"A caricature portrait of Pitt speaking in the House of Commons in profile to the right. In his right hand is a document: 'Regency Restrictions' (see British Museum Satires No. 7488, &c.); his hat is under his left arm, his left hand is held out. He bends forward, his right leg advanced."--British Museum online catalogue
Description:
Title devised by cataloger; title based on that given in the British Museum catalogue., Questionable attribution to Gillray from the British Museum catalogue., An imitation of the whole length portraits of Sayers. See British Museum catalogue., and Temporary local subject terms: Speeches: Pitt's on Regency Bill, 1789 -- Bills: Regency Bill -- Opposition to Regency Bill -- Allusion to Regency restrictions.
Publisher:
Pubd. June 17, 1789, by W. Fores, No. 3 Piccadilly
William Pitt, wearing a tricorn hat and large sword at his side, stands defiantly shouting at a group of four men and one woman. He holds a rolled document in his fist behind him. One of the men, his hands outstretched as if to hold off Pitt or calm him down, confronts him while his companions cower behind him. The woman has fallen to her knees and turns in terror
Alternative Title:
Dreaded apparition
Description:
Title devised by cataloger., Undated, but possibly just after Pitt's death; signed in lower right., Written in pencil in another hand: Vide Life of Mr. Pitt by the Bishop of Winchester. Page 285 - Vol. 1., and Written in pencil on verso in a later hand: Dreaded apparition.
Title and imprint from British Museum catalogue, Temporary local subject terms: Toppling buildings -- Staff of Liberty -- Pictures amplifying subject -- Allusion to many politicians of the day -- Allusion to Gustavus III, King of Sweden., Watermark: fleur-de-lis with initials G R below., and Mounted to 31 x 46 cm.
Publisher:
Publish'd as the act directs July 1, by J. Wjsen [sic] Walbrooke
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character), Columns, Liberty cap, Rats, Emblems, Shields, and Thrones
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1801]
Call Number:
Drawings W87 no. 28 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
The surface of a platform stretches across the design; on this Pitt (right), valiant but anxious, faces the massive Russian bear, Paul, behind whom stands a stout ferocious-looking Russian soldier (like a showman with a performing animal), nearsightedly reading a document: 'Be it known to all men, - that my master, - the most Magnanimous [see BMSat 9415] most puissant, most powerful and most wonderful great Bear of the north - being in his sound and sober senses - Challenges the Whole World to single combat - and commences his first trial of skill, here in Moorfields, after which it is his intention to persue his Travels, and visit every Court in Europe - Asia - Africa - and America'. The bear wears a plumed crown, a collar inscribed 'Paul Bruin', to which are attached the massive links of a chain. His drawn sword is 'Temper'd-á-lá-Suwarrow!' On his shield is a grotesque head with gaping mouth, and the inscription 'Swallow All O.' Pitt wears a plumed helmet and light armour. His sword is 'Temper'd á-lá Nelson', his shield is inscribed 'Howe', 'Duncan', 'Nelson', 'Jervaise' [St. Vincent], 'Warren', 'Parker'. The platform is surrounded by a dense and jovial crowd. The windows and roofs of the adjacent houses are crowded with tiny waving figures; a boy sits on the high wall before a bunding inscribed 'Moor Fields' and probably intended for Bedlam
Alternative Title:
Magnanimous Paul O! challenging all O
Description:
Title and date from Rowlandson print after this drawing., Attributed to Woodward., For the print based on this drawing see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 9702., and For further information, consult library staff.
Subject (Name):
Pitt, William, 1759-1806, Paul I, Emperor of Russia, 1754-1801, St. Vincent, John Jervis, Viscount, 1735-1823., Howe, Richard Howe, Earl, 1726-1799., Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804., Nelson, Horatio Nelson, Viscount, 1758-1805., and Suvorov, Aleksandr Vasilʹevich, kni︠a︡zʹ Italiĭskiĭ, 1730-1800.
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., 1 print : soft-ground etching and stipple engraving on wove paper ; plate mark 26.2 x 17.7 cm, on sheet 28.2 x 19.7 cm., and Mounted on leaf 88 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted on page 106.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted to 43 x 31 cm.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Thurlow as Balaam, riding (right to left) on an ass with the head of Pitt, is confronted by Fox (left) holding a sword with a serpentine blade and the shield of Britannia. The ass says, "Am not I thy Pitt=ifull Ass; upon which thou hast ridden ever since I was thine". Thurlow, on a larger scale than Fox and the ass, which is much overweighted, wears his Chancellor's wig and gown and holds his mace against his right shoulder; he looks fixedly at Fox. A low and irregular stone wall forms a background. Beneath the design is etched: 'And they came unto Balaam and said unto him, thus saith Balak the Templeite, let nothing, I pray thee, hinder thee from coming unto me, for I will promote thee unto very great honour, and I will do whatsoever thou sayest unto me: come therefore I pray thee, curse me this People. Balaam rose up in the Morning and saddled his Ass, and went with the Lords of the Bed-Chamber, now the Man of the People stood in the way for an adversary against him, and when the Ass saw the Man of the People, he fell down under Balaam and Balaam's anger was kindled; and he smote the Ass with the Mace.'"--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Watermark in center of sheet: fleur-de-lis with initials G R., and Mounted to 28 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Sheet trimmed within plate mark., Temporary local subject terms: Colliers -- Fullers -- Coal pits -- Shovels -- Literature: Aesop's fables, no. 88., Watermark: J Whatman., and Mounted to 28 x 36 cm.
Publisher:
Sold at No. 34 King Street, St. Ann's, Soho
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"Pitt sits astride a huge pile of bundles strapped to the back of a bull (John Bull); he is about to enter a high archway inscribed 'Trea[sury]'. His pose and expression combine jauntiness with dignity. His head is in profile to the right, his right hand on his hip, he wears a large bag to his wig, and while pressing his hat under his left arm holds the (slack) reins of the bull; his long thin leg hangs considerably above the bull's back, owing to the height of the bundles. The sturdy bull, though with downcast head and closed eyes, is not weighed down with his burden. Dundas (right), in Highland dress, marches grinning in front of the bull, playing the bagpipes which are inscribed 'Union Pipes' and have a transparent bag filled with coins. The bull's burden consists of ten superimposed bundles, inscribed with figures relating to the Loyalty Loan. Some of these are '50 000!, 30 000!, East India Company 2 000 000!!!, Duke of Queensbury 100-000!, 100 000!, Pit[t] D. dass 10000 [partly obscured by Pitt's foot], 50000, Duke of Bridgewater 100 000!, Corporation of London 100 000!' Behind the bull and on the extreme left are crowded together four British Jacobins, much caricatured, wearing bonnets-rouges and looking up at Pitt with anger and dismay. Their heads rise vertically one behind the other; the foremost and lowest is Fox, clenching his fist, next Sheridan in profile; then Stanhope, the fourth a mere scrawl."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: Strasburg bend with date 1798?, and Mounted to 42 x 29 cm.
Publisher:
Pubd. by W. Holland, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Bridgewater, Francis Egerton, Duke of, 1736-1803., and East India Company.
Subject (Topic):
Finance, Public, Economic conditions, John Bull (Symbolic character), Debts, Public, Loyalty Loan, and Musical instruments