Raimondi, Marcantonio, approximately 1480-approximately 1534, printmaker
Published / Created:
[before 1506]
Call Number:
Print01222
Image Count:
1
Resource Type:
still image
Description:
Title and date supplied by curator., In image lower center: 12., From: Life of the Virgin., Print01221 is a later impression., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Raimondi, Marcantonio, approximately 1480-approximately 1534, printmaker
Published / Created:
[after 1506]
Call Number:
Print01221
Image Count:
1
Resource Type:
still image
Description:
Title and date supplied by curator., In image lower center: 12., From: Life of the Virgin., This is a later impression than Print01222., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Alternative Title:
Friar's foot
Description:
Title devised by cataloger., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. 1, p. 127., For original print see Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2157., and On page 232 in volume 3. Sheet trimmed to: 20.8 x 12 cm.
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Alternative Title:
Friar's foot
Description:
Title devised by cataloger., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. 1, p. 127., and For original print see Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2157.
Rembrandt Harmenszoon van Rijn, 1606-1669, printmaker
Published / Created:
[19th century].
Call Number:
Print20106
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Original date is 1639. This is a 19th century restrike., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Mary, Blessed Virgin, Saint.
Subject (Topic):
Pulse, Death, Medicine in the Bible, Deathbeds, Saints, Priests, and Angels
Manuscript on paper (coarse, thick) of 1) Commentary on selections from Seneca the Elder, Controversiae, beginning imperfectly in I.3. 2) 300 exempla. 3) Gualterus Angelicus, Fabulae. 4) More than 100 extracts about the Virgin Mary, and other topics. 5) Extracts about virtues and vices derived primarily from Gregory the Great, Dialogi. 6) Exempla drawn from Walter Burley, De vita et moribus philosophorum. Arts. 7-18: collection of epitaphs
Description:
In Latin., Watermarks, in gutter: similar to Briquet Monts 11854 and unidentified mountain (?)., Script: Written by a single scribe in semi-cursive gothic bookhand, above top line. Arts. 8-18 added by one or more contemporary hands., 2-line plain initials, paragraph marks and headings, in red, throughout; some marginalia in red., Folio 151 damaged, with loss of text., and Binding: Nineteenth century, Italy (?). Limp vellum case made from a document; text not legible, but docketing note visible under ultra-violet light on upper cover: "N. 167".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Burlaeus, Gualterus, 1275-1345?, Gregory I, Pope, approximately 540-604., Mary, Blessed Virgin, Saint., and Seneca, Lucius Annaeus, approximately 55 B.C.-approximately 39 A.D.
Subject (Topic):
Conduct of life, Epitaphs, Exempla, Manuscripts, Medieval, and Scholia
The Virgin, seated in the clouds, feeds a naked child with irradiated head into the large hopper of a windmill; wafers, the product of the mill, fall onto a patera held up by a short figure in a white surplice; a stout priest, intended as a Roman Catholic, gives the sacrament to a kneeling figure at the left, another kneeling behind
Description:
Title etched below image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 122., Cf. Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2156., and On page 232 in volume 3. Sheet trimmed to: 22.4 x 14.3 cm.
Publisher:
R. Faulder and J. Egerton
Subject (Geographic):
Great Britain
Subject (Name):
Mary, Blessed Virgin, Saint. and Catholic Church
Subject (Topic):
Transubstantiation, Communion, Grinding machines, and Priests
The Virgin, seated in the clouds, feeds a naked child with irradiated head into the large hopper of a windmill; wafers, the product of the mill, fall onto a patera held up by a short figure in a white surplice; a stout priest, intended as a Roman Catholic, gives the sacrament to a kneeling figure at the left, another kneeling behind
Description:
Title etched below image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 122., and Cf. Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2156.
Publisher:
R. Faulder and J. Egerton
Subject (Geographic):
Great Britain
Subject (Name):
Mary, Blessed Virgin, Saint. and Catholic Church
Subject (Topic):
Transubstantiation, Communion, Grinding machines, and Priests
Manuscript on paper in five parts, containing 1) Mariological interpretation of the first five books of the Bible, comparable to Albertus Magnus, Biblia Mariana, which, however, covers the whole Bible and is much less detailed. 2) Smaragdus (d. c. 830), Diadema monachorum. 3) Gerardus de Leodio (Gerard of Liège, d. 1270), debated authorship, De doctrina cordis, shortened version. 4) A series of interconnected anonymous texts, sermons and short treatises dealing with the love between Christ and the Soul, referring to the Song of Songs. With corrections and annotations. 5) Commentary on Cant. 3:9-10. 6) Collection of quotations from the Bible, the Church Fathers, Bernard of Clairvaux, Hugh of St. Victor, Richard of St. Victor, Petrus Manducator, etc. on the Last Things, the Cross, etc. 7) Invocation to God honouring his benefices. 8) Discussion between the Father and the Son about the fate of the sinners, settled through the intervention of theVirgin. 9) Defensor Locogiacensis (Defensor of Ligugé, 7th century), Liber scintillarum
Description:
In Latin., Script: The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. Scripts include Hybrida Formata, Semihybrida Currens, Hybrida Libraria, and Cursiva Libraria. Part I (ff. 1-84): Copied by four Gothic hands. Part II (ff. 85-215) Copied by several hands. Part III (ff. 216-273): Copied by three hands. Part IV (ff. 274-343): Copied by one hand. Part V (ff. 344-388): Copied by three hands., Headings in red. Part I: The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand. Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v. Part III: The majuscules are stroked in red. 2-3 line plain initials in red. Part IV: Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I. Part V: Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red., The paper at places damaged by the acidity of the ink., Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: "VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V." (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., and Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint., Smaragdus, Abbot of St. Mihiel, active 809-819., and Stephan Bodeker, Bishop of Brandenburg, 1383-1459.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons
Manuscript on paper containing 1) Ps.-Bernardus Claraevallensis, Planctus beatae Mariae. 2) Ps.-Bernardus Claraevallensis, Contemplationes de passione Domini secundum septem horas canonicas. 3) Excerpts about the Virgin Mary. 4) Extracts from Isaac Syrus, De contemptu mundi. 5) Extracts from various sermons by Ephraem Syrus (d. 373) in Latin translation. 6) Extracts from Bernardus Claraevallensis, De gradibus humilitatis et superbiae. 7) Excerpts from Caesarius, followed by other moral excerpts from the Bible, Aristoteles, Iohannes Chrysostomus, Cicero, Gregorius Magnus, Origenes, Hieronymus, Augustinus, Bernardus Claraevallensis, Basilius, Ambrosius, Hugo de Sancto Victore, Benedictus, Beda, Isaac Syrus, Seneca, Ps.-Boethius, Cassiodorus, Cassianus, etc. 8) Extracts from Antoninus Florentinus (1389-1459), Summa, part 3, tit. 13, chapter 5. 9) Martinus Bracarensis (fl. 556-572; Ps.-Seneca), Formula vitae honestae, without the Prologue and ending incomplete in chapter 4. 10) Iohannes Gallensis (Waleys, John of Wales, d. 1285), Breviloquium de virtutibus antiquorum principum et philosophorum. 11) Moral extracts from Boethius, Isidorus Hispalensis, Galfredus de Vino Salvo, Augustinus, Gregorius Magnus. 12) Excerpts from Hugo de Folieto (d. c. 1174; Ps.-Hugo de Sancto Victore), De claustro animae. 13) Moral excerpts from Hieronymus, Bernardus Claraevallensis, Speculum conscientiae, Leo Magnus, Remigius Autissiodorensis, and the Bible
Description:
In Latin., Script: Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v and ff. 107v-108v) writes peculiar forms of Humanistica Semitextualis Libraria. B (ff. 55r-66v) writes Humanistica Semitextualis Libraria. C (ff. 67r-98v) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r) writes a Humanistica Cursiva Libraria., Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink., The decoration is uneven and differs from section to section. Headings in red ink, red (sometimes yellow) heightening of majuscules, red paragraph marks and red plain initials of various sizes. Sometimes guide-letters without initials. Running headlines (author names) in large Southern Gothica Textualis Formata in some sections., and Binding: Nineteenth century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., John, of Wales, 13th cent., and Mary, Blessed Virgin, Saint.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla, Manuscripts, Medieval, and Sermons
