Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 1., Place and date of imprint conjectured from that of book., and Numbered '141' in lower right of plate:
"Portrait of a stout man, full-length standing in profile to left, gesturing with his right hand as he speaks, holding a scroll in his left, wearing a dark suit with frilled cravat, fob and tall black hat. 1."--British Museum online library
Alternative Title:
Cause & effect and Cause and effect
Description:
Title from caption below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii., Plate numbered '219' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Tentatively identified as Mr. John Leslie in local card catalog., and Figure identified by ms. annotation in pencil on lower portion of sheet.
Title assigned by cataloger., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title devised by cataloger., Place and date of imprint conjectured from that of book., Plate probably from: Kay, J. Series of original portraits and caricature etchings. Edinburgh : Hugh Paton, Carver and Gilder, 1842., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered '206' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"An officer (right), Col. Patrick Creighton (the adjutant), standing in profile to the left, his right arm and forefinger extended, drills a body of stout volunteers who march (right to left) in a serried triangular mass in the middle distance. Behind (right) a stout officer, Captain Coulter, stands in profile to the left with drawn sword. Three men march stiffly from right to left. In the background a body of volunteers, described as the awkward squad, stands full-face. The men are conspicuous for civic portliness, and the neatness and uniformity of their dress, in contrast with contemporary satires on English militiamen, &c, cf. BMSat 8503."--British Museum online catalogue
Alternative Title:
Edinburgh Royal Volunteers
Description:
Title from text below image., Place and date of publication conjectured from imprint of book., and Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.).
An engraved sheet folded and mounted on wooden sticks secured with brass and bone hardware to form a fan, probably designed as a portable aide-memoire, includes musical scores for eighteen dances as well as directions for the dance steps -- e.g., "The 2nd Lady Lead round the 2d. Gent, the Gent. Do the Same, Lead Down the middle up again Cast off. Pousete" is given for the Duke of Clarence's Fancy. The decorative border is hand-colored in pink. On the verso is a sheet decorated with a small emblem with musical instruments and notations
Description:
Title from engraved text at top head of sheet., Place of publication suggested by preponderance of Scottish tunes., Date of publication based on the arrival of the waltz in England in 1791, included in this selection. See Oxford companion to Music (7th ed.), page 1112., and Width of sheet is an approximation, trimmed within plate mark. A separate sheet mounted on verso is printed with an emblem incorporating musical instruments. The contemporary fan case is covered in mottled green and orange Dutch gilt paper.
Publisher:
publisher not identified
Subject (Geographic):
Scotland
Subject (Topic):
Country-dances (Music), Country dancing, Musical instruments, and Musical notation
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., Place and date of imprint conjectured from that of book., and Numbered "166" in upper left of plate.
Title from item., Restrike from: Kay, J. Series of original portraits and caricature etchings. Edinburgh : Hugh Paton, Carver and Gilder, 1842., Place and date of imprint conjectured from that of book., Third of three plates depicting walking-match between Hamilton Bell and Edward Innes, from Edinburgh to Musselburgh, 1792., Temporary local subject terms: Races: walking-match Bell vs. Innes, 1792 -- Interiors: sheriff's office -- Trades: clerks -- Wagers -- Bell, Hamilton -- Rae, John (surgeon-dentist and Bell's bottle-holder) -- Pringle, John, Deputy-Sheriff of Edinburgh., and Restrike.
Title etched below image., Place and date of publication conjectured from imprint of book., and Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.).
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Carlyle, Alexander, 1722-1805, and Grieve, Henry, 1736-1810
Title from item., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii., and Numbered in lower right of plate: 211.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811, Carlyle, Alexander, 1722-1805, and Grieve, Henry, 1736-1810
"An elderly 'cit' sleeps in a low, upright chair, leaning back till his profile faces the ceiling. His hands are clasped over his chest, his wig dangles from his coat-collar, and he puffs from tightly shut lips. The room is bare with a boarded floor. On a round table are a jug and glass, and the sleeper's pipe lying on 'Cobbett's Political Register'."--British Museum online catalogue
Description:
Title etched below image., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827], opposite page 142., A reduced copy of a print by Gillray, published 1 November 1806 by Hannah Humphrey. Cf. No. 10644 in the Catalogue of prints and drawings in the British Museum, v. 8., Cf. Wright, T. Works of James Gillray, the caricaturist, page 343., and Cf. Wright, T. Historical and descriptive account of the caricatures by James Gillray, no. 561.
Publisher:
Published by John Miller, Bridge Street, and W. Blackwood, Edinburgh
Subject (Topic):
Sleep, Sleeping, Wigs, Pipes (Smoking), and Newspapers
Title from text above image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., and Caption below image: The elder shall serve the younger. Rom. ix and 12.
Publisher:
publisher not identified
Subject (Name):
Elder, Thomas, 1737-1799 and Baird, George Husband, 1761-1840
Leaf 6v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A man walks on the street, balancing a tray filled with human and animal figurines supported by his right hand and balanced on his head. In the background, two chimney sweeps, the first carrying a ladder, walk past the rotunda of the General Register House
Alternative Title:
Back view of Register Office
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Name):
General Register House (Edinburgh, Scotland),
Subject (Topic):
City & town life, Peddlers, Figurines, and Chimney sweeps
Title from text in bottom left corner of image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Osbourne, Alexander -- Rowlandson, d. 1818 -- Military uniforms: Scottish officers' uniform.
Title from text below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Male costume: riding habit -- Hon. William Ramsay Monk, Lord Panmure.
Title from text below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered '21' in lower right of plate., and Temporary local subject terms: Military uniforms -- Weapons: swords -- Major Fisher.
Title from text below image., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii., Numbered '199' in lower right corner., and Temporary local subject terms: Dr. Mason?
"Portrait; half-length in profile to left, holding a scroll in his left hand; wearing a dark coat, jaw-length white wig and tricorn; in an oval."--British Museum online catalogue
