"Satire on the election for County Durham, 14 April 1784: Sir Thomas Clavering and Sir John Upton, one headless, holding a caption labelled 'The Irish Faction for ever' and carrying the other, who has no feet, on his back, who says 'I serv'd you as long as I could stand' and carries captions lavelled 'Coal owners Bill' and 'A command in India'; both seated on an ass facing left, which brays 'Thus I go to Parliament and am not the first Ass that has farted for preferment, but this is dirty work and hard Labour' and which has a collar labelled 'I speak for my Master / Populus me sibilat at plaudo ipse domi' and strips at the saddle labelled 'Curse all Pitts / But a Coal-Pitt'; with the ass' droppings falling on a crest with the motto 'Diem Perdidi'; a mitre, crozier and sword and label 'At rest' on the ground in the centre, playing cards and papers labelled 'Turnpike Speech / Election Speech' to left; a milestone to right labelled 'From Durham / T: C / J: E / 14 April 1784'."--British Museum online catalogue
Alternative Title:
Northern ass
Description:
Title etched below image., Attribution to W. Hutchinson from annotation on verso of British Museum impression. See British Museum online catalogue, registration no.: 1865,1014.456., Date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark in the center of sheet.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Clavering, Thomas, Sir, 1719-1794, Eden, John, Sir, 1740-1812, and Great Britain. Parliament, 1783-1784.
Subject (Topic):
Elections, Donkeys, Defecation, Traffic signs & signals, Miters, Crosiers, Daggers & swords, and Playing cards
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man canters in profile to the left on a lean and broken-kneed horse whose hind-quarter is branded. He has only one rein attached to ill-fitting harness, and sits with his leg thrust forward and holds a club against his right shoulder. Behind him (right) is a signpost: 'The Bridle Way to Horse-Lydown' (a pun on Horselydown, Southwark). In the background are trees and (left) the Thames with ships."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., and Temporary local subject terms: Broken kneed horse -- Branded horse -- Signpost: The Bridie Way to Horse-ly Down -- Ships on the Thames.
Publisher:
Publish'd Augst. 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Traffic signs & signals, and Ships
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man canters in profile to the left on a lean and broken-kneed horse whose hind-quarter is branded. He has only one rein attached to ill-fitting harness, and sits with his leg thrust forward and holds a club against his right shoulder. Behind him (right) is a signpost: 'The Bridle Way to Horse-Lydown' (a pun on Horselydown, Southwark). In the background are trees and (left) the Thames with ships."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Temporary local subject terms: Broken kneed horse -- Branded horse -- Signpost: The Bridie Way to Horse-ly Down -- Ships on the Thames., Mounted on page 66 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving with etching on laid paper ; sheet 23.0 x 18.9 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Augst. 1st, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Traffic signs & signals, and Ships
"Pushed by Knighton and pulled by Lady Conyngham, George IV, more corpulent than in other prints, walks in an ornate circular stand or support on castors (as used for toddling children, cf. British Museum satires no. 7497) towards Virginia Water (right), his fishing-rod against his shoulder. He wears a hat with a wide curving brim inscribed á la Townsend [cf. British Museum satires no. 10293], double-breasted tail-coat, breeches, and pumps; his right arm rests on the ring of the stand, in his hand is a small book: Old Izack [Walton]. From the stand dangles an ornate reticule: Fish Bag; the base is decorated with two fat squatting mandarins. Lady Conyngham looks over her right shoulder at the King, puffing from her effort, but singing Rule Britannia; the crossbar at which she tugs is a sceptre. She wears an enormous ribbon-trimmed bonnet and décolletée dress; the hook from the King's line has caught in her dress which strains across her vast posterior as she leans forward. Knighton wears a court-suit with bag-wig and sword. He pushes with both hands with great concentration, singing, Send him Victorious. In his coat-pocket are a clyster-pipe and a paper: Petition of the Unborn Babes. A signpost terminating in a realistic hand points To Virginia Water. There is a background of trees and water."--British Museum online catalogue and A later impression [i.e. state] of British Museum Satires No. 15413 ... A scroll has been added beside Knighton's coat-tails inscribed with his 'places of profit': Clerk of Stannaries Recr Genl Duchy of Cornwall, Privy Purse &c &c &c. See Diary of H. Hobhouse, loc. cit. A border has been added."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. June 27th, 1827, by S.W. Fores, Pciadilly [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Knighton, William, Sir, 1776-1836, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Bonnets, Fishing & hunting gear, Mistresses, Obesity, Physicians, British, Pulling, Scepters, Medical equipment & supplies, and Traffic signs & signals
"Caricature with Queen Caroline and Bergami riding on donkeys on the road from Jericho to Jerusalem."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Two lines of quoted text beneath title: "A saint and courier cheek by jowl, set out strange lands to see., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 81 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil beneath image; date "3 [sic] June 1821" written in ink in lower right corner.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Donkeys, Whips, Bottles, and Traffic signs & signals
Volume 2, page 78. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., Text below title: In hoc signo vinces., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 78 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 25th, 1791, by W. Dickinson, No. 25 Old Bond Street
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
1832.
Call Number:
832.00.00.54+
Image Count:
1
Resource Type:
still image
Abstract:
"The Duke of Cumberland, with large head, huge moustache and whiskers and savage teeth, rides a galloping horse, his hands crossed on his breast; he glares at two young women, terrified and spinsterish, who scream, brandishing parasols; a third is climbing over a paling. A signpost points 'To Barnes'. See British Museum Satires No. 17273, &c."--British Museum online catalogue
Alternative Title:
Ogreman Duke in Ernest
Description:
Title from text below image., Initials of printmaker Charles Jameson Grant in lower left corner of design., and Sheet trimmed to design.
Publisher:
Pub. by Tregear, Cheapside
Subject (Name):
Ernest Augustus, King of Hanover, 1771-1851
Subject (Topic):
Mustaches, Fear, Umbrellas, Fences, and Traffic signs & signals
"An adaptation of British Museum Satires No. 11904 (1812), by Cruikshank, reversed, with Lady Conyngham replacing Lady Hertford. The open barouche, with four galloping horses and the Cupid postilion, is closely copied. Behind the carriage, as footman, General Bloomfield replaces McMahon. Conyngham replaces Hertford on the donkey, with the antlers, dress, and (incorrectly) the staff of office of his predecessor. He says: "How fortunate am I to have a Handsome and Cunning wife or I should not wear those marks of Distinction!" Lady Conyngham repeats Lady Hertford's words: "We have had a glorious ride my Love! It is worth Half a Crown" [cf. British Museum Satires No. 13826]. George IV: "My Cunning-one I have not Half a Crown to give thee, Would that I had." The Devil drives, as before, but sits alone, instead of beside Lord Yarmouth; a long barbed tail has been added. The 'Female Asylum' (for discarded mistresses) is similarly drawn but less ramshackle; the women looking from the windows are altered; Lady Hertford replaces Mrs. Fitzherbert: the words are as before, but '. . . his Poor F' becomes 'his Poor H'. On the roof, in place of two cats as supporters of the inverted feathers and coronet, are three cats with a (heraldic) scroll and a chamber-pot. The tail of the procession (Sheridan and the wagon 'For Yarmouth . . .') is omitted. The signpost points 'To Brighton'; Ragley is replaced (left) by the domes and minarets of the Pavilion, burlesqued."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Three lines of quoted text following title: "For trifling sports I quitted grave affairs," "And let not wine or anger wrest," "Th' intrusted secret from your breast.", Mounted to 39 x 58 cm., Mounted on leaf 16 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Geo. IV," and "[Lady] Conyngham" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of twenty-six lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Royal Pavilion (Brighton, England),
Subject (Topic):
Adultery, Mistresses, Carriages & coaches, Donkeys, Antlers, Devil, Pitchforks, Asylums, Cats, Chamber pots, Traffic signs & signals, and Official residences
Caricature with Queen Caroline with her arms linked to those of Bergami and her lawyer, as they step along the road between St Omer and Calais. The Queen wears a watch at her waist and two miniature portraits hang from cords at her bosom. In the background her coach awaits with a coachman in tall boots smiling at the scene. A re-issue with new background of a plate first published on 19 January 1821
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Reissue, with the plate extensively reworked; a new background and new borders have been added, the title and publication line have been re-etched, and slight changes to the figures have been made. For the earlier state, see British Museum online catalogue, registration no.: 1975,0118.30., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
Caricature with Queen Caroline with her arms linked to those of Bergami and her lawyer, as they step along the road between St Omer and Calais. The Queen wears a watch at her waist and two miniature portraits hang from cords at her bosom. In the background her coach awaits with a coachman in tall boots smiling at the scene. A re-issue with new background of a plate first published on 19 January 1821
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Reissue, with the plate extensively reworked; a new background and new borders have been added, the title and publication line have been re-etched, and slight changes to the figures have been made. For the earlier state, see British Museum online catalogue, registration no.: 1975,0118.30., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; sheet 28.6 x 22.1 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 80 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Wood" identified in pencil below image.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
Leaf 11. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
An enormously fat gentleman, with a footman stationed at his rear, brandishes a whip as he drives his phaeton behind a pair of diminutive horses. The signpost behind him reads "to Salthill" with a mile marker on the right reading "XIX miles". A crest of a donkey's head adorns the side of the carriage
Alternative Title:
Flying buck
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On leaf 11.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 May 1772]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A country rector (identified as Rev. Sam Peck, tutor, in the British Museum catalogue) rides on a cob horse towards Cambridge (as shown by the road sign); from his pocket is seen a piece of paper "[N?]ext Chap. xx". Two pigs look up at him as he rides by on the country road. In the distance is a country church; people walk around the churchyard
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed within plate mark., Temporary local subject terms: Tutors -- Road to Cambridge., Mounted on page 3 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching and drypoint on laid paper ; sheet 20.4 x 25.2 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs May 2, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Name):
Peck, Sam, Reverend, active 1772.
Subject (Topic):
Clergy, Horses, Riding, Swine, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[2 May 1772]
Call Number:
Bunbury 772.05.02.01 Impression 1
Collection Title:
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A country rector (identified as Rev. Sam Peck, tutor, in the British Museum catalogue) rides on a cob horse towards Cambridge (as shown by the road sign); from his pocket is seen a piece of paper "[N?]ext Chap. xx". Two pigs look up at him as he rides by on the country road. In the distance is a country church; people walk around the churchyard
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed within plate mark., and Temporary local subject terms: Tutors -- Road to Cambridge.
Publisher:
Publish'd as the act directs May 2, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Name):
Peck, Sam, Reverend, active 1772.
Subject (Topic):
Clergy, Horses, Riding, Swine, and Traffic signs & signals
"A grotesque procession of brass-founders (braziers), carrying banners and emblems of brass on poles, burlesquing a Roman triumph. They march (right to left) past a sign-post pointing (left) 'To B--burgh House' and (right) 'To Turnham Green'. All wear loose jack-boots, spurred, and on each man's head is a brass utensil (or helmet), as made by the trade, and each carries a dish-cover (or shield) inscribed 'C R'. Many wear makeshift breastplates. They wear ragged breeches, some partly covered by strips of metal on the thigh, in imitation of armour. The two goose-stepping leaders blow coach-horns to which banners are attached, inscribed 'Blow Braziers Blow thy Sounding Horns'; their head-dress is a candlestick containing a tall lighted candle. They are followed by two trumpeters, with teakettles on their heads. Next comes a tall drummer, his drum inscribed 'Hum Drum', using ladles for drumsticks and with a coal-scuttle-helmet. Prominent among their trophies are pikes, to which banners are attached, each decorated by a large white favour. The first banner is inscribed 'Hail Star of Como [see British Museum Satires No. 13857] Brass is a Joke to thee.' Beside this, supported on a pole, is a model of a man (Bergami) on a galloping horse inscribed 'Courier'. A pair of breeches hangs from a pike. Various objects are surmounted by a piece of drapery inscribed 'Presents for Carey', and by a banner inscribed 'Men of Metal'; they include a bull, a goat, a stag's head, and a model of a Turk dancing inscribed 'Dimma Dimma'. Behind these is an owl and, beside a banner inscribed 'Pam [knave of clubs] & Qu--n for ever', is a model of Bergami carrying the Queen on his back. A figure of Harlequin is inscribed 'B B' [Bartolomeo Bergami]. Drapery is inscribed 'Presents for Bat' [Bartolommeo]; beside this is a bust of Alderman Wood. 'Furniture for the Barona' is on a banner flying over a woman (three-quarter length) wearing a triple fool's cap and emerging from a stand: 'Automaton Pitch'. A figure of 'Columbine' capers awkwardly. The interstices among these objects are filled with household utensils, &c., held high, tongs, poker, shovel, &c. Below the design: '"Why look'ye Mrs Brasier!" I dont know in what quantities you sell brass "at" Como"--But when you come "from" abroad, & ask a thinking people "to believe Black is White--D . . . me but your'e a Wholesale Dealer!!!--John Bull.""--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 18 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wood, Matthew, Sir, 1768-1843., and Bergami, Bartolomeo Bergami, Baron.
"A grotesque procession of brass-founders (braziers), carrying banners and emblems of brass on poles, burlesquing a Roman triumph. They march (right to left) past a sign-post pointing (left) 'To B--burgh House' and (right) 'To Turnham Green'. All wear loose jack-boots, spurred, and on each man's head is a brass utensil (or helmet), as made by the trade, and each carries a dish-cover (or shield) inscribed 'C R'. Many wear makeshift breastplates. They wear ragged breeches, some partly covered by strips of metal on the thigh, in imitation of armour. The two goose-stepping leaders blow coach-horns to which banners are attached, inscribed 'Blow Braziers Blow thy Sounding Horns'; their head-dress is a candlestick containing a tall lighted candle. They are followed by two trumpeters, with teakettles on their heads. Next comes a tall drummer, his drum inscribed 'Hum Drum', using ladles for drumsticks and with a coal-scuttle-helmet. Prominent among their trophies are pikes, to which banners are attached, each decorated by a large white favour. The first banner is inscribed 'Hail Star of Como [see British Museum Satires No. 13857] Brass is a Joke to thee.' Beside this, supported on a pole, is a model of a man (Bergami) on a galloping horse inscribed 'Courier'. A pair of breeches hangs from a pike. Various objects are surmounted by a piece of drapery inscribed 'Presents for Carey', and by a banner inscribed 'Men of Metal'; they include a bull, a goat, a stag's head, and a model of a Turk dancing inscribed 'Dimma Dimma'. Behind these is an owl and, beside a banner inscribed 'Pam [knave of clubs] & Qu--n for ever', is a model of Bergami carrying the Queen on his back. A figure of Harlequin is inscribed 'B B' [Bartolomeo Bergami]. Drapery is inscribed 'Presents for Bat' [Bartolommeo]; beside this is a bust of Alderman Wood. 'Furniture for the Barona' is on a banner flying over a woman (three-quarter length) wearing a triple fool's cap and emerging from a stand: 'Automaton Pitch'. A figure of 'Columbine' capers awkwardly. The interstices among these objects are filled with household utensils, &c., held high, tongs, poker, shovel, &c. Below the design: '"Why look'ye Mrs Brasier!" I dont know in what quantities you sell brass "at" Como"--But when you come "from" abroad, & ask a thinking people "to believe Black is White--D . . . me but your'e a Wholesale Dealer!!!--John Bull.""--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 25.6 x 38.4 cm., Printed on wove paper with watermark "J. Whatman"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 58 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "16 Feb. 1821" written in ink beneath lower right corner of image. Typed extract of twenty-four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wood, Matthew, Sir, 1768-1843., and Bergami, Bartolomeo Bergami, Baron.
"A satire on the rebuilding of Drury Lane Theatre. Whitbread, Chairman of the Committee, bestrides a barrel, the head inscribed 'The Butt M, T' [empty]. He has long ass's ears and points to a table beside him on the extreme right where there is a model of a theatre with a pillared portico and pediment. This rests on a paper inscribed 'Whitbread Copeland Holland Rolls &ca clear gains 450000!!!!!' Next Whitbread a man sits behind a similar table littered with plans all inscribed 'Plan of Drury Lane'. He also has ass's ears, to which a second pair has been added in water-colour. He looks through an eye-glass, resting his right elbow on an anchor, while he holds at arm's length the model of a theatre whose portico is flanked by two large sphinxes. A carved sun, like the emblem of the Sun Fire-Office, decorates his chair; on the right is a broad post or terminal pillar supporting a man's head, also with ass's ears. This rests on a volume inscribed 'Commons', and on its face in large letters are the words 'Ex Nihilo Nihil Fil'; from its upper edge a signpost arm projects to the right inscribed 'To Coventry', showing that he is Peter Moore. Behind Whitbread (left) and partly screened by a heavy curtain is a table supporting a third model of a theatre, also with a portico. Whitbread, frowning slightly, says: "These Resolutions once carried good bye Friend Sherry Old Claimants and new Subscribers (aside) Hem! I think I have bullied the Committe [sic] properly." His neighbour (? Lord Holland) who smiles, has a round good-humoured face; he says: "La! Mr Chairman I think my Sphynxes look Monstrous Pretty.""--British Museum online catalogue
Alternative Title:
Punishment of a modern Midas
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman., and Matted to 37 x 46 xm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Theatre Royal, Drury Lane (London, England), Whitbread, Samuel, 1764-1815, Moore, Peter, 1753-1828, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Theaters, Architectural models, Barrels, and Traffic signs & signals
Title from item., Printmaker, place and date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Commutation Tax, 1785 -- Soap tax -- Tax on lights -- Tax on windows -- Signs: sign-posts -- Trades: washerwomen -- Vehicles: tumbrels -- Windows -- Pitt's speech -- Gallow ropes., and Partial watermark in upper right of plate: fleur-de-lis on shield with initials L V G.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d July 1779.
Call Number:
Bunbury 779.07.03.02+ Impression 1
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a large lady riding side-saddle on a nag, followed by a man on horseback accompanied by a dog.."--British Museum online catalogue
Description:
Title etched below image., Number "3" in "3d" in publication date is etched backward., Sheet trimmed within plate mark., Companion print to: Warley ho!, Temporary local subject terms: Military., and Mounted on modern secondary support.
Publisher:
publisher not identified
Subject (Topic):
Horseback riding, Dogs, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d July 1779.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a large lady riding side-saddle on a nag, followed by a man on horseback accompanied by a dog.."--British Museum online catalogue
Description:
Title etched below image., Number "3" in "3d" in publication date is etched backward., Sheet trimmed within plate mark., Companion print to: Warley ho!, Temporary local subject terms: Military., Mounted on page 93 of: Bunbury album., and 1 print : etching on laid paper, hand-colored ; sheet 23.3 x 31.1 cm.
Publisher:
publisher not identified
Subject (Topic):
Horseback riding, Dogs, and Traffic signs & signals
Two men, one a parson on horseback, the other a lawyer walks by his side. They closely resemble each other in profile and appearance except that the latter is thin and angular. The ungainly horse walks slowly (left to right) along a country road, beside which is a milestone: 'Derby II. Leicester 17. London 116'. In the distance is a village church
Alternative Title:
Pair of portraits
Description:
Title etched below image., Attributed to Charles Williams. See British Museum catalogue., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: Folios of caricatures lent out for the evening.
Publisher:
Pubd. Decemr.11th, 1797, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Clergy, England, Lawyers, and Traffic signs & signals
"The doctor, mounted on Grizzle, is beside a four-direction signpost on an open heath with a group of asses in the middle distance."--British Museum online catalogue, description of a later version of the design
Alternative Title:
Doctor Syntax losing his way
Description:
Title etched below image., Attribution to Rowlandson from Grego., Sheet trimmed within plate mark., Plate from: Combe, W. The tour of Dr. Syntax in search of the picturesque. London: R. Ackermann's Respository of Arts, 1812., "Plate 2"--Upper right corner., For an early version of the design, published in 1809 in Ackermann's The Poetical magazine, see no. 11508 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. See also: Grego, J. Rowlandson the caricaturist, v. 2, page 176. For a later version of the design, published in 1813, see British Museum online catalogue, registration no.: 1866,1114.848., and Temporary local Medical Library subject terms: Doctor Syntax.
Publisher:
Published 1 May 1812, at R Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Clergy, Teachers, Horseback riding, Traffic signs & signals, and Donkeys
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[May 1772]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs. Page 85. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a Cambridge academic riding to the races: a man with a macaroni queue and holding a hooked stick riding along a rode past a signpost pointing towards Newmarket and away from Cambridge; in the distance on the left a church tower rises above trees, on the right King's College Chapel and another tower."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Temporary local subject terms: Cambridge: Trinity College Chapel -- Newmarket., and Mounted on page 3 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs May 1772 by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[May 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs. Page 85. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a Cambridge academic riding to the races: a man with a macaroni queue and holding a hooked stick riding along a rode past a signpost pointing towards Newmarket and away from Cambridge; in the distance on the left a church tower rises above trees, on the right King's College Chapel and another tower."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Temporary local subject terms: Cambridge: Trinity College Chapel -- Newmarket., Mounted on page 85 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 20.0 x 24.8 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs May 1772 by J. Bretherton, No. 134 New Bond Street
In a country landscape, a man and a young woman in riding habit ride together (left to right) on a white horse, passing a signpost that reads (left) "To London" and (right) "To Newbury and Well Hall". She sits in front, holding the reins and riding astride. She holds up a purse in her left hand saying, "This will pay you for your Trouble Honey". The man sits behind, his feet in the stirrups, his left hand on the woman's waist; he says, "Promise me that and I will never say another Mass". The man wears ordinary riding-dress; the woman wears a feathered hat over a frilled cap, and a tight coat over a ruffled shirt. Behind them (left) walks a young woman, wearing a cap of lace and ribbons; she holds her apron to her eye, saying, "The Old witch is carrying away my Director". The words issue from the speakers' mouths on long scrolls. In the foreground (left) is a tree; the background is an undulating landscape with a square church tower and the roofs of a village among trees
Alternative Title:
Father D,----------, leaving his Catholic vows for the joys of the flesh and Father D leaving his Catholic vows for the joys of the flesh
Description:
Title from item., Sheet trimmed to plate mark., Attributed to Nixon in the British Museum catalogue., and Place of publication from location of publisher, assumed to be Thomas Cornell of Bruton Street. See I. Maxted's British book trades, 1710-1777.
"A stout lady (left), her hands in a muff, cannonades into a fat parson walking in the opposite direction. Behind (right) a rider urges his horse forward; on the left a pedestrian walks into a pond."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '144' in lower right corner., Temporary local subject terms: Parsons -- Female costume -- Walking staves -- Signposts., and Watermark: fleur-de-lis.
Publisher:
Published 22d Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Printmaker identified from an original drawing in the Huntington Library., One of a series of Drolls., Four lines of verse in two columns below title: Buck's with Truncheon's swagger and knock down ..., Plate numbered '150' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: Foot-pads -- Watches: pocket watch -- Highway robbery -- Milestones -- Bludgeons., and Watermark: Strasburg bend (partial) with initials GR below.
Publisher:
Published 4th May 1795 by Laurie & Whittle, 53 Fleet Street, London
"Six French émigrés are grouped at the roadside beside a signpost (right) pointing (left) to 'London' and (right) to 'Dover'. A lean and elderly woman holding a clipped poodle stands with her left hand in the arm of a man wearing a cocked hat with a tricolour cockade, and a long coat reaching almost to his ankles; he holds a tasselled cane. Next him is a stout man wearing a long cloak, and a boy or dwarfish man. On the right are two women holding large muffs. A second clipped poodle runs beside them. In the background a coach (right) inscribed 'London Dover Canterbury' is driving towards London with outside passengers; one, a sailor, waves his hat. The gable end of a cottage (left) and trees complete the background."--British Museum online catalogue
Description:
Title engraved below image., After Robert Dighton; see British Museum online catalogue., and Plate numbered "617" in lower left corner.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Leaf 64. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike. For original issue of the plate, published ca. 1812, see Lewis Walpole Library call no.: Bunbury 812.00.00.69., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A copy, with some additions, of a plate from: An academy for grown horsemen. Cf. No. 7236 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and On leaf 64 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Volume 2, page 67. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man rides on a country road in profile to the left, facing a squall of wind and rain which beats the brim of his round hat over his face. He approaches a fork in the road with a signpost (left) showing the roads to 'Oxford' and '[L]ondon'. A bag at the back of his saddle shows that he is 'what is called on the road, a rider, a bag-man or bagster'."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., and Watermark, mostly trimmed.
Publisher:
Publish'd Sepr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Winds, Rain, and Traffic signs & signals
Volume 2, page 67. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man rides on a country road in profile to the left, facing a squall of wind and rain which beats the brim of his round hat over his face. He approaches a fork in the road with a signpost (left) showing the roads to 'Oxford' and '[L]ondon'. A bag at the back of his saddle shows that he is 'what is called on the road, a rider, a bag-man or bagster'."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Mounted on page 67 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving with etching on laid paper ; sheet 22.5 x 20.0 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd Sepr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Winds, Rain, and Traffic signs & signals
Volume 2, page 68. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A man with a stern look upon his face (Richard Beadon) and a whip in his hand, rides his horse along a road. A signpost on the right show him heading toward York & Carlisle; presumably with London in the opposite direction
Alternative Title:
How to ride a horse upon 3 legs
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., and Mounted on page 68 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Sepr. 1, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Volume 2, page 68. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A man with a stern look upon his face (Richard Beadon) and a whip in his hand, rides his horse along a road. A signpost on the right show him heading toward York & Carlisle; presumably with London in the opposite direction
Alternative Title:
How to ride a horse upon 3 legs
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., 1 print : stipple engraving with engraving in sepia ink on laid paper ; sheet 22.1 x 20 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
Publisher:
Publish'd Sepr. 1, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Bunbury 783.01.23.01+ Impression 1
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Companion print to: Symptoms of rearing.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Horseback riding, Servants, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: Symptoms of rearing., Mounted on page 93 of: Bunbury album., 1 print : etching on laid paper ; sheet 28.3 x 40.4 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Horseback riding, Servants, and Traffic signs & signals
"A fight between two robbers, one of them a woman, and three armed runners on the road by a milestone marked as 11 miles from St Giles's Pound."--British Museum online catalogue
Description:
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle series of Drolls were executed by either Isaac Cruikshank or Richard Newton., One line of text directly below title: A burlesque parody on that tender song call'd Love & Glory. Written & sung by Gaby Grim., Twelve lines of verse arranged in three columns above imprint statement: Young Bobby was as blythe a youth, As ever grac'd an attic story ..., Plate numbered '449' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 12, 1806, by Laurie & Whittle, 53 Fleet Street, London
Volume 2, page 6. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man driving (right to left) one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6143. Its small body is poised high on springs above the large wheels; the driver leans forward to whip his pair of high-stepping horses, which are about to descend a precipitous hill. He wears the plain high-crowned hat which was so great a novelty in 1781 (see British Museum Satires No. 5931, &c.) and top-boots. On the panel of the gig is a draped escutcheon with monogram or cipher. In the foreground are bushes and rough ground with a milestone, "Miles XXI"."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Literature: O'Keeffe, John, 1747-1833. "Sir Gregory Gigg ...", song from Son in law -- Vehicles: Two-wheeled gigs., and Mounted on page 6 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. July 23d, 1782, by J.R. Smith, N. 83 Oxford Street, London
Subject (Name):
O'Keeffe, John, 1747-1833.
Subject (Topic):
Carriages & coaches, Horses, Whips, and Traffic signs & signals
"A young man driving (right to left) one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6143. Its small body is poised high on springs above the large wheels; the driver leans forward to whip his pair of high-stepping horses, which are about to descend a precipitous hill. He wears the plain high-crowned hat which was so great a novelty in 1781 (see British Museum Satires No. 5931, &c.) and top-boots. On the panel of the gig is a draped escutcheon with monogram or cipher. In the foreground are bushes and rough ground with a milestone, "Miles XXI"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with altered imprint statement, of a print originally published 23 July 1782 by J.R. Smith. Cf. No. 6146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Watermark.
Publisher:
Publish'd March 25, 1802, by Ino. Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
Subject (Topic):
Carriages & coaches, Horses, Whips, and Traffic signs & signals
"George IV (right) offers a purse to a pretty young woman in evening dress of theatrical type (right). Through a window (or in a picture) is seen a large signpost, pointing (left) to 'Chester' and (right) to 'Virginia Water' (the Cottage); behind is a race, two jockeys nearing the winning post (right). A large Chinese jar stands on the floor filled with flowers."--British Museum online catalogue and "An early allusion to Eliza Chester, b. 1799, a pretty actress who fascinated the King and according to Huish was appointed Reader to him at £600 p.a."--Curator's comments, British Museum online catalogue
Alternative Title:
R- method of colt-breaking, Royal method of colt-breaking, and A la Chester-field
Description:
Title etched below image., Text above image: A la Chester-field., Tentative attribution to William Heath from the British Museum catalogue., Sheet trimmed within plate mark., Five lines of dialogue etched below title: Man, Delightfull [sic] task to rear the tender thought to teach the young idea how to shoot, to pour the fresh Instruction on the mind, to breath [sic] the enlivening spirit, & thus to aid the generous purpose in the glowing breast. Woman, Indeed, indeed, the temptation is so great, the prospect so flattering tis my ambition, not my will consents., Text at bottom of plate: Plate 1st a series of these subjects will be continued to exhibit the force of example above precept, & to shew the principles of morality emonates [sic] from Great Qui Capet Ille habet., Watermark: G. Pike 1820., Window mounted to 34.3 x 23.9 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 66 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Miss Chester" and "Geo. IV" identified in ink below image; date "22 Ap. 1821" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Apl. 22, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Chester, Eliza, 1799-
"George IV rides a velocipede (see British Museum Satires No. 13399, &c.), the seat of which is a green bag (see British Museum Satires No. 13735). From the bag projects Majocchi's head, with the steering-bar attached to his mouth. The King asks: "Do you know all you have to swear?" Majocchi answers "Non mi Ricordo" [see British Museum Satires No. 13827, &c.]. By the machine, leading the way 'To Cotton Garden' (placard on a tree-trunk), walk Gifford, holding under his arm a large 'Bill of [Pa]in's &c' and Copley, both in wig and gown. Behind walks Sidmouth, squirting his clyster-pipe at the back of the King's head; he says: "We shall loose the Trial because these Italian Devils cannot recollect one day what they are told to swear the other." On the extreme left and at the tail of the procession walks Castlereagh, both hands on Sidmouth's shoulders. He says: "I wish they would take me instead I think I could manage it.""--British Museum online catalogue
Alternative Title:
My jockey the order of the day!!!
Description:
Title from text below image., Approximate date of publication from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 95 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," "Geo. IV," and "Theodore Majocchi" identified in ink below image; date "Oct. 1820" written beneath lower right corner of image. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by Langham, 3 Red Lion Street, Holborn
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Gifford, Robert Gifford, Baron, 1779-1826, and Majocchi, Theodore, active 1820
Subject (Topic):
Bicycles & tricycles, Bags, Witnesses, Traffic signs & signals, and Medical equipment & supplies
"The candidates for Middlesex and their supporters race (right to left) to Brentford. The foremost rider is Wilkes on a horse wearing a royal crown (indicating George III); he holds up the cap of 'Liberty' on its staff. Half a length behind, and nearer the spectator, is Mainwaring, holding up a sword whose blade is inscribed 'Justice'. His horse's human head is blindfolded, in its mouth is a pair of scales; in one balance is 'Byng Dunston', in the other and heavier, 'Wilkes Manwaring'. The horse probably represents Justice, its rider was a well-known Middlesex Justice and chairman of the Middlesex Sessions. Behind Wilkes, his horse's head hidden, is a rider not identified, he has lost his stirrups and clutches his saddle with both hands. Behind these three and in the centre of the design is George Byng, the friend of Fox and the Prince of Wales, M.P. for Middlesex since 1780. He rides a pair of horses (representing the Coalition), standing with one foot on the saddle of each; the near horse has the head of Fox, the other that of North; the tail of the near horse is a fox's brush inscribed 'Grace'. The fore legs of the pair touch a paper inscribed 'Test'. Byng's whip is inscribed 'Coalition' and he is saying, "Spur them up behind Doctor, or I shall lose the race", addressing Hall, the Westminster apothecary, who rides like a hobby horse a pair of crutches tied with a ribbon; in place of a hat he wears a mortar inscribed 'All [sic] Blue and Buff'; he holds up his pestle as if it were a whip. Behind Byng, Jeffery Dunstan rides an ass with long ears and the head of Sam House; he looks round to address the Duchess of Devonshire who is the last of the cavalcade. The Duchess (right) rides astride, her bunched-up skirt showing spurred half-boots. Her horse has the head of the Earl of Surrey; she says, "Byng for ever - and may the Hearty Cock ever stand stout in our sarvice". Dunstan says, "Well said my Dutchess - Charly's Whipper-in for ever. Huzza". The Duchess wears a heavily trimmed hat in which is a large election favour and four fox's tails, each inscribed 'Byng'. On the extreme left is a sign-post pointing 'To Brentford'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted to 27 x 36 cm.
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
Great Britain, Middlesex (England), and England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Mainwaring, William, 1735-1821, Byng, George, ca. 1735-1789, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Hall, Edward, active 1784-1793, House, Samuel, -1785, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Elections, Crutches, Donkeys, Hobby horses, Horse racing, Horses, Justice, Liberty cap, Pharmacists, Political elections, Scales, Symbols, and Traffic signs & signals
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April? 1829]
Call Number:
829.04.00.19+
Image Count:
1
Resource Type:
still image
Abstract:
"Apparently an imitation (better drawn) of British Museum Satires No. 15716. Wellington drives (left to right) four galloping horses, each with a human head. The leaders are Lyndhurst (piebald) and Scarlett (black), both wearing legal wigs; the wheelers Brougham, also in his wig, and Burdett. He flicks his lash over the leaders, saying, 'Kim up Motley--keep together odd Rat [Lyndhurst] ye--or I'll lay it into ye!!' The King's (pleased) face is seen through the coach window; he says: 'I say Arthur, you are the Man Wot can make'm go, if you like!!' The guard is Lady Conyngham: she stands up, blowing her horn. She wears a guard's greatcoat and satchel over her dress and holds a blunderbuss. The coach is the 'Windsor Castle'; 'Wellington & Co.'; 'G R 1829'. It has just passed and overturned a two-wheeled ass-cart, the ass falling on its head, the driver, Eldon, sprawling on the ground. In the cart, which is inscribed 'John Eldon Rubbish Carter' [see British Museum Satires No. 15700, &c], are big bundles of 'Anti-Catholic Petetions' [see British Museum Satires No. 15661, &c.]. Standing behind and below the guard's dickey is Peel as 'cad', or conductor; he thumbs his nose at Eldon, saying, 'There's a Guard for the Sovereign eh!!!' Windsor Castle is on the extreme left; on the extreme right is a signpost pointing (left) to 'Windsor' and (right) 'To London'."--British Museum online catalogue
Alternative Title:
Needs must when well - drives
Description:
Title etched below image; the words "safety-coach" are etched above the line, inserted with a caret. and Month of publication suggested in the British Museum catalogue.
Publisher:
Pubd. 1829 by S.W. Fores, 41 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Scarlett, James, Sir, 1769-1844, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Roads diverge in three directions from a posting-inn. A signpost (left) points left. 'To London'; another (right) points 'to Rochester' and 'To Aylesbury', these roads converging in an acute angle. In the centre foreground is a round well-head. A post-chaise on the extreme left gallops off to London; three passengers wearing election favours in their hats exclaim respectively: "Dead or alive we'll have him I'll Barber him"; "Provided nevertheless, if he does not we will have his son"; "I'll Butcher him if he wont come Dam him." A horseman, who has lost his stirrups, gallops after the coach, saying, "Dam Mr G-----s & Mr R------ns too I'll see if the Eloquence of a Bishop will not bring him." A man sprawling on the ground by the inn shouts towards the horseman, saying, "Stop him hes stole the Horse". A man lounges at the door of the inn holding the reins of several saddle-horses. The inn is inscribed 'Beef Steak House'; over the door is 'John Dickins'; an election flag inscribed 'Gregory' flies from a first-floor window. On the Rochester road in the foreground a post-chaise proceeds slowly with shuttered windows, but flying two flags. Words come from two invisible occupants: "Tho Smith's the best friend I have I'll oppose him Bob for fun's sake" and "This will Kill me Quite Matt". Two horsemen follow, saying, "I'll be ashamed to go into Town Tho its allmost Dark" and "I'll say I have been to Gravesend on business." In front of the chaise a horseman with a flag gallops, saying, "As I am the Manager I must haste to the Hall & nominate him tho' I know he wont come." In the distance two riders proceed on the Aylesbury road, saying, "I'll go this way that they may not laugh at me", and "friend so will I". A man lounging by the inn says "I should like to go to supper but I suppose they that go must pay". On each post-chaise is the letter 'A'."--British Museum online catalogue
Description:
Title etched below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following the imprint: " ... where may be seen the compleatest collection of caricatures in the Kingdom, admittance 1 shilling [admittance 1 shilling crossed out] also the head & hand of Count Struenzee. Admittance one shilling.", Temporary local subject terms: Elections: Rochester Borough, 1790, Watermark: fleur-de-lis., and Mounted to 32 x 48 cm.
Publisher:
Pub. May 20 for the proprieter by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Gregory, Robert, 1729?-1810, Smith, Nathaniel, 1730-1794, and Great Britain. Parliament
Subject (Topic):
Elections, 1790, Politics and government, Carriages & coaches, Crowds, Taverns (Inns), and Traffic signs & signals
"Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog."--British Museum online catalogue
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Collector's stamp in red on verso: half-length raised figure of fox with initials MW below., and Watermark: A. Stace 1801.
Publisher:
Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
Coke, Thomas William, Earl of Leicester, 1752-1842 and Keppel, Anna Amelia, Countess of Leicester, 1803-1844
Subject (Topic):
Spouses, Walking, Dogs, Sheep, and Traffic signs & signals
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., Two pencil drawings of churches on verso., 1 print : etching on laid paper, hand-colored ; plate mark 20.3 x 69.2 cm, on sheet 26.8 x 72.7 cm., and Mounted on leaf 49 of volume 3 of 14 volumes.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., 1 print : etching on laid paper ; plate mark 20.3 x 69 cm, on sheet 23.1 x 70 cm., and Mounted on leaf 49 of volume 3 of 14 volumes.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
Heading to a printed broadside that begins: "Pity the sorrows of a poor old man, whose worn-out limbs have borne him to your door ..." The King is shown as a haggard beggar, his clothes torn and a pack on his back. He holds out his inverted crown with his left hand, seeking donations; his right hand grasps the cane he is leaning on. The sign post behind him says "To Bradenburg [sic] House" and points to the right, the direction in which the King travels. Brandenburgh House is seen in the background on the right, the Queen looking sternly out the window at the disheveled King. A sign at the gate to the house says "Beware of steel traps and sping [sic] guns." In the left background is a smaller house labeled "The Cottage".
Description:
Title from letterpress text below image., Date inferred from the depiction of Queen Caroline at Brandenburgh House, where she lived in 1820-21., Sheet trimmed within plate mark on three sides., "Entered at Stationers' Hall. Price one shilling"--Below imprint and above printer's statement., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 38 x 25 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and other text from bottom edge., and Mounted on page 39 of: George Humphrey shop album.
Publisher:
Published by J. Dawson, Camden Town; and sold by every bookseller and newsman in the kingdom and Printed by W. Smith, King Street, Seven Dials
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
Heading to a printed broadside that begins: "Pity the sorrows of a poor old man, whose worn-out limbs have borne him to your door ..." The King is shown as a haggard beggar, his clothes torn and a pack on his back. He holds out his inverted crown with his left hand, seeking donations; his right hand grasps the cane he is leaning on. The sign post behind him says "To Bradenburg [sic] House" and points to the right, the direction in which the King travels. Brandenburgh House is seen in the background on the right, the Queen looking sternly out the window at the disheveled King. A sign at the gate to the house says "Beware of steel traps and sping [sic] guns." In the left background is a smaller house labeled "The Cottage".
Description:
Title from letterpress text below image., Date inferred from the depiction of Queen Caroline at Brandenburgh House, where she lived in 1820-21., Sheet trimmed within plate mark on three sides., "Entered at Stationers' Hall. Price one shilling"--Below imprint and above printer's statement., Not in the Catalogue of prints and drawings in the British Museum., Watermark: T. Edmonds 1819., Mounted to 58 x 39 cm., Mounted on leaf 64 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in ink below image.
Publisher:
Published by J. Dawson, Camden Town; and sold by every bookseller and newsman in the kingdom and Printed by W. Smith, King Street, Seven Dials
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Later state, with new imprint statement and changes to the design. For a description of an earlier state in the Guildhall Library, see page 119 in the British Museum catalogue, v. 6., Date of publication based on earlier state in the Guildhall Library with the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange.", Dated by Grego to 18 May 1784, which is perhaps when the print was reissued., 1 print : etching on wove paper, hand-colored ; sheet 24.1 x 33.9 cm., Sheet trimmed within plate mark., and Formerly mounted on leaf 80 of volume 1 of 14 volumes.
Publisher:
Publish'd by W. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
