Charles Churchill in the form of a huge bear (right, as in Hogarth's print The Bruiser) and wearing clerical neckbands, looks down, mouth agap, at a little dog (left) who snarls back. The dog personifies Hogarth as in his own print "Trump"; his paws rest on a artist's palette inscribed "Line of beauty". The bear's paw rests on a sheet inscribed "Epistle to Wm. Hogarth," the poem which Churchill published in response to Hogarth's sketch of Wilkes described as "John Wilkes, Esqr."
Alternative Title:
Satire on Hogarth and the Rev. C. Churchill
Description:
Title from later state, engraved for the engd. for the Hiberia magazine. and Alternative title from British Museum catalogue: Satire on Hogarth and the Rev. C. Churchill.
Scene in a crowded room lit by a few guttering candles, 'far exceeding in profligacy and dissipation' anything depicted by R obert Cruikshank in St. Giles. Men and women fight, drink, and smoke. An old soldier fiddles, a woman beats a drum for dancers who are almost hidden but apparently naked. Cruikshank stands on a table, pouring gin from a large tankard inscribed 'R.C' into raised glasses. One prostitute squirts liquid from her mouth at another, a third pulls on her stockings, incidents taken from Hogarth's 'Rake's Progress' (plate iii). 'Blackmantle' watches the fight, smoking a long pipe. On the walls are placards: 'No trust' and 'Pig and Whistle: Rules of the Club." British Museum catalogue
Alternative Title:
Buff Club, at the Pig and Whistle, Avon Street, Bath
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15232 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 386.
Publisher:
Sherwood & Co.
Subject (Name):
Cruikshank, Robert, 1789-1856, and Hogarth, William, 1697-1764.
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., 1 print : etching and engraving on laid paper ; plate mark 31.8 x 33.6 cm, on sheet 42 x 58 cm., and Plate 84 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., Ms. note in pencil in Steevens's hand to right of print: See Mr. Nicholls's Book, 3d edit. p. 402., and On page 199 in volume 2. Sheet trimmed to: 31.6 x 33.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Kinnaird 85K(a) Box 225
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching and engraving, on laid paper ; plate mark 320 x 338 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Sotheby 81+ Box 205
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson. and Title engraved above image: Tail piece. The Bathos.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Hogarth 764.03.03.02+ Box 200
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching with engraving on laid paper ; plate mark 319 x 335 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
Hogarth 940.00.00.01 Framed, shelved in LFS Bin 18
Image Count:
1
Resource Type:
still image
Abstract:
An Etchmaster etching on a copper-plate surface so as to resemble an antique copper etching plate with a reproduction (cropped) of the scene from William Hogarth's 1738 print "Morning," the first in his "Four Times of the Day" series. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman. To the left, in the middle distance, a small crowd mulls around the gate
Description:
Title supplied by cataloger from original title., Questionable productions information from seller., Possibly part of the Hogarth series: Copperplate Copper etching by Pleasure Reproductions"., Cf. Catalogue of prints and drawings in the British Museum, v. 3, no. 2357., and Cf. Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 146.
Plate lettered in the top center 'I': Reverse copies of details from figures from the lower left corner of Hogarth's "Gin Lane". Numbered 1: The figure of the drunken woman whose baby falls from her arms (only legs of the child are shown), 2. Skeletal figure from lower right, who clutches a gin bottle in a basket with the broadside titled "The downfall of Mmd. Gin"; 3. A woman feeding her child from a glass, from mid-scene right; 4) Figure also from mid-scene right forcing more drink down the throat of a man being carried in a wheelbarrel
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Plate lettered in the top center 'E': Reverse copies of six details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. "Scale of vociferation"; 2, 3. A cleric with a distraught man in prayer; 4. A Jew with a beard before an altar with a Bible and a knife with 'Bloody' written on the blade; 5. A man with clasped hands singing, looking heavenward; 6. A man with a cap, shouting
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Jews, Churches, Clegy, Praying, Scales, Singing, and Thermometers
