Manuscript fragment on parchment of Vergil's Aeneid containing portions of Books 2 and 3, including a section of the Pseudo-Ovidian Prologue to Book 3.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: a portion of the initial "P" of Book 3 is preserved, written in red; 1-line initials at the beginning of verses are in brown in a mixture of rustic capital and uncial forms; punctuated with the punctus.
Manuscript on parchment of Virgil's Aeneid, book 1, lines 513-543 and 547-576
Description:
In Latin., Layout: single column of 31 lines on recto, 30 lines on verso., Script: copied by one hand in Praegothica, with ascenders sometimes notched, and uncial d and tall d., and The leaf is from a small format pocket-sized manuscript. Trimming affects text at the top of the page, and text on verso is faded and obscured in places by staining.
Manuscript on paper (sturdy; various unidentified watermarks) of Virgil, Aeneis. Some lines lacking; most were presumably on leaves that became detached and have fallen out. Prefaced to each book are ten or eleven lines in verse. The text of Vergil is accompanied on ff. 1r-5v by marginal and interlinear glosses, the greater portion of which are derived from or an adaptation of Servius. The commentary does, however, include notes (some in Greek) independent of Servius
Description:
In Latin., Script: Part I (ff. 1-6): Written in humanistic cursive by a single scribe; apparently added later to replace lost leaves. Part II (ff. 7-57): Written in fere-humanistic script by one scribe. Spaces left for initials. A large gap in the text occurs between Parts II and III (6.587 to 7.744). Part III (ff. 58-112): Written by a single scribe in a script similar to that in Part II., Spaces left for initials., Many pages unattached due to the brittle binding., and Binding: 16th-17th centuries (?). Sewn on three slit leather straps. There is no indication of an earlier sewing, but the book was extensively mended before it was sewn. Tawed cores of plain wound endbands laid in grooves. Beech boards with rectangular channels on the outside in which the straps are nailed. The spine is lined with brown leather and the book covered in dark brown sheepskin faintly blind-tooled with a central diamond made up of arches with small ornaments scattered in and around it. Tongue turn-ins. There are two catches on the lower board and traces of red and cream silk ribbons nailed to the upper one with star-headed nails. The title is painted in red on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century. and Virgil.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Virgil, Aeneis, in an Italian prose abridgement by Andrea Lancia
Description:
In Italian., Script: copied by a single hand writing Southern Gothica Textualis Libraria/Formata (Rotunda). Stroking of the majuscules. 2-line flourished initials with simple penwork at the opening of the chapters. More elaborate flourished initials, 2 to 7 lines, at the opening of the Books. On f. 1r an 8-line littera duplex., and Publius Vergilius Maro (70-19 B.C.), Aeneis, abridgement in Italian prose by Andrea Lancia (c. 1280-c. 1360). This Florentine notary and Dante commentator wrote various Italian translations or adaptations of classical Latin texts. There are occasionally interlinear glosses, more often marginal notes. Pointing hands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancia, Andrea, ca. 1280-ca. 1360. and Virgil.
Subject (Topic):
Epic poetry, Latin, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of Publius Vergilius Maro (70-19 B.C.), Aeneis, with the Argumenta of Books 1-12 ascribed to Ovid. Including Summary of Aeneis ascribed to Basilius, one of the Twelve Wise Men; Ps.-Vergilius, prologue to Aeneis; Six verses in praise of Mapheus Vegius (Maffeo Vegio, 1406-1458); Mapheus Vegius (Maffeo Vegio, 1406/7-1458), Book 13 of Aeneis; and Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis
Description:
In Latin., Script: Copied by a single scribe writing a careful but somewhat unusual Humanistica Textualis Formata, with lengthened descenders at the bottom line., Very pale red rubrics and running numbering of the Books (on rectos, in Roman numerals); blue paragraph-marks; blue plain initials (2-3 lines) for the Argumenta; white vinestem initials (6 lines) with marginal extensions; on f. 5r (Book 1) 10-line white vinestem initial and full white vinestem border augmented with groups of three gold balls in the outer and lower margins; in the lower section a damaged coat of arms in a wreath, identified as argent, a fess azure., The lower margins of ff. 149, 181 and 192 have been cut and were replaced; in the first case this was done before writing; the upper and lower corners of the leaves are cut; ff. 1-14 have been repaired by pasting pieces of parchment to the damaged edges or corners. There is a triangular incision in the lower part of the outer edges in the large central section of the codex., and Binding: 1904 by Katharine Adams for Sydney Cockerell. Green pigskin over pasteboard; spine with five raised bands and the gold-tooled inscriptions "VERGILI / AENEIS / MS." and "NORTH ITALIAN / 1450". White parchment endleaves. Gilt edges. The preceding binding was purple morocco by Zaehnsdorf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Epic poetry, Classical, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
"Dido, supported on a pyre by a woman wearing a veil and diadem, fainting with grief, a dagger at her side, an old woman standing behind to left and weeping women gathered on the right; in an oval."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Three lines of text below title: Omnis et una delapsus calor, atq: in ventos vita recessit. Virg. IV, 705. The struggling soul was loos'd & life dissolv'd in air. Dryden., Sheet trimmed within plate mark., and Mounted to 43 x 49 cm.
Publisher:
Published as the act directs, Jany. 1st, 1780, by John Boydell, engraver in Cheapside
One of many satires on the morganatic marriage of George IV and Mrs. Fitzherbert. on the left Mrs. Fitzherbert as Dido sits on a funeral pyre made up of phallic-shaped logs and watches the Prince of Wales sail away in a small boat whose flag is inscribed with the word 'Windsor' [Castle]. The wind which fills the ragged sail of the boat appears to be produced by a blast from the mouths of Dundas and Pitt, whose profile heads are on the extreme left. It is directed at Dido's head, and has blown off a royal crown, an orb and sceptre, and a coronet decorated with the Prince of Wales's feathers. With a tragic gesture she holds out in her right hand a mutilated crucifix. Her breast is bare and her girdle of 'Chastity' is broken. At her feet lie emblems of Popery: a sharp-toothed harrow inscribed 'For the conversion of Heretics', shackles, a pair of birch-rods, an axe, a scourge, and a rosary and crucifix. The pyre seems to be made of money-bags. The boat is the 'Honor'; the Prince is seated between Fox, who holds the tiller, and Burke, who holds the sail; his arms are folded and he looks over his shoulder at Fox, saying, "I never saw her in my Life". Fox echoes "No, never in all his Life, Damme"; Burke, wearing a Jesuit's biretta, says "Never", and North, who sits beside him, apparently asleep, says "No, never". After the title is engraved: 'Sic transit gloria Reginae' (pardoy of "Sic transit gloria mundi"). See British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and 1 print : etching with stipple, hand-colored, on laid paper ; sheet 274 x 371 mm.
Publisher:
Pubd. May 21st, 1787, by S.W. Fores, Piccadilly, London
Subject (Name):
Virgil., George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
One of many satires on the morganatic marriage of George IV and Mrs. Fitzherbert. on the left Mrs. Fitzherbert as Dido sits on a funeral pyre made up of phallic-shaped logs and watches the Prince of Wales sail away in a small boat whose flag is inscribed with the word 'Windsor' [Castle]. The wind which fills the ragged sail of the boat appears to be produced by a blast from the mouths of Dundas and Pitt, whose profile heads are on the extreme left. It is directed at Dido's head, and has blown off a royal crown, an orb and sceptre, and a coronet decorated with the Prince of Wales's feathers. With a tragic gesture she holds out in her right hand a mutilated crucifix. Her breast is bare and her girdle of 'Chastity' is broken. At her feet lie emblems of Popery: a sharp-toothed harrow inscribed 'For the conversion of Heretics', shackles, a pair of birch-rods, an axe, a scourge, and a rosary and crucifix. The pyre seems to be made of money-bags. The boat is the 'Honor'; the Prince is seated between Fox, who holds the tiller, and Burke, who holds the sail; his arms are folded and he looks over his shoulder at Fox, saying, "I never saw her in my Life". Fox echoes "No, never in all his Life, Damme"; Burke, wearing a Jesuit's biretta, says "Never", and North, who sits beside him, apparently asleep, says "No, never". After the title is engraved: 'Sic transit gloria Reginae' (pardoy of "Sic transit gloria mundi"). See British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple on laid paper, hand-colored ; plate mark 27.4 x 37.5 cm, on sheet 28.4 x 39.8 cm., and Mounted on leaf 40 of volume 7 of 12.
Publisher:
Pubd. May 21st, 1787, by S.W. Fores, Piccadilly, London
Subject (Name):
Virgil., George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
"A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and lace-trimmed cap. Behind her in the shadowed depths of the bed the night-capped head of her elderly and (?) sleeping husband, rests on the pillow. She looks, weeping, towards an open sash-window through which is seen a fleet sailing towards the horizon. In the window (left) is a cushioned window seat on which (besides a stocking) is an open book: 'Studies of Academic Attitudes taken from the Life'; on one page is a nude woman lying in sensual abandonment. On the right against the curtains of the bed is a dressing-table on which, besides toilet-articles, are a flask of 'Maraschino', a 'Composing Draught', and a pot of 'Rouge à la Naples'. On the carpeted floor (right) are objects from Sir W. Hamilton's collection, with an open book: 'Antiquities of Herculaneum Naples Caprea &c. &c.'; on the right page is a satyr chasing a nymph. They include an oval gem, a figure of a squatting monster, headless, the base inscribed 'Pri[apus]', a laughing bust of 'Messalina', statues of a Venus and a Satyr, coins or medals, one inscribed 'Ovid', another 'Tibertius'. In front of Lady Hamilton are the slippers she has kicked off, and a garter inscribed 'The Hero of the Nile'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse, two on either side of title, etched below image: "Ah, where & ah where, is my gallant sailor gone? "He's gone to fight the Frenchmen, for George upon the throne. "He's gone to fight [the] Frenchmen, t' loose t' other arm & eye. "And left me with the old antiques, to lay me down & cry., "Dido" is a reference to a character from Virgil's Aeneid., Sheet trimmed within plate mark., and BAC: British Art Center copy is hand-colored. Bound with (as frontispiece): A new edition considerably enlarged, of Attitudes faithfully copied from nature (London: H. Humphrey, 1807).
Publisher:
Pubd. Feby. 6th, 1801, by H. Humphrey, No. 27 St. James Street, London
"A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and lace-trimmed cap. Behind her in the shadowed depths of the bed the night-capped head of her elderly and (?) sleeping husband, rests on the pillow. She looks, weeping, towards an open sash-window through which is seen a fleet sailing towards the horizon. In the window (left) is a cushioned window seat on which (besides a stocking) is an open book: 'Studies of Academic Attitudes taken from the Life'; on one page is a nude woman lying in sensual abandonment. On the right against the curtains of the bed is a dressing-table on which, besides toilet-articles, are a flask of 'Maraschino', a 'Composing Draught', and a pot of 'Rouge à la Naples'. On the carpeted floor (right) are objects from Sir W. Hamilton's collection, with an open book: 'Antiquities of Herculaneum Naples Caprea &c. &c.'; on the right page is a satyr chasing a nymph. They include an oval gem, a figure of a squatting monster, headless, the base inscribed 'Pri[apus]', a laughing bust of 'Messalina', statues of a Venus and a Satyr, coins or medals, one inscribed 'Ovid', another 'Tibertius'. In front of Lady Hamilton are the slippers she has kicked off, and a garter inscribed 'The Hero of the Nile'."--British Museum online catalogue
Description:
Title etched below image., Four lines of quoted verse, two on either side of title, etched below image: "Ah, where & ah where, is my gallant sailor gone? "He's gone to fight the Frenchmen, for George upon the throne. "He's gone to fight [the] Frenchmen, t' loose t' other arm & eye. "And left me with the old antiques, to lay me down & cry., "Dido" is a reference to a character from Virgil's Aeneid., Sheet trimmed within plate mark., BAC: British Art Center copy is hand-colored. Bound with (as frontispiece): A new edition considerably enlarged, of Attitudes faithfully copied from nature (London: H. Humphrey, 1807)., 1 print : etching with engraving and stipple engraving on wove paper, hand-colored ; plate mark 25.2 x 36.0 cm, on sheet 28.7 x 40.2 cm., Watermark, partially trimmed: Ruse & Turners., and Mounted on leaf 46 of volume 10 of 12.
Publisher:
Pubd. Feby. 6th, 1801, by H. Humphrey, No. 27 St. James Street, London
Manuscript on paper of Georgicorum, Aeneidos et Bucolicorum Vergilii vocabula, an alphabetical compilation of words used by Virgil (and other authors), with their explanations, based on the Virgil commentary by Servius (4th-5th centuries). With two Latin and two Italian proverbs, and an Italian poem (10 verses).
Description:
In Latin and Italian., Script: Art. 3 copied by one hand in Humanistica Semitextualis Libraria. The title on the first front flyleaf (art. 1) is by another hand writing a bold Southern Gothica Textualis Formata (the same hand wrote the beginning of the alphabet on the facing pastedown). Art. 2 is copied by an unexperienced hand in Humanistica Cursiva Currens, but the date and the first line are by another hand writing Humanistica Cursiva Libraria., In art. 3 the opening letter of each lemma is a pale red 1-line capital projecting into the left margin. Each new alphabetical section begins with a 2- or 3-line capital alternately in red and blue (with a guide letter in the left margin), placed within the text area and followed by a black capital. Between the sections a space of two or three lines is left free., and Binding: Original brown leather over wooden boards (worm-eaten), spine with three raised bands; both covers blind-tooled with a frame of strapwork; in its interior two horizontal rows of quadrangular stamps at the top and at the bottom (a rosette and a Pascal Lamb) and a lozenge-shaped central part of the same strapwork. Five pointed brass bosses on each cover (together eight of them are preserved) and remnants of two clasps attached to the front cover by means of two nails with engraved heads; the quadrangular brass catches on the rear cover are engraved with a Pascal Lamb.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century. and Virgil.
Subject (Topic):
Latin language, Glossaries, vocabularies, etc, Manuscripts, Medieval, and Scholia
Manuscript on parchment (goatskin) of 2) Bucolica. 3) Georgica. 4) Aeneis. With commentaries, pseudo-Virgilian tracts, and a miscellany of treatises, many anonymous. Ff. 1-31 are from the first half of the thirteenth century; the rest of the manuscript and the decoration were added half a century later
Description:
In Latin., Script: Two scribes: A copied ff. 1-31 in Southern Praegothica close to late Carolingian script; B copied the rest, starting with the text of Book 5 of Aeneis, in more rapid early Southern Textualis/Semitextualis; his spelling is marked by italianisms., The headings in red are not executed; some added later in Gothica Cursiva Formata (Cancelleresca); instructions for the rubricator are seen ff. 70v-75r. Numerous paragraph marks alternately in red and blue, sometimes black. Plain and flourished initials of various sizes in red and blue (other colours are also used in quires I-IV). Seventeen painted initials decorated with gold balls. From f. 70v onwards there are guide-letters, but all initials and other decoration are missing. A rectangular space of the width of one column was reserved for a miniature on f. 1ra, which was not executed., Ff. 1-31 appear to be palimpsest, with very irregular edges, sometimes repaired by sewing strips of parchment onto them, which are now lost., and Binding: Seventeenth century. White parchment over pasteboard. On the spine with five slightly raised bands red leather label with gold-tooled inscription "VIRGI-/LIUS / M.S." (this title has been completed in black ink with "P(ublius)" , "Eneidos etc." and "membr"); below the label the handwritten date "saec. XIV". Marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Scholia
Manuscript on paper, composed in two parts, of 1) Unidentified grammatical text. 2) Vita virgiliana. 3) Preface to Servius' In Vergilii Aeneidos libros Commentarius. 4) Leonicenus Omnibonus (ca. 1412-ca.1480), De arte metrica. 5) Ps.-Lentulus, Epistola de conditione Domini nostri Iesu Christi
Description:
In Latin., Watermarks: Part I: similar to Briquet Oiseau 12128 and 12130. Part II: similar in general design to Harlfinger Balance 31., Script: Part I (ff. 1-30): Written by a single scribe in humanistic cursive, below top line. Part II (ff. 31-80): Arts. 2-4 in humanistic cursive, below top line; art. 5 in a more formal humanistic bookhand., Part I: Plain intials (1-line), headings, initial strokes, and marginalia in red. Part II: Arts. 2-4: plain initials, headings, and initial strokes in red., and Binding: Fifteenth century, Italy. Two pairs of tunnels in the edges of the boards, and the supports laced into one or the other of them to channels in the outside and nailed. Partly resewn. Boards sharply bevelled, with the fore-edge bevel broken off the upper board. Quarter vellum binding, a later addition. Title in ink on lower board, partially visible under ultra-violet light: "Vita Vergilii [another word illegible]/ Documenta". Later title in ink on spine: "Varia man. scr./ vetera" and what appears to be a monogram or shelf-mark with letters I, F, O, T, H in ink on vellum addition.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Biography, Christian literature, Latin (Medieval and modern), Latin language, Grammar, Manuscripts, Medieval, and Scholia
Judith holding a sword by the cutting edge is posed to cut off the head of Holofernes. The print appears opposite the title page of the printed version of William Hogarth's Judith : An Oratorio, or, Sacred drama ... the musick composed by Mr. William de Fesch, late Chapel-Master of the Cathedral Church at Antwerp. London : Printed in the year MDCCXXXIII
Alternative Title:
Per vulnera servor moret tuâ vivens
Description:
Title and date from Paulson., Engraved caption title below image: Per vulnera servor moret tuâ vivens. Virg. Aeneid., Sheet trimmed to plate mark., Ms, note in Steevens' hand in pencil above print: Judith. Another note next to print on right: See Mr Nichol's Book 3d edit. p. 419., and On page 55 in volume 1.
