In a woodland setting Shelburne and Pitt sit smiling behind a cloth-covered table on which are coins and bags of money. A glum-looking Fox stands several feet distant with hands in pockets. A reference to Fox's exclusion from office while Pitt was Chancellor of the Exchequer during the Shelburne ministry. The title is a quotation from Paradise Lost
Alternative Title:
Aside he turned for envy, yet with jealous leer malign, eyed them askance
Description:
Title from text etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Dec. 12th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Pitt, William, 1759-1806
In a woodland setting Shelburne and Pitt sit smiling behind a cloth-covered table on which are coins and bags of money. A glum-looking Fox stands several feet distant with hands in pockets. A reference to Fox's exclusion from office while Pitt was Chancellor of the Exchequer during the Shelburne ministry. The title is a quotation from Paradise Lost
Alternative Title:
Aside he turned for envy, yet with jealous leer malign, eyed them askance
Description:
Title from text etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on wove paper ; plate mark 22.5 x 25.3 cm, on sheet 25.4 x 33.6 cm., and Mounted on leaf 49 of volume 1 of 12.
Publisher:
Pubd. Dec. 12th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Pitt, William, 1759-1806
"A fox (Fox) climbs up a signpost from which hangs the sign of the Crown. The gibbet-shaped post is wreathed with a vine with large bunches of grapes. Fox seizes a branch and gapes greedily for a bunch just within his reach. His left leg is supported on a pile of papers, one bundle of which is inscribed 'Libels'. The topmost paper is an open book: 'Review of the Charges against Warren Hasting[s] Publishd by Stockdale'. In the doorway of the Crown Inn (right) stands Pitt, grotesquely thin except for his head; he wears an apron over the legs of a skeleton. Alarmed at the fox, he drops a tankard of beer on which is a crown. Behind him appears Thurlow, in Chancellor's wig and gown, with an expression of gloomy apprehension."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on two edges., and Temporary local subject terms: Allusion to John Stockdale, 1749-1816 -- Alleged libel -- Libellous pamphlets -- Signs -- Signboards -- Inns: Crown -- Gibbet-shaped signpost -- Allusion to trial of Warren Hastings -- Political grapes -- Chequerboards -- Literary allusion to Aesop's fable: The fox and the grapes -- Allusion to John Logan's pamphlet, published by Stockdale: Review of the charges against Warren Hastings -- Allusion to Fox's February 14, 1788 speech -- Chancellor's wig and gown.
Publisher:
Pubd. Feby. 18th, 1788, by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
"A fox (Fox) climbs up a signpost from which hangs the sign of the Crown. The gibbet-shaped post is wreathed with a vine with large bunches of grapes. Fox seizes a branch and gapes greedily for a bunch just within his reach. His left leg is supported on a pile of papers, one bundle of which is inscribed 'Libels'. The topmost paper is an open book: 'Review of the Charges against Warren Hasting[s] Publishd by Stockdale'. In the doorway of the Crown Inn (right) stands Pitt, grotesquely thin except for his head; he wears an apron over the legs of a skeleton. Alarmed at the fox, he drops a tankard of beer on which is a crown. Behind him appears Thurlow, in Chancellor's wig and gown, with an expression of gloomy apprehension."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on two edges., Temporary local subject terms: Allusion to John Stockdale, 1749-1816 -- Alleged libel -- Libellous pamphlets -- Signs -- Signboards -- Inns: Crown -- Gibbet-shaped signpost -- Allusion to trial of Warren Hastings -- Political grapes -- Chequerboards -- Literary allusion to Aesop's fable: The fox and the grapes -- Allusion to John Logan's pamphlet, published by Stockdale: Review of the charges against Warren Hastings -- Allusion to Fox's February 14, 1788 speech -- Chancellor's wig and gown., 1 print : etching on laid paper ; plate mark 24.4 x 24.0 cm, on sheet 26.4 x 28.9 cm., and Mounted on leaf 26 of volume 2 of 12.
Publisher:
Pubd. Feby. 18th, 1788, by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., and Mounted to 31 x 35 cm.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., 1 print on wove paper : etching, hand-colored ; plate mark 19.4 x 26.2 cm., on sheet 25 x 36 cm., and Watermark: 1798.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
Title from item., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opp. p. 65., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Sheet trimmed within plate mark at bottom., and Temporary local subject terms: Interiors: painter's studio -- Painting materials -- Portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, approximately 1426-1500, and London Corresponding Society.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., 1 print : etching on wove paper, hand-colored ; plate mark 19.3 x 26.1 cm, on sheet 22.6 x 29.5 cm., and Mounted on leaf 74 of volume 4 of 12.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
Title etched below image., Publication information extrapolated from the place and date of publication of the periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1799, v. 3., Numbered 'No. IV' in upper right corner., Sheet trimmed to plate mark., and Mounted on leaf 75 of volume 4 of 12.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, approximately 1426-1500, and London Corresponding Society.
"A stage-coach is driven (left to right) uphill at a gallop, the horses having human heads as in BMSat 7323. The arm of a signpost on the extreme left points 'To the Temple of Honor'. Thurlow drives, lashing furiously. George III, in profile to the right, is seated in the boot at the back of the coach holding a musket with a fixed bayonet. The Queen sits on the roof as an outside passenger, dressed as an old market-woman ; she holds a basket of 'Golden Eggs' on her knee, and another basket at her side in which is a goose which hisses at the King. Within the coach Hastings (left) and Mrs. Hastings (right) sit facing each other; he is in oriental dress; she wears a jewelled turban with a crown, and her neck is covered with jewels. The coach is 'Licens'd by Royal Authority'; on its panel are the royal arms. On the box under Thurlow's legs are a star and ribbon, a coronet, and feathers. The leaders have the faces of Pitt1 and Sydney, the wheelers are Dundas and Pepper Arden. The horses are galloping uphill and the sky is clear, contrasting with the scene in BMSat 7323."--British Museum online catalogue
Description:
Title from text below image in lower left., Printmaker from British Museum catalogue., Three lines of verse below image: "The very stones look up to see, such very gorgeous harlotry, shaming an honest nation.", Companion print to "Opposition," also by Gillray and published by Fores on the same day. See no. 7323 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 20th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Melville, Henry Dundas, Viscount, 1742-1811
"A stage-coach is driven (left to right) uphill at a gallop, the horses having human heads as in BMSat 7323. The arm of a signpost on the extreme left points 'To the Temple of Honor'. Thurlow drives, lashing furiously. George III, in profile to the right, is seated in the boot at the back of the coach holding a musket with a fixed bayonet. The Queen sits on the roof as an outside passenger, dressed as an old market-woman ; she holds a basket of 'Golden Eggs' on her knee, and another basket at her side in which is a goose which hisses at the King. Within the coach Hastings (left) and Mrs. Hastings (right) sit facing each other; he is in oriental dress; she wears a jewelled turban with a crown, and her neck is covered with jewels. The coach is 'Licens'd by Royal Authority'; on its panel are the royal arms. On the box under Thurlow's legs are a star and ribbon, a coronet, and feathers. The leaders have the faces of Pitt1 and Sydney, the wheelers are Dundas and Pepper Arden. The horses are galloping uphill and the sky is clear, contrasting with the scene in BMSat 7323."--British Museum online catalogue
Description:
Title from text below image in lower left., Printmaker from British Museum catalogue., Three lines of verse below image: "The very stones look up to see, such very gorgeous harlotry, shaming an honest nation.", Companion print to "Opposition," also by Gillray and published by Fores on the same day. See no. 7323 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 26.0 x 44.4 cm., and Mounted on leaf 38 of volume 2 of 12.
Publisher:
Pubd. May 20th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Melville, Henry Dundas, Viscount, 1742-1811
"George III is seated (left) on a rectangular altar bending forward, his posteriors bare and irradiated like a sun. He wears a crown; he bends forward as if to caress three fanged serpents emerging from the altar, inscribed, 'The King of Prerogative'. A pair of hands emerges from clouds: one has taken the sceptre from the King's hand, the other is about to remove his crown. Pitt (right) kneels behind the altar, holding out a scroll, the 'Irish Propositions' ... Behind him is a bundle of papers held together by a scroll inscribed 'Provision for the Boghouse 1785'. They are: 'Petition to the [Pa]rliament'; 'Manchester Remonstr[ance]'; 'from Glasgow'; 'Rights of the People'; 'Westminst[er] Petition'; 'Popula[r] Resentment'. Behind the bundle is a pyramid inscribed 'Sacrifices to Liberty The Gracchi', 'De Witt', 'Gaveston', 'Mortimer'; a hand pointing from the apex to Pitt is labelled, 'The next to fall'. In the distance is a ruined temple: 'Temple of Freed[om] a British ruin'. On the side of the altar on which the King is seated is a medallion surmounted with crossed axes inscribed 'Prerogative of the People'. It encloses a severed head in a bowl inscribed 'Charles I'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Attribution made by George: Maria Closetool allusion to Maria Cosway., Allusion to the Irish proposition of 1785 with an allusion to Maria Cosway's painting: A Persian going to adore the sun., and Watermark in center of sheet.
Publisher:
Published by G. Humphrey No.48 Long Acre
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Great Britain. Parliament. House of Commons, and Ireland. Parliament. House of Commons
Title from item., Sheet trimmed within plate mark., Publisher's advertisement following imprint: Folios of caricatures lent out for the evening., Temporary local subject terms: Wars: war-weariness -- Expressions of speech: 'Will o' the wisp' -- Pensions: Burke's pension -- Lanterns -- Drowning., and Mounted to 34 x 45 cm.
Publisher:
Pub. March 28, 1796, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Burke, Edmund, 1729-1797
Political satire: In a bakery, George III is shown putting into a baking oven a group of three heads wearing peers' coronets. He is assisted by Queen Charlotte and Pitt. On the table to the left are four more heads wearing coronets with more heads on the shelves to the left of the oven. Speech balloon above Pitt reads, "Blast this roll. it is the crookedest son of a bitch that ever came out of an oven." The king's speech balloon reads, "Such a batch and such a match, there never was I swear now, But how it all was brought about That's neither here nor there now. [...] doodle &c."
Description:
Title etched at bottom of image., Printmaker identified as Richard Newton in the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: I V., and Mounted to 32 x 46 cm.
Publisher:
Pubd. Jany. 6, 1792 by William Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Title etched below image., Sheet partially trimmed within plate mark., Publication information extrapolated from the place and date of publication of the periodical for which the plate was etched., Reduced copy of a print published by William Holland in London in 1797., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1798, v. 2, opp. p. 200., Numbered 'No. XX' in upper right corner., Temporary local subject terms: Pugilism: boxing match -- Soldiers -- Military uniforms: grenadiers' uniform -- Sailors -- Naval uniforms: sailor's uniform -- Trades: barber -- Butcher -- Tailor -- Bricklayer -- Glazier -- Baker -- Shoemaker -- Blacksmith -- Allusion to the secession of the Opposition, May 1797., and Mounted to 27 x 36 cm.
Publisher:
Im Verlage des Industrie-Comptoirs
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Title from item., Attributed to Cruikshank by George., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Cf. No. 9528 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Royal Court -- Military uniforms: Highland officer -- Coats of arms: Royal Arms -- Emblems: Chamberlain's gold key and wand., Watermark: Russell & Co 1797., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Pubd. March 25th, 1800, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Salisbury, James Cecil, Marquess of, 1748-1823, and Pitt, William, 1759-1806
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Bugaboos -- Allusion to the Proclamation against Seditious Writings, May 21, 1792.
Publisher:
Pubd. June 2, 1792, by W. Holland, No. 50 Oxford St.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pitt, William, 1759-1806
The interior of the 'Cave of Despair', with demons put to flight by a ray of divine light from the letters 'I A H' in a triangle in the upper left corner of the design. Three wizards (right) in monkish robes tend a boiling cauldron inscribed: 'Eye of Straw & toe of Cade ... For the ingredients of our cauldron'. Facing them (right) sits the Devil enthroned, holding a trident, with a three-headed scaly monster beside him; he says: "Pour in Streams of Regal Blood Then the Charm is firm & good." Burning pamphlets feed the fire under the cauldron; they are being heaped up by Horne Tooke, from whose mouth issues a label: 'H - T. Tis time tis time tis time'. The next, stirring the contents, says "Thrice! and Twice King's Heads have fallen". The third (? Dr. Towers), [Perhaps Dr. Parr; Towers died 20 May 1799.] flourishing a broom-stick, says, "Thrice the Gallic Wolves have bayed"; he holds an open book: 'Lying Whore \ False Swearing'. Behind the wizards is a procession of the Opposition. The first three (abreast) are Bedford, Norfolk, and Lord Derby. They say respectively: "Where are they! - gone Pocketed the Church and Poorlands The Tythes next" ..."Oh fallen Sovereingty degraded Counseller" ...; "Poor joe is done No test or Corporation Acts" ... The next three are Fox, Erskine, and Tierney; they say respectively: "Where can I hide my secluded Head" ... "Ah woe is me - poor I" ... "Would I had never spoke of the Licentiousness of the Press". Behind them is Burdett, saying, "What can I report to my Friends at the Bastile" .... Behind there is an undifferentiated crowd entering the cave and headed by Thelwall holding a volume of 'Thelwalls Lectures' ... exclaiming, "Tm off to Monmouthshire". The procession is watched by a snaky monster (left). Above their heads and resting on clouds are small figures: the King, allegorically depicted, holding a serpent in each hand. Behind him are Pitt, saying, "Suspend their Bodies", (?) Grenville, (?) Windham, saying "Almighty God has been pleased to grant us a great Victory", and Kenyon, saying "Take them to the Kings Bench & Cold Bath fields" ... The divine ray is inscribed: 'Afflavit Deus et dissipantur \ Your Destruction cometh as a Whirlwind \ Vengeance is ripe.' Four winged demons fly off (right) in the smoke of the cauldron, three have collars on which their names are engraved: 'Robesp[ierre]', 'Voltaire', and 'Price'. An ape dressed as a newsboy, with 'Courier' on his cap (..., blows his horn towards the cauldron. Behind him, in the extreme right corner, is an open book: 'Analitical Review \ Fallen never to rise again.' The seditious papers which feed the fire are: 'Equali[ty]'; 'Blasphemy Sedition'; 'Sophims' [sic]; 'Heresy'; 'Atheism'; 'Resistance is Prudence'; 'Belshams History'; 'Whig Club'; 'The Vipers of Monarchy and Aristocracy will soon be strangled by the Infant Democracy' ... 'Fraud'; 'Third of September' [see BMSat 8122]; 'Rights of Nature' [by Thelwall, attacking Burke, 1796]; '21st of January' ... 'Frends Atheism'; 'Quigleys Dying Speech'... 'O'Connors Manifesto' ... 'Oakleys Pyrology'; 'Deism'; 'Kings can do good Joel Barlow'; 'Uritaranism' [sic]; 'Sedition'; 'France is free'; 'Duty of Insurrection'; 'Darwins topsy turvy Plants and Animals Destruction' [cf. BMSat 9240]; 'Kings are S------TS' [serpents, as in Barlow's 'Conspiracy of Kings', pub. J. Johnson, 1792]; 'Political Liberty'. 1 February 1799 Etching and Temporary local subject terms: Opposition -- Press: attack on radical press -- Potions -- Allusion to the Whig Club -- Reference to Kosciuszko uprising, Poland, 1794 --Reference to Jack Cade's Rebellion, 1450 -- Reference to Jack Straw and Wat Tyler -- Reference to the Great Rebellion, 1381 -- Reference to the Duke of Bedford's family
Description:
Title etched below image., Imprint altered: 'J. Wright, Piccadilly' after publication date burnished from plate., Frontispiece from: The Anti-Jacobin Review and Magazine. London, 1799, v. 2., and Sheet trimmed to plate mark.
Publisher:
Publish'd February 1st, 1799, for the Anti Jacobin Review, by T. Whittle, Peterborough Court, Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Voltaire, 1694-1778, Robespierre, Maximilien, 1758-1794, Price, Richard, 1723-1791, Pitt, William, 1759-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Thelwall, John, 1764-1834, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Caves, Devil, Demons, Monkeys, Monsters, Vice, and Wizards
The interior of the 'Cave of Despair', with demons put to flight by a ray of divine light from the letters 'I A H' in a triangle in the upper left corner of the design. Three wizards (right) in monkish robes tend a boiling cauldron inscribed: 'Eye of Straw & toe of Cade ... For the ingredients of our cauldron'. Facing them (right) sits the Devil enthroned, holding a trident, with a three-headed scaly monster beside him; he says: "Pour in Streams of Regal Blood Then the Charm is firm & good." Burning pamphlets feed the fire under the cauldron; they are being heaped up by Horne Tooke, from whose mouth issues a label: 'H - T. Tis time tis time tis time'. The next, stirring the contents, says "Thrice! and Twice King's Heads have fallen". The third (? Dr. Towers), [Perhaps Dr. Parr; Towers died 20 May 1799.] flourishing a broom-stick, says, "Thrice the Gallic Wolves have bayed"; he holds an open book: 'Lying Whore \ False Swearing'. Behind the wizards is a procession of the Opposition. The first three (abreast) are Bedford, Norfolk, and Lord Derby. They say respectively: "Where are they! - gone Pocketed the Church and Poorlands The Tythes next" ..."Oh fallen Sovereingty degraded Counseller" ...; "Poor joe is done No test or Corporation Acts" ... The next three are Fox, Erskine, and Tierney; they say respectively: "Where can I hide my secluded Head" ... "Ah woe is me - poor I" ... "Would I had never spoke of the Licentiousness of the Press". Behind them is Burdett, saying, "What can I report to my Friends at the Bastile" .... Behind there is an undifferentiated crowd entering the cave and headed by Thelwall holding a volume of 'Thelwalls Lectures' ... exclaiming, "Tm off to Monmouthshire". The procession is watched by a snaky monster (left). Above their heads and resting on clouds are small figures: the King, allegorically depicted, holding a serpent in each hand. Behind him are Pitt, saying, "Suspend their Bodies", (?) Grenville, (?) Windham, saying "Almighty God has been pleased to grant us a great Victory", and Kenyon, saying "Take them to the Kings Bench & Cold Bath fields" ... The divine ray is inscribed: 'Afflavit Deus et dissipantur \ Your Destruction cometh as a Whirlwind \ Vengeance is ripe.' Four winged demons fly off (right) in the smoke of the cauldron, three have collars on which their names are engraved: 'Robesp[ierre]', 'Voltaire', and 'Price'. An ape dressed as a newsboy, with 'Courier' on his cap (..., blows his horn towards the cauldron. Behind him, in the extreme right corner, is an open book: 'Analitical Review \ Fallen never to rise again.' The seditious papers which feed the fire are: 'Equali[ty]'; 'Blasphemy Sedition'; 'Sophims' [sic]; 'Heresy'; 'Atheism'; 'Resistance is Prudence'; 'Belshams History'; 'Whig Club'; 'The Vipers of Monarchy and Aristocracy will soon be strangled by the Infant Democracy' ... 'Fraud'; 'Third of September' [see BMSat 8122]; 'Rights of Nature' [by Thelwall, attacking Burke, 1796]; '21st of January' ... 'Frends Atheism'; 'Quigleys Dying Speech'... 'O'Connors Manifesto' ... 'Oakleys Pyrology'; 'Deism'; 'Kings can do good Joel Barlow'; 'Uritaranism' [sic]; 'Sedition'; 'France is free'; 'Duty of Insurrection'; 'Darwins topsy turvy Plants and Animals Destruction' [cf. BMSat 9240]; 'Kings are S------TS' [serpents, as in Barlow's 'Conspiracy of Kings', pub. J. Johnson, 1792]; 'Political Liberty'. 1 February 1799 Etching and Temporary local subject terms: Opposition -- Press: attack on radical press -- Potions -- Allusion to the Whig Club -- Reference to Kosciuszko uprising, Poland, 1794 --Reference to Jack Cade's Rebellion, 1450 -- Reference to Jack Straw and Wat Tyler -- Reference to the Great Rebellion, 1381 -- Reference to the Duke of Bedford's family
Description:
Title etched below image., Imprint altered: 'J. Wright, Piccadilly' after publication date burnished from plate., Frontispiece from: The Anti-Jacobin Review and Magazine. London, 1799, v. 2., Sheet trimmed to plate mark., 1 print : etching on laid paper ; sheet 29.8 x 46.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 9 of volume 6 of 14 volumes.
Publisher:
Publish'd February 1st, 1799, for the Anti Jacobin Review, by T. Whittle, Peterborough Court, Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Voltaire, 1694-1778, Robespierre, Maximilien, 1758-1794, Price, Richard, 1723-1791, Pitt, William, 1759-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Thelwall, John, 1764-1834, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Caves, Devil, Demons, Monkeys, Monsters, Vice, and Wizards
"Pitt, Hastings, and Thurlow sit at a circular dinner-table on which is the King's head in a large dish. The dish is ornamented with a crown and the words 'Mal. y . Pense'. Pitt (left) sits in profile to the right cutting off a piece of the tongue with a knife and fork. Thurlow, in his Chancellor's wig and gown, faces him, using two large spoons greedily (cf. BMSat 7166), he is taking brains from a hole in the King's forehead. Hastings, in oriental dress, sits between them gouging out an eye with a spoon and fork. Besides Pitt is a sauce-boat inscribed 'Sauce', beside Thurlow a bottle inscribed 'Vinegar'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark on top edge., Temporary local subject terms: Male costume: Oriental costume -- Royal motto: Honi soit qui mal y pense., and Inscribed in ink below signature in an unidentified hand: Gillray's early feigned signature.
Publisher:
Pubd. March 28th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Pitt, Hastings, and Thurlow sit at a circular dinner-table on which is the King's head in a large dish. The dish is ornamented with a crown and the words 'Mal. y . Pense'. Pitt (left) sits in profile to the right cutting off a piece of the tongue with a knife and fork. Thurlow, in his Chancellor's wig and gown, faces him, using two large spoons greedily (cf. BMSat 7166), he is taking brains from a hole in the King's forehead. Hastings, in oriental dress, sits between them gouging out an eye with a spoon and fork. Besides Pitt is a sauce-boat inscribed 'Sauce', beside Thurlow a bottle inscribed 'Vinegar'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark on top edge., Temporary local subject terms: Male costume: Oriental costume -- Royal motto: Honi soit qui mal y pense., 1 print : etching on laid paper, hand-colored ; plate mark 19.9 x 28.9 cm, on sheet 22.7 x 31.9 cm., and Mounted on leaf 29 of volume 2 of 12.
Publisher:
Pubd. March 28th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Temporary local subject terms: Allusion to Bourbon Family Compact treaty, 15 August 1761 -- Berkeley Square: Lansdowne House -- Joseph Jekyll, M.P., as a monkey -- John Morris, M.P., as a bear -- Bears -- Monkeys., Watermark: fleur-de-lis on crowned shield with initials G R below., and Mounted to 32 x 43 cm.
Publisher:
Pub. Feb. 26, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, and Jekyll, Joseph, 1754-1837
Subject (Topic):
Great Britain, Politics and government, and Trained animals
Title from item., Printseller's announcement following publication statement: NB. Folios of caricatures lent., Temporary local subject terms: Parliament: members of the Irish Parliament -- Reference to the Act of Union, 1800 -- Buildings: Irish Parliament -- Irish Channel., and Mounted.
Publisher:
Pub by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Title from item., Printseller's announcement following publication statement: NB. Folios of caricatures lent., Temporary local subject terms: Parliament: members of the Irish Parliament -- Reference to the Act of Union, 1800 -- Buildings: Irish Parliament -- Irish Channel., 1 print on laid paper : etching, hand-colored ; plate mark 26.2 x 42 cm., on sheet 28 x 43 cm., Lower and upper left corners torn off., and Watermark: E Budgen 1799.
Publisher:
Pub by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Title from item., Printmaker suggested by cataloger based on his other works in the collection., Sheet trimmed within plate mark on left., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Father Thames (river god) -- Atlas (Mythological character) -- Sun -- Globes.
Title from item., Attributed by George to West., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Bills: Treasonable Practice bill -- Seditious meeting bill., Watermark: C Taylor., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. Novr. 23, 1795, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
Title from item., Printmaker identified in British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Allusion to Bill of Rights -- Bills: Convention Bill -- Newspapers: Telegraph -- Justices of the Peace -- Acts: Riot Act -- Sedition -- Dishes: punch bowl -- Dog muzzles -- John Bull as a dog -- William Pitt as a dog., and Watermark: (countermark) E & P.
Publisher:
Pub. No. 17, 1795, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg Lily., and Modern ms. annotations on mount identify several figures in the print; mounted to 29 x 39 cm.
Publisher:
Pubd. June 26th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Erskine, James Francis, 1743-1806, Windham, William, 1750-1810, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Fox, Charles James, 1749-1806
New Irish jaunting car and Tandem, or, Billy in his sulky
Description:
Title from item., Caption title, below image: Tandem, or Billy in his sulky., Reduced copy of a print with the same title by Isaac Cruikshank., Sheet trimmed within plate mark., Publication information inferred from the periodical for which the plate was etched., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1799, v. 3, opp. p. 274., Numbered 'No. IX' in upper right corner., and Temporary local subject terms: Unions: reference to the Union of Ireland and Great Britain -- Resolutions: reference to Irish resolutions, 1798 -- Unions: reference to Irish objections to the union -- Slogans: voice of the people -- Vehicles: sulky -- Signs: signposts -- Bulls -- Paddy Bull (Symbolic character) -- Whips.
New Irish jaunting car, Tandem, or, Billy in his sulky, and Billy in his sulky
Description:
Title from item., Sheet trimmed within plate mark on sides and bottom., Printseller's announcement following publication statement: Folios of caracatures [sic] lent., and Temporary local subject terms: Unions: reference to the Union of Ireland and Great Britain -- Resolutions: reference to Irish resolutions, 1798 -- Unions: reference to Irish objections to the union -- Slogans: voice of the people -- Vehicles: sulky -- Signs: singposts -- Bulls -- Paddy Bull (Symbolic character) -- Whips.
Title etched below image., Printmaker from Grego., Sheet trimmed within plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 46 of volume 3 of 14 volumes.
Publisher:
Pubd. Febry. 7, 1789, by H. Holland, Oxford Street
Subject (Name):
Pitt, William, 1759-1806 and Sidmouth, Henry Addington, Viscount, 1757-1844
"George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Treasury building entrance -- Civil list -- National debt -- Miserliness -- Wooden legs -- Amputees -- Sailors -- Allusion to prodigal son.
Publisher:
Pubd. April 21, 1786, by Willm. Holland, No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Sydney, Thomas Townshend, Viscount, 1733-1800, and Necker, Jacues, 1732-1804
"George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Treasury building entrance -- Civil list -- National debt -- Miserliness -- Wooden legs -- Amputees -- Sailors -- Allusion to prodigal son., 1 print : etching on laid paper, hand-colored ; sheet 41.6 x 52.3 cm., and Mounted on leaf 3 of volume 2 of 12.
Publisher:
Pubd. April 21, 1786, by Willm. Holland, No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Sydney, Thomas Townshend, Viscount, 1733-1800, and Necker, Jacues, 1732-1804
Title from item., Printmaker identified by British Museum catalogue., Publisher's advertisement following imprint: NB Folios of caracatures [sic] lent for the evening., Temporary local subject terms: Reference to the London Corresponding Society's meetings near Copenhagen House in Islington, October-November 1795 -- Reference to the Convention Bill -- Crowns: royal crown -- Bonnet rouge., and Watermark: J Whatman.
Publisher:
Pub. No. 20, 1795, by S.W. Fores, N. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
Title from item., Printmaker from an unverified card catalog record., Temporary local subject terms: Taxes -- Physicians -- Diseases: hypochondria., and Mounted, matted to 47 x 55 cm.
Publisher:
Pubd. by W. Holland, N 50 Oxford St.
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Title from item., Printmaker identified in British Museum online catalogue., Sheet trimmed mostly within plate mark., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., and Temporary local subject terms: Literature: reference to William Shakespeare's Macbeth -- Politicians -- Opposition to Treasonable Practices and Seditious Meetings bills.
Publisher:
Pubd. Decr. 21st, 1795, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Title from caption below image., Sheet trimmed within plate mark on sides., Temporary local subject terms: Allusion to Dorothy Jordan, 1762-1816 -- Allusion to Marie Antoinette, queen of France, 1755-1793 -- Allusion to Daniel Mendoza, 1764-1836 -- Marriages: Duke of York's marriage, 1791 -- Levees., and Mounted to 37 x 56 cm.
Publisher:
Pub Novr 24, 1791, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Barry, Augustus, 1773-1818, Barrymore, Richard Barry, Earl of, 1769-1793, Bedford, Frances Russell, Duke of, 1765-1802, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., and Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl., 1 print : etching on wove paper, hand-colored ; plate mark 31.0 x 42.1 cm, on sheet 35.7 x 46.8 cm., Watermark: J. Whatman 1808[?]., and Mounted on leaf 27 of volume 3 of 12.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Bills: Seditious Meetings bill -- Crowd -- Symbols: the White Horse of Hanover -- Buildings: Treasury -- John Bull as a bulldog., and Watermark: countermark L & P.
Publisher:
Pub. Decr. 26, 1795, by S.W. Fores, N. 50 Piccadilly
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title from item., Sheet trimmed mostly within plate mark., "No. 72" in upper right corner., and Restrike of No. 8054 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pubd. Jany. 3d. 1792 by H. Humphrey, N. 18 Old Bond Street
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Vehicles: platform on castors -- Mathematics: definitions of sphere and plane -- Literature: Euclid's Elements, Bk. i, def. 2; Bk. iv, def. 1.
Publisher:
Pubd. Jany. 3d, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Pitt, William, 1759-1806
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Vehicles: platform on castors -- Mathematics: definitions of sphere and plane -- Literature: Euclid's Elements, Bk. i, def. 2; Bk. iv, def. 1., 1 print : etching on wove paper, hand-colored ; plate mark 27.7 x 22.3 cm, on sheet 30.1 x 24.5 cm., and Mounted on leaf 30 of volume 8 of 12.
Publisher:
Pubd. Jany. 3d, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Pitt, William, 1759-1806
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., 1 print : etching on laid paper, hand-colored ; sheet 26.2 x 36.4 cm., Sheet trimmed within plate mark., and Mounted on leaf 32 of volume 3 of 14 volumes.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
Title from item., Sheet trimmed within plate mark partially cutting off imprint statement., Temporary local subject terms: Navy: ships -- Slaves -- French style fetters -- Fox's policies, 1784 -- Songs: 'Rule Britannia' -- Magna Charta -- Masks -- Elections: Westminster, 1784 -- Dungeons -- Wooden shoes -- Swords -- Chains -- Allusion to George III, King of Great Britain, 1738-1820., Watermark in center of sheet: fleur-de-lis with initials G R., and Mounted to 27 x 38 cm.
Publisher:
Publish'd as the act directs, April 23, 1784, by H. Mc Phail, N [68 High Holborn]
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Title from item., Sheet partially trimmed within plate mark., Final 'e' in 'Tooke' and 'Horne' in the title scored through several times but legible., Four lines of description of the depicted event below the image., Temporary local subject terms: Allusion to Margaret Nicholson, ?1750-1828 -- Allusion to Oliver Cromwell -- Interiors: House of Commons -- Literature: allusion to Sheridan's School for scandal -- Military uniforms: general's uniforms -- Petitions: Westminster petition -- Lighting: lanterns -- Dark lanterns -- Exploding packages -- Explosions -- Torches., and Watermark: countermark T W.
Publisher:
Pub. Decr. 18, 1790, by W.S.[sic] Fores, N. 3 Piccadilly
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Tooke, John Horne, 1736-1812, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Burgoyne, John, 1722-1792
Alecto, a fantastic hag, stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel, a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. She says: "Come on my brave Lad, take this bounty-money, & enter into my Company of Gentlemen Volunteers enlisted in the cause of Liberty - I'll find you present pay and free quarters, & I'll lead you where you shall fill your knapsack with Plunder; - nay Man, never talk about your old Master the Farmer, I'll find you Hundreds of Masters as good as he; Zounds I'll make you one of the Masters of England yourself: - come on, I say, keres riches for you, - come on; the glorious 14th of July is approaching, when Monarchs are to be crush'd like maggots, & brave men like yourself are to be put in their places - here hold your hand, enter boldly in the cause of Freedom, & cry Huzza - Vive la Nation! Huzza". John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. He answers: "Wounds, Measter Sarjeant, an I should enter into your sarvice, what'll Varmer-George say to I, for leaving of 'en without warning? - and yet I is half in love with the sound of your drum; & wishes to leave off Ploughing & dunging, & wear one of your vine cockades, & be a French Gentleman; - & yet, dangs it, it goes against ones heart to leave the Varmer; - ah Varmer George has been a rare good Measter to I! - but, am I to have all them fine paper Moneys - but to leave my old Measter! Ah me! I dozes'nt know what to do, not I!" -- British Museum catalogue
Alternative Title:
Recruiting sarjeant enlisting John Bull into the Revolution's Service, Alecto and her train at the gate of pandaemonium, and Alecto and her train at the gate of pandaemonuim, or, The recruiting sarjeant enlisting John Bull into the Revolution Service
Description:
Title inscribed in brown ink below image., 'Imprint statement' inscribed in brown ink above title: Pub. July 4th, 1791 by S.W. Fores, N. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7889., Wright, T. Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times, p. 130., Wright, T. Description of published Gillray print in Historical and descriptive account of the caricatures by James Gillray, no. 56., and A 'counterprint' or transfer in brown ink from another print on verso of mount: The hopes of the party prior to July 14th.
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Revolution Society (London, England)
Subject (Topic):
John Bull (Symbolic character), Drums (Musical instruments), Demons, Witches, and Fire
"Frontispiece to 'All the Talents', 18th edition, satirical verses by 'Polypus', i.e. E. S. Barrett, attacking the late Ministry. The print (Hogarthian in manner) has little relation to the verses, and is probably adapted from an earlier satire, perhaps on Bute. A creature with the body of a man and the face of an ape, with a tail, tramples on burning papers. It wears spectacles, a large wig, bands, old-fashioned laced coat (with a star), and tattered breeches. On one foot is a shoe; the left. leg is in a large jack-boot (? originally an emblem of Bute). In the right hand is a crozier with which he pulls down two books from a shelf: 'Magna Charter' and 'Coronation Oath'. Behind him a musket inscribed 'Army', the barrel pointing upwards, is firing a blast at the falling books. His left hand rests on a book or ledger, open on a book-stand, in which he writes with the feathered end of his pen. The page is headed 'Finance'; from the book hangs a paper: 'Country Dances'. The burning papers are inscribed 'Negotiation' [bis], 'Sinecures'. He is smoking a pipe from which thick clouds of smoke rise and obscure a profile bust portrait of Pitt. Below the design: 'Monstrum horrendum, informe, ingens, cui lumen ademptum.'."--British Museum online catalogue and British Museum curator's comments: The monster symbolizes the blind and reckless politician. The verses, though published after the fall of the Ministry ... were written before it, and do not allude to the Catholic question, here indicated by the treatment of the 'Coronation Oath'. Nor are the peace negotiations, ... directly referred to. They contain a tribute to Pitt, and gibes at Petty, ... here illustrated. They went through nineteen editions in 1807 ....
Description:
Title etched below image., Plate from: All the Talents, 18th edition, satirical verses by 'Polypus.', Lettered below title with a line from Virgil (Aeniad, III, 658): Monstrum horrendum, informe, ingens, cui lumen ademptum., and Mounted on leaf 45 of volume 8 of 14 volumes.
Publisher:
Pub. April 18th, 1807, by I. I. Stockdale, Pall Mall
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Animals in human situations, Apes, and Pipes (Smoking)
"A bull (John Bull) in profile to the right sinks, snorting with distress, under the weight of five persons. The foremost, astride the animal s neck, is the Emperor Leopold; he holds the legs of Catherine II, a stout virago, who sits on his shoulders, brandishing her orb and sceptre. She says, "Where's all your boasting now my old Bull! by St George I knew I could bring you upon your knees! ay, and before I have done riding you I'll make you knock under." Behind Leopold sits George III, saying, "Don't mind, don't mind, don't mind [a parody of the King's manner of conversation], he'll soon recover, It's all sham, his stumbling". Frederick William of Prussia sits behind George III, wearing regimentals with jack-boots. Behind him sits a fat Dutchman (Holland) smoking a pipe. Behind, and on the left, is a group of three persons on a smaller scale. Pitt, in profile to the left, seizes by the collar a lean and ragged British citizen (John Bull), saying, "No grumbling, you rascal! You must pay the Piper to be sure. What the devil, surely you couldn't expect the great folks that represent you to contribute a shilling! Besides you are a damn'd saucy fellow, master Bull, and you must be tam'd." Bull answers, "Tam'd: why, good God, Sir, I have scarcely a morsel of bread to eat, and even the Small Beer is Tax'd above my purchase!" On the extreme left a lean man kneels, blowing a trumpet and looking up at Pitt; he is perhaps an ironical representation of Fame."--British Museum online catalogue
Alternative Title:
Who pays the piper?
Description:
Sheet trimmed within plate mark resulting in loss of title, imprint and publisher's advertisement. Title and publication information from British Museum catalogue., Attributed to H.W., i.e., either Henry Wigstead or William Holland, in the British Museum catalogue., and Temporary local subject terms: Allusion to Russian Armament -- Bulls -- Crowns -- Scepters -- Walking staves -- Musicians: pipers -- Musical instruments: pipes -- Smoking pipes -- Holland.
Publisher:
Pubd. May 11, 1791, by Willm Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Great Britain, and Politics and government
Fox hides under a four-poster bed hung with curtains, his hand resting on his chin with a speech balloon above his head: "They'll do nothing at last!" A bare-breasted woman [Catherine II of Russia] wearing a nightdress, a crown on her head, and pearls at her throat, holds a dagger in her hand as she addresses Pitt who stands before her: "Which you please, young man. If your instrument entered it would make no impression that I'd care a fig for." Pitt also in a nightdress and holding a dagger, asks, "Shall we or shall we not?"
Description:
Title etched below image., Possibly by Richard Newton. See The Lewis Walpole Library card catalog., The female figure was formerly mis-identified as Britannia (?). For correct identification of Catherine the Great see: Dawson, R. Catherine the Great and the Culture of Celebrity in the Eighteenth Century, page 160., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. For copy after George Moutard Woodward published 15 June 1791, see British Museum Registration number: 1948,0214.468., and Watermark: fleur-de-lis and countermark I V.
Publisher:
Pubd. June 20, 1791, by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Great Britain
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Politics and government, Bedrooms, Daggers & swords, Canopy beds, and Sleepwear
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[9 August 1797]
Call Number:
797.08.09.01
Image Count:
1
Resource Type:
still image
Description:
Title from item., Temporary local subject terms: Taxation -- Taxes: clock tax, August 1797 -- Hosiers -- Emblems: royal crown stamped on hat as proof of paid hat tax -- Male dress: stockings., and Watermark: E & P, with date mostly trimmed off (1794?).
"The head of Pitt, gazing up in profile to the right, is travestied as a fungus; his long neck represents the stalk, which grows out of a crown resting on a dunghill on which are three satellite toad-stools. Clouds and landscape, slightly indicated, form a background."--British Museum online catalogue
Alternative Title:
Toadstool upon a dung-hill
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. Decr. 20h [sic], 1791, by H. Humphrey, N. 18 Old Bond Street
"The head of Pitt, gazing up in profile to the right, is travestied as a fungus; his long neck represents the stalk, which grows out of a crown resting on a dunghill on which are three satellite toad-stools. Clouds and landscape, slightly indicated, form a background."--British Museum online catalogue
Alternative Title:
Toadstool upon a dung-hill
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 27.7 x 22.7 cm, on sheet 30.4 x 24.7 cm., and Mounted on leaf 74 of volume 2 of 12.
Publisher:
Pubd. Decr. 20h [sic], 1791, by H. Humphrey, N. 18 Old Bond Street
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures lent for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Shopkeepers -- Male dress: Shopkeeper's dress -- Pets: Performing dogs., and Watermark: J. Whatman 1794.
Publisher:
Pubd. June 5th 1798 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Military uniforms, British, and Dogs
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. ... George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies ... The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of verse following title: Monarchs who, with rapture wild, hear their own praise with mouths of gaping wonder, and catch each crotchet of the birth-day thunder. Peter Pindar., Sheet trimmed within plate mark., and Mounted on leaf 38 of volume 7 of 12.
Publisher:
Pubd. May 10th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Dundas, Henry, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Title from item., Attributed to Ansell in the British Museum catalogue., Sheet trimmed to plate mark at bottom., Temporary local subject terms: Containers: saltbox -- Tools: pitch-forks -- Allusion to taxation., and Watermark: J Whatman.
Publisher:
Pubd. Augt. 13th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Egypt.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Campaigns, Gout, John Bull (Symbolic character), Crowds, Exhibit booths, Fairs, Musical instruments, and Trumpets
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue and Wright., and Mounted to 31 x 49 cm.
Publisher:
Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., and Sheet trimmed within plate mark.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 25.0 x 35.4 cm, on sheet 27.1 x 43.6 cm., and Mounted on leaf 9 of volume 2 of 12.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"Pitt lies prone on a whipping-block; Fox (left) holds up his coat-tails in his left hand, while he raises a birch-rod in his right, Pitt's bare posteriors being much scarred. Pitt says, "This is a question of feeling not Argumt"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Successful opposition -- Scrutiny begun on April 23, 1784 -- Allusion to Irish propositions -- Birch rods -- Whipping blocks., Watermark in center of sheet: Portal & Bridges., and Mounted to 27 x 33 cm.
Publisher:
Publish'd by E. Jackson, Mary le bone Street
Subject (Geographic):
England) and London.
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Great Britain. Parliament
"John Bull, a much overburdened soldier, looks up in angry dismay at a helmet inscribed 'Glory' which Pitt (left) is about to place on his head. He says, "O D----n the Glory I shall never be able to bear it all!" Pitt stands in profile to the right; the large plumed helmet which he holds up in both hands is irradiated. From his pocket hangs a long paper headed 'List of Ships £5000000'. John Bull, short and stout, stands full face wearing a gorget, with two pistols in his belt, a long sabre suspended horizontally from his waist, its blade inscribed 'Twenty more Kill em!' He holds a blunderbuss in his right hand, which fires 'Pop Pop' into the air; a large pike in his left hand, a broadsword held in his left arm; a musket and a huge knapsack are slung on his back. In the foreground are ordnance stores: a barrel (left) inscribed 'Right Richmond double Proof' with cannon-balls, and (right) a cannon, cannon-balls, drum, and flag. In the background a fleet of ships sails from the shore on which stands a cheering crowd."--British Museum online catalogue
Alternative Title:
Arming John Bull to fight the bugaboos!!!
Description:
Title etched below image., Attributed to Samuel Collings in dealer's description; attributed to James Hook in the British Museum catalogue., Date of publication precedes publisher's statement., Sheet trimmed within plate mark., and Formerly mounted on blue paper with residue on back.
Publisher:
Pub. by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Arms & armament, and Ships
Title from caption below image., Printmaker from British Museum catalogue., Temporary local subject terms: Effect of French War on Austria -- Ways and Means., and Mounted to 38 x 49 cm.
Publisher:
Pubd. May 8, 1792, by W. Holland, No. 50 Oxford St.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
"Pitt, very drunk, leans against the wall of a room, his right arm rests on a map inscribed 'Gold Coast Bengal'; he points to the former name, saying, "de Claret - Claret - Claret - Tory - tory - tory." His chair (right) has been overturned, under his feet are papers inscribed 'List of India Directors'; in his left hand is the 'de-Claretory Bill'. On a table (left) are wine-glasses and a decanter of Claret, empty bottles lie on the ground."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Kingsbury from British Museum catalogue., and Temporary local subject terms: Walpole refers to subject of print -- Tablecloth of green baize -- Maps: Bengal -- Declaratory Bill.
Publisher:
Pub. Marh. 17, 1788, by S.W. Fores, No. 3 Piccadilly
"Pitt, very drunk, leans against the wall of a room, his right arm rests on a map inscribed 'Gold Coast Bengal'; he points to the former name, saying, "de Claret - Claret - Claret - Tory - tory - tory." His chair (right) has been overturned, under his feet are papers inscribed 'List of India Directors'; in his left hand is the 'de-Claretory Bill'. On a table (left) are wine-glasses and a decanter of Claret, empty bottles lie on the ground."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Kingsbury from British Museum catalogue., Temporary local subject terms: Walpole refers to subject of print -- Tablecloth of green baize -- Maps: Bengal -- Declaratory Bill., 1 print : etching on laid paper, hand-colored ; plate mark 24.6 x 17.4 cm, on sheet 27.2 x 19.1 cm., and Mounted on leaf 19 of volume 3 of 14 volumes.
Publisher:
Pub. Marh. 17, 1788, by S.W. Fores, No. 3 Piccadilly
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 8990 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: 1817., and Leaf 48 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
"Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is the yokel of BMSat 8141, but no longer bewildered; he stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right), who wears a high cocked hat with tricolour cockade, bag-wig, and laced suit, says to him: "Dont take his damn'd Paper, John! insist upon having Gold, to make your Peace with the French, when they come". Sheridan bends towards John, saying, "Dont take his Notes! nobody takes Notes now! - they'll not even take Mine!" John answers: "I wool take it! - a' may as well let my Measter Billy hold the Gold to keep away you Frenchmen, as save it, to gee it you, when ye come over, with your domn'd invasion." Behind (right) hands of other Foxites are raised in warning, and on the extreme right is the profile of Stanhope. Behind (left), men hasten towards Pitt with large sacks of notes on their heads. The first two, in judge's robes, are Loughborough with a sack of '20 Shilling Notes', and Kenyon with one of 'Five Pound Notes'. Behind is Grenville with a sack of '10 Shilling Notes'. Other sacks whose bearers are hidden are inscribed '5 Shilling No[tes], 2 Shillin No[tes]', and 'One Shilling'. Under Pitt's counter is a row of large sacks of gold, padlocked and inscribed '£'. On the end of the counter, facing the spectator, is posted a bill headed: 'Order of Council to the Bank of England'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Sacks of money -- Bank notes., and Mounted to 30 x 40 cm.
Publisher:
Pub. March 1st, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
"Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is the yokel of BMSat 8141, but no longer bewildered; he stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right), who wears a high cocked hat with tricolour cockade, bag-wig, and laced suit, says to him: "Dont take his damn'd Paper, John! insist upon having Gold, to make your Peace with the French, when they come". Sheridan bends towards John, saying, "Dont take his Notes! nobody takes Notes now! - they'll not even take Mine!" John answers: "I wool take it! - a' may as well let my Measter Billy hold the Gold to keep away you Frenchmen, as save it, to gee it you, when ye come over, with your domn'd invasion." Behind (right) hands of other Foxites are raised in warning, and on the extreme right is the profile of Stanhope. Behind (left), men hasten towards Pitt with large sacks of notes on their heads. The first two, in judge's robes, are Loughborough with a sack of '20 Shilling Notes', and Kenyon with one of 'Five Pound Notes'. Behind is Grenville with a sack of '10 Shilling Notes'. Other sacks whose bearers are hidden are inscribed '5 Shilling No[tes], 2 Shillin No[tes]', and 'One Shilling'. Under Pitt's counter is a row of large sacks of gold, padlocked and inscribed '£'. On the end of the counter, facing the spectator, is posted a bill headed: 'Order of Council to the Bank of England'."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Sacks of money -- Bank notes., 1 print : etching on wove paper, hand-colored ; plate mark 25.6 x 36.0 cm, on sheet 28.9 x 39.7 cm., and Mounted on leaf 22 of volume 4 of 12.
Publisher:
Pub. March 1st, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
"John Bull (left), a stout countryman wearing jack-boots, rides (right to left) through a wood on a wretched hack, ready to fall under his weight. Pitt kneels on the ground (right) in profile to the left, aiming a blunderbuss (which is supported on crossed sticks) point-blank at John; it is inscribed 'Standing Army'. He masquerades as a beggar: his dress is tattered, on the ground is his hat, containing coins; he says: "Good Sir, for Charity's sake \ "have Pity upon a poor ruin'd Man; - \ "drop if you please, a few bits of \ "Money into the Hat, & you shall \ "be rewarded hereafter -" From his coat-pocket project a cocked pistol and a paper: 'Forced Loan in reserve'. He points to a document on the ground beside him: 'Humble Petition, for Voluntary - Contribution Subscriptions & new Taxes, to save the Distres'd from taking worse Courses.' John Bull has dropped his righteins and holds his hat, full of guineas; he looks with melancholy distrust at Pitt, but drops guineas into his hat. His horse, disfigured with sores, is evidently the white horse of Hanover, its head-band is red and blue, the Windsor uniform (cf. BMSat 8691, &c). From the bushes behind Pitt emerge the heads and shoulders of (right to left) Dundas, Grenville, and Burke, each with a pistol levelled at John Bull. Dundas wears Highland dress, Grenville peer's robes and a grenadier's cap with the letters 'Wm R' (cf. BMSats 7479, 7494, &c.): he looks down reflectively at Pitt instead of at his victim, implying that he is his cousin's henchman; Burke has a pen in his hat. On the left is a signpost pointing (right) 'From Constitution Hill' (cf. BMSat 8287) and (left) 'To Slavery Slough by Beggary Corner.'"--British Museum online catalogue
Alternative Title:
John Bull escaping a forced loan
Description:
Title etched below image., Temporary local subject terms: Highwaymen -- Beggars -- Weapons: blunderbuss -- Pistols -- Petitions -- Reference to Loyaly Loan -- Symbols: White Horse of Hanover -- Coins: guineas -- Signposts., and Mounted to 32 x 48 cm.
Publisher:
Pubd. Decr. 10th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"John Bull (left), a stout countryman wearing jack-boots, rides (right to left) through a wood on a wretched hack, ready to fall under his weight. Pitt kneels on the ground (right) in profile to the left, aiming a blunderbuss (which is supported on crossed sticks) point-blank at John; it is inscribed 'Standing Army'. He masquerades as a beggar: his dress is tattered, on the ground is his hat, containing coins; he says: "Good Sir, for Charity's sake \ "have Pity upon a poor ruin'd Man; - \ "drop if you please, a few bits of \ "Money into the Hat, & you shall \ "be rewarded hereafter -" From his coat-pocket project a cocked pistol and a paper: 'Forced Loan in reserve'. He points to a document on the ground beside him: 'Humble Petition, for Voluntary - Contribution Subscriptions & new Taxes, to save the Distres'd from taking worse Courses.' John Bull has dropped his righteins and holds his hat, full of guineas; he looks with melancholy distrust at Pitt, but drops guineas into his hat. His horse, disfigured with sores, is evidently the white horse of Hanover, its head-band is red and blue, the Windsor uniform (cf. BMSat 8691, &c). From the bushes behind Pitt emerge the heads and shoulders of (right to left) Dundas, Grenville, and Burke, each with a pistol levelled at John Bull. Dundas wears Highland dress, Grenville peer's robes and a grenadier's cap with the letters 'Wm R' (cf. BMSats 7479, 7494, &c.): he looks down reflectively at Pitt instead of at his victim, implying that he is his cousin's henchman; Burke has a pen in his hat. On the left is a signpost pointing (right) 'From Constitution Hill' (cf. BMSat 8287) and (left) 'To Slavery Slough by Beggary Corner.'"--British Museum online catalogue
Alternative Title:
John Bull escaping a forced loan
Description:
Title etched below image., Temporary local subject terms: Highwaymen -- Beggars -- Weapons: blunderbuss -- Pistols -- Petitions -- Reference to Loyaly Loan -- Symbols: White Horse of Hanover -- Coins: guineas -- Signposts., 1 print : etching on wove paper, hand-colored ; plate mark 25.4 x 35.4 cm, on sheet 29.3 x 42.2 cm., and Mounted on leaf 15 of volume 4 of 12.
Publisher:
Pubd. Decr. 10th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Grenville, William Wyndham Grenville, Baron, 1759-1834
Satire on the seditious toast given by the Duke of Norfolk at the birthday dinner in honor of Charles James Fox, January 24, 1798. See British Museum catalogue no. 9168
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Whigs -- Celebrations: birthdays -- Furniture: chairs -- Emblems: cap of liberty as bonnet rouge -- Pictures amplifying subject: portrait of William III -- Wine glasses -- Food: Norfolk dumplings -- Bible: quotation from Daniel, 5 -- Devil., Watermark: E & P 1794., and Mounted to 42 x 29 cm.
Publisher:
Pubd. Feb. 12, 1798, by S.W. Fores, Corner of Sackville St., Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tooke, John Horne, 1736-1812, Lauderdale, James Maitland, Earl of, 1759-1839, and William III, King of England, 1650-1702
Leaf 15. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
On the left, William Pitt, his arms and one leg raised, is looking up at the East India House that he has just kicked toward Charles Fox who stands ready to toss it back. Behind Fox is a table with dice and a dice box on it. Playing cards are scattered on the floor. Behind Pitt an open book inscribed, "Blackstone," indicates his barrister's education
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6406 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 117-8., and On leaf 15 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 7th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and East India Company.
On the left, William Pitt, his arms and one leg raised, is looking up at the East India House that he has just kicked toward Charles Fox who stands ready to toss it back. Behind Fox is a table with dice and a dice box on it. Playing cards are scattered on the floor. Behind Pitt an open book inscribed, "Blackstone," indicates his barrister's education
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pubd. Feby. 7th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and East India Company.
On the left, William Pitt, his arms and one leg raised, is looking up at the East India House that he has just kicked toward Charles Fox who stands ready to toss it back. Behind Fox is a table with dice and a dice box on it. Playing cards are scattered on the floor. Behind Pitt an open book inscribed, "Blackstone," indicates his barrister's education
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching with stipple on laid paper ; sheet 25 x 34.5 cm., Sheet trimmed within plate mark., and Formerly mounted on leaf 45 of volume 1 of 14 volumes.
Publisher:
Pubd. Feby. 7th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and East India Company.
On the left, William Pitt, his arms and one leg raised, is looking up at the East India House that he has just kicked toward Charles Fox who stands ready to toss it back. Behind Fox is a table with dice and a dice box on it. Playing cards are scattered on the floor. Behind Pitt an open book inscribed, "Blackstone," indicates his barrister's education
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching with stipple on wove paper, hand-colored ; sheet 23.9 x 34.4 cm., Sheet trimmed within plate mark., and Formerly mounted on leaf 45 of volume 1 of 14 volumes.
Publisher:
Pubd. Feby. 7th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and East India Company.
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Interiors: House of Commons -- Currency crisis, 1797 -- Bank crisis, 1797., and Watermark: Strasburg lily with initials E & P below.
Publisher:
Pub. Mar. 8, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Wilberforce, William, 1759-1833
Title from item., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Reference to places and pensions -- Reference to supplies -- Reference to loans -- Red Book -- Reference to London Kalendar.
"Pitt in the guise of a robber who is about to be hanged. He aims a pistol at the head of a cobbler, saying, "You Rascall, You keep a Shop, and shall pay for it". The cobbler, kneeling hat in hand, in profile to the left, says, "Lord Sir, mines only a Stall, Have mercy on my Wife & Family". Part of his bulk or stall appears behind him (right). Behind Pitt (left) Richmond kneels on the ground, holding out his cocked hat for the coins which the former drops into it; he points to houses of playing-cards which are round him on the ground and represent his scheme of fortifications ..."--British Museum online catalogue
Alternative Title:
Billy the Bamboozler robbing the cobbler
Description:
Title etched above image., Caption below image: Some account of the life and behavior of William Pett alias Billy the Bamboozler., Sheet trimmed within plate mark., DeGrey's manuscript note on verso., and Watermark: initials F N D [...]
Publisher:
Publishd. January 9th 1789 by H. Humphries, New Bond Street, London
Subject (Geographic):
England.
Subject (Name):
Pitt, William, 1759-1806 and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Title from item., Attributed to Cruikshank by cataloger based on other works of this artist in collection., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Budget: Pitt's budgets -- Taxes -- Quizzing glasses -- Allusion to Babel tower., Watermark: fleur-de-lis on crowned shield with initials G R below and countermark J But[...]nshaw., and Mounted to 40 x 35 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Temporary local subject terms: Medical: quacks -- Crutches -- Medicine bottle -- Diseases: gout -- Pictures amplifying subject: portrait of Lord Chatham -- Allusion to Sir Robert Walpole -- Allusion to James Graham -- Allusion to Gustavus Katterfelto -- Conjured: bottle conjurer -- Taxes: satire on excise tax as gout bootiken -- Amputees., and Watermark: fleur-de-lis on crowned shield.
Publisher:
Pubd. by W. Dent
Subject (Name):
Pitt, William, 1759-1806, Loutherbourg, Philippe-Jacques de, 1740-1812, and Pitt, William, Earl of Chatham, 1708-1778
Pitt as a peepshow man stands in front of his box while John Bull, drawn here as a simpleton, looks inside. Pitt pulls a string on the box with his right hand and with his left hand pulls a bag from John Bull's pocket. Slung over John Bull's shoulder is a trumpet with a fringed a banner decorated with the royal arms. The flag above Pitt's pagoda-like box reads: "Licensed by authority the Grand Exhibition by moving mecanism or deception of the senses."
Alternative Title:
Billy's raree-show or John Bull enlighten'd, John Bull enlightened, and Billy's rare-show
Description:
Title from item., Attributed to Ansell. Cf. Catalogue of prints and drawings in the British Museum, v. 7, no. 9030., A preliminary drawing for print entitled Billy's raree-show or John Bull enlighten'd? Date of production inferred from the publication date of the etching., and Paper that has been oiled possibly to be translucent for the transfer process. Edges are tattered with old folds in the corners.
Subject (Geographic):
England.
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Anglo-French War, 1793-1802, John Bull (Symbolic character), and Peepshows
"John Bull, blindfolded, is being robbed and bullied by the powers of Europe who are urged on by Pitt. He stands in back view, without his coat, leaning forward with outstretched arms, wearing the wrinkled gaiters by which Gillray denotes the countryman (cf. BMSat 8141, &c). The Emperor (left), wearing a crown and a long ermine-lined robe decorated with a Habsburg eagle, leans forward from the left, and furtively picks his pocket. He holds a document inscribed 'Imperial Loan'. Prussia, as a Death's Head hussar, stands full-face near the Emperor and snaps his fingers at John Bull, holding out in triumph a money-bag inscribed '£2000000'. On the right John is assailed by France and Holland: a lean and ragged sansculotte with clenched fists kicks him behind; a fat Dutchman, holding a tobacco-pipe, puffs a blast of smoke in his face. On the extreme left Pitt stands in profile to the right, holding John Bull's coat and putting his hand into its pocket, he says: "Go it, my Honies, go it! Supple him a little! Supple him!""--British Museum online catalogue
Alternative Title:
Too many for John Bull
Description:
Title etched at top of image., Printmaker from British Museum catalogue., and Temporary local subject terms: Games: blindman's buff -- Loans: British loan to emperor Francis I, 1794 -- Prussia -- Holland -- France -- Sansculottes -- Military uniforms: Prussian uniforms.
Publisher:
Pubd. June 12th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806 and Francis I, Emperor of Austria, 1768-1835
"John Bull, blindfolded, is being robbed and bullied by the powers of Europe who are urged on by Pitt. He stands in back view, without his coat, leaning forward with outstretched arms, wearing the wrinkled gaiters by which Gillray denotes the countryman (cf. BMSat 8141, &c). The Emperor (left), wearing a crown and a long ermine-lined robe decorated with a Habsburg eagle, leans forward from the left, and furtively picks his pocket. He holds a document inscribed 'Imperial Loan'. Prussia, as a Death's Head hussar, stands full-face near the Emperor and snaps his fingers at John Bull, holding out in triumph a money-bag inscribed '£2000000'. On the right John is assailed by France and Holland: a lean and ragged sansculotte with clenched fists kicks him behind; a fat Dutchman, holding a tobacco-pipe, puffs a blast of smoke in his face. On the extreme left Pitt stands in profile to the right, holding John Bull's coat and putting his hand into its pocket, he says: "Go it, my Honies, go it! Supple him a little! Supple him!""--British Museum online catalogue
Alternative Title:
Too many for John Bull
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Temporary local subject terms: Games: blindman's buff -- Loans: British loan to emperor Francis I, 1794 -- Prussia -- Holland -- France -- Sansculottes -- Military uniforms: Prussian uniforms., 1 print : etching on wove paper, hand-colored ; plate mark 25.0 x 35.1 cm, on sheet 27.9 x 38.9 cm., and Mounted on leaf 59 of volume 3 of 12.
Publisher:
Pubd. June 12th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806 and Francis I, Emperor of Austria, 1768-1835
Title from item., Printmaker from British Museum catalogue., Sheet trimmed mostly within plate mark., Printseller's announcement following publication statement: Folios of caracatures [sic] lent for the evening., Temporary local subject terms: Duels: Pitt & Tierney, May 27, 1798 -- Putney Heath -- Buildings: telegraphs -- British Lion -- Weapons: pistols -- Gibbets -- Allusion to execution of Abershaw, the highwayman., and Watermark: E & C T Russell 1797.
Publisher:
Pubd. May 26, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Tierney, George, 1761-1830, Melville, Henry Dundas, Viscount, 1742-1811, and Walpole, George, 1761-1830
"Fox runs hurriedly from the House of Commons through an arched doorway; he excretes as he runs, saying, "I never said he had a right to the Regency I didn't indeed! indeed I didn't!" In a porter's chair (right) sits an elderly man (Cornwall, the Speaker), his hands raised, saying with a shocked expression, "Lord! Lord! What will this House come to?" On the left stands Weltje, very stiff and tall, his hands raised, saying, "No right to de Regency? den by Got! we shall loose all de Sausages!" He wears a looped-up apron; sauce-ladles are thrust through his apron-string. Through the archway appear, obliquely, the Opposition benches; they are crowded with members (also excreting) whose faces and gestures express consternation. In front sit North, with his eyes bandaged, indicating his blindness, Sheridan, and Burke. Facing them, the profile of Pitt is seen through the doorway, saying, '"The Prince of Wales lias no more right to a "succession to the Regency, than any other Subject*, and whoever asserts the "contrary, speaks little less than Treason! - I repeat, than Treason!" * without the Consent of Parliament'."--British Museum online catalogue
Alternative Title:
Opposition flux'd and Opposition fluxed
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue, with added plate numbering. Cf. No. 7381 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Date of printing based on that of Bohn's Suppressed plates., Plate from: Bohn, ii, 13, Suppressed plates., Plate numbered "13" in lower right corner., Plate number is very faint, possibly having been partially erased from sheet., and Mounted on leaf 51 of volume 2 of 12.
Publisher:
Pubd. Decr. 12th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Weltje, Louis, 1745-1810, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"Pitt steers a small boat, 'The Constitution', with a single sail, a Union pennant flying from the mast, through huge waves between a high rock (left) and a whirlpool whose circumference is an inverted crown which merges in the swirling water. He is in profile to the right, gazing fixedly at a castle on a promontory (right) among still waters, which flies a flag inscribed 'Haven of Public Happiness'. Britannia, a buxom young woman, sits in the boat, her hands raised in alarm, her head turned towards the rock, on the summit of which is a large bonnet-rouge with a tricolour cockade on a post within a ramshackle fence. Spray dashes against Scylla; beside the rock and in the foreground (left) three sharks with human heads closely pursue Pitt's boat: Sheridan, Fox, and Priestley (good profile portraits), their eyes fixed menacingly on the boat. They are: 'Sharks'; 'Dogs of Scylla'."--British Museum online catalogue
Alternative Title:
Vessel of the Constitution steered clear of the Rock of Democracy and the Whirlpool of Arbitrary Power
Description:
Title etched below image., Caption below image, under the heads of Priestley, Fox and Sheridan: Sharks, dogs of Scylla., Sheet trimmed within plate mark on lower edge., and Temporary local subject terms: Flags: union pennant -- Constitution as a boat -- Boats -- Cap of liberty as bonnet rouge -- Allusion to the French Revolution -- Crowns: royal crown inverted as a whirlpool -- Cap of Liberty -- Symbols: tricolor cockades -- Allusion to Scylla abd Charybdis (Greek mythology) -- Literature: George Canning, 1770-1827, The Pilot that Weathered the Storm -- Waves -- Fortresses.
Publisher:
Pubd. April 8th, 1793 by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Priestley, Joseph, 1733-1804, and Sheridan, Richard Brinsley, 1751-1816
"Pitt steers a small boat, 'The Constitution', with a single sail, a Union pennant flying from the mast, through huge waves between a high rock (left) and a whirlpool whose circumference is an inverted crown which merges in the swirling water. He is in profile to the right, gazing fixedly at a castle on a promontory (right) among still waters, which flies a flag inscribed 'Haven of Public Happiness'. Britannia, a buxom young woman, sits in the boat, her hands raised in alarm, her head turned towards the rock, on the summit of which is a large bonnet-rouge with a tricolour cockade on a post within a ramshackle fence. Spray dashes against Scylla; beside the rock and in the foreground (left) three sharks with human heads closely pursue Pitt's boat: Sheridan, Fox, and Priestley (good profile portraits), their eyes fixed menacingly on the boat. They are: 'Sharks'; 'Dogs of Scylla'."--British Museum online catalogue
Alternative Title:
Vessel of the Constitution steered clear of the Rock of Democracy and the Whirlpool of Arbitrary Power
Description:
Title etched below image., Caption below image, under the heads of Priestley, Fox and Sheridan: Sharks, dogs of Scylla., Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Flags: union pennant -- Constitution as a boat -- Boats -- Cap of liberty as bonnet rouge -- Allusion to the French Revolution -- Crowns: royal crown inverted as a whirlpool -- Cap of Liberty -- Symbols: tricolor cockades -- Allusion to Scylla abd Charybdis (Greek mythology) -- Literature: George Canning, 1770-1827, The Pilot that Weathered the Storm -- Waves -- Fortresses., 1 print : etching on wove paper, hand-colored ; plate mark 30.5 x 36.4 cm, on sheet 34.0 x 40.8 cm., and Mounted on leaf 32 of volume 3 of 12.
Publisher:
Pubd. April 8th, 1793 by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Priestley, Joseph, 1733-1804, and Sheridan, Richard Brinsley, 1751-1816
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia
Description:
Title etched below image. and In paper frame: 450 x 330 mm. Stamped in upper right corner: "84."
Publisher:
Publish'd May 20th 1804 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character) and Politics & government
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia
Description:
Title etched below image., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 37.5 cm, on sheet 28.9 x 41.5 cm., and Mounted on leaf 73 of volume 5 of 12.
Publisher:
Publish'd May 20th 1804 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character) and Politics & government
"The Prince of Wales ..., sword in hand, gallantly protects Britannia against the attack of three conspirators: Pitt raises a headsman's axe in both hands; Grafton, holding a conspirator's lantern, is about to strike her with a dagger; Richmond ... fires a musket, resting one knee on a cannon. The Prince wears a coronet with three ostrich feathers, he holds out his shield behind Britannia, who cowers towards him in terror."--British Museum online catalogue, description of the print for which this is the original drawing
Description:
Titled by the artist in brown ink below image., Attributed to Rowlandson., Original drawing for a print of the same title published by H. Holland on 7 February 1789. Cf. No. 7503 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 247.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
On the left, Charles Fox, dressed as an Oriental prince, lies on the ground having fallen off an elephant who has the face of Lord North; Fox's dice and dice box are scattered on the pavement. In the speech bubble above his head: "Perdition, take thee for the chanse is thing." To his right, William Pitt sits astride the elephant who stands at the entrance to the East India House, his face turned toward the viewer. Pitt offers in his left hand a "New India Bill" and holds three others under his arm and in his pocket: "Stamp [...] act", "Sup ... lies", and "Military Act ...". The building on the left has been extended to as far as Pitt's back
Alternative Title:
Billy's triumph and Carlo Khan dethroned
Description:
Title etched below image; the letter "e" inserted with a caret in the word "Dethron'd", Early state, with the elephant's (i.e. Lord North's) face turned toward the viewer. For a later state with Lord North's face shown in profile, the beginning of the word "Dethron'd" in title re-etched to bring the letter "e" down from above the line, and other changes to the design, see no. 6462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs March 24th, 1784, by S. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Pitt, William, 1759-1806
Subject (Topic):
East India Company, Politics and government, Costumes, Indian, and Elephants
Reissue by Hannah Humphrey with original imprint burnished from plate., Printmaker from British Museum catalogue. Cf. No. 6634., Temporary local subject terms: East India House: exterior -- Taxes: reduction of tea tax -- Taxes: beginning of commutation tax -- Leadenhall Street, London -- Allusion to monopoly -- Birds: spurred game-cock -- Tea chests -- Expressions of speech: cat-lap., and Watermark in center of sheet: J Whatman.
Publisher:
Pubd. July 9, 1784, by H. Humphrey, No. 51 New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Title from item., Attributed to Ansell in British Museum catalogue., Sheet trimmed within plate mark., Two lines of verse below title: Poor pilgrims blithe and jolly, in penance for past folly., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Interiors: -- Vagabonds -- Trades: rope making -- Scourges -- Leg irons -- Bonnets rouges -- Tools: mallets., and Watermark: Strasburg bend with initials E & P below.
Publisher:
Pubd. Novr. 20th, 1798, by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Norfolk, Charles Howard, Duke of, 1746-1815
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., 1 print : etching with drypoint and stipple on wove paper ; plate mark 34.3 x 28.5 cm, on sheet 36.7 x 29.9 cm., and Mounted on leaf 26 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., and Mounted on page 41.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., and Mounted to 47 x 34 cm.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"Fox and his wife, facing the spectator, sleep in a magnificent , ducal bed, whose head and curtains form a background to the design. They disturbed by nightmares. Fox extends both arms in gloomy terror as Naooleon springs on his bed (r.) and seizes the collar of his night-shirt, the other side of which is tugged at by the ghost of Pitt (l.) who floats towards him dressed in a shroud, and supporting the curtain with his left. arm. Pitt exclaims: "Awake, arise, or be for ever fall'n!" Fox's head is jerked forward, his hair rises, and his (bonnet-rouge) night-cap falls off. Napoleon leaps from a cannon on which his left. toe rests. It is inscribed 'Pour Subjuguer le Monde' [cf. BMSat 10599, &c.]. Behind it, and forming a background to the right. of the design, are clouds of fiery smoke, from which emerge a forest of spears with an imperial eagle topping a banner inscribed: 'Horrors of Invasion'. Napoleon wears his feathered bicorne with spurred jack-boots and raises his sword fiercely. An eagle whose (tricolour) collar is inscribed 'Prussia hovers menacingly over Fox'. The fringed bed-cover is covered with a pattern of roses; from under it (l.) project heavy jagged thorn-branches with a few roses; the branches are inscribed: 'India Roses', 'Emancipation Roses', 'French Roses', 'Coalition Roses', 'Volunteer Roses'. A ghastly creature, Death, crawls from under the coverlet, which rests on the carpeted floor: a grinning skull-like jaw appears; a corpse-like arm holds up an hour-glass whose sands are almost run out. Round the arm is twined a tricolour ribbon inscribed 'Intemperance', 'Drosy [sic]', 'Dissolution'; its r. hand clutches a spear. A bull-dog, its collar inscribed 'John Bull', snarls savagely at Napoleon, resting its fore-paws on the foot of the bed: it befouls a paper: 'List of the N[ew] Broad-Bottom Administr[ation] [cf. BMSat 10530], 'Citizen Volp[one]' [cf. BMSat 9892, &c], 'Lord Pogy' [Grenville's nickname] ' - Bett Armstead' [Mrs. Fox], 'Doctor Clysterpipe' [Sidmouth, cf. BMSat 9849], 'Miss Petty' [Lord H. Petty]. On the head of the bed are the arms of the Duke of Bedford, with his motto, 'Che Sara Sara' (Mr. and Mrs. Fox were in Bedford's house in Arlington Street). A patterned carpet covers the floor."--British Museum online catalogue
Description:
Title etched below image., Text following title: A nightly scene near Cleveland Row., Watermark: Ruse & Turners 1805., and Mounted on leaf 20 of volume 6 of 12.
Publisher:
Pubd. April 21st, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Pitt, William, 1759-1806, and Napoleon I, Emperor of the French, 1769-1821
"The 'Gods', Hawkesbury, Addington, St. Vincent, lean down from the clouds to defend the 'Treasury' against the assault of the 'Giants', different groups of the Opposition forming a pyramid in the lower, and larger, part of the design. [These identifications are those of Miss Banks (on a B.M. print) confirmed by Lord Holland, who omits Lord Spencer but adds Tierney, called by Miss Banks 'no particular person'. The identifications of Wright and Evans are in several cases incorrect. Grego substitutes Lord Mulgrave for Dr. Lawrence (or Spencer) and omits Spencer and others. Lord Holland notes that only the portraits of Pitt, Addington, Fox, Norfolk, Buckingham, Grenville, and Derby are like their subjects.] These are grouped on rocks, and are naked or nearly so (with one exception). At the apex of the pyramid are Pitt and Dundas, smaller and less dangerous than Fox in the foreground (left). Pitt, much emaciated, stands with legs astride, looking up, and about to hurl a large bundle of papers: 'Knock-down Arguments'; two similar bundles lie at his feet: 'Death and Eternal Sleep' [cf. BMSat 8350], and 'Coup de Grace'. He wears a military cocked hat, jack-boots, and a sword-belt from which hangs a sabre, indicating his volunteer activities (see BMSat 10113, &c); round his loins is a girdle of grapes and vine-leaves (cf. BMSat 8798). Melville (Dundas), behind and below Pitt, raises a sword inscribed 'True Andrew-Ferrara' and a shield; he wears a Scots bonnet; a tartan plaid and kilt adorn his burly nudity. At Pitt's feet stands Wilberforce, a dwarf, holding a large volume, Duty of Man, and directing upwards a fountain which can never approach the clouds. On the lower part of this rock stands Canning, in an attitude like that of Pitt, prepared to hurl a bulky sheaf of papers: 'Killing Detections'; he registers sly amusement, and wears a girdle of feathers suggestive of a Red Indian. From behind the rock appear two shadowy figures, each with the pen in his mouth that indicates a Treasury secretary; one prepares to hurl a bundle of 'Charges', the other, below him, has a bundle of 'Long Charges'. They are Rose and Long, ex-Treasury secretaries, see BMSat 9722. In the foreground (left) is a lower rocky platform on which the obese Buckingham and his burly brother Lord Grenville hold up Fox by the legs. Fox, bulky and hairy, fires a blast of flame, smoke, and bullets from a blunderbuss', doing more execution than all the others together. He is completely nude; drapery hangs from the shoulders of his two supporters, and the pompous Buckingham wears spectacles and Garter ribbon. All register satisfaction, rather than ardour like the Pittites. Beside their rock, and on the extreme left are supporters of Fox: Norfolk with a kettle-drum slung from his neck on which he is performing with two wine-bottles (cf. BMSat 9261). Behind him is Carlisle, banging a marrow-bone on a cleaver inscribed 'Coalition Roast Beef' [reminiscent of the Foxite butchers at Westminster elections]. The profile of Burdett is on the extreme left; he wears a hat on which is a ribbon: 'no Bastile' [see BMSat 9878, &c], and holds a fringed banner on which are equally balanced scales and the motto 'In hoc Signo Vinces' [cf. BMSat 10416]; on its spear-point is poised a cap of liberty terminating in the bell that indicates Folly. Behind him an arm holds up a trumpet to which is attached a banner inscribed 'Honor Property Ability' [symbolic of the Whig oligarchy and stressing the gulf between Foxites and the supposedly levelling Burdett]. ..."--British Museum online catalogue
Alternative Title:
Giants storming heaven
Description:
Title etched below image., Two lines of text below title: "They never complain'd of fatigue, but like giants refreshed, were ready to enter immediately upon the attack! Vide Lord Ch--c-ll-r's Speech, 24th April 1804. "Not to destroy! but root them out of heaven." Milton., and Mounted on leaf 72 of volume 5 of 12.
Publisher:
Pubd. May 1st, 1804, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, St. Vincent, John Jervis, Viscount, 1735-1823, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, Canning, George, 1770-1827, Rose, George, 1744-1818, Long, Charles, 1761-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Carlisle, Frederick Howard, Earl of, 1748-1825, Norfolk, Charles Howard, Duke of, 1746-1815, Spencer, George John Spencer, Earl, 1758-1834, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
