Holograph catalogue of Philip Stanhope, Earl of Chesterfield's library at Ethrope. The manuscript begins with an explanation of the shelving system at the library, followed by an index to the volume which divides the work by book size and language. The entries for each book include information about their shelving position and date published, and include historical, scientific, artistic, and literary works, as well as works on law and architecture. Holdings include biblical commentaries; John Dryden's plays; poems by Stephen Duck; numerous collections of prints and drawings, including William Hogarth's Collection of Prints and Darly's Collection of Caricatures; dictionaries in English, Italian, and French; Thomas Betterton's History of the English stage; and Horace Walpole's History of the royal and noble authors. The manuscript also includes several collections of musical works, including Cervetto's 6 Solos for the violincello and bass
Description:
In English., A note in the preface declares that "this Catalogue was taken in June 1778 by A. Edwards, no. 79 New Bond St. London.", Title from title page., Marbled endpapers., Binding: full red morocco. In gilt on spine: Catalogue Of The Library At Ethrope., and For further information, consult library staff.
Subject (Geographic):
Great Britain and England
Subject (Name):
Betterton, Thomas, 1635?-1710., Cervetto, Giacobbe, 1682-1783., Chesterfield, Philip Stanhope, Earl of, 1755-1815., Darly, Matthias., Dryden, John, 1631-1700., Duck, Stephen, 1705-1756., Edwards, A., Hogarth, William, 1697-1764., and Walpole, Horace, 1717-1797.
Subject (Topic):
Collectors and collecting, Nobility, Books and reading, Private libraries, and Intellectual life
An attractive young woman in country attire is shown arriving in the yard of the Bell Inn, London. An old woman approaches as a man watches from the doorway of the inn, his servant peaking out from behind him. A wagon with other country girls under the canvas pulls away; a country clergyman on horseback following behind
Alternative Title:
Harlot's progress. Plate 1
Description:
Title from caption above image., Printer's statement engraved in the lower right corner of the image., Copy in reverse of Hogarth's print published in 1732; Bowles at the Mercer's Hall address 1725-1731., Verses engraved below image, in three columns, six lines each: See there but just arrived in town, The country girl in homespun gown. Tho plain her drress appears, how neat, Her looks how innocent and sweet ... Ah Polly! thou hadst happy been, If thou his face hadst never seen., No. 1 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., Sheet trimmed within plate mark., Below text, written in a contemporary hand: Frances Chartres, Esq, who deserv'd hanging for what he had done & was sentenced to die for what he could not do., and For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 3 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A drawing of four scenes, with caricatured figures with large heads and very small bodies. Upper left: A man with a monocle (right) inquires of the butler on a threshold with pillar to his left, "Is your master within. No Mr. Smallfeast he's gone out to dinner. Oh dear me, well your mistress will do just the same. & She's out Sir. How provoking. Well, I'll set down by the fire till they come home. I'm sorry to tell you that that's gone out to." Upper right: A soldier is shot by a man (Turk?) hiding in the tall grass and pointing a rifle. Lower half, left: In a pulpit a bald minister with spectacles rants and he holds up a Bible in his left hand ready to throw it at the sleeping congregation below, " Ye sleepy crew if ye wont hear the owrd of God ye shall feel it." Lower right: A simpleton in artist attire holds up a piece of paper with a stick figure drawing and says, "Don't you think I improve."
Description:
Title from captions written each image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Artists, Butlers, Clergy, Congregations, Soldiers, British, and Sleeping
Bound portfolio of 67 prints by William Hogarth. According to Ronald Paulson it was assembled in 1753, possibly by Hogarth himself for his friend Bishop Hoadly. Formerly held in a library in Winchester, Hoadly's diocese. The first sheet is the portrait print of 'Bishop Hoadly' rather than the more common 'Gulielmus Hogarth' suggesting that it was assembled for Hoadly. The latest print is 'Breaking the egg" without receipt, suggesting a publication date after December 1753 when 'Analysis' was published
Description:
Title assigned by cataloger., See Paulson, R. Hogarth's graphic works, (3rd rev. ed.), p. 20 for a fuller description., and For further information, consult library staff.
Subject (Name):
Hoadly, Benjamin, 1676-1761, and Hogarth, William, 1697-1764.
Issued in 1872 with title: Hogarth's frolic. and Extra-illustrated: proofs before letters with imprints, titles, artists' names and publication date supplied in dark brown ink by a single contemporary hand; with 16 variant plates (an additional suite of all nine of the plates in uncolored aquatint printed in black).
Publisher:
Printed for R. Livesay
Subject (Name):
Hogarth, William, 1697-1764., Scott, Samuel, approximately 1710-1772., and Gostling, William, 1696-1777.
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and On page 294 in volume 3. Sheet trimmed to: 34.8 x 22.3 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and Mounted on sheet: 36.2 x 23.2 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
Date of publication supplied by cataloger., Descriptions of eight plates numbered with roman numerals. 'Plate I' begins: The father of the person who is subject of the eight following prints, liv'd in the country and is suppos'd to have been a miser, and being lately dead, the son is come from Oxford to take possession of his effects ..., Mounted on leaf 72. Copy trimmed with lose of first line of the title: An explanation of the eight prints of., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
The harlot is shown in her bedroom after she has lost the protection of the Jew. She is seated on the side of the bed, only partially dressed, waiting to be served breakfast by her slatternly attendant. A kitten plays at her feet as she swings a man's watch. In the background, a justice of the peace, his finger to his lips, creeps into the room with three atttendants, apparently unnoticed by the women
Alternative Title:
Harlot's progress. Plate 3
Description:
Title from caption above image., Printer's statement from Plate I of the series., Verses engraved below image in three columns, six lines each: At breakfast here in dishabille, While Margery does the tea-pot fill ..., No. 3 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
A loose plagiary (reversed) after Hogarth's plate 7 in the Rake's Progress series; a room in the Fleet Prison; Tom sits at a table to left, on which is a rejection letter from John Rich to whom he has submitted a play; his old wife brandishing her fists beside a weeping Sarah Young, other prisoners in the background
Description:
Title from text above image., Below image, four columns each with six lines of verse: "The compter next our spark receivces ... describes his exit on the wall.", See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2226-2245., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 138., and Mounted to: 360 x 423 mm.
A loose plagiary (reversed) after Hogarth's first plate in the Rake's Progress series; the interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a bag of coins to the pregnant Sarah Young; to the right a table with the papers related to the estate and coins; on the floor are boxes of miscellaneous goods; an upholsterer attaching fabric to the wall reveals a hiding place for coins which tumble out
Description:
Title from verses below image. Verses (in four columns, each with six lines) continue: " ... And thou hast left graceless son to wast thy fund of ill got stores .... plate, gloves and hoarded cash descend.", See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2259-2272., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 132., and Mounted to 358 x 435 mm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
Avarice, Corruption, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
Three elephant folio volumes containing 705 prints and tracings: 469 prints by Hogarth; 236 additional satires after Hogarth's prints by contemporary artists George Bickham, Samuel Ireland, and Paul Sandby. Also included are rare trade cards and coats of arms; Hogarth's shop-card as well as those of his sister, Ellis Gamble, and Edward Vaughan; Harrison's Tobacco Paper; Arms of Sir Gregory Page, Kendal and other coats-of-arms; theatre tickets including tickets for the Theatre Royal. The contents include examples from Hogarth complete oeuvre including: The Harlot's progress, first and later states; The Rake's progress, first and later states, including two unfinished proofs; The four times of day, including an unfinished proof; Strolling players, first and second states; Hogarth's Tour by R. Livesay after Samuel Scott, a set of nine colored, with An Account, five leaves; Some of the Principal inhabitants of the moon, etc. Also with a printed list annotated in Hogarth's hand
Description:
Title assigned by cataloger., Bound in brown calf, rebacked., Date surmised based on Steevens earliest date on interest in Hogarth and Steevens's death date., With the armorial bookplate of William Windham; also with the bookplate of Charles William Dyson Perrins., Items removed from volume 2 stored separately in two solander boxes., and For further information consult library staff.
Three elephant folio volumes containing 705 prints and tracings: 469 prints by Hogarth; 236 additional satires after Hogarth's prints by contemporary artists George Bickham, Samuel Ireland, and Paul Sandby. Also included are rare trade cards and coats of arms; Hogarth's shop-card as well as those of his sister, Ellis Gamble, and Edward Vaughan; Harrison's Tobacco Paper; Arms of Sir Gregory Page, Kendal and other coats-of-arms; theatre tickets including tickets for the Theatre Royal. The contents include examples from Hogarth complete oeuvre including: The Harlot's progress, first and later states; The Rake's progress, first and later states, including two unfinished proofs; The four times of day, including an unfinished proof; Strolling players, first and second states; Hogarth's Tour by R. Livesay after Samuel Scott, a set of nine colored, with An Account, five leaves; Some of the Principal inhabitants of the moon, etc. Also with a printed list annotated in Hogarth's hand
Description:
Title assigned by cataloger., Bound in brown calf, rebacked., Date surmised based on Steevens earliest date on interest in Hogarth and Steevens's death date., With the armorial bookplate of William Windham; also with the bookplate of Charles William Dyson Perrins., Items removed from volume 2 stored separately in two solander boxes., and For further information consult library staff.
Three elephant folio volumes containing 705 prints and tracings: 469 prints by Hogarth; 236 additional satires after Hogarth's prints by contemporary artists George Bickham, Samuel Ireland, and Paul Sandby. Also included are rare trade cards and coats of arms; Hogarth's shop-card as well as those of his sister, Ellis Gamble, and Edward Vaughan; Harrison's Tobacco Paper; Arms of Sir Gregory Page, Kendal and other coats-of-arms; theatre tickets including tickets for the Theatre Royal. The contents include examples from Hogarth complete oeuvre including: The Harlot's progress, first and later states; The Rake's progress, first and later states, including two unfinished proofs; The four times of day, including an unfinished proof; Strolling players, first and second states; Hogarth's Tour by R. Livesay after Samuel Scott, a set of nine colored, with An Account, five leaves; Some of the Principal inhabitants of the moon, etc. Also with a printed list annotated in Hogarth's hand
Description:
Title assigned by cataloger., Bound in brown calf, rebacked., Date surmised based on Steevens earliest date on interest in Hogarth and Steevens's death date., With the armorial bookplate of William Windham; also with the bookplate of Charles William Dyson Perrins., Items removed from volume 2 stored separately in two solander boxes., and For further information consult library staff.
"Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
Description:
Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
Publisher:
John Bowles
Subject (Geographic):
Saint James Westminster, London, England : Parish),
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
Having been released from Bridewell Prison, the harlot is shown in a squalid bed-chamber, wrapped in a long sheet and seated in a chair by the fire, her head resting against a pillow in a swoon. Her dismayed attendant turns for help from the two doctors who are quarreling about the benefit of their nostrums, the one standing in anger, in the process turning over a table and chair. A second attendant is rummaging through the harlot's trunk on the right. Sitting on the floor near the harlot's chair is a young boy, scratching his head as he roasts meat on a stick, heedless of the dramas in the room
Alternative Title:
In a high salivation and at the point of death
Description:
Title from caption above image., Printer's statement from Plate I of the series., Engraved below image, three columns, six lines each, beginning: From Bridewell fredd she quickly gains, The French disease and all its pains ..., No. 5 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., Sheet trimmed within plate mark., and Written in contemporary hand below text: Margery. For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Social life and customs, Bedrooms, Physicians, Prostitutes, Servants, and Sick persons
"Plate from a pirated series of Hogarth's Rake's Progress, not based on one of the original prints: Covent Garden with St Paul's church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are accosting women passers-by and the watch has arrived to set about them with staves."--British Museum online catalogue
Description:
Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38341i., Date of publication from Paulson and the British Museum catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title: Young Ramble, without witt or dread, Does non a drunken party head ... Uplifted staves, drawn swords oppose, And stabs are well repaid with blows., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 43 cm.
Publisher:
John Bowles
Subject (Geographic):
Covent Garden (London, England),, England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Fighting, Intoxication, Rake's progress, Watchmen, and Women
Caption title., Body of the text begins: The no dedication. Not dedicated to any prince in Christendom for fear it might be thought an idle piece of arrogance. Not dedicated to any man of quality, for feat it might be thought too assuming. Not dedicated to any learned body of men, as either of the universitys, or the Royal Society, for fear it might be thought an uncommon piece of vanity. Nor dedicated to any one particular friend for dear of offending another. Therefore dedicated to nobody, but if for once we may spppose nobody to be every body, as every body is often said to be nobody, then is this work dedicated to every body. By their most humble and devoted [signed] W. Hogarth., All etched., "Page 1."--Upper right corner., Ms. note in ink in Steevens's hand below print: Facing the “Anecdotes” &c. in John Ireland's Hogarth illustrated., and On page 231 in volume 3.
Sayer's index to his copies from the works of the late celebrated Mr. William Hogarth
Description:
Caption title., Probably the index to: Les Satyres de Guillaume Hogarth. Londres : Robert Sayer, 1768., and The Lewis Walpole Library copy: With title annotated in ink by a contemporary hand: Sayer's index to his copies from the works of the late celebrated Mr. William Hogarth.
Sayer's index to his copies from the works of the late celebrated Mr. William Hogarth
Description:
Caption title., Probably the index to: Les Satyres de Guillaume Hogarth. Londres : Robert Sayer, 1768., and The Lewis Walpole Library copy: With title annotated in ink by a contemporary hand: Sayer's index to his copies from the works of the late celebrated Mr. William Hogarth.
Title engraved at top of image., A writing sheet, with borders decorated with scenes from Hogarth's series Industry and idleness., Interior blank space annotated in contemporary hand with three verses and dated June 1, 1778., and For further information, consult library staff.
Publisher:
Published by R. Sayer, and J. Bennett, No. 53 Fleet Street
A manuscript invoice with fifty-four entries listing Hogarth prints and bound volumes sold to Mrs. Hogarth, William Hogarth's widow, by John Boydell between 28 November 1782 and 15 November 1784. The list includes many of his most important works, with prices charged, including "Hogarth moraliz'd", "Garrick", "March to Finley", "Marriage a la mode", "Strolling actresses dressing in a barn", "Wilkes", "Rake's progress", "Four stages of cruelty", etc. Two entries are added at the end by Boydell with a note: "My Bill del'd. Jan. 3. 1784 [i.e., 1785?]."
Description:
In English., Title devised by cataloger. Text at top of sheet: "1782 Mr. Boydell dr. to Mrs. Hogarth.", List in an unidentified hand except the last few lines which have been indentified as that of Boydell., and For further information, consult library staff.
Subject (Geographic):
Great Britain.
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, Jane, 1711?-1789.
Title etched above image., Publication date inferred from the date of Wilkes's trial., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Literature: reference to the North Briton, No. 45 -- Personifications: Liberty -- Emblems: scales of justice -- Reference to pensions.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764. and Wilkes, John, 1725-1797
Subject (Topic):
Britannia (Symbolic character), Judges, and Liberty
The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground a violin in its open case sits on the back of an overturned chair, a second violin case beside it. The steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands. Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à la mode. Pl. II
Description:
Title and plate number etched below image., Sheet trimmed to plate mark., In lower left corner: Size of picture 3 ft. x 2 ft. 4 in., The portrait of the rake is said to be of Francis Hayman, and the steward, Mr. Edward Swallow, butler to Archbishop Herring. See J.C. Smith., No. 2 in a series of 6 images; this one known as "The breakfast scene.", and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 159.
Publisher:
Pubd. Jun 4, 1796 by J. & J. Boydell, No. 90 Cheapside & at the Shakespeare Gallery, Pall Mall, London
Subject (Geographic):
England
Subject (Name):
Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground a violin in its open case sits on the back of an overturned chair, a second violin case beside it. The steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands. Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à la mode. Pl. II
Description:
Title and plate number etched below image., Later state with imprint and dimensions burnished out., The portrait of the rake is said to be of Francis Hayman, and the steward, Mr. Edward Swallow, butler to Archbishop Herring. See J.C. Smith., No. 2 in a series of 6; this plate referred to as "The breakfast scene"., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 159.
Publisher:
J. and J. Boydell?
Subject (Geographic):
England
Subject (Name):
Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
Engraving of William Hogarth’s 1748 painting ‘O the Roast Beef of Old England’ (London, Tate Britain), which he had himself published as a print. The scene is set at the Gate of Calais (after the painting in the Tate Gallery) with a fat monk prodding a large sirloin of beef carried by a cook, on either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef; on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier’s hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais
Description:
Title engraved below image., Date of publication based on publisher's street address; Sayer's premises in Fleet Street were not numbered until ca. 1766. See British Museum online catalogue., Text of Theodosius Forrest’s cantata 'The Roast Beef of Old England' printed in letterpress beneath image in two columns., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 180., and Watermark.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
England
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Foreign public opinion, French, Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Title from item. and Mounted; ms. note on mount: "Wilkes, Hogarth, Ch. Churchil." Additional ms. note: "Alludes to the quarrel between Wilkes & Hogarth. Wilkes replied to Hogarth's satirical portrait of Wilkes by the North Briton XVII which is very bitter in tone. There is little doubt that this quarrel shortened Hogarth's life."
Publisher:
Sold by E. Sumpter, in Fleet Street, publish'd according to act of Parliament
Subject (Name):
Wilkes, John, 1725-1797, Hogarth, William, 1697-1764., and Churchill, Charles, 1731-1764.
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, collector
Published / Created:
[1732-1764]
Call Number:
Folio 75 H67 764 (Oversize)
Image Count:
76
Abstract:
A collection compiled by Queen Charlotte of 84 Hogarth engravings including: Hogarth painting the Comic Muse; A Harlot's Progress; The Rake's Progress; Marriage a-la-mode; Morning, Noon, Evening, Night, Before, After; A Midnight Modern Conversation; The Distrest Poet; The Enraged Musician; Southwark Fair; Garrick in the Character of Richard III; The Gate of Calais; Sullivan's Paul before Felix; Paul before Felix; Moses brought to Pharaoh's Daughter; The March to Finchley; Strolling Actresses Dressing in a Barn; An Election Entertainment; Canvassing for Votes; The Polling; Chairing the Members; Bishop Hoadly; Industry and Idleness, plates 1- 12; Simon Lord Lovat; John Wilkes; The Stage-Coach, or The Country Inn Yard; Paul before Felix Burlesqued; A Chorus of Singers; The Company of Undertakers; The Laughing Audience; Scholars at a Lecture; The Five Orders of Periwigs; The Bench; Characters and Caricatures; Frontispiece to the Catalogue; Tailpiece to the Catalogue; Columbus Breaking the Egg; Time Smoking a Picture; The Times, Plates I and II; The Bruiser; Beer Street; Gin Lane; First Stage of Cruelty; Second Stage of Cruelty; Cruelty in Perfection; The Reward of Cruelty; The Invasion, Plate I France and Plate II England; The Cockpit; Credulity, Superstition, and Fanaticism; Tailpiece, or The Bathos
Alternative Title:
Hogarth's works
Description:
Title assigned by cataloger., Bound according to Her Majesty's direction in three-quarter calf with marble boards, with black leather spine label and gold lettering: Hogarth's works., and For further information consult library staff.
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818. and Hogarth, William, 1697-1764.
Copy of the first state of William Hogarth's subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and one, along with a satyr, lifting the shift of a sculpture of many-breasted Diana of Ephesus. Enscribed on either side of Diana: "Antiquam exquirite matrem. Vir."
Description:
Title etched below image., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (3rd ed.) no. 120., and On page 57 in volume 1. With note in Steeven's hand above print: Copy.
Publisher:
Publish'd April 23d, 1782 Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
A group of four persons-- the Princess of Wales, Earl of Bute, the Queen, and the King-- stand up and dance before five courtiers who sit, three along the wall on the left, two along the wall on the right. A bagpiper on the left plays, with the words in a bubble: "up stairs, down stairs in my Ladys Bed Chamber". The five courtiers, including a Scotchman, each have speech bubbles commenting on the scene with references to the Irish, the Scotch jig, Italian masters
Alternative Title:
Windsor minuet 1762
Description:
Title etched above image., Printmaker's name ficticious, an allusion to William Hogarth., Cf. No. 3981 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted to 31 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, and Hogarth, William, 1697-1764.
A group of four persons -- the Princess of Wales, Earl of Bute, the Queen, and the King -- stand up and dance before five courtiers who sit, three along the wall on the left, two along the wall on the right. A bagpiper on the left plays, with the words in a bubble: "up stairs, down stairs in my Ladys Bed Chamber". The five courtiers, including a Scotchman, each have speech bubbles commenting on the scene with references to the Irish, the Scotch jig, Italian masters. A reversed copy of a print by "Paul Ogarth inv. et scratchavit."
Alternative Title:
Windsor minuit 1762 and Windsor minuet 1762
Description:
Title etched above image., Numberd '19' in upper right corner., and Mounted to 31.8 x 34.1 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, and Hogarth, William, 1697-1764.
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Harlot's Progress, a procession of Bacchus encounters Midnight Modern Conversation, and so on."--British Museum online catalogue
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
Description:
Title from text in image., State and publisher from Paulson., Title from caption above image: The bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ..., Ms. note in pencil in Steevens's hand above print: ibidem., and On page 122 in volume 2. Sheet trimmed to: .
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Harlot's Progress, a procession of Bacchus encounters Midnight Modern Conversation, and so on."--British Museum online catalogue
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
Description:
Title from text in image., State and publisher from Paulson., Title from caption above image: The bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ..., and Sheet trimmed to plate mark: sheet 197 x 210 mm.
"Bidder's ticket for an auction of paintings by Hogarth with ranks of copies of old master paintings stacked outside Cock's auction house attacking paintings by Hogarth as they emerge from his studio: a weeping Magdalene spears the third scene of A Harlot's Progress, a procession of Bacchus encounters Midnight Modern Conversation, and so on."--British Museum online catalogue
Alternative Title:
Bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
Description:
Title from text in image., State and publisher from Paulson., and Title from caption above image: The bearer hereof is entitled (if he thinks proper,) to be a bidder for Mr. Hogarth's pictures ...
Title etched below image., Printmaker from British Museum catalogue., False imprint?, Sheet trimmed to plate mark., and "Price 1s. done from [the] French"--Following title.
Publisher:
Avec priuilege du Roy
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Mary Hackabout, now become a harlot and mistress of a wealthy London Jew, kicks over a tea table to divert his attention from the presence of her younger lover when he arrives unexpectedly. A monkey and young black servant boy look on the scene with frighten expressions. On the walls hang paintings with scenes from the Old Testament which amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title from caption above image., Printer's statement from Plate I of the series., Copy in reverse of Hogarth's print published in 1732; Bowles at the Mercer's Hall address 1725-1731., Engraved below image, three columns, six lines each, beginning: Debauch'd & then kick'd out of doors, The fate of all Francisco's whores ..., Sheet trimmed within plate mark., No. 2 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., and For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Title from caption etched above image., Satire on William Hogarth, 1697-1764., Sheet trimmed within plate mark resulting in partial loss of statement of responsibility., Six lines of verse below image: Window, wheels, house & churches, where [sic] to them as geese & turkeys ..., and Mounted to 30 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764., Byng, John, 1704-1757, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Anson, George Anson, Baron, 1697-1762, Holland, Henry Fox, Baron, 1705-1774, Lyttelton, George Lyttelton, Baron, 1709-1773, Pitt, William, Earl of Chatham, 1708-1778, and Temple, Richard Grenville-Temple, Earl, 1711-1779
A group made up mostly of woman gather round the coffin of the harlot in the center of the room. The young boy, the harlot's son, sits beside it on the floor. Many of the women are weeping, but others are engaged in flurtations with the undertaker and the clergyman
Alternative Title:
Harlot's progress. Plate 6
Description:
Title from caption above image., Printer's statement from Plate I of the series., No. 6 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., Engraved below image, three columns, six lines each, beginning: The sisterhood of Drury Lane, Are met to form the funeral train ..., Sheet trimmed within plate mark., and Written in contemporary hand below text: Margery. For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Social life and customs, Funeral rites & ceremonies, and Prostitutes
The frontispiece is dated 1795 and is included in the Contents list., Frontispiece of William Hogarth, 2 leaves (letterpress title page and "A catalogue of the original works of William Hogarth contained in this volume"), and 110 engravings on 85 leaves., and Bound in full contemporary calf, spine richly gilt in compartments, red morocco lettering piece, rebacked. For further information, consult library staff.
Publisher:
Sold by John and Josiah Boydell, at the Shakespeare Gallery, Pall-Mall, and No. 90, Cheapside, London
Subject (Geographic):
England and England.
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
English wit and humor, Pictorial, Social life and customs, and Manners and customs
Townshend, George Townshend, Marquis, 1724-1807, printmaker, artist
Published / Created:
[1763?]
Call Number:
763.00.00.126
Image Count:
1
Resource Type:
still image
Abstract:
A man stands full length facing the viewer wearing a hat and large coat, leaning on a walking stick in his right hand. He has a sheaf of papers over his left forearm with the words "Peace French & Spanish terms-". A speech balloon from his mouth reads, "If you dont care we'l [...] you all by St. Andre."
Description:
Title etched below image., "O'Garth" is a pseudonym for the Honorable George Townshend. See British Museum catalogue no. 2847., Publication date inferred from that of the Treaty of Paris to which this print refers., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792. and Hogarth, William, 1697-1764.
Caption title in letterpress below image., The illustration is by Hogarth. Cf. Paulson, R. Hogarth's graphic works. No. 180, v. 1, p. 202-204., First line of first recitative: Twas at the gates of Calais, Hogarth tells, where sad despair and famine always dwell ..., Date based on Tringham's location at Royal Exchange. The first recorded edition of Theodosius Forrest's cantata printed below, is 1759., Three columns of verses alternating Recitative and Air., and On page 145 in volume 2.
Publisher:
Printed for W. Tringham, under the North Piazza of the Royal Exchange, in Threadneedle-Street
Hogarth's shop card presenting him as an engraver both of prints and decorative metalwork; frame with a figure in classical dress on either side (on the left a woman, on the right a man drawing) and, above, putti holding a print and a vase; lettered in the centre 'W. Hogarth Engraver'. In an oval cartouche in the lower frame, "Aprill [the] 23 1720."
Alternative Title:
William Hogarth, engraver and Hogarth's shop card
Description:
Title etched within image., Imprint from volume for which this plate was engraved., Plate from: Ireland, S. Graphic illustrations of Hogarth (London, 1794-1799)., and Sheet trimmed within plate mark.
Publisher:
Published for Samuel Ireland; by R. Faulder; T. Egerton; and B. White
Hogarth's shop card presenting him as an engraver both of prints and decorative metalwork; frame with a figure in classical dress on either side (on the left a woman, on the right a man drawing) and, above, putti holding a print and a vase; lettered in the centre 'W. Hogarth Engraver'. In an oval cartouche in the lower frame, "Aprill [the] 23 1720."
Alternative Title:
William Hogarth, engraver and Hogarth's shop card
Description:
Title etched within image., Imprint from volume for which this plate was engraved., Plate from: Ireland, S. Graphic illustrations of Hogarth (London, 1794-1799)., Sheet trimmed within plate mark., Ms. note in ink below plate: Copy. See page 3., and On page 5 in volume 1. Sheet trimmed to: 88 x 114 mm.
Publisher:
Published for Samuel Ireland; by R. Faulder; T. Egerton; and B. White
Hogarth's shop card presenting him as an engraver both of prints and decorative metalwork; frame with a figure in classical dress on either side (on the left a woman, on the right a man drawing) and, above, putti holding a print and a vase; lettered in the centre 'W. Hogarth Engraver'. In an oval cartouche in the lower frame, "Aprill [the] 23 1720."
Alternative Title:
William Hogarth, engraver and Hogarth's shop card
Description:
Title etched within image., Date engraved in cartouche centered in lower frame., Sheet trimmed within plate mark., Center is cut out and ms. inscription added “W: Hogarth Engraver” on mount below showing through., and On page 3 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain.
Subject (Name):
Hogarth, William, 1697-1764. and Perrins, Charles William Dyson, 1864-1958
Plate lettered in the top center 'G': Reverse copies of details of five men and one woman conversing and drinking, after characters in the upper left corner of Hogarth's first plate in Election entertainment. Each figure is numbered
Description:
Title devised by cataloger., Printmaker and date from other plates in this series in the British Museum catalogue., Plates from: Lichtenberg's Göttinger Taschen Kalender., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Eating & drinking, Gin, Intoxication, Politicians, Smoking, and Taverns (Inns)
Plate lettered in the top center 'H': Reverse copies of details six figures from the center of Hogarth's first plate in Election entertainment. Each character is numbered; 1 and 2, two of the musicians (the woman violinist and the bass-viol player); 3, 4, and 5, three of the men sitting at the table conversing and drinking; 6. the portrait on the back wall
Description:
Title from British Museum catalogue., Printmaker and date from British Museum online catalogue., and Plate from: Lichtenberg's Göttinger Taschen Kalender.
Plate lettered in the top center 'I': Reverse copies of details of two men after characters on the center foreground in Hogarth's first plate in Election entertainment. Each figure is numbered; 1. A man pours gin into the cut on another (2) man's bare and wounded head scalp who holds a glass and a club. Above them is a flagover with the inscription "Give us our eleven days."
Description:
Title from British Museum catalogue., Printmaker and date from British Museum online catalogue., and Plates from: Lichtenberg's Göttinger Taschen Kalender.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Eating & drinking, Gin, Political elections, Taverns (Inns), and Wounds & injuries
Plate lettered in the top center 'K': Reverse copies of details of four men after characters around the table on the right in Hogarth's first plate in Election entertainment. Each figure is numbered; 1, 2, 3. Three men laugh as they look on a man (4) who has made a mask from his first and napkin
Description:
Title from British Museum catalogue., Printmaker and date from British Museum online catalogue., and Plates from: Lichtenberg's Göttinger Taschen Kalender.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Eating & drinking, Wine, Political elections, Puppets, and Taverns (Inns)
Plate lettered in the top center 'L': Reverse copies of details of three men after characters around the table on the right in Hogarth's first plate in Election entertainment. Each figure is numbered; 1. A distraught looking man with his wig askew. 2, 3. A doctor wipes the forehead of a man seated before him, eyes closed, appparently ill from eating oysters (as seen in the Hogarth original).
Description:
Title supplied by cataloger., Printmaker and date from other prints in the series in the British Museum online catalogue., Plates from: Lichtenberg's Göttinger Taschen Kalender., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Physicians, Political elections, Wigs, and Taverns (Inns)
Plate lettered in the top center 'M': Reverse copies of details of the upper bodies of four figures in the first plate of Hogarth's Election Entertainment. Each figure is numbered: 1. The tailor's wife; 2. The tailor; 3. The man trying to bribe him; 4. The tailor's child, showing his toes poking through his shoes
Description:
Title from British Museum catalogue., Printmaker and date from other prints in the series in the British Museum online catalogue., and Plates from: Lichtenberg's Göttinger Taschen Kalender.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Children, Families, Political elections, Spouses, Tailors, and Taverns (Inns)
A scene in Bridewell Prison with the harlot and other prisoners shown beating hemp, the warder standing over her, prodding her. They stand under a sign that reads "Better to work than stand thus."
Alternative Title:
In the Bridewell beating hemp, with many others in the like circumstances
Description:
Printer's statement from Plate I of the series., Copy in reverse of Hogarth's print published in 1732; Bowles at the Mercer's Hall address 1725-1731., Engraved below image, three columns, six lines each, beginning: See Polly now in Bridewell stands, A gauling mallet in her hands ..., Sheet trimmed within plate mark., No. 4 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and In contemporary hand, below engraved text: Margery. For further information, consult library staff.
Publisher:
Printed for John Bowles at Mercer's Hall in Cheapside
A loose plagiary (reversed) after Hogarth's eighth plate in the Rake's Progress series: A scene in Bedlam with Tom half-naked and in a state of distress restrained by attendants; two women revive a fainting Sarah Young (right). Tom's old wife looks at herself in a hand mirror (left). The wall to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Soon hurried thro' a course of vice ...
Description:
Title from original as cited by Paulson. Added titel from first line of verse etched below image. Verses (in four columns six lines each) continue: " ... with sots & panders, whores & dice, his mind by jarring passions tost ... with superstitions fears sit quaking, or combat devils of their own making.", Eighth scene in A rake's progress. See Paulson., After the painting at Sir John Soane's Museum., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2257., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 139., and Mounted to: 353 x 435 mm.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Asylums, Mental institutions, Mentally ill persons, Parables, and Rake's progress
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", Ms. note: See Mr. Nichols's book, 3d. edit. p. 284., Subscription ticket is filled in: April 10 1750 and illegible name. A scrap of paper attached at lower right with Hogarth's signature, 3 shillings, and Hogarth's wax seal., and On page 127 in volume 2. Sheet trimmed to: 18.1 x 23 cm.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet trimmed to 193 x 231 mm and annotated in Hogarth's hand(?): Aprl 2 1750, Robt. Thomson Esqr., N534. Also signed: "Wm. H[ogarth]".
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson., Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over.", and Sheet 266 x 273 mm and annotated in Hogarth's hand(?): April 28 1750, Ja. Theoball Esqr., N1249. Also signed: "Wm. H[ogarth] 3 shilllings". With his wax seal.
Subscription ticket for the "March to Finchley" with an arrangement of Scottish and English weapons (swords, musket, canon, halberd, pickaxe, scimitar, pistol, broad-sward, haversadk, Lochaber axe, etc.), musical instruments (trumpet, drum, kettledrum, fife and bagpipes), and flags; in the center a pair of scissors excises the Scottish lion from the royal coat-of-arms
Alternative Title:
Subscription ticket for the "March to Finchley"
Description:
Title, printmaker, publisher, and date from Paulson. and Lettered with subscription receipt: "Recd. [blank] of [blank] 7s:6d: being the whole payment for a print pepresenting a March to Finchly [sic] in the year 1746 which I promise to deliver when finish'd on sight hereof. N.B. Each print will be half a guinea after the subscription is over."
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Lettered below the verse with subscription receipt: "Rec'd [blank] of [blank] a half a guinea being [the] first payment for two six prints of a Harlot's progress which I promise to deliver when finish'd, on one half guinea more.", Pencilled notes in Steevens' hand. Above a group of three: Boys Peeping at Nature, a Receipt for the Harlot's Progress. See Mr. Nichols's Book, 3d Edit. p. 188. 319. On mount sheet, below print: Very scarce,, and On page 57 in volume 1. Plate cropped below design to: 103 x 125 mm, mounted to 139 x 140 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and the other resting an outline portrait against a sculpture of many-breasted Diana of Ephesus
Description:
Title, printmaker, state, and date from Paulson., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Lettered below the verse with subscription receipt: "Rec'd [blank] of [blank] a half a guinea being [the] first payment for two six prints of a Harlot's progress which I promise to deliver when finish'd, on one half guinea more.", and With ms. annotations in William Hogarth's hand indicating the receipt of a half guinea from Ebenezer Forrest, with Hogarth's signature and seal. Mounted on a sheet with a fragment of a letter from Giles Hussey addressed to "Frs. [Francis] Webb Esqr. at Sir Isaac Heard's, College of Arms, London" and stamped with a redirect to Shaftsbury. The letter can be dated to the period 1786-1788, after Isaac Heard was knighted (in 1786) and before Hussey died (in 1788).
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., Sheet trimmed to plate mark on three sides, leaving thread margins., 1 print : etching on laid paper ; plate mark 22.9 x 20.5 cm, on sheet 28.8 x 25.1 cm., Mounted on leaf 59 x 46 cm., and Plate 66 in the album: Queen Charlotte's collection of Hogarth works.
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas and Three characters. Four caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Date and state from Paulson., The receipt is engraved below the caption: Rec'd [blankl] of [blank] Half a guinea being the first payment for six prints called Marriage a la mode which I promise to deliver when finish'd on receiving half a guinea more. N.B. The price will be one guinea and an half after the time of subscribing., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand to right of print: See Nichols's bok, 3d. edit. p. 262., Blanks filled in ms. to show receipt from Mr. Stephen Abbort, dated 12 May 1743 and signed by Hogarth., and On page 108 in volume 2. Sheet trimmed to plate mark on three sides: 27.4 x 20.4.
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Second state, with receipt at bottom of plate masked. See Paulson., Date from Paulson., Sheet trimmed to plate mark on bottom edge., and Mounted on leaf 49 in: Album of William Hogarth prints.
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., Sheet trimmed to plate mark on three sides, leaving thread margins., Ms. note in pencil in Steevens's hand to left of print: See Nichols's book, 3d. edit. p. 262., and On page 108 in volume 2. Sheet trimmed to: 23.3 x 20.7 cm.
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas and Three characters. Four caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Date and state from Paulson., The receipt is engraved below the caption: Rec'd [blankl] of [blank] Half a guinea being the first payment for six prints called Marriage a la mode which I promise to deliver when finish'd on receiving half a guinea more. N.B. The price will be one guinea and an half after the time of subscribing., and Sheet trimmed to plate mark.
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., and Sheet trimmed to plate mark on three sides, leaving thread margins.
Plate lettered in the top center 'G': Reverse copies of details from Hogarth's "A midnight modern conversation". Each item is numbered; 1. The man who, holding a tobacco-pipe, rises at the further side of the table; 2. The man without his wig who speaks aloud and, standing behind the cleryman, waves his drinking glass; 3. A man smiling and wearing a large wig; 4. The clergyman himself, with a pipe at his lips; 5. The drunken man who staggers in front of the table, emptying the bottle; 6. The bare-headed man who has fallen to the floor
Description:
Title from British Museum catalogue., Printmaker and date from other prints in this series in the British Museum online catalogue., and Plate prepared for: Manuel contentant diverses Connoissances curieuses et utile pour l'année 1786" in Göttingen.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Clergy, Eating & drinking, Intoxication, Men, Pipes (Smoking), and Wigs
Plate lettered in the top center 'H': Reverse copies of details from Hogarth's "A midnight modern conversation". Each item is numbered; 1. The fat man with the linen cap on his head, who sits stolidly smoking; 2. The back of the head of the man behind the last; 3. The man who, seen in profile at the side of the picture, sits and sleeps soundly, with his arms folded; 4. The gentleman in the bag-wig, who is about to vomit; 5. The neighbor of the last, who is endeavoring to light his pipe
Description:
Title from British Museum catalogue., Date from other prints in this series in the British Museum online catalogue., and Plate prepared for: Manuel contentant diverses Connoissances curieuses et utile pour l'année 1786" in Göttingen.
Plate lettered in the top center 'F': Reverse copies of details of three men and one woman, after characters on the left edge under the flag in Hogarth's first plate in Election entertainment. Each figure is numbered; 1. A man smoking a pipe (upside-down) as he pushes the head of a large woman (3) toward her companion, a young gentleman (2); 4. The Quaker Abel Squat reads a sheet of paper on which is written, "April 1 1754 I promise to pay to Abel Squat the sum of fifty pounds six months after date value re[cei]ved Rich[ard] Slim
Description:
Title devised by cataloger., Printmaker and date from other plates in this series in the British Museum catalogue., Plates from: Lichtenberg's Göttinger Taschen Kalender., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Corruption, Couples, Kissing, Politicians, Smoking, and Taverns (Inns)
Plate lettered in the top center 'G': Reverse copies of details from figures from the lower left corner of Hogarth's "Beer Street". Numbered 1: A detail of man drinking from the lower right, above the hamper; 3. A paver with his ramer barely visible whispers in the ear of a servant-maid (2).
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Plate lettered in the top center 'H': Reverse copies of details from figures from the lower right corner of Hogarth's "Beer Street". Numbered 1: Two fisherwomen, one with a large basket of fish on her head, read a sheet titled "A new ballad on the herring fishery by Mr. Lockman"; 2. A sign painter smiles as he dips his brush in the paint on his palette; the edge of the sign visible upper left
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Plate lettered in the top center 'A': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. The preacher with his wig flying off and his jester's shirt exposed under his robe. One sheet of paper behind his head reads " To St. Money-trap"; another sheet at his chest reads " I speak as a fool; 2. A cherub with a riding hat holds in his mouth one end of the paper at the preacher's head; 3. One of the preacher's puppets, a witch with a pointed hat and riding a broomstick; 4. The other puppet, a demon walks toward the right holding a gridiron
Description:
Title devised by cataloger., Date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Angels, Churches, Clegy, Demons, Preachers, Putti, and Witches
Plate lettered in the top center 'C': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1, 2. The embracing couple; 5 [i.e. 3]. A thermometer measuring emotions resting on two books, including 'Westly's Sermons'; 4. An old woman yawns; 5. "The Poor's box."
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Plate lettered in the top center 'D': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. The clerk surrounded by angel heads (2,3). The clerk holds an opened book which rests on a pulpit from which hangs a sign lettered "Only love to us be gev'n Lord we ask no other Heav'n. Hymn by G. Whitfield [sic] page 130."; 4. Another two figures below. The one on the left weeps into a cloth; the other looks up as a demon whispers in his ear
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Plate lettered in the top center 'E': Reverse copies of six details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. "Scale of vociferation"; 2, 3. A cleric with a distraught man in prayer; 4. A Jew with a beard before an altar with a Bible and a knife with 'Bloody' written on the blade; 5. A man with clasped hands singing, looking heavenward; 6. A man with a cap, shouting
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Jews, Churches, Clegy, Praying, Scales, Singing, and Thermometers
Plate lettered in the top center 'I': Reverse copies of details from figures from the lower left corner of Hogarth's "Gin Lane". Numbered 1: The figure of the drunken woman whose baby falls from her arms (only legs of the child are shown), 2. Skeletal figure from lower right, who clutches a gin bottle in a basket with the broadside titled "The downfall of Mmd. Gin"; 3. A woman feeding her child from a glass, from mid-scene right; 4) Figure also from mid-scene right forcing more drink down the throat of a man being carried in a wheelbarrel
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Hogarth 940.00.00.01 Framed, shelved in LFS Bin 18
Image Count:
1
Resource Type:
still image
Abstract:
An Etchmaster etching on a copper-plate surface so as to resemble an antique copper etching plate with a reproduction (cropped) of the scene from William Hogarth's 1738 print "Morning," the first in his "Four Times of the Day" series. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman. To the left, in the middle distance, a small crowd mulls around the gate
Description:
Title supplied by cataloger from original title., Questionable productions information from seller., Possibly part of the Hogarth series: Copperplate Copper etching by Pleasure Reproductions"., Cf. Catalogue of prints and drawings in the British Museum, v. 3, no. 2357., and Cf. Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 146.
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., 1 print : etching and engraving on laid paper ; plate mark 31.8 x 33.6 cm, on sheet 42 x 58 cm., and Plate 84 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Hogarth 764.03.03.02+ Box 200
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching with engraving on laid paper ; plate mark 319 x 335 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Sotheby 81+ Box 205
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson. and Title engraved above image: Tail piece. The Bathos.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., Ms. note in pencil in Steevens's hand to right of print: See Mr. Nicholls's Book, 3d edit. p. 402., and On page 199 in volume 2. Sheet trimmed to: 31.6 x 33.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Kinnaird 85K(a) Box 225
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching and engraving, on laid paper ; plate mark 320 x 338 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
Scene in a crowded room lit by a few guttering candles, 'far exceeding in profligacy and dissipation' anything depicted by R obert Cruikshank in St. Giles. Men and women fight, drink, and smoke. An old soldier fiddles, a woman beats a drum for dancers who are almost hidden but apparently naked. Cruikshank stands on a table, pouring gin from a large tankard inscribed 'R.C' into raised glasses. One prostitute squirts liquid from her mouth at another, a third pulls on her stockings, incidents taken from Hogarth's 'Rake's Progress' (plate iii). 'Blackmantle' watches the fight, smoking a long pipe. On the walls are placards: 'No trust' and 'Pig and Whistle: Rules of the Club." British Museum catalogue
Alternative Title:
Buff Club, at the Pig and Whistle, Avon Street, Bath
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15232 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 386.
Publisher:
Sherwood & Co.
Subject (Name):
Cruikshank, Robert, 1789-1856, and Hogarth, William, 1697-1764.
Charles Churchill in the form of a huge bear (right, as in Hogarth's print The Bruiser) and wearing clerical neckbands, looks down, mouth agap, at a little dog (left) who snarls back. The dog personifies Hogarth as in his own print "Trump"; his paws rest on a artist's palette inscribed "Line of beauty". The bear's paw rests on a sheet inscribed "Epistle to Wm. Hogarth," the poem which Churchill published in response to Hogarth's sketch of Wilkes described as "John Wilkes, Esqr."
Alternative Title:
Satire on Hogarth and the Rev. C. Churchill
Description:
Title from later state, engraved for the engd. for the Hiberia magazine. and Alternative title from British Museum catalogue: Satire on Hogarth and the Rev. C. Churchill.
