"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., and Mounted to 31 x 35 cm.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., 1 print on wove paper : etching, hand-colored ; plate mark 19.4 x 26.2 cm., on sheet 25 x 36 cm., and Watermark: 1798.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
Title from item., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opp. p. 65., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Sheet trimmed within plate mark at bottom., and Temporary local subject terms: Interiors: painter's studio -- Painting materials -- Portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, approximately 1426-1500, and London Corresponding Society.
Key plate to the print of the Death of the Earl of Chatham, in the Upper Chamber of the Palace of Westminster, 1778, with 55 members identified
Description:
Title engraved at top of image., John Singleton Copley's oil painting on which the engraving was based, was first exhibited at the Royal Academy in 1780 and is now held at the Tate Gallery, London., and Mounted on linen, bordered in silk; rolled with silk ties.
Publisher:
Published by John Singleton Copley, R.A., Decr. 26, 1791, and sold at Parr's Print Warehouse, No. 52 Pall Mall
Subject (Geographic):
Great Britain.
Subject (Name):
Copley, John Singleton, 1737-1815., Pitt, William, Earl of Chatham, 1708-1778., and Great Britain. Parliament. House of Lords,
Title etched above image., Plate numbered '23' in upper right corner., Sheet trimmed within plate mark., Five images of geese arranged vertically on left of plate, each enclosed in a border and accompanied by description to its right., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., and Temporary local subject terms: Reference to George II -- Reference to Lord Anson -- Reference to British Lion.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Hardwicke, Philip Yorke, Earl of, 1690-1764, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Lyttelton, George Lyttelton, Baron, 1709-1773, and Holderness, Robert D'Arcy, Earl of, 1718-1778
Title etched above image., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London : Printed for E. Morris, [1757]., Plate numbered '23' in upper right corner., Temporary local subject terms: Reference to George II -- Reference to Lord Anson -- Reference to British lion., and Mounted to 20 x 27 cm.
Publisher:
Publish'd according to act Oct. 29, 1756, by Edwards & Darly at the Acorn, facing Hungerford Strand
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Hardwicke, Philip Yorke, Earl of, 1690-1764, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Lyttelton, George Lyttelton, Baron, 1709-1773, and Holderness, Robert D'Arcy, Earl of, 1718-1778
A broadside satirising the Peace Treaty with France, and the involvements of Lord Bute, Sir Watkin Williams-Wynn, Lord Carteret, and William Pitt; with an etching showing four men sitting at a table with a punch bowl and candlesticks, drinking and smoking pipes; in the background four men standing. The song includes references to Sawney, Taffey, Paddy, and Will English, Scotch, Welsh, Irish, and English characters
Description:
Caption title in letterpress, below image, Imprint from British Museum catalogue., Sheet trimmed within plate mark at top and below letterpress, with loss of imprint., Below title: Adapted to proper tunes in the English, Irish, Welch and Scotch taste, inscribed to all true lovers of Old England., and Two columns of verse below title, comprising the text of the song, divided by a vertical line of ornamental floral type: "Recitative. 'Twas on that memorable Day, When thro' the streets, with loud Huzza! ...
Publisher:
Printed for J. Williams, next the Mitre Tavern, Fleet-Street ...
Subject (Name):
Williams-Wynn, Watkin, Sir, 1692-1749., Bute, John Stuart, Earl of, 1713-1792., Carteret, John, Earl Granville, 1690-1763, and Pitt, William, Earl of Chatham, 1708-1778.
Title from item., Publication date from British Museum catalogue., Eight lines of verse in two columns on either side of title: Behold a group with courage, strength & skill, / Broughton's New Amphitheater to fill ..., and Temporary local subject terms: Reference to Treasury -- John Ellys.
Publisher:
publisher not identified
Subject (Name):
Argyll, Archibald Campbell, Duke of, 1682-1761, Chetwynd, William Richard Chetwynd, Viscount, ?1683-1770, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, Hardwicke, Philip Yorke, Earl of, 1690-1764, Lyttelton, George Lyttelton, Baron, 1709-1773, Egmont, John Perceval, Earl of, 1711-1770, Pitt, William, Earl of Chatham, 1708-1778, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Horatio Walpole, Baron, 1678-1757, and Broughton, Jack, 1704-1789.
Title from item., Publication date from British Museum catalogue., Eight lines of verse in two columns on either side of title: Behold a group with courage, strength & skill, / Broughton's New Amphitheater to fill ..., Temporary local subject terms: Reference to Treasury -- John Ellys., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Argyll, Archibald Campbell, Duke of, 1682-1761, Chetwynd, William Richard Chetwynd, Viscount, ?1683-1770, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, Hardwicke, Philip Yorke, Earl of, 1690-1764, Lyttelton, George Lyttelton, Baron, 1709-1773, Egmont, John Perceval, Earl of, 1711-1770, Pitt, William, Earl of Chatham, 1708-1778, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Horatio Walpole, Baron, 1678-1757, and Broughton, Jack, 1704-1789.
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer, Coach overturned, and Coach overturn'd
Description:
Title etched above image., Publication date from British Museum catalogue., and Four columns of verse below image: With raptures Britannia take notice at last, proud Sawney turn'd over by driving too fast ...
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
One headed corporation and Sequel to the Knights of Bath
Description:
Title from item., Publication date from British Museum catalogue., "Price 1s.", Twelve lines of verse in three columns below image: See liberty's champions still loyal and true, Displaying the tricks of poor R-h and his crew ..., Temporary local subject terms: Corporation of Bath -- Aldermen of Bath -- Emblems: postman for the Master of the Cross-Posts -- Figure of Falstaff -- Devil -- Birds: raven -- Addresses: Ralph Allen's address in The gentleman's magazine, v.33, p.376-7 -- Inns: allusion to Greyhound Inn, Bath -- Expressions: 'adequate' -- Newspapers: allusion to The North Briton -- Clergy -- Grotesqueries -- Bible: quotation -- Tents -- John Saunders, 6th Bt. Sebright, 1725-1794 -- Abel Moysey, 1743-1831 -- Lewis Clutterbuck, d.1776 -- Ford, fl. 1763 -- Cooper, fl. 1763 -- Crook, fl. 1763 -- Master of the Cross-Posts of England -- Postmen., and Watermark: Strasburg bend with initials G R below.
Publisher:
publisher not identified
Subject (Name):
Wilkes, John, 1725-1797, Churchill, Charles, 1731-1764, Ligonier, John, 1680-1770, Pitt, William, Earl of Chatham, 1708-1778, Temple, Richard Grenville-Temple, Earl, 1711-1779, Warburton, William, 1698-1779, Bute, John Stuart, Earl of, 1713-1792, Allen, Ralph, 1694-1764, and Leake, James, -1764
"Satire on George II's reluctance to accept an inter-party ("Broad-Bottom") government which included Tories suspected of Jacobite sympathies. The king, in the centre. leans across a table crying out, "Hounsfoot me no Stomach him!" as Thomas Pelham, Duke of Newcastle, and his brother Henry prepare to cram the Tory John Hinde Cotton into his mouth; Newcastle remarks, "His Bottom's dam'd Broad". Six other former opposition members hoping for office, including Lords Cobham (saying "I'll Protest no more") and Lyttelton ("You are right Cuz"),and William Pitt ("We drive a fine Trade"), lie on a shelf ready to be treated in the same way as Cotton, one of them saying, "Burn the Yellow List." The kings breeches are lowered and he is evacuating Lord Hobart. Others who have presumably emerged in the same manner leave the scene to left complaining that they have been turned out of office. They include Sir John Rushout saying, "Rusht-out with a Fizzle", and, kneeling in the foreground, Lord Winchelsea who has dropped his spectacles, complaining, "Bes[hi]t without a Job". In the foreground to right, stand two other gentlemen address the oppositiion members, one saying "Consider Your Oaths", and the other, holding a large key, "Remember The Healths"."--British Museum online catalogue
Description:
Title from caption above image., Printmaker George Bickham the Younger and publication date 1744 from British Museum catalogue., and Mounted to 34 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Buckinghamshire, John Hobart, Earl of, 1693-1756, Cobham, Richard Temple, Viscount, 1669?-1749, Cotton, John Hynde, Sir, 1686-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Pitt, William, Earl of Chatham, 1708-1778, Rushout, John, Sir, 1684-1775, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Broad-bottom, Politics and government, Defecation, and Politicians
A side view of a large three-masted ship, with a considerable number of persons on board ...
Alternative Title:
View of the Old England just arrived from a cruize round the globe
Description:
Title etched above image., Numberd '41' in upper right corner., Plate from: The British antidote to Caledonian poison., Sheet trimmed to plate mark on top and sides., and With Bowditch's annotations on front mount; mounted to 25.8 x 38 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Holland, Henry Fox, Baron, 1705-1774, Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798, and Pitt, William, Earl of Chatham, 1708-1778
Title etched below image., Plate numbered '3' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Street scenes -- Coffee-houses -- Male dress: Roman armor -- Emblems: jack boot (Lord Bute) -- Buildings: warehouse -- Reference to the peace negotiation in Paris, 1762: territorial concessions -- Reference to the East India Company -- Excise -- Whigs -- Chancellors -- Vehicles: go-cart -- Buildings: hospital., and Mounted to 31 x 33 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
Title etched below image., Plate numbered '3' in upper right corner., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: Street scenes -- Coffee-houses -- Male dress: Roman armor -- Emblems: jack boot (Lord Bute) -- Buildings: warehouse -- Reference to the peace negotiation in Paris, 1762: territorial concessions -- Reference to the East India Company -- Excise -- Whigs -- Chancellors -- Vehicles: go-cart -- Buildings: hospital., and On page 296 in volume 3. Sheet: 7.1 x 10.3 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Hogarth, William, 1697-1764, and Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), National emblems, Scottish, and British
Title etched at top of image., A letter in form of a rebus., The following words in the title are represented by images: Lord Bute by a boot, 'be' in 'between' by a bee, Jockey by a figure of a jockey, 'Cloud' in 'McCloud' by clouds, Britannia by a figure of Britannia., Sheet trimmed to plate mark., and Mounted to 35 x 26 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Pitt, William, Earl of Chatham, 1708-1778
"Lansdowne (left) in 'profil perdu', stoops forward, encouraging a dog with the head of Jekyll to bark at a bust of Pitt; the word Bow issues from the mouth of Jekyll, who wears a legal wig, bands, and gown. The bust stands on the ground framed in a leafy arbour, and regards Jekyll serenely, a contrast with the latter's impudent and insignificant profile. After the title: "Latrat et ore fremit, bile tumetque Je-cur." Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 21.1 x 27.5 cm, on sheet 23.2 x 28.6 cm., and Mounted on leaf 79 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, Earl of Chatham, 1708-1778, and Burke, Edmund, 1729-1797.
"Lansdowne (left) in 'profil perdu', stoops forward, encouraging a dog with the head of Jekyll to bark at a bust of Pitt; the word Bow issues from the mouth of Jekyll, who wears a legal wig, bands, and gown. The bust stands on the ground framed in a leafy arbour, and regards Jekyll serenely, a contrast with the latter's impudent and insignificant profile. After the title: "Latrat et ore fremit, bile tumetque Je-cur." Trees form a background."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 98.
Publisher:
publisher not identified
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, Earl of Chatham, 1708-1778, and Burke, Edmund, 1729-1797.
"Several scenes combined in one design. The Associations of various counties to present petitions and form committees to demand reforms are represented in the upper right portion of the plate: A procession of men walks (right to left), their leader holding a standard with the arms of the county inscribed "County of York 30 Decr 1779" (the date of the meeting at which it was agreed to present a petition and prepare a plan for an Association to secure reform). He holds a paper inscribed "Petition" and says, "Virtue & Fortitude shall Guide us". Representatives of the other petitioning and associating counties follow, with the appropriate dates on labels issuing from their mouths: ...". The last man carries an ensign flag on which is inscribed "London Newcastle upon Tyne Bristol Westminster &c. &c. &c." Beneath the procession is engraved "Immortal Gods! What Honor waits the men who save their Country from impending Ruin." The leader is probably intended for Sir George Savile. On the left George III is seated in his closet; a young man stands before him addressing, not the king, but an imaginary audience, saying, "The only Patriot His Power is too Confined". This is perhaps intended for Lord George Gordon's private interview with the King on 27 Jan. 1780; ... . Outside the door of the royal closet and facing the petitioners is a monster with wings and three heads, breathing fire. In the lower right, ... Britannia sits on a ruinous stone pedestal which is being further undermined by a female figure with a forked tail and the legs of a satyr; she is applying a lever to its base saying, "And shall not I, Corruption is my name, Undermine the British Constitution". Lord North attacks the pedestal with a pickaxe, saying, "I will assist you Sister in the same Design". Bute, in Highland dress with the Garter ribbon and star, flourishes a broadsword, while he takes from Britannia the staff and cap of Liberty; he says, "Away wi ye to the Deel Where is your Liberty now". Britannia, holding her shield and 'Magna Carta', says to the marching petitioners above her head, "Tis you alone my Friends who can revive my Drooping Hopes & save me from Distraction". Behind Britannia (left) and in a glory of rays stands a man inscribed "Chatham" with outstretched arms, saying "O Cleanse Yon Augean Stable". He points towards the design beneath the king's closet. This represents the House of Commons (left); the Speaker in his chair, members seated on each side of a table. It is seen through two pillars, up one (right) climbs an alligator, round the other is a serpent with a branch of apples in its mouth. Above is inscribed "Ruled by Powerful Influence". A procession of members walks (left to right) from the House up a path leading to the door of the king's closet above. They carry scrolls inscribed "25 000"; "5000"; "£40,000"; "15,000 £10,000, £50 000". One says, "Secure in the Enjoyment of Places Pensions & Emoluments of Office we fear not the Clamour of Yorkshire Clodpoles"; another says, "God help the Rich the Poor can beg". Their leader carries an "Address of Thanks". Beneath this gang of ministerialists a mythological figure leaning against an anchor and a gushing water-conduit (? Neptune) says,"Is there not some Chosen Curses, ... Public Treasure Wasted in Corrupting the Morals of the People". He is saying, "No New Taxes but a Retrenchment of Public Expences.""--British Museum online catalogue
Alternative Title:
Public virtue displayed in a contrasted view
Description:
Title from item.
Publisher:
Printed for Danl. Wilson at No. 20 Portugal Street Lincolns Inn
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Savile, George, Sir, 1726-1784., North, Frederick, Lord, 1732-1792., Bute, John Stuart, Earl of, 1713-1792., Pitt, William, Earl of Chatham, 1708-1778., Gordon, George, Lord, 1751-1793., and Neptune (Roman deity),
Subject (Topic):
Taxation, Politics and government, Britannia (Symbolic character), Petitions, and Dragons
Titles from items., Three playing card size designs on one plate, arranged vertically., Two lines of verse below top design: The ass of Balaam through oppression spoke our Stone-Ase of oppression brings the yoke., Caption below center design: Absolute obedience my brethren ; murmering [sic] against your superiors is rebellion and consumate impudence., Caption below bottom design: Justice has leaden feet but iron claws., None of designs recorded in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Angels -- Asses -- Bible: nos. 22.21-35 -- Human body: mechanical human heart -- Money: bags of money -- Bellows -- British Lion -- Personifications: figure of Justice -- Balances -- Allusion to Gibraltar -- Treasury: Sinking Fund -- Battles: allusion to the Battle of Minorca, Port Mahon, 20 May 1756.
Publisher:
publisher not identified
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Stone, Andrew, 1703-1773, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Holland, Henry Fox, Baron, 1705-1774
