Leaf 5v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A woman, wearing a basket on her back and holding a plate of fish, stands on a city street; two men carry a sedan chair in the background on the left
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Fishmongers, Baskets, and Sedan chairs
Title etched below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Restrike of No. 8118 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Allusion to Dundas's opposition to the reform of the Royal Burghs, 1792 -- Allusion to Edinburgh riots, 1792 -- Male costume: cloak., and Imperfect; sheet trimmed within vertical plate lines, with minor loss to the statement of responsibility.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811 and Stirling, James, Sir, 1740 or 1741-1805
Title from item., Numbered '150' in lower right of plate., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Place and date of imprint conjectured from that of book., Restrike of No. 8118 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Allusion to Dundas's opposition to the reform of the Royal Burghs, 1792 -- Allusion to Edinburgh riots, 1792 -- Male costume: cloak.
Publisher:
publisher not identified
Subject (Name):
Dundas, Henry, 1742-1811 and Stirling, James, Sir, 1740 or 1741-1805
Title etched below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., and Temporary local subject headings: Uniforms: Scottish, 'Black Watch' -- John, 1st marquis of Breadalbane, 1762-1834 -- Mary (Gavin), marchioness Breadalbane, after 1170-1845.
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877 ed.)., and Numbered '25' in lower right corner.
Publisher:
publisher not identified
Subject (Name):
Black, Joseph, 1728-1799, and Hutton, James, 1726-1797,
"Three revellers sit at a small round table on which is a large punch-bowl, each holding a full glass. A fat man in an arm-chair (right), full-face, each gouty bandaged leg supported on a stool, his left hand bandaged, and wearing a dressing-gown, with jovially contorted features, declaims the first part of the title. His neighbour, a young woman with her hand clasping her waist, declaims the second part. A wretched invalid (left), with stick-like limbs, looking on the verge of the grave, repeats the last part. The words, inscribed in scrolls, form the only title. They are the words of an old catch which continues: 'And is by all agreed the very best of physic' A patterned carpet, and cast shadows on a plain wall, complete the design."--British Museum online catalogue, description of the print of which this is a copy
Description:
Title from text in speech balloons within image, transposed right to left., Printmaker from unverified data in local card catalog record., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827]., A reduced copy of a print by Gillray published 13 July 1799 by H. Humphrey. Cf. No. 9449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Cf. Wright, T. Works of James Gillray, the caricaturist, page 265., Cf. Wright, T. Historical and descriptive account of the caricatures by James Gillray, no. 453., and Temporary local Medical Library subject terms: Cholic -- Punch.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Topic):
Gout, Drinking vessels, Eating & drinking, Floor coverings, Alcoholic beverages, Intoxication, Living rooms, Medicine, Songs, and Singing
"Three revellers sit at a small round table on which is a large punch-bowl, each holding a full glass. A fat man in an arm-chair (right), full-face, each gouty bandaged leg supported on a stool, his left hand bandaged, and wearing a dressing-gown, with jovially contorted features, declaims the first part of the title. His neighbour, a young woman with her hand clasping her waist, declaims the second part. A wretched invalid (left), with stick-like limbs, looking on the verge of the grave, repeats the last part. The words, inscribed in scrolls, form the only title. They are the words of an old catch which continues: 'And is by all agreed the very best of physic' A patterned carpet, and cast shadows on a plain wall, complete the design."--British Museum online catalogue, description of the print of which this is a copy
Description:
Title from text in speech balloons within image, transposed right to left., Printmaker from unverified data in local card catalog record., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827]., A reduced copy of a print by Gillray published 13 July 1799 by H. Humphrey. Cf. No. 9449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Cf. Wright, T. Works of James Gillray, the caricaturist, page 265., Cf. Wright, T. Historical and descriptive account of the caricatures by James Gillray, no. 453., Temporary local Medical Library subject terms: Cholic -- Punch., 1 print : etching on wove paper, hand-colored ; sheet 22.6 x 31.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge., and Mounted to 23 x 32 cm.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Topic):
Gout, Drinking vessels, Eating & drinking, Floor coverings, Alcoholic beverages, Intoxication, Living rooms, Medicine, Songs, and Singing
Title assigned by cataloger based on unverified data on local catalog card., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii, no. 145., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Soldier.
A porter is shown beating Captain Crawford with a stick. Behind the pair is Miss Hay of Mountblairy and Crawford's sister who wields her own stick. An imaginary incident based on Captain Crawford's 1784 threat against the printmaker
Alternative Title:
Cudgeller caught
Description:
Title from item., Restrike probably from: Kay, J. Series of original portraits and caricature etchings by the late John Kay. Ediburgh: Hugh Paton, Carver and Gilder, 1837-1838., Place and date of imprint conjectured from that of book., and Restrike of no. 6691 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
A porter is shown beating Captain Crawford with a stick. Behind the pair is Miss Hay of Mountblairy and Crawford's sister who wields her own stick. An imaginary incident based on Captain Crawford's 1784 threat against the printmaker
Alternative Title:
Cudgeller caught
Description:
Title etched below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered in lower left of plate: 47., and Restrike of no 6691 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2, no. 270., Numbered '270' in lower right of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Clergy -- Sermons.
Title devised by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title devised by cataloger., Place and date of imprint conjectured from that of the book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered '154' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., and Numbered '112' below design.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Clergy -- Sermons -- Rev. Robert Walker.
Title from item., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1837-8)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military uniforms -- Walking staves -- Weapons: muskets -- Bayonettes -- Samuel McDonald -- Gen. George Cranstoun.
Title from item., Probably from: Kay, J. Series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877., Place and date of imprint conjectured from that of book., Numbered '20' in lower right corner., Areas of original aquatint reworked with roulette., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military uniforms -- Walking staves -- Weapons: muskets -- Bayonettes -- Samuel McDonald -- Gen. George Cranstoun.
John Dhu (or Dow), member of the Edinburgh Town Guard, shown bust length, in profile to the right
Alternative Title:
John Dow
Description:
Title from item., Chapter heading titled: John Dow., and Probably a restrike from: Kay, J. Series of original portraits and caricature etchings. Edinburgh : Hugh Paton, Carver and Gilder, 1837-1838.
Title etched below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1837)., Cf. No. 7582 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Fashion: male riding costume, 1789 -- Antiquarians -- Architectural details: columns.
Title, printmaker, and imprint from the volume., Plate probably from: Kay, J. Series of original portraits and caricature etchings. Edinburgh : Hugh Paton, Carver and Gilder, 1842., 1842 reprint of No. 7582 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Fashion: male riding costume, 1789 -- Antiquarians -- Architectural details: columns.
On the right, the representatives of George III gathered on a dais under an ornate canopy with the King's initials on it, preside over a session of the Assembly. In the foreground, the ministers of the Church of Scotland are engaged in discussion and reviewing of documents. The surrounding pews are occupied by petitioners and their attorneys while the general public views the proceedings from the galleries above
Alternative Title:
General Assembly of the Church of Scotland
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Hugh Paton, Carver & Gilder to the Queen
Subject (Geographic):
Scotland. and Scotland
Subject (Name):
Church of Scotland. General Assembly.
Subject (Topic):
Clergy, Judicial proceedings, Courtrooms, and Clothing & dress
Title from caption below image., Place and date of publication conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Figures identified by ms. annotations in pencil.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Very faint impression of the word "fecit' below oval., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Three-quarter length portrait of Maria Constantia, wife of Henry Howard, the 12th Earl of Suffolk, at the age of 23, the year before her death
Alternative Title:
Right Honorable Maria Constantia
Description:
Lettered below the image, on a second plate, with the title, a crest bearing the motto 'Nous Maintien Drons', and "C. Read Pinxt. / J. Watson fecit / AD: 1766 AE: 23"., A coat of arms appears in the center in the caption area with motto: "Nous maintiendrons.", Watermark: illegible watermark (3 lines) towards bottom of sheet., and Matted to 62 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
Suffolk, Maria Constantia, Countess of, b. 1743 or 44-1767
Title from item., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Numbered '193' in lower right of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Walking staves.
Title and imprint from item., Plate probably from: Kay, J. Series of original portraits and caricature etchings. Edinburgh : Hugh Paton, Carver and Gilder, 1842., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: libraries -- Furniture: tables -- Inkwells -- Quills -- Walking staves.
A single image of a distressed man (the client) wearing a hat, which when turned becomes an image of a gleeful lawyer wearing a periwig
Alternative Title:
Lawyer
Description:
Title from item., Kay's initial burnished from plate, below image of "The Lawyer"?, Numbered "18" in letterpress above plate mark., Plate from: Kay, J. Series of original portraits and caricature etchings by the late John Kay. Edinburgh : Hugh Paton, Carver and Gilder, 1838, Appendix, no. 18., and Place and date of imprint conjectured from that of book.
Dr Barclay's advocation to the proposed professorship of comparative anatomy supported and opposed; represented by him riding the skeleton of an elephant into the university of Edinburgh and "Caricature of a man (Dr Barclay) riding on the skeleton of an elephant in Edinburgh University, engaged in an academic disputation with other professors about muscular motion."--British Museum online catalogue
Alternative Title:
Uproar among the craftsmen at Ephesus, opposing a new species of knowledge which they thought might interfere with the profits of their trade
Description:
Title from text at top of image; remainder of title from text below image., Imperfect; sheet trimmed within plate mark and torn with some loss from upper left, and printmaker's signature either lightly printed or possibly erased from sheet., Possibly a plate from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Hugh Paton, Carver and Gilder, 1837-1838, v. 2. no. 152., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: College of Edinburgh -- Royal College of Surgeons., and Printed description mounted with print.
Publisher:
publisher not identified
Subject (Name):
Barclay, John, 1758-1826, Gregory, James, 1753-1821, Hope, Thomas Charles, 1766-1844, Monro, Alexander, 1773-1859, Jamieson, Robert, 1774-1854, Johnson, Robert, 1765-, Barclay, John, 1758-1826., Gregory, James, 1753-1821., Hope, Thomas Charles, 1766-1844., Monro, Alexander, 1773-1859., and University of Edinburgh.
Title from item., Numbered '130' in lower right of plate., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877)., Place and date of imprint conjectured from that of book., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Captain James Justice, 1755-?
Title from text below image., Place and date of publication conjectured from imprint of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Captain James Justice, 1755-?
"George Smith (left) stands in profile to the right holding his hat, gazing fixedly at Deacon Brodie (right), who stands almost full-face looking to the front. Smith's clothes are out at elbows. Brodie is well dressed, wearing a cocked hat, a seal hangs from his fob, he holds a tasselled cane. Beside him are (left) a spurred game-cock and a dog, whose fierce-looking head appears on the extreme right."--British Museum online catalogue
Description:
Title etched below image., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., and Print numbered '106' in lower right corner.
Publisher:
publisher not identified
Subject (Name):
Brodie, William, 1741-1788, and Smith, George, -1788,
A design in five compartments, each occupied by a figure in profile to the right. Above each is an inscription. On the extreme left is a parson preaching from a pulpit; the head of the precentor appears in his desk beneath. Inscribed: 'I pray for all'. Next an advocate in his gown, his right hand raised: 'I plead for all'. Next a corpulent well-dressed man, holding up a sickle in his right hand: 'I maintain all'. Next is a still more corpulent military officer with a drawn sword: 'I fight for all'. Next is the Devil, prancing among flames, his talons extended: 'I take all'.
Description:
Title from item., Title etched below images., The characters are: Dr. Andrew Hunter of the Tron Church, with John Campbell (unrecognizable), the precentor, see BMSat 5894, below him; Henry Erskine, Dean of the Faculty of Advocates 1785-96; James Rocheid of Inverleith, a distinguished agriculturist and absurdly self-important laird; Quartermaster Taylor, one of the defenders of Gibraltar., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., and Later state of: No. 7416 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 6.
Publisher:
publisher not identified
Subject (Name):
Erskine, Henry, 1746-1817, Hunter, Andrew, 1743-1809, and Rocheid, James
A design in five compartments, each occupied by a figure in profile to the right. Above each is an inscription. On the extreme left is a parson preaching from a pulpit; the head of the precentor appears in his desk beneath. Inscribed: 'I pray for all'. Next an advocate in his gown, his right hand raised: 'I plead for all'. Next a corpulent well-dressed man, holding up a sickle in his right hand: 'I maintain all'. Next is a still more corpulent military officer with a drawn sword: 'I fight for all'. Next is the Devil (no wings in this early state), prancing among flames, his talons extended: 'I take all'.
Description:
Title etched below image., The characters are: Dr. Andrew Hunter of the Tron Church, with John Campbell (unrecognizable), the precentor, see BMSat 5894, below him; Henry Erskine, Dean of the Faculty of Advocates 1785-96; James Rocheid of Inverleith, a distinguished agriculturist and absurdly self-important laird; Quartermaster Taylor, one of the defenders of Gibraltar., No. 56 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Name):
Erskine, Henry, 1746-1817, Hunter, Andrew, 1743-1809, and Rocheid, James
Title etched below image., Place and date of imprint conjectured from that of the 1842 ed. of 'Series'., Probably from: Series of original portraits and caricature etchings by the late John Kay. Edinburgh : Hugh Paton, Carver, and Gilder, 1842., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Francis Anderson -- James Hunter, 1741-1805 -- George Austin.
"Portrait of Sir William Forbes (Banker) with inscription "The Good Shall Mourn A Brother - All A Friend" (obverse) (obverse)."--British Museum online catalogue
Description:
Title from text below image., Probably from: A seris of original portraits and caricature etching by the late John Kay (1842), v. ii, no. 145, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Portrait of Sir William Forbes (Banker) with inscription "The Good Shall Mourn A Brother - All A Friend" (obverse) (obverse),"--British Museum online catalogue
Description:
Title from text below image., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877), v. i., Numbered '76' in the lower left corner of image., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Military uniforms: Royal Edinburgh Volunteers -- Military drills.
Publisher:
publisher not identified
Subject (Name):
Aytoun, Roger, d. ca. 1810 and Angoulême, Louis-Antoine d'Artois, duc d', 1775-1844
Title from text below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii., Numbered '240' in lower right of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Military uniforms: Royal Edinburgh Volunteers -- Military drills.
Publisher:
publisher not identified
Subject (Name):
Aytoun, Roger, d. ca. 1810 and Angoulême, Louis-Antoine d'Artois, duc d', 1775-1844,
Title etched below image., Restrike, with corrections to the plate, of No. 9166 in the British Museum. Division I, political and personal satires, v. 7., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., Three lines of text below title: O, Harrie, whether shall I fly! I am this day a murderer of thousands ..., and Temporary local subject headings: French invasion -- Military uniforms.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, 1759-1806 and Dundas, Henry, 1742-1811
Title from item., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1877) v. i, no. 30., Numbered in lower right of plate: 30., and Temporary local subject terms: Weapons: Maces.
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842), v. i, pt 1, p. 67., See no. 7580 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, for earlier state., and Temporary local subject terms: Weapons: maces.
Title etched below image., Earlier state of No. 7579 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Probably from: A series of original portraits and caricature etchings by the late John Kay (1842).
Title etched below image., Place and date of imprint conjectured from that of the book., Plate from: A series of original portraits and caricature etchings by the late John Kay (1877 ed.), v. i., and Numbered in lower right of plate: 29.
Title from item., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842 ed.)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Edinburgh -- Lighting: Chairmen's lantern -- Male costume: Hose with tartan pattern., and Sheet creased, indicating that plate was originally folded.
Caption title., "Price to gentlemen, 2d. Tradesmen and servants, 1d."--Preceding imprint statement., "Tune, O' a the airts the wind, &c.", First lines read: Ye noblemen and gentlemen / Who're come to join the fun, / To see the races o'er again, / And nymphs upon the town., and Numbered in black ink "88" lower left corner. For further information, consult library staff.
Title etched below image., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay (1842)., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
