoulder at the stay-maker (cf. British Museum Satires No. 9240) with an expression of pained reproach. Her shield leans against the tree; her spear is on the ground; across it lies an olive-branch."--British Museum online catalogue
Alternative Title:
Good constitution sacrificed for a fantastick form
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Female costume: stays -- Emblems: tri-colored cockade -- Male costume: bonnet rouge -- Reference to tailors -- Literature: Thomas Paine's Rights of Man -- Allusion to French Revolution -- Reference to Thetford and Paine's stay-making past -- Britannia's shield -- Symbols: olive branch., and Mounted to 42 x 30 cm.
Publisher:
Pubd. Jany. 2d, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Paine, Thomas, 1737-1809
Subject (Topic):
Britannia (Symbolic character), Corsets, Scissors & shears, Liberty cap, Shields, Spears, and Olive branches
An allegorical representation of France with Liberty as a young woman bound and being dragged from a temple, Libertas, by French soldiers to face a angry mob, two decapitated heads at the base of the stairs. One soldier breaks a staff with a liberty cap at the top. A woman kneels a fire which consumes a spinning wheel and is fed books carried by laborers. A crowd of artists, musicians, carpenters, smiths, weavers and other tradesmen are roughly pushed away from the temple by a soldier. In the background a church which has been turned into a theatre attracts a large crowd to a production of "The massacre at Paris."
Description:
Attributed to John Nixon. See British Museum catalogue, no. 8334., Trimmed within plate mark on top and bottom., One line of text below title: This print is most respectfully dedicated to every true hearted Briton who's a friend to his king and country., Four lines from Churchill's poem, Independence, printed in two columns on each side of title: O thou poor country, weak and overpow'rd, By thine own sons, eat to the bone, devour'd ..., Nine lines of explanatory text below image: Liberty is torn from her temple by a hired band of ruffians ... ., and Sheet trimmed to plate mark on bottom with loss of contemporary ms. annotation.
Publisher:
publisher not identified
Subject (Geographic):
France and France.
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
History, Artists, Book burning, Decapitations, Demons, Destruction & pillage, Fools & jesters, Liberty, People associated with manual labor, Trade, Revolutions, and Violence
"Six brutal-looking men, much caricatured, sit round a table in a cellar, listening with apprehensive intentness to their chairman, who reads a paper: 'State Arrests - O'Conner Binns Evans Quigley'. He sits in an arm-chair, a grotesque ragged creature with sleeves rolled up; in his right hand is a candle taken from a candle-stick on the table. Beside him is a tankard inscribed: 'Tom Treason Hell-Fire Celler Chick Lane'. Against his chair leans an open book: 'Proceedings of the London Corresponding Society Ts Firebrand Secretary - Delegates - Forging Sam Barber Joe Dick Butcher Dissenting Nick Sheepshead Will Cut down Lary'. These names belong to the persons depicted: a barber sits on an upturned tub on the chairman's left, a comb in his ragged hair, a pair of tongs leaning against the tattered hat which lies beside him. Next (left) is a butcher, his steel hanging from his waist. All are grotesque denizens of the underworld. Two prints are on the brick wall, bust portraits of 'Horne Tooke' and 'Tom Payne'. Through an open door (right) is seen a flight of stairs, steeply ascending."--British Museum online catalogue
Alternative Title:
London Corresponding Society alarmed
Description:
Title etched below image., "Price 1 sh., 6"--Below imprint., Sheet trimmed within plate mark., Temporary local subject terms: Trades -- Barber -- Butcher -- Allusion to the planned French invasion of Ireland -- Interiors: cellars -- Dishes: tankards., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 26.4 x 19.4 cm, on sheet 30.6 x 24.0 cm., Price completely erased from sheet., and Mounted on leaf 53 of volume 4 of 12.
Publisher:
Pubd. April 20th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Paine, Thomas, 1737-1809, Tooke, John Horne, 1736-1812, and London Corresponding Society.
"Six brutal-looking men, much caricatured, sit round a table in a cellar, listening with apprehensive intentness to their chairman, who reads a paper: 'State Arrests - O'Conner Binns Evans Quigley'. He sits in an arm-chair, a grotesque ragged creature with sleeves rolled up; in his right hand is a candle taken from a candle-stick on the table. Beside him is a tankard inscribed: 'Tom Treason Hell-Fire Celler Chick Lane'. Against his chair leans an open book: 'Proceedings of the London Corresponding Society Ts Firebrand Secretary - Delegates - Forging Sam Barber Joe Dick Butcher Dissenting Nick Sheepshead Will Cut down Lary'. These names belong to the persons depicted: a barber sits on an upturned tub on the chairman's left, a comb in his ragged hair, a pair of tongs leaning against the tattered hat which lies beside him. Next (left) is a butcher, his steel hanging from his waist. All are grotesque denizens of the underworld. Two prints are on the brick wall, bust portraits of 'Horne Tooke' and 'Tom Payne'. Through an open door (right) is seen a flight of stairs, steeply ascending."--British Museum online catalogue
Alternative Title:
London Corresponding Society alarmed
Description:
Title etched below image., "Price 1 sh., 6"--Below imprint., Sheet trimmed within plate mark., and Temporary local subject terms: Trades -- Barber -- Butcher -- Allusion to the planned French invasion of Ireland -- Interiors: cellars -- Dishes: tankards.
Publisher:
Pubd. April 20th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Paine, Thomas, 1737-1809, Tooke, John Horne, 1736-1812, and London Corresponding Society.
