Manuscript on paper of 1) Augustine of Hippo, Confessions; Retractiones. 2) Matthaeus de Cracovia, Tractatus de confessione et puritate conscientiae. 3) Thomas Aquinas, De perfectione spiritualis vitae. 4) Bernard of Clairvaux, De consideratione. 5) Series of short texts, including works by Bernardus de Reyda, Guillelmus Bloc, and Iacobus de Iüterbog
Description:
In Latin., Script: Probably copied by 10 hands: scribe (A), Cornelius de Middelburg alias de Clinghe, writing Gothica Hybrida Libraria (Bastarda), ff. 1r-104r8 (artt. 2, 3, and the beginning of 4); scribe (B), writing a more rapid Semihybrida, ff. 104r9-113r (central part of art. 4); scribe (C), writing Semihybrida Libraria, ff. 113v-125r (final part of art. 4); scribe (D), writing Semihybrida Libraria/Currens, ff. 125v-126v (art. 5); scribe (E), writing Hybrida Currens, ff. 127r-127bis v and 139r bottom lines-148v (beginning and final part of art. 6); scribe (F), writing Hybrida Currens, ff. 128r-139r bottom lines (central part of art. 6); scribe (G), writing Hybrida Libraria, ff. 149r-155v15 (artt. 7 and beginning of 8); scribe (H), writing Semihybrida Libraria, ff. 155v16-220v (main part of art. 8); scribe (I), Arthurus Reyniers, writing Hybrida Libraria, ff. 225r-247r (artt. 9-11); and scribe (K), writing Cursiva Currens (art. 12)., Decoration: Differs according to the various sections of the manuscript, but in general, there are red headings; red stroking of majuscules; red underlining; and 2- or 3-line red plain initials, sometimes with interior reserved shapes (mostly missing ff. 132v-148v and after f. 215r). Folios 151r-220r (art. 8) contain red numbering. Folio 1r contains red or blue 3- or 4-line flourished initials with interior reserved shapes and developed penwork in the contrasting colour, extending into the margin., and Binding: Original brown calfskin over bevelled oak boards, damaged, sewn on four leather thongs. Both covers are blind-tooled with frame, lozenge and triangle patterns; stamped with rosette, fleur-de-lys, star, "ihs", and dragon patterns. The remains of two leather straps are attached to the rear board, associated with pins (lost) on the front board. The endleaves are fragments of bifolia from a 14th cent. parchment liturgical manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430., Mateusz, z Krakowa, Cardinal, ca. 1330-1410., Thomas, Aquinas, Saint, 1225?-1274., and Bernard, of Clairvaux, Saint, 1090 or 1091-1153.
Subject (Topic):
Adultery (Canon law), Biography, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Simony (Canon law)
Manuscript on parchment of a Devotional miscellany of a Celestine priest containing texts on the Passion and the Sacraments by Augustine, Jerome, John Chrysostom, Anselm, and Bernard, with prayers, hymns, and other anonymous texts
Description:
In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Anselm, Saint, Archbishop of Canterbury, 1033-1109., Augustine, of Hippo, Saint, 354-430., Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Jerome, Saint, -419 or 420., Jesus Christ, John Chrysostom, Saint, -407., and Celestines.
Subject (Topic):
Passion, Devotional literature, Latin (Medieval and modern), Manuscripts, Medieval, Sacraments, and Catholic Church
Manuscript on parchment of William of Tournai, Flores Bernardi. Text supplied on f. 10v in the second half of the 15th century. With excerpts from St. Bernard (?) on the Virgin Mary
Description:
In Latin., Script: Written in compact gothic script with numerous corrections and notes in contemporary and later hands, 13th-15th centuries., Decorative initials, divided red and blue, 3-line, with extensive penwork designs and cascades also in red and blue, for the beginning of each book of art. 5 and for art. 6. Simple initials, red or blue, 2-line, with penwork designs of the opposite color throughout the codex. Running titles (e.g., FLO. B. I) in red and blue; headings, chapter numbers, and underlining, in red., Outer column of f. 140 cut off; no loss of text., and Binding: Nineteenth century. Limp vellum case with two ties and two black, gold-tooled labels: "Flores ex operibus B. Bernardi" and "M. S. XIII-XIV C." Wound, caught-up sewing, wound endbands, and vellum lining on the spine between sewing supports. On front and back flyleaves: Deed, in Latin, dated 26 March 1450, issued by Antonius Longobardus [several letters or words lost in binding] neapolis Reginalis ad contractus Iudex. The document was cut in half and trimmed to serve originally as pastedowns; considerable loss of text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153. and William of Tournai.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Theology
Manuscript on paper containing 1) Ps.-Bernardus Claraevallensis, Planctus beatae Mariae. 2) Ps.-Bernardus Claraevallensis, Contemplationes de passione Domini secundum septem horas canonicas. 3) Excerpts about the Virgin Mary. 4) Extracts from Isaac Syrus, De contemptu mundi. 5) Extracts from various sermons by Ephraem Syrus (d. 373) in Latin translation. 6) Extracts from Bernardus Claraevallensis, De gradibus humilitatis et superbiae. 7) Excerpts from Caesarius, followed by other moral excerpts from the Bible, Aristoteles, Iohannes Chrysostomus, Cicero, Gregorius Magnus, Origenes, Hieronymus, Augustinus, Bernardus Claraevallensis, Basilius, Ambrosius, Hugo de Sancto Victore, Benedictus, Beda, Isaac Syrus, Seneca, Ps.-Boethius, Cassiodorus, Cassianus, etc. 8) Extracts from Antoninus Florentinus (1389-1459), Summa, part 3, tit. 13, chapter 5. 9) Martinus Bracarensis (fl. 556-572; Ps.-Seneca), Formula vitae honestae, without the Prologue and ending incomplete in chapter 4. 10) Iohannes Gallensis (Waleys, John of Wales, d. 1285), Breviloquium de virtutibus antiquorum principum et philosophorum. 11) Moral extracts from Boethius, Isidorus Hispalensis, Galfredus de Vino Salvo, Augustinus, Gregorius Magnus. 12) Excerpts from Hugo de Folieto (d. c. 1174; Ps.-Hugo de Sancto Victore), De claustro animae. 13) Moral excerpts from Hieronymus, Bernardus Claraevallensis, Speculum conscientiae, Leo Magnus, Remigius Autissiodorensis, and the Bible
Description:
In Latin., Script: Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v and ff. 107v-108v) writes peculiar forms of Humanistica Semitextualis Libraria. B (ff. 55r-66v) writes Humanistica Semitextualis Libraria. C (ff. 67r-98v) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r) writes a Humanistica Cursiva Libraria., Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink., The decoration is uneven and differs from section to section. Headings in red ink, red (sometimes yellow) heightening of majuscules, red paragraph marks and red plain initials of various sizes. Sometimes guide-letters without initials. Running headlines (author names) in large Southern Gothica Textualis Formata in some sections., and Binding: Nineteenth century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., John, of Wales, 13th cent., and Mary, Blessed Virgin, Saint.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla, Manuscripts, Medieval, and Sermons
Manuscript on parchment (palimpsests of ecclesiastical documents, many leaves pieced and patched) of Bernard of Clairvaux, Collection of sermons, treatises, and letters. With works by Ogerius de Lucedio, David of Augsburg, O. F. M., Arnulfus de Boeriis, and Honorius Augustodunensis
Description:
In Latin., Script: Written by multiple scribes in a small rounded gothic bookhand, below top line., Folios 1-50 have flourished initials, 3- to 2-line, alternating blue with red penwork designs and red with purple; two initials of better quality, divided red and blue, with red and purple flourishes (ff. 42r, 43v); many initials have harping designs. For remainder of manuscript uninspired red initials, either plain or with harping designs in brown ink. Rubrics, underlining and initial strokes, in red, throughout. Running headlines, in red, on ff. 1r-83r. Notes to rubricator in margins. Paragraph marks, red or blue., and Binding: Eighteenth century, France. Greenish brown goatskin gold-tooled. Gold-tooled panels and dark red gold-tooled label (damaged) on spine. Red edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Latin letters, Medieval and modern, Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on paper of Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), 1) Sermones de diversis, nos. 1-32 and 40-42. 2) In psalmum XC sermones XVII. 3) Super "Missus est" homiliae (In laudibus Virginis matris).
Description:
In Latin., Script: Two hands writing careful Gothic scripts: A (ff. 3r-71v) Cursiva Libraria; B (ff. 72r-136r) Hybrida Libraria., Paragraph marks and underlining in red. Red stroking of majuscules. Red plain initials (2-3 lines; 4 lines f. 3r, 7 lines f. 73r); red flourished initials with black penwork (9 lines, f. 72r, 7 lines and of a less careful execution f. 116v). All initials have guide letters in the margin., Most pages slightly damaged by the acid ink. Water stains at the bottom of the outer margins of the leaves in the final quires., and Binding: Original brown leather over heavy wooden boards, sewn on four split leather thongs; plaited leather headbands; spine missing. The covers are blind-tooled with frames and lozenges of triple fillets and the following stamps: a lare and a small lozenge-shaped fleur-de-lis; a large and a small rozette; a circular Pascal Lamb; a rectangular stamp with inscription "MARIA". Remnants of two brass clasps attached to the front board.
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
