"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., and Mounted to 31 x 35 cm.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., 1 print on wove paper : etching, hand-colored ; plate mark 19.4 x 26.2 cm., on sheet 25 x 36 cm., and Watermark: 1798.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
Title from item., Plate from: Caricatures of Gillray, London, John Miller, [ca. 1824-1827], opp. p. 65., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Sheet trimmed within plate mark at bottom., and Temporary local subject terms: Interiors: painter's studio -- Painting materials -- Portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, approximately 1426-1500, and London Corresponding Society.
Key plate to the print of the Death of the Earl of Chatham, in the Upper Chamber of the Palace of Westminster, 1778, with 55 members identified
Description:
Title engraved at top of image., John Singleton Copley's oil painting on which the engraving was based, was first exhibited at the Royal Academy in 1780 and is now held at the Tate Gallery, London., and Mounted on linen, bordered in silk; rolled with silk ties.
Publisher:
Published by John Singleton Copley, R.A., Decr. 26, 1791, and sold at Parr's Print Warehouse, No. 52 Pall Mall
Subject (Geographic):
Great Britain.
Subject (Name):
Copley, John Singleton, 1737-1815., Pitt, William, Earl of Chatham, 1708-1778., and Great Britain. Parliament. House of Lords,
Title etched above image., Plate numbered '23' in upper right corner., Sheet trimmed within plate mark., Five images of geese arranged vertically on left of plate, each enclosed in a border and accompanied by description to its right., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., and Temporary local subject terms: Reference to George II -- Reference to Lord Anson -- Reference to British Lion.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Hardwicke, Philip Yorke, Earl of, 1690-1764, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Lyttelton, George Lyttelton, Baron, 1709-1773, and Holderness, Robert D'Arcy, Earl of, 1718-1778
Title etched above image., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London : Printed for E. Morris, [1757]., Plate numbered '23' in upper right corner., Temporary local subject terms: Reference to George II -- Reference to Lord Anson -- Reference to British lion., and Mounted to 20 x 27 cm.
Publisher:
Publish'd according to act Oct. 29, 1756, by Edwards & Darly at the Acorn, facing Hungerford Strand
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Hardwicke, Philip Yorke, Earl of, 1690-1764, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Lyttelton, George Lyttelton, Baron, 1709-1773, and Holderness, Robert D'Arcy, Earl of, 1718-1778
A broadside satirising the Peace Treaty with France, and the involvements of Lord Bute, Sir Watkin Williams-Wynn, Lord Carteret, and William Pitt; with an etching showing four men sitting at a table with a punch bowl and candlesticks, drinking and smoking pipes; in the background four men standing. The song includes references to Sawney, Taffey, Paddy, and Will English, Scotch, Welsh, Irish, and English characters
Description:
Caption title in letterpress, below image, Imprint from British Museum catalogue., Sheet trimmed within plate mark at top and below letterpress, with loss of imprint., Below title: Adapted to proper tunes in the English, Irish, Welch and Scotch taste, inscribed to all true lovers of Old England., and Two columns of verse below title, comprising the text of the song, divided by a vertical line of ornamental floral type: "Recitative. 'Twas on that memorable Day, When thro' the streets, with loud Huzza! ...
Publisher:
Printed for J. Williams, next the Mitre Tavern, Fleet-Street ...
Subject (Name):
Williams-Wynn, Watkin, Sir, 1692-1749., Bute, John Stuart, Earl of, 1713-1792., Carteret, John, Earl Granville, 1690-1763, and Pitt, William, Earl of Chatham, 1708-1778.
Title from item., Publication date from British Museum catalogue., Eight lines of verse in two columns on either side of title: Behold a group with courage, strength & skill, / Broughton's New Amphitheater to fill ..., and Temporary local subject terms: Reference to Treasury -- John Ellys.
Publisher:
publisher not identified
Subject (Name):
Argyll, Archibald Campbell, Duke of, 1682-1761, Chetwynd, William Richard Chetwynd, Viscount, ?1683-1770, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, Hardwicke, Philip Yorke, Earl of, 1690-1764, Lyttelton, George Lyttelton, Baron, 1709-1773, Egmont, John Perceval, Earl of, 1711-1770, Pitt, William, Earl of Chatham, 1708-1778, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Horatio Walpole, Baron, 1678-1757, and Broughton, Jack, 1704-1789.
Title from item., Publication date from British Museum catalogue., Eight lines of verse in two columns on either side of title: Behold a group with courage, strength & skill, / Broughton's New Amphitheater to fill ..., Temporary local subject terms: Reference to Treasury -- John Ellys., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Argyll, Archibald Campbell, Duke of, 1682-1761, Chetwynd, William Richard Chetwynd, Viscount, ?1683-1770, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, Hardwicke, Philip Yorke, Earl of, 1690-1764, Lyttelton, George Lyttelton, Baron, 1709-1773, Egmont, John Perceval, Earl of, 1711-1770, Pitt, William, Earl of Chatham, 1708-1778, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Horatio Walpole, Baron, 1678-1757, and Broughton, Jack, 1704-1789.