"An imitation of British Museum Satires No. 8913, by Woodward. A fat parson sits drinking beside a small round table. His face is fiery and carbuncled. He wears gown and bands, with unbuttoned waistcoast, and ungartered stocking; his wig is back to front. Opposite him, on a round stool sits Care, a naked man, grotesque, aged, emaciated, with a scraggy beard and long grey hair, and talons on hands and feet; he registers gloomy terror. The parson, with a contemptuous smile, snaps his fingers at Care. On the table are decanter, pipe, tobacco-box, and lemon. On the wall (left) is a 'List of the Tythes for the Parish of Guttledown'. A patterned carpet completes the design. An illustration of the song (illustrated also by R. Cruikshank in 'The Universal Songster', ii, 1826, page 129)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local Medical Library subject terms: Depression -- Songs., 1 print : etching with engraving, hand-colored ; sheet 208 x 250 mm., and Sheet trimmed within plate mark.
Publisher:
Publishd. June 16th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Topic):
Clergy, Alcoholic beverages, Pipes (Smoking), and Lemons
"The freeholder, a ragged Irish peasant, stands full-face, between a bloated priest (left) and a fashionably dressed young man; both tug at his coat-collar. The obese priest, who wears robes, with a large cross from neck to knee, holds up a print of the Devil smoking a pipe, in the bowl of which sits a tortured man; he says: Vote for your Priest or see this picture of your Soul in the next world. The other points behind him to an eviction scene, saying, Vote for your Landlord or see the real consequence in this World. In the background is a cluster of mud huts placarded Wanted Protestant Tenants for these Cabins. Men chase away a ragged family in one direction, and a pig in the other. Freeholder: Sure I'm bother'd [cf. BM Satires No. 8141] hadent I better be after voten for both your honors id would make the thing asier aney how. In one hand is his shillelagh, in the other his hat with a tobacco-pipe thrust in it."--British Museum online catalogue
Alternative Title:
Forty shilling freeholders only expedient for the salvation of body and soul
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily published., Questionable date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Numbered in ms. at top of sheet: 193.
Publisher:
Pub. by T. McLean 26 Haymarket ...
Subject (Geographic):
Ireland.
Subject (Topic):
Devil, Peasants, Pipes (Smoking), Poverty, Priests, and Staffs (Sticks)
Inside of what appears to be a simple cottage, a woman and two men are gathered around a table. The woman, sitting at the table, holds an open music book. One of the man leans over her shoulder in order to read the music while he is playing the violin. The other man, sitting at the opposite side of the table with a tall glass in his left hand and a happy expression on his face, is singing. In front of the table on the floor stands a large decorated jug with a lid. A pipe and a tobacco box lie on the table
Description:
Title engraved below image., Publication date inferred from publisher's activity dates., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Musical instruments -- Sheet music -- Containers: jug with a lid -- Glass: tall glass -- Furniture -- Architectural details: board floor., and Mounted to 20 x 15 cm.
Publisher:
Printed for J. Gapper in New Bond Street
Subject (Topic):
Violins, Tables, Drinking vessels, and Pipes (Smoking)
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., 1 print : aquatint and etching on wove paper, touches of color ; sheet 35.4 x 23.2 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., and Mounted on leaf 12 of volume 12 of 14 volumes.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Title etched below images, centered at bottom of plate., Two images on one plate., Four lines of text in two columns on either side of title: One that witholdeth not his mite ..., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Parsons -- Furniture: slipcovered chairs -- Writing desk -- Tea table -- Beverages -- Wines: Burgundy., and Watermark: E & P.
Publisher:
Pub. Janry 26, 1796 by S.W. Fores, N. 50 Piccadilly
Subject (Topic):
Clergy, Lawyers, Pipes (Smoking), Wine, and Chairs
Title engraved below image., One of a series of 'Drolls.', Temporary local subject terms: Old men -- Parsons -- Dishes: punch bowl -- Storytelling -- Expressions of speech: cock and bull story., and Watermark.
Publisher:
Published Decr. 16th 1793, by Robt. Sayer & Co., Fleet Street, London
"Prince Leopold sits enthroned, flanked by his new subjects; he wears uniform with a crown, and sits on a two-tiered circular dais in a chair of state, the seat of which is covered with giant thorns. Punctured and frightened, he grasps the arms of his chair with crisped fingers; his toes are drawn back, touching the ground, and he looks towards a savage-looking Greek (right) who kneels before him with a long knife held behind his back. A similar ruffian kneels on the left; others approach menacingly from the left, one smoking a long pipe and grasping a knife. They wear Greek costume with embroidered jackets and full white breeches. On the right are long-robed ecclesiastics, headed by a bearded patriarch with a cross in one hand, a knife in the other."--British Museum online catalogue
"A fat 'cit', wearing a short brown wig, sits almost full-face between fire (left) and round table (right) on which are decanter, steaming glass, and smoking pipe. His face is contorted by a violent sneeze; in his left hand is his snuff-box, his right holds a pinch of snuff near his face. On his knee is a paper headed Parliamentary Debates. His dog looks up from between his feet, startled and annoyed. On the chimneypiece, the right part of which is visible, are a bust of Morpheus, a large shell, a squatting and obese Chinese nudity. An oval bust portrait is on the wall."--British Museum online catalogue
Alternative Title:
Pinch of cephalic
Description:
Title from text above and below image., Sheet trimmed within plate mark., and 1 print : etching with stipple, hand-colored ; plate mark 26.7 x 20.3 cm.
Publisher:
Pubd. Jany. 25th, 1822, by G. Humphrey, 27 St. James's St., London
Subject (Topic):
Tobacco, Sneezing, Snuff, Smoking, Pipes (Smoking), Fireplaces, and Dogs
"A fat 'cit', wearing a short brown wig, sits almost full-face between fire (left) and round table (right) on which are decanter, steaming glass, and smoking pipe. His face is contorted by a violent sneeze; in his left hand is his snuff-box, his right holds a pinch of snuff near his face. On his knee is a paper headed Parliamentary Debates. His dog looks up from between his feet, startled and annoyed. On the chimneypiece, the right part of which is visible, are a bust of Morpheus, a large shell, a squatting and obese Chinese nudity. An oval bust portrait is on the wall."--British Museum online catalogue
Alternative Title:
Pinch of cephalic
Description:
Title from text above and below image., Sheet trimmed within plate mark., and Mounted to 36 x 27 cm.
Publisher:
Pubd. Jany. 25th, 1822, by G. Humphrey, 27 St. James's St., London
Subject (Topic):
Tobacco, Sneezing, Snuff, Smoking, Pipes (Smoking), Fireplaces, and Dogs
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[24 February 1796]
Call Number:
796.02.24.01+
Image Count:
1
Resource Type:
still image
Abstract:
A country yokel in a hat and smoking a pipe sits on a stool beside a simple table outside in a farm house opposite a pigsty wtih a large pig and her piglets and chickens and their chicks running around in alarm. In the upper left sky a flock of parson in the form of birds fly in various directions. A second man sits on the gate looking up at the clergy/birds
Description:
Also attributed to Isaac Cruikshank in unverified information from card., Publisher's statement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Paper watermarked T.W. 1795., and Printseller's stamp in lower right corner of plate: S.W.F.
Publisher:
Published Febry. 24, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Agricultural laborers, Clergy, Farms, Pipes (Smoking), Poultry, and Swine
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., and Mounted on leaf 32 of volume 6 of 14 volumes.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., 1 print on wove paper : etching, hand-colored ; sheet 27 x 34 cm., and Printmaker's name erased from this impression.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
"A companion print to British Museum Satires No. 6912; a similar group of men in a similar room stand or sit at a rectangular table singing from a large music-book held open on the table. Punch-bowl, wine-bottle, glasses, pipes, a tumbler are on the table which is covered by a heavy cloth. Their expressions are more serious than those of the catch-singers. Two men in the background are smoking, one of whom is lighting his pipe. A dog sits in the foreground looking up at the singers. The words of the glee are engraved beneath the print, beginning: 'Which is the properest Day to drink, Saturday, Sunday, Monday,'; republished state."--British Museum online catalogue
Alternative Title:
Allegresse
Description:
Title from item., Artist from description in Sotheby's catalog., Publication date assigned by the repository based on the series number., Twelve lines of verse below image., Numbered '567' in series., and Temporary local subject terms: Glee Club -- Punch bowls -- Wine bottles -- Glass: wine glasses -- Tablecloths -- Interiors: Robert Smith's house in St. Paul's Church Yard -- Carpets.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Singing, Smoking, Pipes (Smoking), Wine, Drinking vessels, and Dogs
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., 1 print : etching ; plate mark 349 x 247 mm., and Hand-colored.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., Watermark: 1817., and Leaf 91 in volume 2.
Title etched below image., From the Laurie & Whittle series of Drolls., Four lines of caption below title: "It was in Switzerland I recollect, during a severe Winter, that a peasant his wife & four children, a cow, three goats & a jack ass, subsisted four months in the heart of a large turnip"____You are very right, I was at Zurich, at the same time & there was then making a copper boiler of such magnitude that altho' 30 men were employ'd hammering in the inside, they were at such a distance, as not to hear the sound of each others hammers"____"Bless my soul, what did they want with such a large copper?____Why to boil your turnip in.", Plate numbered '322' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 1, 1803, by Laurie & Whittle, 53 Fleet Street, London
"A 'cit' smokes angrily over his glass, tilting his chair, while his pretty young wife sits with folded arms. A handsome young officer opens the door, apparently unseen by both. Below the design: 'Husband. - What makes you look so thoughtful my Love, what are you puzzling your Dear Head about now." Wife - Why you said last Night at Supper, that you knew every one in our Street were Cuckolds but one, - And I have been Puzzling Myself ever since to find out who that one could be." - "Husband.-" Oh! Oh! Very well, I have done."'"--British Museum online catalogue, description of a variant state
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '202' in lower right corner., and Temporary local subject terms: Young women -- Cuckolds -- Furnishings -- Furniture.
Publisher:
Published 10th October 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Young adults, Women, Military officers, Adultery, Mirrors, Pipes (Smoking), and Chairs
A satire on the Peace of Amiens between France and England, with caricatures of national figures (Holland, Russia, Britain, Spain, Turkey and Prussia) dancing to Napoleon's tune. Napoleon stands at right with pipe and tambourine singing 'Ah ci-ira, ci-ira!'.
Description:
Title etched below image., Date of publication based on reference to the Treaty of Amiens of 1802., Sheet trimmed to plate mark on three sides., For a reversed version of this design, questionably attributed to Isaac Cruikshank, see no. 9847 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub'd by P. Roberts, 28 Middle-row, Holborn
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Ethnic stereotypes, Pipes (Smoking), Pipes (Musical instruments), Tambourines, and Dance
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., 1 print : etching and engraving on laid paper ; plate mark 34.2 x 46.9 cm, on sheet 45 x 56 cm., and Leaf 28 in: Album of William Hogarth prints.
