Volume 2, page 24. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A Punch-like figure is shown standing to front, with head in profile to the left, holding a paper in each hand. A goat stands beside him on the right; a pole with a sign 'To Wynnstay' (lettered backwards) is on the left, pointing to the right. A design for an admission ticket for the theater at Wynnstay, the private theater of Sir Watkin Williams Wynn
Alternative Title:
To Wynnstay
Description:
Title and date from those supplied in the British Museum catalog for the print made after this drawing., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Mounted with a related drawing and a print on page 24 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Original design, with image and letters in reverse, for no. 7069A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
"A runaway horse dashes over a bank towards the sea. The driver, a stout 'cit', falls backwards, broken reins in his hands. A young woman flings herself out. Death sits beside the road on a mile-stone, '56 Miles from London', holding up his hour-glass at the pair. (In the text the accident is on Shooters Hill.)"--British Museum catalogue
Alternative Title:
Away they go in chaise & one, or to undo or be undone
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: Away they go in chaise & one, or to undo or be undone., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 158., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Octr. 1 - 1815, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Accidents, Skeletons, Carriages & coaches, Horses, Dogs, Traffic signs & signals, and Hourglasses
"William IV rides (left to right) on a country road, with a large document under his arm: 'Plan Bridge over Canal for Public'; Wellington sits insecurely behind the saddle. Both are in civilian dress. The King: 'Now I've got him up behind I'll just do as I like'. Wellington (slyly): 'This is a very bad Seat, not such a one as I have been used to lately. I am afraid I shall be off.--Open the Park indeed for the Public: I don't like giving way to the Public!!!' A signpost (left) points (right) 'To Holland House'."--British Museum online catalogue
Alternative Title:
When 2 ride upon one horse one must ride behind
Description:
Title etched below image., Approximate month of publication from the British Museum catalogue., and Offsetting on verso. Paper watermarked "J. Whatman Turkey Mill 1827."
Publisher:
Published 1830 by S.W. Fores, 41 Piccadilly, London
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Horseback riding, Documents, Dirt roads, and Traffic signs & signals
"Townsend, the Bow Street Officer, holding up his constable's staff, chases a man away from a country house, a corner of which appears on the right. A third man, Wellesley-Pole, shelters behind the constable, stretching out his arms towards his fleeing rival; he turns his head to listen to a pretty young woman who stands on a small iron balcony immediately behind him, with an open sash-window behind her. She says: "Risk not thy Precious life my Love in bold encounter with that dareing Scott." He answers: "no no my dear I'll shelter me behind the arm of Justice, & hunt him from his Scent by one of the most famous Bull Dogs in the Kingdom, & teach him never never to Dare to woo the [sic] from my Longing Arms Oh thou Golden Angel." A paper inscribed 'Scot' projects from the fugitive's pocket. Townsend says: "I'll teach you worsted working rascall to dare to set up in opposition to the Irish Secretary D-n your Impudence." A signpost points (left) to 'Norwhich' and (right) 'To Chippenham'."--British Museum online catalogue
Alternative Title:
Poled Scott hunted off after a long struggle
Description:
Title etched below image. and Attributed to William Heath in the British Museum catalogue.
Publisher:
Pub. Jan. 7, 1812, by S.W. Fores, 50 Picadilli [sic]
Subject (Geographic):
England and London.
Subject (Name):
Townsend, John, 1760-1832, Mornington, William Long Wellesley, Earl of, 1788-1857, and Wellesley, Catherine Tylney-Long, -1825
Subject (Topic):
Courtship, Staffs (Sticks), Chasing, Law enforcement officers, Balconies, and Traffic signs & signals
George III and Charles Fox tug at the ropes attached to the nose of a donkey representing "the people" and heavily loaded with sacks inscribed, "taxes," as it approaches the fork in a road. The King pulls it toward the "Road to Absolute Monarchy" as written on a sign post while Fox counters by pulling toward the "Road to Republicanism" (also on a sign post). In the distance behind the donkey is a third sign, "road to aristocracy," a reference to William Pitt
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. as [the] Act directs March 11, 1784 by W. Humphrey, 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820. and Fox, Charles James, 1749-1806.
Subject (Topic):
Politics and government, Donkeys, Traffic signs & signals, and Tug of war
Drawing of a tall sign, with a post similar to that of a street lamp, displaying a rectangular portrait of a man surrounded by ornamentation. The man, possibly a politician, is shown bust-length in profile to the left; he has a long nose that curls upward and wears a wig that likewise curls upwards in the back. The words "The saviour of his grateful country" are written on the sign directly beneath the portrait, indicating that the sign might in fact be a monument. To the right of the sign is a low milestone on which is written "To Kingston I mile, to London X miles".
Description:
Title written in image., Possibly drawn by James Sayers; the drawing is laid in a volume of prints that Sayers assembled., Approximate date of production from watermark: G. Pike 1817., and Attached to a lithograph with a metal pin that pierces the lower left corners of both sheets; laid in James Sayers's Folio album of 144 caricatures.
Subject (Topic):
Monuments & memorials, Traffic signs & signals, Milestones, and Portraits
A gentleman who wears fool's cap, carries a bauble in one hand and a bell (which he rings) in the other. He is accompanied by another gentleman who carries a halbred as they driving four geese and four turkeys before them on the road "To London" as the sign-post states. The former gentleman says, "This vastly pretty." His companion responds, " This is fine sport, only I am very cold."
Description:
Title engraved above image., Plate numbered '24' in upper right corner., Copy in reverse of a print of the same title published by Edwards & Darly 27 October 1756. See British Museum catalogue no. 3407., Two lines of text below image: Birds of a feather flock together, Like to Like, as the Devil said to the Collier., Related print identifies the two gentlemen as the Duke of Newcastle and Lord Rockingham: Now goose, now turkey, or, The present state of England. See British Museum catalogue no. 3409., and Plate from: England's remembrancer. London, 1759.
Publisher:
publisher not identified
Subject (Name):
Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782 and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 63. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Obadiah (left) mounted on the coach-horse at full gallop attempts to pull up his horse, leaning back in the saddle, his cap in his right hand. On the ground is Dr. Slop's pony. Behind the pony on the right. Dr. Slop lies on his back; a spotted dog prances over him. The doctor lies under a sign-post terminating in a hand pointing "To Shandy Hall". Behind the coach-horse, which is wearing blinkers, is the angle of a high garden wall, in the distance (right) is a church spire among trees."--British Museum online catalogue
Alternative Title:
Overthrow of Doctor Slop
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Four lines of text below image, two on either side of title: "When Obadiah & his coach horse turn'd the corner rapid, furious, pop, full upon him ..." Vide vol. 1st, Tristram Shandy., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Medical: Physicians -- Coach-horse -- Male costume: Riding hats., and Mounted on page 63 of: Bunbury album.
Publisher:
Publish'd as the act directs, 3d February 1773, by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1799]
Call Number:
Bunbury 799.02.03.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Obadiah (left) mounted on the coach-horse at full gallop attempts to pull up his horse, leaning back in the saddle, his cap in his right hand. On the ground is Dr. Slop's pony. Behind the pony on the right. Dr. Slop lies on his back; a spotted dog prances over him. The doctor lies under a sign-post terminating in a hand pointing "To Shandy Hall". Behind the coach-horse, which is wearing blinkers, is the angle of a high garden wall, in the distance (right) is a church spire among trees."--British Museum online catalogue, description of an earlier state
Alternative Title:
Overthrow of Doctor Slop
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 February 1773 by J. Bretherton. Cf. No. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Four lines of text below image, two on either side of title: "When Obadiah & his coach horse turn'd the corner rapid, furious, pop, full upon him ..." Vide vol. 1st, Tristram Shandy., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Watermark.
Publisher:
Publish'd as the act directs, 3d February 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Horseback riding, Accidents, Dogs, and Traffic signs & signals
Leaf 79. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Overthrow of Doctor Slop
Description:
Titles etched below images., Two images on one plate, each individually titled., Printmaker identified as Rowlandson in the Metropolitan Museum of Art online catalog., Reduced copies of two designs by Bunbury. Cf. Nos. 5215 and 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Restrike, with added titles and borders. For the earlier state without titles, see Metropolitan Museum of Art online catalog, accession nos.: 59.533.1750 ; 59.533.1748., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1803; see Metropolitan Museum of Art online catalog., and On leaf 79 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
"The Duchess of Devonshire sits astride a galloping fox, her face to its tail. A signpost by the fox's head points (left) 'To Cuckolds Hall'; on the top of the post is a pair of horns. The Duchess wears a hat trimmed with ostrich feathers and with a ribbon inscribed 'Fox'"-- British Museum online catalogue
Alternative Title:
One good turn deserves another
Description:
Title etched below image., Reissue of a print originally published 24 May 1784. See British Museum catalogue., and Mounted to 28 x 36.5 cm.
Publisher:
Pubd. May 24, 1787, by J. Notice, Oxford Road
Subject (Geographic):
Great Britain
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., and Fox, Charles James, 1749-1806.
Subject (Topic):
Politics and government, Adultery, Foxes, and Traffic signs & signals
Title etched below image., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed either by Isaac Cruikshank or Richard Newton., Twenty-four lines of verse arranged in three numbered columns below title: At each inn on the road I a welcome could find, at the Fleece I'd my skin fill of ale ..., Plate numbered '425' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd May 12, 1806, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Mail wagons, Guards, Taverns (Inns), Drinking vessels, Traffic signs & signals, and Doors & doorways
Leaf 20. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Restrike. For an early reissue of the plate by William Humphrey, see no. 6563 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., An impression of the earliest state of the plate, before changes to the design and bearing the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange", is in the Guildhall Library. For a description of this state, see page 119 in the British Museum catalogue, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 140-1., and On leaf 20 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd by W. Humphrey [i.e. Field & Tuer]
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Later state, with new imprint statement and changes to the design. For a description of an earlier state in the Guildhall Library, see page 119 in the British Museum catalogue, v. 6., Date of publication based on earlier state in the Guildhall Library with the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange.", Dated by Grego to 18 May 1784, which is perhaps when the print was reissued., 1 print : etching on wove paper, hand-colored ; sheet 24.1 x 33.9 cm., Sheet trimmed within plate mark., and Formerly mounted on leaf 80 of volume 1 of 14 volumes.
Publisher:
Publish'd by W. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Later state, with new imprint statement and changes to the design. For a description of an earlier state in the Guildhall Library, see page 119 in the British Museum catalogue, v. 6., Date of publication based on earlier state in the Guildhall Library with the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange.", Dated by Grego to 18 May 1784, which is perhaps when the print was reissued., 1 print : etching with stipple on laid paper ; sheet 24.5 x 34.3 cm., Sheet trimmed within plate mark., and Formerly mounted on leaf 80 of volume 1 of 14 volumes.
Publisher:
Publish'd by W. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Later state, with new imprint statement and changes to the design. For a description of an earlier state in the Guildhall Library, see page 119 in the British Museum catalogue, v. 6., Date of publication based on earlier state in the Guildhall Library with the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange.", Dated by Grego to 18 May 1784, which is perhaps when the print was reissued., and Mounted to 30 x 43 cm.
Publisher:
Publish'd by W. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
Heading to a printed broadside that begins: "Pity the sorrows of a poor old man, whose worn-out limbs have borne him to your door ..." The King is shown as a haggard beggar, his clothes torn and a pack on his back. He holds out his inverted crown with his left hand, seeking donations; his right hand grasps the cane he is leaning on. The sign post behind him says "To Bradenburg [sic] House" and points to the right, the direction in which the King travels. Brandenburgh House is seen in the background on the right, the Queen looking sternly out the window at the disheveled King. A sign at the gate to the house says "Beware of steel traps and sping [sic] guns." In the left background is a smaller house labeled "The Cottage".
Description:
Title from letterpress text below image., Date inferred from the depiction of Queen Caroline at Brandenburgh House, where she lived in 1820-21., Sheet trimmed within plate mark on three sides., "Entered at Stationers' Hall. Price one shilling"--Below imprint and above printer's statement., Not in the Catalogue of prints and drawings in the British Museum., Watermark: T. Edmonds 1819., Mounted to 58 x 39 cm., Mounted on leaf 64 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in ink below image.
Publisher:
Published by J. Dawson, Camden Town; and sold by every bookseller and newsman in the kingdom and Printed by W. Smith, King Street, Seven Dials
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
Heading to a printed broadside that begins: "Pity the sorrows of a poor old man, whose worn-out limbs have borne him to your door ..." The King is shown as a haggard beggar, his clothes torn and a pack on his back. He holds out his inverted crown with his left hand, seeking donations; his right hand grasps the cane he is leaning on. The sign post behind him says "To Bradenburg [sic] House" and points to the right, the direction in which the King travels. Brandenburgh House is seen in the background on the right, the Queen looking sternly out the window at the disheveled King. A sign at the gate to the house says "Beware of steel traps and sping [sic] guns." In the left background is a smaller house labeled "The Cottage".
Description:
Title from letterpress text below image., Date inferred from the depiction of Queen Caroline at Brandenburgh House, where she lived in 1820-21., Sheet trimmed within plate mark on three sides., "Entered at Stationers' Hall. Price one shilling"--Below imprint and above printer's statement., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 38 x 25 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and other text from bottom edge., and Mounted on page 39 of: George Humphrey shop album.
Publisher:
Published by J. Dawson, Camden Town; and sold by every bookseller and newsman in the kingdom and Printed by W. Smith, King Street, Seven Dials
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., 1 print : etching on laid paper ; plate mark 20.3 x 69 cm, on sheet 23.1 x 70 cm., and Mounted on leaf 49 of volume 3 of 14 volumes.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., Two pencil drawings of churches on verso., 1 print : etching on laid paper, hand-colored ; plate mark 20.3 x 69.2 cm, on sheet 26.8 x 72.7 cm., and Mounted on leaf 49 of volume 3 of 14 volumes.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
"Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog."--British Museum online catalogue
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Collector's stamp in red on verso: half-length raised figure of fox with initials MW below., and Watermark: A. Stace 1801.
Publisher:
Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
Coke, Thomas William, Earl of Leicester, 1752-1842 and Keppel, Anna Amelia, Countess of Leicester, 1803-1844
Subject (Topic):
Spouses, Walking, Dogs, Sheep, and Traffic signs & signals
"Roads diverge in three directions from a posting-inn. A signpost (left) points left. 'To London'; another (right) points 'to Rochester' and 'To Aylesbury', these roads converging in an acute angle. In the centre foreground is a round well-head. A post-chaise on the extreme left gallops off to London; three passengers wearing election favours in their hats exclaim respectively: "Dead or alive we'll have him I'll Barber him"; "Provided nevertheless, if he does not we will have his son"; "I'll Butcher him if he wont come Dam him." A horseman, who has lost his stirrups, gallops after the coach, saying, "Dam Mr G-----s & Mr R------ns too I'll see if the Eloquence of a Bishop will not bring him." A man sprawling on the ground by the inn shouts towards the horseman, saying, "Stop him hes stole the Horse". A man lounges at the door of the inn holding the reins of several saddle-horses. The inn is inscribed 'Beef Steak House'; over the door is 'John Dickins'; an election flag inscribed 'Gregory' flies from a first-floor window. On the Rochester road in the foreground a post-chaise proceeds slowly with shuttered windows, but flying two flags. Words come from two invisible occupants: "Tho Smith's the best friend I have I'll oppose him Bob for fun's sake" and "This will Kill me Quite Matt". Two horsemen follow, saying, "I'll be ashamed to go into Town Tho its allmost Dark" and "I'll say I have been to Gravesend on business." In front of the chaise a horseman with a flag gallops, saying, "As I am the Manager I must haste to the Hall & nominate him tho' I know he wont come." In the distance two riders proceed on the Aylesbury road, saying, "I'll go this way that they may not laugh at me", and "friend so will I". A man lounging by the inn says "I should like to go to supper but I suppose they that go must pay". On each post-chaise is the letter 'A'."--British Museum online catalogue
Description:
Title etched below image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following the imprint: " ... where may be seen the compleatest collection of caricatures in the Kingdom, admittance 1 shilling [admittance 1 shilling crossed out] also the head & hand of Count Struenzee. Admittance one shilling.", Temporary local subject terms: Elections: Rochester Borough, 1790, Watermark: fleur-de-lis., and Mounted to 32 x 48 cm.
Publisher:
Pub. May 20 for the proprieter by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Gregory, Robert, 1729?-1810, Smith, Nathaniel, 1730-1794, and Great Britain. Parliament
Subject (Topic):
Elections, 1790, Politics and government, Carriages & coaches, Crowds, Taverns (Inns), and Traffic signs & signals
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April? 1829]
Call Number:
829.04.00.19+
Image Count:
1
Resource Type:
still image
Abstract:
"Apparently an imitation (better drawn) of British Museum Satires No. 15716. Wellington drives (left to right) four galloping horses, each with a human head. The leaders are Lyndhurst (piebald) and Scarlett (black), both wearing legal wigs; the wheelers Brougham, also in his wig, and Burdett. He flicks his lash over the leaders, saying, 'Kim up Motley--keep together odd Rat [Lyndhurst] ye--or I'll lay it into ye!!' The King's (pleased) face is seen through the coach window; he says: 'I say Arthur, you are the Man Wot can make'm go, if you like!!' The guard is Lady Conyngham: she stands up, blowing her horn. She wears a guard's greatcoat and satchel over her dress and holds a blunderbuss. The coach is the 'Windsor Castle'; 'Wellington & Co.'; 'G R 1829'. It has just passed and overturned a two-wheeled ass-cart, the ass falling on its head, the driver, Eldon, sprawling on the ground. In the cart, which is inscribed 'John Eldon Rubbish Carter' [see British Museum Satires No. 15700, &c], are big bundles of 'Anti-Catholic Petetions' [see British Museum Satires No. 15661, &c.]. Standing behind and below the guard's dickey is Peel as 'cad', or conductor; he thumbs his nose at Eldon, saying, 'There's a Guard for the Sovereign eh!!!' Windsor Castle is on the extreme left; on the extreme right is a signpost pointing (left) to 'Windsor' and (right) 'To London'."--British Museum online catalogue
Alternative Title:
Needs must when well - drives
Description:
Title etched below image; the words "safety-coach" are etched above the line, inserted with a caret. and Month of publication suggested in the British Museum catalogue.
Publisher:
Pubd. 1829 by S.W. Fores, 41 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Scarlett, James, Sir, 1769-1844, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"The candidates for Middlesex and their supporters race (right to left) to Brentford. The foremost rider is Wilkes on a horse wearing a royal crown (indicating George III); he holds up the cap of 'Liberty' on its staff. Half a length behind, and nearer the spectator, is Mainwaring, holding up a sword whose blade is inscribed 'Justice'. His horse's human head is blindfolded, in its mouth is a pair of scales; in one balance is 'Byng Dunston', in the other and heavier, 'Wilkes Manwaring'. The horse probably represents Justice, its rider was a well-known Middlesex Justice and chairman of the Middlesex Sessions. Behind Wilkes, his horse's head hidden, is a rider not identified, he has lost his stirrups and clutches his saddle with both hands. Behind these three and in the centre of the design is George Byng, the friend of Fox and the Prince of Wales, M.P. for Middlesex since 1780. He rides a pair of horses (representing the Coalition), standing with one foot on the saddle of each; the near horse has the head of Fox, the other that of North; the tail of the near horse is a fox's brush inscribed 'Grace'. The fore legs of the pair touch a paper inscribed 'Test'. Byng's whip is inscribed 'Coalition' and he is saying, "Spur them up behind Doctor, or I shall lose the race", addressing Hall, the Westminster apothecary, who rides like a hobby horse a pair of crutches tied with a ribbon; in place of a hat he wears a mortar inscribed 'All [sic] Blue and Buff'; he holds up his pestle as if it were a whip. Behind Byng, Jeffery Dunstan rides an ass with long ears and the head of Sam House; he looks round to address the Duchess of Devonshire who is the last of the cavalcade. The Duchess (right) rides astride, her bunched-up skirt showing spurred half-boots. Her horse has the head of the Earl of Surrey; she says, "Byng for ever - and may the Hearty Cock ever stand stout in our sarvice". Dunstan says, "Well said my Dutchess - Charly's Whipper-in for ever. Huzza". The Duchess wears a heavily trimmed hat in which is a large election favour and four fox's tails, each inscribed 'Byng'. On the extreme left is a sign-post pointing 'To Brentford'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted to 27 x 36 cm.
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
Great Britain, Middlesex (England), and England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Mainwaring, William, 1735-1821, Byng, George, ca. 1735-1789, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Hall, Edward, active 1784-1793, House, Samuel, -1785, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Elections, Crutches, Donkeys, Hobby horses, Horse racing, Horses, Justice, Liberty cap, Pharmacists, Political elections, Scales, Symbols, and Traffic signs & signals
"George IV rides a velocipede (see British Museum Satires No. 13399, &c.), the seat of which is a green bag (see British Museum Satires No. 13735). From the bag projects Majocchi's head, with the steering-bar attached to his mouth. The King asks: "Do you know all you have to swear?" Majocchi answers "Non mi Ricordo" [see British Museum Satires No. 13827, &c.]. By the machine, leading the way 'To Cotton Garden' (placard on a tree-trunk), walk Gifford, holding under his arm a large 'Bill of [Pa]in's &c' and Copley, both in wig and gown. Behind walks Sidmouth, squirting his clyster-pipe at the back of the King's head; he says: "We shall loose the Trial because these Italian Devils cannot recollect one day what they are told to swear the other." On the extreme left and at the tail of the procession walks Castlereagh, both hands on Sidmouth's shoulders. He says: "I wish they would take me instead I think I could manage it.""--British Museum online catalogue
Alternative Title:
My jockey the order of the day!!!
Description:
Title from text below image., Approximate date of publication from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 95 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," "Geo. IV," and "Theodore Majocchi" identified in ink below image; date "Oct. 1820" written beneath lower right corner of image. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by Langham, 3 Red Lion Street, Holborn
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Gifford, Robert Gifford, Baron, 1779-1826, and Majocchi, Theodore, active 1820
Subject (Topic):
Bicycles & tricycles, Bags, Witnesses, Traffic signs & signals, and Medical equipment & supplies
"George IV (right) offers a purse to a pretty young woman in evening dress of theatrical type (right). Through a window (or in a picture) is seen a large signpost, pointing (left) to 'Chester' and (right) to 'Virginia Water' (the Cottage); behind is a race, two jockeys nearing the winning post (right). A large Chinese jar stands on the floor filled with flowers."--British Museum online catalogue and "An early allusion to Eliza Chester, b. 1799, a pretty actress who fascinated the King and according to Huish was appointed Reader to him at £600 p.a."--Curator's comments, British Museum online catalogue
Alternative Title:
R- method of colt-breaking, Royal method of colt-breaking, and A la Chester-field
Description:
Title etched below image., Text above image: A la Chester-field., Tentative attribution to William Heath from the British Museum catalogue., Sheet trimmed within plate mark., Five lines of dialogue etched below title: Man, Delightfull [sic] task to rear the tender thought to teach the young idea how to shoot, to pour the fresh Instruction on the mind, to breath [sic] the enlivening spirit, & thus to aid the generous purpose in the glowing breast. Woman, Indeed, indeed, the temptation is so great, the prospect so flattering tis my ambition, not my will consents., Text at bottom of plate: Plate 1st a series of these subjects will be continued to exhibit the force of example above precept, & to shew the principles of morality emonates [sic] from Great Qui Capet Ille habet., Watermark: G. Pike 1820., Window mounted to 34.3 x 23.9 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 66 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Miss Chester" and "Geo. IV" identified in ink below image; date "22 Ap. 1821" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Apl. 22, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Chester, Eliza, 1799-
Volume 2, page 6. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man driving (right to left) one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6143. Its small body is poised high on springs above the large wheels; the driver leans forward to whip his pair of high-stepping horses, which are about to descend a precipitous hill. He wears the plain high-crowned hat which was so great a novelty in 1781 (see British Museum Satires No. 5931, &c.) and top-boots. On the panel of the gig is a draped escutcheon with monogram or cipher. In the foreground are bushes and rough ground with a milestone, "Miles XXI"."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Literature: O'Keeffe, John, 1747-1833. "Sir Gregory Gigg ...", song from Son in law -- Vehicles: Two-wheeled gigs., and Mounted on page 6 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. July 23d, 1782, by J.R. Smith, N. 83 Oxford Street, London
Subject (Name):
O'Keeffe, John, 1747-1833.
Subject (Topic):
Carriages & coaches, Horses, Whips, and Traffic signs & signals
"A young man driving (right to left) one of the new high two-wheeled gigs, see British Museum Satires Nos. 5933, 6143. Its small body is poised high on springs above the large wheels; the driver leans forward to whip his pair of high-stepping horses, which are about to descend a precipitous hill. He wears the plain high-crowned hat which was so great a novelty in 1781 (see British Museum Satires No. 5931, &c.) and top-boots. On the panel of the gig is a draped escutcheon with monogram or cipher. In the foreground are bushes and rough ground with a milestone, "Miles XXI"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with altered imprint statement, of a print originally published 23 July 1782 by J.R. Smith. Cf. No. 6146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Watermark.
Publisher:
Publish'd March 25, 1802, by Ino. Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
Subject (Topic):
Carriages & coaches, Horses, Whips, and Traffic signs & signals
"A fight between two robbers, one of them a woman, and three armed runners on the road by a milestone marked as 11 miles from St Giles's Pound."--British Museum online catalogue
Description:
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle series of Drolls were executed by either Isaac Cruikshank or Richard Newton., One line of text directly below title: A burlesque parody on that tender song call'd Love & Glory. Written & sung by Gaby Grim., Twelve lines of verse arranged in three columns above imprint statement: Young Bobby was as blythe a youth, As ever grac'd an attic story ..., Plate numbered '449' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 12, 1806, by Laurie & Whittle, 53 Fleet Street, London
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: Symptoms of rearing., Mounted on page 93 of: Bunbury album., 1 print : etching on laid paper ; sheet 28.3 x 40.4 cm., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Horseback riding, Servants, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 23d Jany. 1783.
Call Number:
Bunbury 783.01.23.01+ Impression 1
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout, complacent-looking man rides a small horse in profile to the left. He has a very bad seat and is pulling hard on the curb; the animal puts down its head. A servant on a rough-looking pony canters behind him, carrying a basket of hay and a triangular box or package (perhaps his master's hat-box) under his left arm. The scene is a country road, with a signpost (left) pointing 'To Hackney, To Isling[ton'], and (down a turning on the right of the riders) to 'Shoredi[tch]'. The post stresses the idea conveyed in the drawing, that this is a citizen riding to or from his country-box in the suburbs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Companion print to: Symptoms of rearing.
Publisher:
publisher not identified
Subject (Topic):
Blacks, Horseback riding, Servants, and Traffic signs & signals
Volume 2, page 68. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A man with a stern look upon his face (Richard Beadon) and a whip in his hand, rides his horse along a road. A signpost on the right show him heading toward York & Carlisle; presumably with London in the opposite direction
Alternative Title:
How to ride a horse upon 3 legs
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., and Mounted on page 68 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Sepr. 1, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Volume 2, page 68. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A man with a stern look upon his face (Richard Beadon) and a whip in his hand, rides his horse along a road. A signpost on the right show him heading toward York & Carlisle; presumably with London in the opposite direction
Alternative Title:
How to ride a horse upon 3 legs
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., 1 print : stipple engraving with engraving in sepia ink on laid paper ; sheet 22.1 x 20 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
Publisher:
Publish'd Sepr. 1, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Leaf 64. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike. For original issue of the plate, published ca. 1812, see Lewis Walpole Library call no.: Bunbury 812.00.00.69., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A copy, with some additions, of a plate from: An academy for grown horsemen. Cf. No. 7236 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and On leaf 64 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Volume 2, page 67. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man rides on a country road in profile to the left, facing a squall of wind and rain which beats the brim of his round hat over his face. He approaches a fork in the road with a signpost (left) showing the roads to 'Oxford' and '[L]ondon'. A bag at the back of his saddle shows that he is 'what is called on the road, a rider, a bag-man or bagster'."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Mounted on page 67 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving with etching on laid paper ; sheet 22.5 x 20.0 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd Sepr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Winds, Rain, and Traffic signs & signals
Volume 2, page 67. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man rides on a country road in profile to the left, facing a squall of wind and rain which beats the brim of his round hat over his face. He approaches a fork in the road with a signpost (left) showing the roads to 'Oxford' and '[L]ondon'. A bag at the back of his saddle shows that he is 'what is called on the road, a rider, a bag-man or bagster'."--British Museum online catalogue
Description:
Title from text below image., Plate from: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., and Watermark, mostly trimmed.
Publisher:
Publish'd Sepr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Topic):
Horseback riding, Winds, Rain, and Traffic signs & signals
"Six French émigrés are grouped at the roadside beside a signpost (right) pointing (left) to 'London' and (right) to 'Dover'. A lean and elderly woman holding a clipped poodle stands with her left hand in the arm of a man wearing a cocked hat with a tricolour cockade, and a long coat reaching almost to his ankles; he holds a tasselled cane. Next him is a stout man wearing a long cloak, and a boy or dwarfish man. On the right are two women holding large muffs. A second clipped poodle runs beside them. In the background a coach (right) inscribed 'London Dover Canterbury' is driving towards London with outside passengers; one, a sailor, waves his hat. The gable end of a cottage (left) and trees complete the background."--British Museum online catalogue
Description:
Title engraved below image., After Robert Dighton; see British Museum online catalogue., and Plate numbered "617" in lower left corner.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Title from item., Printmaker identified from an original drawing in the Huntington Library., One of a series of Drolls., Four lines of verse in two columns below title: Buck's with Truncheon's swagger and knock down ..., Plate numbered '150' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: Foot-pads -- Watches: pocket watch -- Highway robbery -- Milestones -- Bludgeons., and Watermark: Strasburg bend (partial) with initials GR below.
Publisher:
Published 4th May 1795 by Laurie & Whittle, 53 Fleet Street, London
"A stout lady (left), her hands in a muff, cannonades into a fat parson walking in the opposite direction. Behind (right) a rider urges his horse forward; on the left a pedestrian walks into a pond."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '144' in lower right corner., Temporary local subject terms: Parsons -- Female costume -- Walking staves -- Signposts., and Watermark: fleur-de-lis.
Publisher:
Published 22d Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
In a country landscape, a man and a young woman in riding habit ride together (left to right) on a white horse, passing a signpost that reads (left) "To London" and (right) "To Newbury and Well Hall". She sits in front, holding the reins and riding astride. She holds up a purse in her left hand saying, "This will pay you for your Trouble Honey". The man sits behind, his feet in the stirrups, his left hand on the woman's waist; he says, "Promise me that and I will never say another Mass". The man wears ordinary riding-dress; the woman wears a feathered hat over a frilled cap, and a tight coat over a ruffled shirt. Behind them (left) walks a young woman, wearing a cap of lace and ribbons; she holds her apron to her eye, saying, "The Old witch is carrying away my Director". The words issue from the speakers' mouths on long scrolls. In the foreground (left) is a tree; the background is an undulating landscape with a square church tower and the roofs of a village among trees
Alternative Title:
Father D,----------, leaving his Catholic vows for the joys of the flesh and Father D leaving his Catholic vows for the joys of the flesh
Description:
Title from item., Sheet trimmed to plate mark., Attributed to Nixon in the British Museum catalogue., and Place of publication from location of publisher, assumed to be Thomas Cornell of Bruton Street. See I. Maxted's British book trades, 1710-1777.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[May 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs. Page 85. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a Cambridge academic riding to the races: a man with a macaroni queue and holding a hooked stick riding along a rode past a signpost pointing towards Newmarket and away from Cambridge; in the distance on the left a church tower rises above trees, on the right King's College Chapel and another tower."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Temporary local subject terms: Cambridge: Trinity College Chapel -- Newmarket., Mounted on page 85 of: Bunbury album., 1 print : etching and drypoint on laid paper ; sheet 20.0 x 24.8 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs May 1772 by J. Bretherton, No. 134 New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[May 1772]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 3. Etchings by Henry William Bunbury, Esq. and after his designs. Page 85. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a Cambridge academic riding to the races: a man with a macaroni queue and holding a hooked stick riding along a rode past a signpost pointing towards Newmarket and away from Cambridge; in the distance on the left a church tower rises above trees, on the right King's College Chapel and another tower."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Temporary local subject terms: Cambridge: Trinity College Chapel -- Newmarket., and Mounted on page 3 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs May 1772 by J. Bretherton, No. 134 New Bond Street
"The doctor, mounted on Grizzle, is beside a four-direction signpost on an open heath with a group of asses in the middle distance."--British Museum online catalogue, description of a later version of the design
Alternative Title:
Doctor Syntax losing his way
Description:
Title etched below image., Attribution to Rowlandson from Grego., Sheet trimmed within plate mark., Plate from: Combe, W. The tour of Dr. Syntax in search of the picturesque. London: R. Ackermann's Respository of Arts, 1812., "Plate 2"--Upper right corner., For an early version of the design, published in 1809 in Ackermann's The Poetical magazine, see no. 11508 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. See also: Grego, J. Rowlandson the caricaturist, v. 2, page 176. For a later version of the design, published in 1813, see British Museum online catalogue, registration no.: 1866,1114.848., and Temporary local Medical Library subject terms: Doctor Syntax.
Publisher:
Published 1 May 1812, at R Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Clergy, Teachers, Horseback riding, Traffic signs & signals, and Donkeys
Two men, one a parson on horseback, the other a lawyer walks by his side. They closely resemble each other in profile and appearance except that the latter is thin and angular. The ungainly horse walks slowly (left to right) along a country road, beside which is a milestone: 'Derby II. Leicester 17. London 116'. In the distance is a village church
Alternative Title:
Pair of portraits
Description:
Title etched below image., Attributed to Charles Williams. See British Museum catalogue., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: Folios of caricatures lent out for the evening.
Publisher:
Pubd. Decemr.11th, 1797, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Clergy, England, Lawyers, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d July 1779.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a large lady riding side-saddle on a nag, followed by a man on horseback accompanied by a dog.."--British Museum online catalogue
Description:
Title etched below image., Number "3" in "3d" in publication date is etched backward., Sheet trimmed within plate mark., Companion print to: Warley ho!, Temporary local subject terms: Military., Mounted on page 93 of: Bunbury album., and 1 print : etching on laid paper, hand-colored ; sheet 23.3 x 31.1 cm.
Publisher:
publisher not identified
Subject (Topic):
Horseback riding, Dogs, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d July 1779.
Call Number:
Bunbury 779.07.03.02+ Impression 1
Collection Title:
Page 93. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a large lady riding side-saddle on a nag, followed by a man on horseback accompanied by a dog.."--British Museum online catalogue
Description:
Title etched below image., Number "3" in "3d" in publication date is etched backward., Sheet trimmed within plate mark., Companion print to: Warley ho!, Temporary local subject terms: Military., and Mounted on modern secondary support.
Publisher:
publisher not identified
Subject (Topic):
Horseback riding, Dogs, and Traffic signs & signals
Title from item., Printmaker, place and date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Commutation Tax, 1785 -- Soap tax -- Tax on lights -- Tax on windows -- Signs: sign-posts -- Trades: washerwomen -- Vehicles: tumbrels -- Windows -- Pitt's speech -- Gallow ropes., and Partial watermark in upper right of plate: fleur-de-lis on shield with initials L V G.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"A satire on the rebuilding of Drury Lane Theatre. Whitbread, Chairman of the Committee, bestrides a barrel, the head inscribed 'The Butt M, T' [empty]. He has long ass's ears and points to a table beside him on the extreme right where there is a model of a theatre with a pillared portico and pediment. This rests on a paper inscribed 'Whitbread Copeland Holland Rolls &ca clear gains 450000!!!!!' Next Whitbread a man sits behind a similar table littered with plans all inscribed 'Plan of Drury Lane'. He also has ass's ears, to which a second pair has been added in water-colour. He looks through an eye-glass, resting his right elbow on an anchor, while he holds at arm's length the model of a theatre whose portico is flanked by two large sphinxes. A carved sun, like the emblem of the Sun Fire-Office, decorates his chair; on the right is a broad post or terminal pillar supporting a man's head, also with ass's ears. This rests on a volume inscribed 'Commons', and on its face in large letters are the words 'Ex Nihilo Nihil Fil'; from its upper edge a signpost arm projects to the right inscribed 'To Coventry', showing that he is Peter Moore. Behind Whitbread (left) and partly screened by a heavy curtain is a table supporting a third model of a theatre, also with a portico. Whitbread, frowning slightly, says: "These Resolutions once carried good bye Friend Sherry Old Claimants and new Subscribers (aside) Hem! I think I have bullied the Committe [sic] properly." His neighbour (? Lord Holland) who smiles, has a round good-humoured face; he says: "La! Mr Chairman I think my Sphynxes look Monstrous Pretty.""--British Museum online catalogue
Alternative Title:
Punishment of a modern Midas
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman., and Matted to 37 x 46 xm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Theatre Royal, Drury Lane (London, England), Whitbread, Samuel, 1764-1815, Moore, Peter, 1753-1828, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Theaters, Architectural models, Barrels, and Traffic signs & signals
