Key plate to the print of the Death of the Earl of Chatham, in the Upper Chamber of the Palace of Westminster, 1778, with 55 members identified
Description:
Title engraved at top of image., John Singleton Copley's oil painting on which the engraving was based, was first exhibited at the Royal Academy in 1780 and is now held at the Tate Gallery, London., and Mounted on linen, bordered in silk; rolled with silk ties.
Publisher:
Published by John Singleton Copley, R.A., Decr. 26, 1791, and sold at Parr's Print Warehouse, No. 52 Pall Mall
Subject (Geographic):
Great Britain.
Subject (Name):
Copley, John Singleton, 1737-1815., Pitt, William, Earl of Chatham, 1708-1778., and Great Britain. Parliament. House of Lords,
"Satire on George II's reluctance to accept an inter-party ("Broad-Bottom") government which included Tories suspected of Jacobite sympathies. The king, in the centre. leans across a table crying out, "Hounsfoot me no Stomach him!" as Thomas Pelham, Duke of Newcastle, and his brother Henry prepare to cram the Tory John Hinde Cotton into his mouth; Newcastle remarks, "His Bottom's dam'd Broad". Six other former opposition members hoping for office, including Lords Cobham (saying "I'll Protest no more") and Lyttelton ("You are right Cuz"),and William Pitt ("We drive a fine Trade"), lie on a shelf ready to be treated in the same way as Cotton, one of them saying, "Burn the Yellow List." The kings breeches are lowered and he is evacuating Lord Hobart. Others who have presumably emerged in the same manner leave the scene to left complaining that they have been turned out of office. They include Sir John Rushout saying, "Rusht-out with a Fizzle", and, kneeling in the foreground, Lord Winchelsea who has dropped his spectacles, complaining, "Bes[hi]t without a Job". In the foreground to right, stand two other gentlemen address the oppositiion members, one saying "Consider Your Oaths", and the other, holding a large key, "Remember The Healths"."--British Museum online catalogue
Description:
Title from caption above image., Printmaker George Bickham the Younger and publication date 1744 from British Museum catalogue., and Mounted to 34 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Buckinghamshire, John Hobart, Earl of, 1693-1756, Cobham, Richard Temple, Viscount, 1669?-1749, Cotton, John Hynde, Sir, 1686-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Pitt, William, Earl of Chatham, 1708-1778, Rushout, John, Sir, 1684-1775, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Broad-bottom, Politics and government, Defecation, and Politicians
"Portrait of Alexander Wedderburn, 1st Earl of Rosslyn, when Baron Loughborough; three-quarter length, seated directed to left, looking towards the viewer, his left elbow on the arm of his chair; mace on a table beside him at left; wearing chancellor's robes decorated with brocade, lace bands and long white wig."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 408 (leaf numbered '21' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Dec. 7, 1812, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain.
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805,
"Portrait, three-quarters length seated directed to left, looking towards the viewer, left elbow on the arm of his chair, his hand on the edge of his robes, right hand on the chancerial burse, propped on his knee, with the mace on a table beside him, wearing robes decorated with gold brocade, lace bands and long white wig; a column and curtain behind to right."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed within plate mark on three sides., For an earlier state with scratched production details only, see British Museum online catalogue, registration no.: 1868,0808.1768., and Bound in opposite page 371 (leaf numbered '187' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published 1st Feby. 1800 by John Jeffryes, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805,
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue and Wright., and Mounted to 31 x 49 cm.
Publisher:
Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., and Sheet trimmed within plate mark.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
Sir Francis Burdett, holding copies of the Magna Carta and the Bill of Rights, is arrested by the Speaker of the House of Commons (who calls Britannia a 'blank eyed b-h'). Britannia stands, hands clasped in supplication, her lion by her side. Burdett argued in the House of Commons against the imprisonment of the radical John Gale Jones. Failing to have Jones released, Burdett issued a revised edition of his speech in the Weekly Register, an action which the House voted a breach of privilege. The Speaker issued a warrant for Burdett's arrest and he was taken by soldiers from the Commons to the Tower of London, where he remained until the next Parliamentary recess
Description:
Title from item., Possibly by Thomas Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. April 11th, 1810, by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Burdett, Francis, 1770-1844 and Jones, John Gale, 1769-1838.
Satirical frontispiece to a tract entitled "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation . ." on the coalition government, called broad-bottomed because it included Tories as well as opposition Whigs, and its failure to keep promises made in opposition to reduce taxes. The bare bottoms of members of the government are shown from the rear piled on top of one another over a pointed arch facing the rising sun. In the centre of the group Sir John Hynde Cotton is recognisable from his profile and his size. The members are defecating on to a group of asses beneath. Each ass carries a load labelled with the name of a tax: salt, land, soap, malt, candles, wine and tea. The burden on one ass is lettered "Septan", i.e. "Septennial", referring to Opposition promises to reduce the years between elections from seven to three. Another ass carries "Lottery" and "Annuities", and another includes in its pack "Black Act" (which created the capital offence of blackening the face, as a disguise, when committing a crime).--British Museum online catalogue
Description:
Title from item., Publication information from the book for which this plate was printed., Frontispiece from: An address of thanks to the Broad-Bottoms ... . London : Printed for M. Cooper, at the Globe in Pater-Noster Row, MDCCXLV [1745]., Two lines of verse below image: Believing, we lifted [the] up among the mighty, yet our drivers have join'd, increasing our loads., "Jeffrey Broadbottom" was a pseudonym of William Guthrie, pamphleteer in the Pelham interest., and Not by Hogarth, as has been claimed. Cf. Felbrigg, p. 122, ref. to Nichols, 3rd edition, p. 449 "a palpable imposition" (to call it by Hogarth).
Publisher:
M. Cooper
Subject (Geographic):
Great Britain
Subject (Name):
Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, and Pelham, Henry, 1695?-1754
Subject (Topic):
Taxation, History, Defecation, Donkeys, and Politicians
Satirical frontispiece to a tract entitled "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation . ." on the coalition government, called broad-bottomed because it included Tories as well as opposition Whigs, and its failure to keep promises made in opposition to reduce taxes. The bare bottoms of members of the government are shown from the rear piled on top of one another over a pointed arch facing the rising sun. In the centre of the group Sir John Hynde Cotton is recognisable from his profile and his size. The members are defecating on to a group of asses beneath. Each ass carries a load labelled with the name of a tax: salt, land, soap, malt, candles, wine and tea. The burden on one ass is lettered "Septan", i.e. "Septennial", referring to Opposition promises to reduce the years between elections from seven to three. Another ass carries "Lottery" and "Annuities", and another includes in its pack "Black Act" (which created the capital offence of blackening the face, as a disguise, when committing a crime).--British Museum online catalogue
Description:
Title from item., Publication information from the book for which this plate was printed., Frontispiece from: An address of thanks to the Broad-Bottoms ... . London : Printed for M. Cooper, at the Globe in Pater-Noster Row, MDCCXLV [1745]., Two lines of verse below image: Believing, we lifted [the] up among the mighty, yet our drivers have join'd, increasing our loads., "Jeffrey Broadbottom" was a pseudonym of William Guthrie, pamphleteer in the Pelham interest., Not by Hogarth, as has been claimed. Cf. Felbrigg, p. 122, ref. to Nichols, 3rd edition, p. 449 "a palpable imposition" (to call it by Hogarth)., Ms. note in Steevens's hand above print: See Mr. Nichols's book, 3d edit., p. 449., and On page 122 in volume 2. Sheet trimmed within plate to: 16 x 8.3 cm.
Publisher:
M. Cooper
Subject (Geographic):
Great Britain
Subject (Name):
Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, and Pelham, Henry, 1695?-1754
Subject (Topic):
Taxation, History, Defecation, Donkeys, and Politicians
"Eldon as a street-beggar kneels on both knees on straw placed on paving-stones, wearing a cap resembling those worn by butchers and the rags of a Chancellor's gown over tattered breeches. He supports himself by a staff, and holds out his short powdered wig. Beside him (left) lies an empty and dilapidated bag inscribed The Old Bagg [cf. British Museum Satires No. 12883]. He looks down with a gloomy scowl, and from his closed lips rise the words: Pity the sorrows of a poor old man [cf. British Museum Satires Nos. 13991, 16236]--vide beggars petition, Tricked out of Work by a Soldier. Round his neck is tied a placard reaching below the waist, and inscribed: Pity a poor Old Man out of Place, at the age of 78 [76], and though extremely anxious, for employment, disappointed in, all his expectations of procuring the Same. His pension is only 4.000 P A [cf. British Museum Satires No. 10714] and not a Dinner has been dressed in his house within the memory of man! He has a wife to support, and a Son to provide for, who holds only Eight Appointments! Beside him an emaciated dog stands on its hindlegs holding a begging-dish, with a piteous expression."--British Museum online catalogue
Alternative Title:
To a benevolent public
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark on right and left sides.
"Portrait of Charles, 2nd Earl Grey, after Lawrence (Garlick 353); standing three-quarter length to left, head turned in three-quarter profile to look to front, his right arm leaning on a table at left with papers and inkstand and covered in a patterned cloth, his left hand held behind him, wearing a glove and holding the other; window behind at left and curtain at right."--British Museum online catalogue
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Sheet trimmed within plate mark on two sides., and Bound in opposite page 558 (leaf numbered '147' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pub. May 31th [sic], 1794, by W. Austin, drawing master and print merchant, No. 13 near Knightsbridge Chapel
A caricature on the prevalence of bribery during elections, most probably that of 1826. The successful liberal candidate stands on a platform before a cheering crowd and people waving from the windows of adjoining building. In the 'Committee Room' behind him, an official pays a man holding a sign inscribed 'No bribery or corruption' with the word 'and' between bribery and corruption scored through. On the right is an armchair and behind it stand two large flags; two flowers on the chair match the flower on the lapel of the candidate
Description:
Title written in ink in bottom left corner of image, in an unidentified hand (possibly Theodore Lane's)., Statement of responsibility written in ink on verso, in an unidentified hand (possibly Theodore Lane's)., Date supplied by cataloger., A small hole in the lower right and two small looses along left edge., Probably the original drawing for a lithograph published in 1829; Cf. Lewis Walpole Library call no.: 829.06.01.02+., and A companion drawing: Rejected candidate.
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Cheering, Corruption, Crowds, Political elections, Politicians, and Signs (Notices)
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., 1 print : etching with drypoint and stipple on wove paper ; plate mark 34.3 x 28.5 cm, on sheet 36.7 x 29.9 cm., and Mounted on leaf 26 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., and Mounted on page 41.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"A scene in the House of Commons. Pitt stands by the table in back view, right arm held out, his head turned to address Fox. Fox (right) and North are seated on the front Opposition bench; Fox, wearing his hat and holding a stick, bites his fingers and turns his head away from Pitt, looking sulky and abashed. North, his forehead puckered in a frown, conceals his face behind a paper on which he is writing. The Speaker, Cornwall, stands (left) in profile to the right; below him the Clerks of the House, John Hatsell, Clerk (left), and John Ley, Clerk Assistant (right), are seated at the table."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text following title: Quousque tandem abutere, Catilina, patientia nostra? quamdiu etiam furor iste tuus nos eludet? &c. &c., Temporary local subject terms: House of Commons: Speakers of the House of Commons -- Literature: Quotation referencing Catilinam, I.i.1., and Mounted to 47 x 34 cm.
Publisher:
Published 17th March 1785 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789, Hatsell, John, 1743-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, and Great Britain. Parliament. House of Commons
Subject (Topic):
Interiors, Politicians, Public speaking, Benches, and Staffs (Sticks)
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", 1 print : etching with aquatint and stipple on wove paper, hand-colored ; sheet 25.5 x 20 cm., and Offset from another impression on verso.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"The bulky Lord Cholmondeley (1749-1827) stands in profile to the left. He wears a small round hat with long powdered hair tied back, and a whisker; a double-breasted coat over a double-breasted waistcoat, striped breeches, striped stockings, and wrinkled top-boots with heavy spurs. He holds a glove in his (gloved) left hand. In his right hand is a small cane. A double chin, heavy, paunchy figure, and wrinkled dress give an impression of physical slackness."--British Museum online catalogue
Description:
Title etched above image., Companion print to: "Mental energy.", Figure identification in pencil in contemporary hand below plate mark., and Mounted to 39 x 29 cm.
Publisher:
Publish'd April 13th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"Portrait of Daniel Finch, Earl of Nottingham, bust directed to right but looking at the viewer, wearing a long wig and ermine cape; in an ornamental oval on a pedestal decorated with coat of arms ... after Godfrey Kneller."--British Museum online catalogue
Description:
Title from text in image. and Date and place of publication from the British Museum online catalogue, registration no.: K,67.330.
A full length caricature of William George Spencer, 6th Duke of Devonshire, walking right, in a top hat and carrying a walking stick in his right gloved hand
Description:
Title from caption below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Decemr. 2d, 1822 by S.W. Fores 41 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Devonshire, William Spencer Cavendish, Duke of, 1790-1858
"Portrait of Thomas Pelham-Hollis, 1st Duke of Newcastle, head and shoulders to left, looking to right, wearing long, curly wig, gown with fur collar, and lace cravat; in an oval, within allegorical composition, featuring letters and scroll below, ink stand with quill pens at centre, peacock at right, and two riders among clouds above; illustration to Horace Walpole's 'Lord Orford's Memoires'; after Bentley, portrait after Kneller."--British Museum online catalogue
Description:
Title from caption below image., Title from caption above image: Lord Orford's Memoires., and Plate from: Walpole, H. Memoires of the last ten years of the reign of George the Second. London: J. Murray, 1822.
Publisher:
J. Murray
Subject (Geographic):
Great Britain.
Subject (Name):
Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768,
"Portrait, half-length, in front of a curtain; directed to front, facing towards right; wearing a dark double-breasted coat, light waistcoat and neckerchief; landscape in background on right; in an oval within rectangular frame; after T. Phillips; state after letters of title shaded."--British Museum online catalogue
Description:
Title engraved below image., State from Whitman., Dedication beneath title: To His Grace the Duke of Northumberland K.G. &c. &c. &c. this print is respectfully inscribed by His Grace's most obedient humble servant, Samuel William Reynolds., Window mounted to 51 x 36 cm., and Mounted opposite page 619 (leaf numbered '56' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Octr. 1st, 1806, by S.W. Reynolds, 47, Poland Street
"Half-length portrait aged 74, sitting in armchair, directed to the right, looking towards the viewer, in wig and private dress, curtain behind on the left."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and In paper frame: 365 x 274 mm.
Publisher:
Published May 11, 1809, by T. Cadell & W. Davies, Strand, London
Portrait of Henry Seymour Conway, half length, turned slightly left, in an oval
Alternative Title:
Field Marshall Conway
Description:
Title from text below image., Window mounted to 51 x 36 cm., and Mounted before page 277 (leaf numbered '95' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published as the act directs May 1st, 1798, by G.G. & J. Robinson, Paternoster Row, London
Portrait of Henry Seymour Conway, half length, turned slightly left, in an oval
Alternative Title:
Field Marshall Conway
Description:
Title from text below image., Probably a later state, with imprint burnished from plate, of a print published 1 May 1798 by G.G. & J. Robinson. See: Royal Collection Trust online catalogue, RCIN 652832., Mounted on page 87 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving on wove paper ; sheet 17.3 x 13 cm., and Sheet trimmed within plate mark.
Portrait of Henry Seymour Conway, half length, turned slightly left, in an oval
Alternative Title:
Field Marshall Conway
Description:
Title from text below image., Probably a later state, with imprint burnished from plate, of a print published 1 May 1798 by G.G. & J. Robinson. See: Royal Collection Trust online catalogue, RCIN 652832., and Mounted on page 30.
"Portrait of George Tierney, three-quarter length, standing, directed to the left, looking at the viewer, wearing double breasted coat with top button fastened and cravat, left elbow resting on a table with an open book, holding a petition in his right hand; curtain behind on the right, shore view on the left."--British Museum online catalogue
Description:
Title etched below image., Dedication beneath title: To the Right Honble. the Earl of Lauderdale, this plate is by his Lordship's permission humbly dedicated by W. Matthews., Imperfect; sheet trimmed within plate mark with partial loss of dedication and complete loss of imprint statement from bottom edge. Missing text supplied from impression in the British Museum, registration no.: 1841,1113.115., and Bound in opposite page 571 (leaf numbered '164' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published May 7th, 1798, by W. Matthews, No. 86 Blackman Street, near St. Georges Church, Southwark
Portrait after Hogarth, full-length standing in a landscape, right hand on a stone ledge, hat and cane in his left, looking at and bowing slightly to the viewer with right foot advanced, wearing a suit with a high sheen, the coat open to reveal a long waistcoat decorated with flourishes
Description:
Title etched below image. and Gustavus Lord Viscount Boyne was an Irish nobleman (1710-1746); 1735 member of the English House of Commons; 1737 Commissioner of the Revenue of Ireland.
Portrait after Hogarth, full-length standing in a landscape, right hand on a stone ledge, hat and cane in his left, looking at and bowing slightly to the viewer with right foot advanced, wearing a suit with a high sheen, the coat open to reveal a long waistcoat decorated with flourishes
Description:
Title etched below image. and Gustavus Lord Viscount Boyne was an Irish nobleman (1710-1746); 1735 member of the English House of Commons; 1737 Commissioner of the Revenue of Ireland.
"Portrait of Henry Dundas, 1st Viscount Melville, after Lawrence (Garlick 554); head and shoulders to front, looking to right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 614 (leaf numbered '49' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Sep. 6, 1810, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Dundas, Henry, 1742-1811, and Dundas, Henry, 1742-1811.
"Portrait after Lawrence (Garlick 465); standing three-quarter length to front, head turned in three-quarter profile to left, his left arm leaning on a pedestal beside, wearing tailcoat; landscape behind."--British Museum online catalogue
Description:
Title engraved below image. and Bound in before page 545 (leaf numbered '134' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Augt. 25th, 1831, by Colnaghi Senr. Dominick Colnaghi & Co., printsellers to their Majesties & the Royal Family, Pall Mall East
Subject (Geographic):
Great Britain.
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863,
"Portrait after Lawrence (Garlick 554); standing three-quarter length holding a brief in his right hand, with his left hand on a paper."--British Museum online catalogue, description of a later state
Description:
Title etched below image., State from: Whitman, A. Charles Turner., A proof state, before horizontal line-tint ruled over inscription space (State 3) and before letters of title strengthened and made thick and thin (State 4). The word "Proof" is etched above imprint statement to the left., Imperfect; sheet trimmed within plate mark on two sides, resulting in loss of imprint statement from bottom edge. Imprint supplied from Whitman., and Mounted opposite page 568 (leaf numbered '161' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pub. Decr. 1, 1810, by C. Turner, No. 50 Warren Street, Fitzroy Square; Mr. Colnaghi, Cockspur Street, Hay Market; Mr. Molteno, Pall Mall; & Mr. Hatton, Princes Street, Edinburgh
"Portrait of Charles Howard, 11th Duke of Norfolk, half-length, seated to right, smiling, holding a miniature in his right hand; wearing open coat, waistcoat fastened with four buttons, neckerchief and frill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 388 (leaf numbered '4' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published July 24th, 1813, for the proprietor, by Robert Cribb & Son, No. 288 Holborn
Murphy, John, approximately 1748-approximately 1820, printmaker
Published / Created:
[31 March 1785]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait after Reynolds (Mannings 156); seated almost whole-length and in three-quarter profile to left, his right hand to his cheek and his left holding papers lettered "India Bill", resting on the table to left with statuettes of Samson and a boxer, and books; open letter proof."--British Museum online catalogue
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum., Window mounted to 51 x 36 cm., and Mounted opposite page 338 (leaf numbered '159' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd March 31st, 1785, by Wm. Austin, drawing master and print-merchant at No. 41 St. James's Street, & for the engraver by W. Dickinson, No. 158 Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809,
"Two adjacent designs: on the left Sheridan drink-sodden and blear-eyed, stoops obsequiously, right hand on heart, hat held low, directed to the right. He says, slyly, "Gentlemen, it is with the most unfeigned submission I present myself to Your Notice, most Humbly requesting your kind suffrages to return me (although unworthy) one of Your representatives for the great City of Westminster, and when I consider whom I succeed, I cannot but sincerly [sic] deplore his loss, but much more so my inadequacy to fill his place, and can only most solemnly promise to exert the utmost of my poor abilities to keep my place." On the right Sheridan with legs astride, hands thrust in his breeches pocket, hat on his head, still drink-sodden and sly, but more alert, says, looking to the left: "Electors, I feel a satisfaction in my own bosom (which I cannot refrain from expressing,) that my transcendant Merit fully entitle me to be chosen your representative, and that you have barely done yourselves justice in returnig [sic] me, why you must have been cursed fools if you had not, & as to that Mr Paul & Mr Cobbett, their speeches are so ungentlemanlike that I do not think it worth my while to answer them, why the fellows say I get drunk one half the day, & lie in bed the other, I dont chuse to answer that, they say I don't pay my Debts Fools! what did I want to get into Parliament for, they say I have never signed those measures since I have been in administration which I so strongly declared necessary while out of Office, this shews their Ignorance! why should I propose reform now when all my Friends have got to be served.""--British Museum online catalogue
Alternative Title:
Canvassing candidate
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on top edge., Window mounted to 36 x 51 cm., and Mounted opposite page 621 (leaf numbered '58' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. Decr. 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Cobbett, William, 1763-1835., Paull, James, 1770-1808., and Sheridan, Richard Brinsley, 1751-1816.
"Two elderly Scots discuss the Melville case; one, wearing old-fashioned court dress with a sword, takes snuff from the other's ram's-horn mull; he says: "Touch the Sillar!!! - T'is a on disgrace on aw Scotland!" They have sly, twisted expressions. Melville (left), weeping, clutches the back of the speaker's coat. He wears Highland dress, and says: "What my ain Countrymen turn their backs on me! then tis aw up with Johny Mac-cree [see British Museum Satires No. 10378]". On the right, Pitt runs off furtively to the right, saying, "I must cut out this Connexion - & leave him to his fate"."--British Museum online catalogue
Alternative Title:
Johny Mac-Cree in the dumps!! and Johnny Mac-Cree in the dumps!!
Description:
Title etched below image. and Watermark: C. Wilmott 1801.
Publisher:
Published April 12 - 1805 by S.W. Fores, 50 Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Dundas, Henry, 1742-1811 and Pitt, William, 1759-1806
Portrait of John Horne Tooke; half length, to the right, wearing queue wig and unbuttoned black jacket over a waistcoat and cravat
Description:
Title engraved below image., Later state, with altered imprint statement. For an earlier state with the imprint "Published March 25th, 1791, by A. Smith, No. 10 Millbank Row," see National Portrait Gallery, London (NPG D6960)., Window mounted to 51 x 36 cm., and Mounted opposite page 339 (leaf numbered '160' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Octr. 10th, 1791, by Anker Smith, Church Lane Chelsea, & No. 9 Milbank Row, also by Mr. Skelton in the Hay Markey and Printed by C.W. Richards
"Portrait after Lawrence (Garlick 267b); seated half-length, directed slightly to right and looking to front full-face, his right hand resting on the arm of the chair, wearing a dark double-breasted coat; scratched-letter state."--British Museum online catalogue
Description:
Title etched beneath image, in lower right., Proof state, with the word "Proof" etched in lower left., Early state of a plate from: Lawrence, T. Engravings from the choicest works of Sir Thomas Lawrence ... London : H. Graves & Co., [1846]., Window mounted to 51 x 36 cm., and Mounted opposite page 290 (leaf numbered '118' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Decr. 20, 1844, by H. Graves & Co., printsellers to the Queen, 6, Pall Mall
"Portrait of Joseph Richardson, half-length, directed to the left, looking towards the viewer, in double-breasted jacket; after Sir Martin Archer Shee; finished state."--British Museum online catalogue
Description:
Title from text below image, Frontispiece to: Literary relics of the late Joseph Richardson, Esq. ... London : Printed for J. Ridgway, 1807., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 438 (leaf numbered '52 in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
J. Ridgway
Subject (Geographic):
Great Britain.
Subject (Name):
Richardson, Joseph, 1755-1803, and Richardson, Joseph, 1755-1803.
"Portrait after Reynolds (Mannings 1475); whole-length, standing turned to right, eyes to front, wearing robes, with his right arm leaning on back of the chair to left, and his left hand upon a book resting on table to right with tapestry cover and inkstand; column, drapery and clouds behind; state without publisher's address."--British Museum online catalogue
Description:
Title from caption below image., Publisher's name and date of publication from the British Museum online catalogue, registration no.: 1902,1011.2444., Sheet trimmed to plate mark., and Note in ms. at lower right corner: 63. Mounted on sheet: 44.3 x 31.7 cm.
A satire showing caricatured figures, full-length, demonstrating different styles of making speeches. Above each figure a humorous parody of maiden speeches
Description:
Title from caption below image., Text above upper left figure begins: I remember Sir a few years ago I vent vith my vife and darter to Calais ..., Design consists of four figures on one plate, each with several lines of text etched above., One of two plates with same title on the same theme published on the same day by William Holland., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Later printing based on watermark: 1809.
A satire showing caricatured figures, full-length, demonstrating different styles of making speeches. Above each figure a humorous parody of maiden speeches
Description:
Title from caption below image., Text above upper left figure begins: The humourous gontlemon who spake last may amuse the sellie few at a public hoose, but his mearth at prassant is ill timed ..., Design consists of four figures on one plate, each with several lines of text etched above., One of two plates with same title on the same theme published on the same day by William Holland., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Ruse & Turner.
"A broadside satirising seven politicians; with an etching showing a garden with seven statues on plinths in a semi-circle, depicting from left to right Lord Bolingbroke, the Earl of Orford (Sir Robert Walpole), Earl Cholmondeley, the Earl of Bath (William Pulteney), the Earl of Stair, William Pitt (the Elder, Earl of Chatham), and Henry Pelham; with engraved title and inscriptions, and letterpress title and text in three columns."--British Museum online catalogue
Alternative Title:
Collection of modern statues and caracters [sic]
Description:
Caption title in letterpress below image., Sheet trimmed within etching's plate mark on sides and top resulting in loss of caption title., and Mounted to 40 x 31 cm., mounted again to 42 x 34 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and England
Subject (Name):
Bolingbroke, Henry St. John, Viscount, 1678-1751, Walpole, Robert, Earl of Orford, 1676-1745, Cholmondeley, George James Cholmondeley, Marquess of, 1703-1770, Bath, William Pulteney, Earl of, 1684-1764, Stair, John Dalrymple, Earl of, 1673-1747, Pitt, William, Earl of Chatham, 1708-1778, and Pelham, Henry, 1695?-1754
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[16 June 1832?]
Call Number:
Folio 75 G750 832 no. 6 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The Devil, laden with Tories, strides to the left, quoting the Duke of Newcastle with a gloating grin: 'Can't I do what I like with MY OWN' [see BM Satires No. 15884, &c.]. Across his shoulder is a trident on which a bloated bishop is spiked. From the lower end of the handle a rat-trap (see BM Satires No. 15734), on which Peel sits, hangs by a rope. Wellington, encircled by the barbed tail, is dragged along, kicking violently. He is in uniform with spurred boots; a gibbet projects from his cocked hat. Under the Devil's arm are two lawyers: Wetherell in his slovenly dress, and Lyndhurst. The remainder are tied by ropes to the Devil's back; most prominent (left to right) are Ellenborough, Cumberland, Gloucester, and Croker. The others are scarcely characterized; a Scots cap may denote Lauderdale, a renegade."--Britism Museum online catalogue
Description:
Title from text below image; series statement at top of image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum catalogue., Wood engraving with letterpress text., "Price one penny"--Text following series subtitle., Publisher's advertisement at bottom of sheet: All the numbers of John Bull's picture gallery may be had at the publisher's, W. Chubb, 48 Holywell Street, Strand, London., and An adaptation of no. ??? in v. 11 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
W. Chubb
Subject (Geographic):
Great Britain.
Subject (Name):
Tory Party (Great Britain), Croker, John Wilson, 1780-1857, George V, King of Hanover, 1819-1878, Lauderdale, James Maitland, Earl of, 1759-1839, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Wetherell, Charles, Sir, 1770-1846, and William Frederick, Duke of Gloucester, 1776-1834
"Portrait after Reynolds (Mannings 1612); three-quarter length, directed and facing to the left and looking slightly to the front, left hand at his side, glove on right hand, resting in a fist on a table in front of him, with an inkwell and papers; closed letter state."--British Museum online catalogue
Description:
Title from text below image., State from Hamilton., Sheet trimmed within plate mark., and Bound in opposite title page (leaf numbered '2' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs, April 30th, 1791, by Jno. Hall, No. 83 Berwick Street, Sold by W. Dickenson, Bond Street, T. Macklin, Poets Gallery & Fleet Street, & B.B. Evans in the Poultry, &c., and Printed by C.W. Richards
Three-quarter length portrait, standing, turned slightly right, with hands folded, looking to front; wearing dark jacket with star on the left breast; table at left, curtain behind
Description:
Title etched below image., Proof state, with "Proof" etched in lower right., Plate from: Lodge, E. Portraits of illustrious personages of Great Britain. London : Harding and Lepard, 1835., Window mounted to 51 x 36 cm., and Mounted opposite page 552 (leaf numbered '162' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published May 1, 1835, by Harding & Lepard, Pall Mall East
Subject (Geographic):
Great Britain.
Subject (Name):
Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828,
"Portrait after Reynolds (Mannings 1873); almost three-quarter length seated to left, looking to front, his right hand resting on papers on the table to left with inkstand and watch, his left arm bent and resting on the chair; wooded landscape through window to left; vignette of the good samaritan in border below image; state after letters shaded and strengthened, and "2nd Fifty." erased."--British Museum online catalogue
Description:
Title engraved below image., State from Whitman., Sheet trimmed within plate mark on left edge., Dedication beneath title: Dedicated to Samuel Whitbread Esqr. M.P. by his most obliged and obedient servant, Samuel William Reynolds., and Bound in opposite page 638 (leaf numbered '85' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Jany. 1, 1803, by S.W. Reynolds, 47 Poland Street, London
