Subject: Image of General Winfield Scott on horseback at left, surrounded by troops. He points his sword towards the battle, where cannonballs fly in the air and the ground is covered in thick white clouds of smoke. Battleships are seen in the distance
Description:
Title from caption below image., Signed "F.K." in lower left corner., "American Army 12,000 men. American loss in killed and wounded about 75 men. Mexican Army 9,000 men. Mexican loss: killed about 1000, and 4,000 prisoners.", and "Agents: J. Bardsley, cor. of Arch & 2d. St. Phila. -- Joseph Ward, 52 Cornhill, Boston Mass., G.J. Loomis, no. 9 Washington St. Albany."
Publisher:
Lith. & Pub. by J. Baillie. 88 St. near 3d. Ave. N. York
Subject (Geographic):
Mexico
Subject (Name):
Scott, Winfield, 1786-1866 and Scott, Winfield, 1786-1866.
Subject (Topic):
Soldiers, Mexican War, 1846-1848, Campaigns, and Military campaigns
Cartes-de-visite photographs created primarily by photographers in San Francisco and northern California, ca. 1855-1895. Images consist chiefly of portraits depicting children, women, and men, in single, couple, and group sittings. Individuals in the images comprise various ethnic and cultural backgrounds, including Asian American and African American persons. The portraits also include persons with unique physical features, including midgets, dwarves, and giants. Occupations and group memberships represented in the portraits include butchers, circus performers, freemason, miners, musicians, sailors, and soldiers. Other images include portraits of dogs, and copy photographs of drawings, paintings, and dolls, Portraits of identified individuals include Baby Belmont, Frederick Coombs, Tom Coughlan, Tony Denier, Issac Sherwood Halsey, Little Clara Jenkins, Henrietta Lichau, and Eugenie Olanie. Other identified individuals include: Mollie Brown, a bareback somersault horse rider; A. Kerpen, a man with an eight-foot long beard; William Ingraham Kip, first Protestant Episcopal bishop of California; and two scholars in academic gowns, presumably from the University of California, George F. Stone and viticulturist Emmett Rixford, Individual photographers with galleries located in San Francisco include: T. A. Brown, John M. Bryan, Alexander Edouart, Sr., Oscar Foss, John D. Godeus, Thomas Houseworth, Benjamin Franklin Howland, J. Jackson, John Lucas Kingsley, Henry Kruse, Charles Lainer, H. Luther, Charles Albert Marston, George Daniels Morse, Eadweard Muybridge, Silas Wright Selleck, Jacob Shew, William Shew, Joseph Trinidad Silva, Hector William Vaughn, Carleton E. Watkins, John A. Winberg, and Lai Yong, Corporate photographic galleries and partnerships located in San Francisco include: Bayley & Winter, Bradley & Rulofson, Brown & Otto, Chalmers & Wolfe, City Mart Photographic Gallery, Currier & Winter, Edouart & Cobb, Hamilton & Kellogg, Hoebel & Luther, Houston's Excelsior Gallery, I. W. Taber & Company, Lawrence & Houseworth, New York Gallery, Peoples Art Gallery, Watkins' Yosemite Art Gallery, and Wise & Prindle, Individual photographers in other locations throughout California include: Joseph P. Lowe of Auburn; H. H. Frye of Chico; George W. Valleau of Colusa; H. H. Halsey of Dutch Flat; Amasa Plummer Flaglor of Eureka; Ellison Lassell Crawford of Georgetown; S. Johnson of Gilroy; Lewis Jackson Stinson of Marysville; Edward Abraham Kusel of Oroville; L. Dowe and George Ross of Petaluma; Flave H. Gaines of Red Bluff; A. P. Bailey and John A. Todd of Sacramento; James Atkins Clayton of San Jose; H. Schoene of Santa Clara; John E. D. Baldwin of Santa Cruz; John Pitcher Spooner of Stockton; Murry Dunham and James Girard Smith of Vallejo; Issac Sherwood Halsey of Volcano; and Skelton Sanford Noble and B. F. Stevens from unidentified locations, and Photographic galleries and partnerships in other locations throughout California include: Mains & Von Hasseln of Camptonville; Bluett & Fardon and Dunham & Lathrop of Oakland; Sanders & Stinson of Marysville; and Abell & Welsh of Roseburg, Oregon
Description:
Digital version available; and Title devised by cataloger.
Subject (Geographic):
California. and California
Subject (Name):
Abell, Frank George, Jr., 1844-1910., Bailey, A. P., Baldwin, John E. D., Bayley, Wilbur Fisk., Bluett, William H., Bradley, Henry William, 1813-1891., Brown, T. A., photographer., Bryan, John M., Chalmers, James Calder, Jr., Clayton, James Atkins, 1831-1896., Cobb, David., Coombs, Frederick, 1803-1874., Coughlan, Tom., Crawford, Ellison Lassell, 1833-1895., Currier, Amos., Denier, Tony, 1839?-1917., Dunham, Allen Murray, ca. 1834-ca. 1924., Dunham, Murry., Edouart, Alexander, 1818-1892., Fardon, George Robinson, 1807-1886., Flaglor, Amasa Plummer, 1848-1918., Foss, Oscar., Frye, H. H., Gaines, Flave H., Godeus, John D., Halsey, Henry H., Halsey, Isaac Sherwood, 1828-1895., Hamilton, Charles F., Houseworth, Thomas, 1829-1915., Jenkins, Clara., Johnson, Andrew, 1808-1875., Johnston, Amasa Park, ca. 1837-1931., Kellogg, Andrew J., Kingsley, John Lucas, ca. 1939-1869., Kip, William Ingraham, 1811-1893., Kruse, Henry., Kusel, Edward Abraham., Lainer, Charles., Lathrop, Frank Henry., Lawrence, George S., Lichau, Henrietta., Lowe, Joseph P., Mains, James Riley., Marston, Charles Albert., Mautz, Carl., Morse, George Daniels., Muybridge, Eadweard, 1830-1904., Noble, Skelton Sanford., Olanie, Eugenie., Prindle, Edward H., Rixford, Emmett H., Ross, George, 1832-1893., Rulofson, William Herman, 1826-1878., Sanders, Stephen Poole., Selleck, Silas Wright, ca. 1828-1885., Shew, Jacob, 1826-1879., Shew, William J., 1820-1903., Silva, Joseph Trinidad., Smith, James Girard, 1836-, Spooner, John Pitcher, 1845-1917., Stevens, B. F., Stinson, Lewis Jackson., Stone, George F., Taber, I. W. 1830-1912. (Isaiah West),, Todd, John A., 1827-1899., Valleau, George W., Vaughn, Hector William., Watkins, Carleton E., 1829-1916., Welsh, John Oliver, ca. 1840-ca. 1913., Winberg, John A., Winter, Daniel., Winter, Robert, ca. 1821-1893., Wise, James H., 1812-, Wolfe, Samuel Augustus., Yong, Lai., Abell & Welsh., Bayley & Winter., Bluett & Fardon., Bradley & Rulofson., Brown & Otto., City Mart Photographic Gallery., Currier & Winter., Dunham & Lathrop., Edouart & Cobb., Foss & Halsey., Freemasons, Hamilton & Kellogg., Hoebel & Luther., Houston's Excelsior Gallery., I. W. Taber & Company., Mains & Von Hasseln., Peoples Art Gallery., and Sanders & Stinson.
Subject (Topic):
African Americans, Asian Americans, Photographers, Circus performers, Dolls, Dwarfs (Persons), Giants (Folklore), Miners, Musicians, Sailors, Soldiers, and Tall people
Card photographs of Colorado, California and Washington. In Colorado, there are views of Manitou, Garden of the Gods, and Pikes Peak. In Yosemite there are views of Yosemite Falls, Bridal Veil Falls, Nevada and Vernal Falls, Glarin Point, Half Dome, Mirror Lake, the Dome and Royal Arches, El Capitan and the Valley from Inspiration Point. Other California views include Telegraph Hill and Alcatraz Island in San Francisco and soldiers on South Wharf at Angel Island and At Fort Vancouver in Washington there are photographs of the reservoir, parade grounds and officer's quarters, and several portraits of men in military uniform. Finally, there are images of a Fourth of July parade featuring bicyclists, clowns and floats, and distant views of circus tents, probably in Washington
Description:
Manuscript captions on verso of mounts. The majority of the photographs are circular Kodak prints on rectangular mounts. and Accompanied by a box list.
Subject (Geographic):
Washington, California, Colorado, Alcatraz Island (Calif.), Angel Island (Calif.), Yosemite National Park (Calif.), Washington (State), Fort Vancouver (Wash.), and Manitou Springs (Colo.)
Subject (Topic):
Circus, Parades, Fourth of July celebrations, and Soldiers
Studio portrait photographs and incidental images primarily in Siskiyou County, California, created by Louis Herman Heller, 1864-1900, in addition to images related to the Modoc Indian War, the only major Indian war fought by the federal government in California, November 1872 - June 1873, Heller operated a photography studio in Yreka, California, 1864-1869, and in Fort Jones, California, 1869-1900. Images from both studios consist primarily of studio portraits of children, women, and men. Identified portraits from the studio in Yreka, include Henry M. Reid, and probably sisters Catherine E. Moore and Emily B. Moore. Identified portraits from the studio in Fort Jones, include Edward J. Baxter, Daniel Davis, Cora Kist, Naomi Swan, and Henry E. Witherspoon, A large component of portrait photographs originally comprised an album, ca. 1870-1885, probably compiled by John Henry Walker and Mary Cory Walker of Etna, California, including several portraits of their daughter, Cora A. Walker, Stereograph cards include images related to the Modoc Indian War, including exterior group portraits of the United States military and allied Indians pursuing the Modoc force, views of the lava bed landscape, and the military headquarters of Tule Lake. Some stereograph cards also bear the imprint of the Watkins' Yosemite Art Gallery, San Francisco, California, which also distributed them. Incidental images on other stereograph cards include a view of a mine and lumber mill from a distance, an exterior portrait of a man on a horse, and a view of a residence, and Other photographs related to the Modoc Indian War include single and group portraits created by Heller and distributed by Watkins' Yosemite Art Gallery documenting Modoc prisoners taken into custody and their captors. Portraits include Black Jim, Buckskin Doctor, Curley Headed Jack, John A. Fairchild, Hooka Jim, Donald McKay, One-Eyed Dixie, One-Eyed Mose, Scarface Charlie, Shacknasty Jim, Schonchin, Steamboat Frank, Wheum, in addition to Captain Jack and a portrait of his family
Description:
Title devised by cataloger.
Subject (Geographic):
Etna (Calif.), Fort Jones (Calif.), Siskiyou County (Calif.), Tulelake (Calif.), and Yreka (Calif.)
Subject (Name):
Baxter, Edward J., Andersson, Dan, 1888-1920., Buckskin Doctor., Curley Headed Jack., Davis, Daniel., Fairchild, John A., Heller, Louis Herman, 1839-1928., Hooka Jim., Jack, Captain, Modoc Chief, d. 1873., Kist, Cora., McKay, Donald., Moore, Catherine E., Moore, Emily B., One-Eyed Dixie., One-Eyed Mose., Reid, Henry M., Scarface Charlie., Schonchin., Shacknasty Jim., Steamboat Frank., Swan, Naomi., Walker, Cora A., b. 1872., Walker, John Henry, 1841-1907., Walker, Mary Cory, 1851-1910., Watkins, Carleton E., 1829-1916., Wheum., Witherspoon, Henry E., and Watkins' Yosemite Art Gallery.
Subject (Topic):
Indians of North America, Modoc Indians, Modoc War, 1872-1873, Prisoners, and Soldiers
Photographs taken at Fort Dodge by William Soule and Philip Reade. The first is of John O. Austin, Chief of Scouts, with a group of 44 Indians taken captive in 1868 at Washita. Reade's caption states that "Soule taught me photography and I shot the bunch the other day." The second is of 11 doctors and officers, taken in 1869 outside the Billiard and Bar Room of the Fort Trader's Store. The third photograph is of Philip Reade and a group of 10 Osage and Kaw Indian Scouts, Clippings concern the career of Philip Reade, and include 2 flag of truce letters from Secret Service duty during the Civil War and commendations from Andrew Sheridan, Captain of the 3rd Infantry, for Reade's conduct in an Indian skirmish in 1868, and from De L. Floyde-Jones, Colonel of the 3rd Infantry, praising the "zeal and efficiency" with which Reade performed his duties as Regimental Adjutant at Fort Dodge, and Reade describes his Indian and white scouts, noting what they earned and the names of several that had recently been killed, and gives summary information about Fort Dodge
Description:
Photographs are pasted onto both sides of two cardboard mounts and are accompanied by clippings and extensive manuscript captions. and Typescript of captions available.
Subject (Geographic):
Kansas and Fort Dodge (Kan.)
Subject (Name):
Reade, Philip., Austin, John Osborne, 1849-1918., and United States. Army. Infantry Regiment, 3rd.
Subject (Topic):
Indians of North America, Osage Indians, Kansa Indians, Military scouts, Soldiers, and Prisoners
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Subject: Image of General Zachary Taylor sitting on his horse, apporaching three Mexican soldiers standing at right. Taylor is surrounded by other American soldiers, and fighting can be seen in the distance
Alternative Title:
General Taylor never surrenders
Description:
"Entered according to act of Congress in the year 1847 by N. Currier, in the clerk's office of the District Court of the Southern District of New York."
Publisher:
N. Currier
Subject (Geographic):
Mexico
Subject (Name):
Taylor, Zachary, 1784-1850 and Taylor, Zachary, 1784-1850.
Subject (Topic):
Mexican War, 1846-1848, Campaigns, Soldiers, and Military campaigns
