"A scene in the House of Commons, showing the Ministerial benches, with the Speaker's Chair and the Table partly cut off by the right margin. The Speaker (Manners Sutton) and one of the Clerks are just within the design. Castlereagh is speaking; he stands in profile to the right, hat in hand, with the Pope on his shoulders. The Pope holds crosier and keys, and wears an odd tiara. A demon crouches on his shoulders dressed as an acolyte, but displaying a cloven hoof; a mask with bland features (a device deriving from Gillray, cf. British Museum Satires No. 11384) is tied in front of his black horned head; he holds up a lighted candle, and clutches the Pope's hair. Castlereagh, with a blandly disingenuous smile: "I have the authority of the Head of the Catholic Church, for saying that there is no solidity in the objection taken on the other side: thus I am legislating with the Pope at my back!!!" The benches behind Castlereagh are crowded; the members listening intently; all wear hats, except Peel who sits immediately behind Castlereagh's empty seat, on the corner of which he has put a hat, inscribed 'Peel'. He looks up to say: "I hope that when the noble Lord observed that [he was legislating with the Pope at his back] he had no allusion to me, even if the noble Lord were willing to put the Popedom in Commission, I should not be willing to accept the office of one of the Commissioners." Men look down from the gallery. On the floor is a paper: 'St Steevens March 28 1821'."--British Museum online catalogue
Alternative Title:
Whatever is, is right. Pope! and Weighty argument in favour of the Catholic Emancipation
Description:
Title etched below image. and Watermark: J. Whatman 1820.
Publisher:
Pubd. April 1821 by G. Humphrey, 27 St. Jamess Street, London
Subject (Geographic):
Great Britain.
Subject (Name):
Castlereagh, Robert Stewart, Viscount, 1769-1822, Canterbury, Charles Manners-Sutton, Viscount, 1780-1845, Pius VII, Pope, 1742-1823, Peel, Robert, 1788-1850, and Great Britain. Parliament. House of Commons,
Subject (Topic):
Catholic emancipation, Legislative bodies, Politicians, Public speaking, Popes, Crosiers, Keys (Hardware), Demons, Masks, and Candles
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 175.
Publisher:
Pub. Feb. 25, 1830 by S. Gans, 15, Southampton St., Strand
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Lyndhurst, John Singleton Copley, Baron, 1772-1863, and Scarlett, James Yorke, Sir, 1799-1871
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
May 1831.
Call Number:
831.05.00.02+
Image Count:
1
Resource Type:
still image
Abstract:
Grey stands in the center pulling back a curtain on the large painting (right) addressing the three men (probably Peel, Cumberland, and Wellington) who look on in amazement. Grey says, "Gentlemen this is a fine color'd picture representing Futurity. The idea of which was concieved [sic] by an injured people and painted by a new and promising artist. Reform." Reading from the left Peel looks at himself in the painting seated in a chair at a loom, "Why if there a'nt me at a spinning Jenny." Cumberland, hat flying off, looking at himself depicted in the painting on his backside, "And me dying on a dunghill." And Wellington closest to the painting that depicts him as a wounded soldier holding a broom and begging with his cap in hand, observes "And me begging." In the painting is a tower with the British and French flags the former with the year 1814, referencing the Wellington's successful campaign to end the Peninsular War
Description:
Title from text below image. and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by G. Tregear, Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Great Britain. Parliament, Wellington, Arthur Wellesley, Duke of, 1769-1852, Ernest Augustus, King of Hanover, 1771-1851, Peel, Robert, 1788-1850, and Grey, Charles Grey, Earl, 1764-1845
Subject (Topic):
Reform, Politics and government, Begging, Spinning machinery, and Paintings
"A group of men wearing oriental costumes and turbans kicking a ball lettered with 'Corn Laws', seen rolling at left; the Caliph (fourth from left, Sir Robert Peel) more furious than the rest, kicking hardest (others kicking, from left to right, Richard Cobden, Lord Morpeth, John Bright, Lord Aberdeen, Sir James Graham, Henry Goulburn, Duke of Buckingham, Duke of Richmond); a man, in the character of Mozamhabad (Duke of Wellington) and his companion (Lord Stanley) kneeling in foreground at right, trying to stop the Caliph, without success."--British Museum online catalogue
Alternative Title:
Scene from Vathek (realized)
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., Likely a proof state before minor changes were made to the design., Sheet trimmed with nearly complete loss of series statement from upper right margin; series numbering from British Museum online catalogue, registration no.; 1868,0808.12180., Three lines of quoted text below image: "The Caliph more furious than the rest, followed close, & gave as many kicks as he could. ...", and With contemporary pencil annotations, perhaps by the artist, indicating corrections to be made to the design. Additional notes in pencil below image identify the figures and label the print as a "Proof."
Publisher:
Published Decr. 22nd, 1845, by Thos. McLean, 26 Haymarket and Printed at 70 St. Martin's Lane
Subject (Name):
Beckford, William, 1760-1844., Peel, Robert, 1788-1850, Cobden, Richard, 1804-1865, Carlisle, George William Frederick Howard, Earl of, 1802-1864, Bright, John, 1811-1889, Aberdeen, George Hamilton Gordon, Earl of, 1784-1860, Graham, James, Sir, 1792-1861, Goulburn, Henry, 1784-1856, Buckingham and Chandos, Richard Plantagenet Temple Nugent Brydges Chandos Grenville, Duke of, 1797-1861, Richmond, Charles Gordon-Lennox, Duke of, 1791-1860, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Derby, Edward George Geoffrey Smith Stanley, Earl of, 1799-1869
"A pugilistic encounter between two old market-women who are Eldon (left) and Wellington (right). Eldon is much the stouter and more purposeful, facing his enemy grimly and aggressively. He has a basket of oranges (emblem of the Orange Lodges) beside him, and wears a flat wide-brimmed hat. Wellington wears a soldier's coat over his skirt and apron (as beggar-women or basket-women often did, cf. (e.g.) BM Satires No. 15763). His profile is apprehensive, his hands loosely closed and on the defensive. Each has a bottle-holder; that of Eldon is John Bull, a stout yokel who puts his hand on his principal's bulging posterior, saying, 'Welldone--old Mother Baggs--you have got the best bottom after all. see what it is to have a good Constitution--give it her--she has'ent got the Mounshears to deal with now.' Wellington's supporter is a bare-legged Irish ragamuffin with a pipe thrust in his little hat. He capers excitedly, putting a hand on Wellington's back to push him forward, saying, 'Murder ye ould cat kape your fists Tight--or you'I let the Ould Orange-Woman bate ye clane.' In the background is a freely sketched crowd of spectators, women of St. Giles or Billingsgate. Two only are characterized: a fat woman with parson's wig and bands, with a basket of 'Oxford Sauce' on her head, looks over her shoulder at a handsome young virago (Peel), who is shouting at her, to say: 'Come give us none of your Jaw--Mother peel'."--British Museum online catalogue
Alternative Title:
Sketch of the row in Parliament Street
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are dail [sic] publishing., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Market-women -- Fruit -- Emblems -- Orange Lodges -- Male costume: Soldier's coat -- Peasants -- Irish ragamuffin -- Pipes -- Markets., and Numbered in ms. at top of sheet: 185.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., On same sheet, recto: The new pony chaise., and Watermark: Smith & Allnutt 1829.
Publisher:
Published by O. Hodgson, 10 Cloth Fair and Dean & Munday Lithographers, Threadneedle St.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
"A fight between Lyndhurst and Peel with Ellenborough and Wellington as bottle-holders. Lyndhurst (left), in Chancellor's wig and gown, staggers back, arms flung out, at a punch on the nose from Peel who lunges forward, ruthlessly pugnacious. Ellenborough, dressed and behaving as a dandy (in tight-waisted blue coat and white bell-shaped trousers), holding a tubular eau-de-cologne bottle, emblem of the dandy, cf. BM Satires No. 13031, registers alarm, exclaiming, 'Oh! Oh! my dear Lud, take care--he's a terrible hitter--or he'll have your Ludship's dear head in Chancery.' Wellington (right), in uniform with sword, gauntlets, and heavily spurred cavalry boots, says: 'That's it Bob; serve him out--He won't ride rusty after this I know.'"--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed to plate mark., Watermark: J. Whatman 1928., and Numbered in ms. at top of sheet: 178.
Publisher:
Pub. by J. Field, 65 Regents Quadrant
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Ellenborough, Edward Law, Baron, 1750-1818, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Dandies, British, Judges, Military uniforms, and Wigs
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
The opponents of parliamentary reform, including Wellington and Peel, attempt to pull down a column topped by Lord John Russell, a portrait of William IV on the plinth. The "Explanation of the engraving": This spirited sketch was originally designed by George Cruikshank. Esq., of Pentouville, London. The column in the centre is dedicated to the "King and Constitution," on the base of which is a portrait of his present Majesty, William IV. On the top of the columnn [sic] stands Lord John Russell, holding in his hand the Mirror of Truth. On the left of the pillar the Duke of Wellington, Sir R. Peel, and others are attempting with cords, axes, &c. to overturn the column; while on on [sic] the right, Lord Chancellor Brougham and Earl Grey stand in a calm and dignfied position, smiling at the futile attempts of the Boroughmongers to overturn the People's Rights. On the same side Lord Althorp is seen bearing a banner, representing the future prosperity of England, and the Attorney General (Sir Thomas Denman) is supporting the Flag of Victory
Description:
Title from letterpress text above image., Designed by George Cruikshank according to the text below image., Date of publication from dealer's description., Printer's advertisement following imprint: ... where may be had, the Reformer's Attack on the Old Rotten Tree., Woodcut with letterpress text, including "Explanation of the engraving" below the image followed five columns with two verses: "William and reform!!!" and King William and Liberty for ever! by J.C. Walters"., Woodcut with letterpress text framed with printers devices and between columns of verse., and Mounted on blue paper.
Publisher:
Printed by R. Heppel, 113 Coleshill-Street, Birmingham ...
Subject (Geographic):
Great Britain
Subject (Name):
Denman, Thomas Denman, Baron, 1779-1854, Grey, Charles, 2nd Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Russell, John Russell, Earl, 1792-1878, William IV, King of Great Britain, 1765-1837, Spencer, John Charles Spencer, Earl, 1782-1845, and Great Britain. Parliament.
Subject (Topic):
Reform, Politics and government, Banners, Flags, and British
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Politicians introducing themselves and asking for Christmas boxes to John Bull."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "121" in brown ink in lower left corner of design., and No. 121.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Peel, Robert, 1788-1850, Russell, John Russell, Earl, 1792-1878, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Burdett, Francis, 1770-1844
Subject (Topic):
John Bull (Symbolic character), Politicians, Brooms & brushes, Lanterns, Staffs (Sticks), Bells, and Rats
Wellington and Peel, portrayed as the notorious murderers Burke and Hare, pin down an old woman (Mrs. Docherty of the trial) who struggles as they suffocate her. A Jesuit priest enters the room on the right holding a crucifix
Description:
Title from item., Caption at top: Hark! the Doctor Knoxcks [sic], she is almost done and ready for you. Vide Old Play., A figure of 'Paul Pry' is an artist's device used by Wiliam Heath., and In lower border: Sole publisher of P. Prys caricatures.
Publisher:
Pub. March 1829, by S. Gans, 15 Southampton Street, Strand, London
Subject (Name):
Burke, William, 1792-1829., Hare, William, 1792?-1870?, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Great Britain, Homicides, and Clergy
20 ALS and 2 autograph manuscripts by Chandos Leigh, first Baron Leigh of Stoneleigh. Almost all of the letters were written during his travels on the Continent. Ten were written to his parents and sister in 1818-19 while he was on the grand tour. Letters from Switzerland and the Alps describe the scenery, particularly near Vevey and Lake Como, and refer to the writings of Rousseau, Byron, and Thomas Moore. Letters from Florence and Rome detail his responses to art and architecture, particularly the Venus de Medici, the sculpture of Canova and Thorvaldsen, and "the pride, pomp and circumstance" of Roman Catholic churches and ceremonies, which "must disgust the severe taste of the English traveller." Leigh also mentions Lord Byron, Lady Drury and Lord Beauchamp, the "set of regular English Dandies" and English ladies in Rome, the unattractiveness of Roman women, and his own purchase of a Salvator Rosa painting and Three letters to Sir Egerton Brydges, written during the Leigh family's stay in Switzerland in 1837, concern Leigh's poetry, his health, and a possible visit. His letters to his nephew Frederick Colvile contain news of his health and family; travel descriptions; and advice on Colvile's education. A March 1836 letter announces that the trustees of Rugby School have "unanimously decided in favour of Dr. Arnold;" a December 1837 letter comments that "Dr. Newman's book" (Lectures on Justification?) "contains much that is...to an ordinary man unintelligible." Other topics include the 1850 death of Sir Robert Peel and Leigh's own Liberal Party politics. The collection also contains autograph manuscripts of two poems by Leigh: "The First Days of Spring" and "Hymn for the Consecration of the Church on Westwood Heath."
Description:
Chandos Leigh (1791-1850) was educated at Harrow School, where he met Lord Byron, and Christ Church, Oxford, following which he made the grand tour with Philip Shuttleworth. A distant cousin of Jane Austen's, and a generous literary patron to Leigh Hunt and others, Leigh privately published over two dozen collections of his own poems and essays. He was created Baron Leigh of Stoneleigh in May, 1839. Leigh traveled several times to the Continent for his heath, but died of apoplexy in Bonn in September of 1850; he was succeeded by his eldest son, William Henry Leigh. and Accompanied by a container list.
Subject (Geographic):
Europe., Alps, Florence (Italy), Italy, Rome (Italy), and Switzerland
Subject (Name):
Byron, George Gordon Byron, Baron, 1788-1824., Brydges, Egerton, Sir, 1762-1837., Canova, Antonio, 1757-1822., Colvile, Frederick Leigh, 1819-1886., Leigh, Chandos, 1791-1850., Leigh, Chandos, 1791-1850, Leigh, James Henry, 1765-1823., Leigh, Julia, d. 1871., Leigh, Julia Twisleton, d. 1843., Newman, John Henry, Saint, 1801-1890., Peel, Robert, 1788-1850, Rousseau, Jean-Jacques, 1712-1778, Thorvaldsen, Bertel, 1770-1844., Catholic Church, and Rugby School.
Subject (Topic):
Books and reading, Death and burial, Influence, Customs and practices, Authors, English, Dandies, English literature, Grand tours (Education), Tourism, Travelers' writings, English, Description and travel, Social life and customs, and Religious life and customs
"After the title: "--Thus they, in lowliest plight, repentant bow--Mil[ton]. The Pope sits in a Gothic chair whose back is at an angle with the picture plane: Wellington, in profile to the right, kneels at his feet, supporting the Pope's right foot, and fervently kisses his toe (as in BM Satires No. 15665). He wears civilian dress, but a plumed cocked hat lies beside him. Peel (left) stands behind, eagerly waiting his turn, his hands together as if in prayer. Each holds a rosary. The Pope, who has a red and vulturine nose, wears a tall tiara."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., Approximate date of publication from British Museum catalogue., Text following title: "Thus they, in lowliest plight, repentant bow-Mil[t]on., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman 1829., and Numbered in ms. at top of sheet: 192.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
Authors of the Catholic Reform Bill, Wellington and Peel are dressed in tall conical caps and tied to the back of chair carried by Eldon. A fat bishop, probably Howley, walks behind, carrying the legs of the chair, as the head of Cumberland with gapping mouth appears behind him. A fat John Bull character looks on the scene from the left foreground. The group is met on the right by an angry Irish ragamuffin wearing a barrister's wig and waving his fist and a shillelagh, suggesting that he is O'Connell
Alternative Title:
Don't you remember the fifth of November
Description:
Title etched below image., Lower right corner, device of Paul Pry, pseudonym of William Heath : a figure with hat and cane., Publication date from British Museum catalogue., and Publisher's advertisement following imprint: Political & other caricatuers [sic] daily pub.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Howley, William, 1766-1848, O'Connell, Daniel, 1775-1847, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Politics and government, and John Bull (Symbolic character)
"Peel, as a dustman, stands with legs apart, smoking a pipe and looking to the left. In his right hand is his hand-bell, marked with the Royal Arms, in the left broom and shovel. He is handsome and stalwart, the dress is becoming. Above: 'I dont, vunder I looks black I has all the dirty work in the Parish to do.'"--British Museum online catalogeue
Description:
Title etched below image., Series title etched above image., and Paul Pry is the pseudonym of William Heath.
Publisher:
Pub. June 12 1829 by T. McLean 26 Haymarket sole publisher of P. Prys caricatures - none are original without T. McLeans name
Subject (Name):
Peel, Robert, 1788-1850
Subject (Topic):
Garbage collecting and People associated with manual labor
Title from item., Sheet trimmed within plate mark., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., and Temporary local subject terms: Catholic emancipation bill, 1829 -- Food: pudding -- Clergy: pope.
Publisher:
Pub. by Richardson & Co., 1, Birchin Lane, Cornhill
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, O'Connell, Daniel, 1775-1847, and Pius VIII, Pope, 1761-1830
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull pushing old politicians into a machine which grind them and turn them into young and honest people."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in bottom center portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "123" in brown ink in top center portion of design., and No. 123.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Peel, Robert, 1788-1850 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politicians, Grinding machines, Older people, Young adults, Scepters, Telescopes, Pitchforks, and Ladders
"John Bull as a Chinese, in Chinese costume, hugely corpulent sits full-face in an arm-chair, legs extended, hands resting on the sides of his paunch. He looks to three doctors on the left, the foremost being Grey, who leans towards him, pointing to his colleagues (left), and saying suavely, 'This deformity is quite inconsistent, believe me, with the Nature of your Constitution & therefore must be got rid of, I will undertake with your approbation, to remove it & my assistant Doctor Russell here will prepare you for the Operation'. Lord John Russell, on the extreme left, speaks confidentially to Althorp who is in back view: 'I once thought that a case of this description ought to be treated with great caution and even wrote as well as talked a great deal about it, but now I am quite of a different opinion I think there is nothing like cutting away thro' thick & thin!' J. B.: 'I ca'nt say that my bodily health was ever better, or that I ever felt stronger tho' to be sure I am not growing younger; but then every one is telling me how deformed I am grown of late & this tumour which I have had from my infancy is all a Mass of Corruption'. On the right and slightly farther from the picture-plane, the rival doctors, Peel and Wellington, are in consultation. The Duke: 'I say the Man has no defect in his Constitution & that what they call corruption is necessary to his existance--but now because he would not believe me, but choses rather to submit to the experiments of these rash operators --Wharnecliffe who is a sensible Man lays all the blame on me'. Peel: 'Yet I begin to think we could have done better, when we found him determined to think that his Constitution was impaired, to have tried--just in the way of soothing, a gentle alterative Course'."--British Museum online catalogue, description of a variant state
Alternative Title:
John Bull and the doctors
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., Variant state lacking C. Motte's printer statement in lower right. Cf. No. 16666 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Geographic):
Great Britain and England.
Subject (Name):
Hoo Loo, 1799-1831., Grey, Charles, 2nd Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Russell, John Russell, Earl, 1792-1878, Spencer, John Charles Spencer, Earl, 1782-1845, and Wharncliffe, James Archibald Stuart-Wortley, Baron, 1776-1845.
Subject (Topic):
Politics and government, John Bull (Symbolic character), Tumors, Surgery, Politicians, and Obesity
"William IV (left), with a huge broom inscribed 'Public Opinion', sweeps away his Ministers who rush to the right in ignominious haste. His broom is against Wellington's posterior; the others (left to right) are Bathurst, Goulburn, Peel, Ellenborough, and Aberdeen. Behind them is a seventh who may be Londonderry (not an ex-Minister). Wellington: 'Oh Bob that it should have come to this, where shall we hide -- where can we go? --curse Don-Key's fee fa-fum' [see BM Satires No. 16303, &c.]. The King: 'Now I shall have a clear House -- no more dictators! out with you all 29 against your own question. Off -- off'."--British Museum online catalogue
Alternative Title:
Only besom of reform
Description:
Title from caption below image., Approximate month of publication from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Brooms., and Numbered in ms. at top of sheet: 215.
Publisher:
Pubd. 1830 by S.W. Fores, 41 Piccadilly
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, 3d Earl, 1762-1834, Goulburn, Henry, 1784-1856, Peel, Robert, 1788-1850, Ellenborough, Edward Law, Earl of, 1790-1871, Aberdeen, George Hamilton Gordon, Earl of, 1784-1860, and Londonderry, Charles William Vane, Marquis of, 1778-1854
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[16 June 1832?]
Call Number:
Folio 75 G750 832 no. 6 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The Devil, laden with Tories, strides to the left, quoting the Duke of Newcastle with a gloating grin: 'Can't I do what I like with MY OWN' [see BM Satires No. 15884, &c.]. Across his shoulder is a trident on which a bloated bishop is spiked. From the lower end of the handle a rat-trap (see BM Satires No. 15734), on which Peel sits, hangs by a rope. Wellington, encircled by the barbed tail, is dragged along, kicking violently. He is in uniform with spurred boots; a gibbet projects from his cocked hat. Under the Devil's arm are two lawyers: Wetherell in his slovenly dress, and Lyndhurst. The remainder are tied by ropes to the Devil's back; most prominent (left to right) are Ellenborough, Cumberland, Gloucester, and Croker. The others are scarcely characterized; a Scots cap may denote Lauderdale, a renegade."--Britism Museum online catalogue
Description:
Title from text below image; series statement at top of image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum catalogue., Wood engraving with letterpress text., "Price one penny"--Text following series subtitle., Publisher's advertisement at bottom of sheet: All the numbers of John Bull's picture gallery may be had at the publisher's, W. Chubb, 48 Holywell Street, Strand, London., and An adaptation of no. ??? in v. 11 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
W. Chubb
Subject (Geographic):
Great Britain.
Subject (Name):
Tory Party (Great Britain), Croker, John Wilson, 1780-1857, George V, King of Hanover, 1819-1878, Lauderdale, James Maitland, Earl of, 1759-1839, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Wetherell, Charles, Sir, 1770-1846, and William Frederick, Duke of Gloucester, 1776-1834
"Peel kicks a lean old watchman behind, and drags from his shoulders his patched and tattered coat. Just behind him (right) is a big bonfire in which a watch-box and battered lanterns are blazing; beside it lie more lanterns, a rattle, and staves. In the background a watchman hangs by the neck from the branch of a tree, still holding rattle and lantern. Beside the tree is a pond from which projects an arm clutching a rattle. Peel says: '"But such a poor, bare-forked animal as thou art--Off--off you lendings: come unbutton here vide Shaks--' ["Lear", III. iv]. The terrified watchman answers: '"Nay, take my life and all, pardon not that: You take my house, when you do take the prop That doth sustain my house; you take my life, When you do take the means whereby I live, vide Shaks.' ["Merchant of Venice", IV. i]."--British Museum online catalogue
Alternative Title:
Michaelmas Day 1829, or, The last watchman and Last watchman
Description:
Title etched below image., Imprint continues: ... sole publisher of W. Heaths etching., and Sheet trimmed within plate mark.
Publisher:
Pub. Sep. 29th, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
England and London.
Subject (Name):
Peel, Robert, 1788-1850
Subject (Topic):
Police, Watchmen, Bonfires, Drowning victims, Hangings (Executions), Kicking, and Lanterns
"John Bull, fat and faint, lies back in an arm-chair with a deal table before him, left foot on cushion; he is in shirt and breeches. Round him are three doctors: Wellington (left), with the over-sleeve of a surgeon, holds a bayonet with which he is about to bleed the right arm over a bucket inscribed 'Pure British'. Peel (right), more insinuatingly, proffers a large bolus. Behind John's chair stands the King, saying, 'Patience Johnny'. Wellington, who wears blue frock-coat and white trousers, looks down at the patient through spectacles; he says: 'Come, Mr Bull, you are very plethoric--it is absolutely necessary that I phlebotomise you--you have a determination of blood to the head with strong symptoms of Choler!!!' Peel: 'Come, John, you must take this anodyne pill,--it will compose you "The ulcerous parts are only peel & skin I whilst deep corruption's mining all within" Pope' [sic]. On the table are a large pill-box inscribed 'Musket Balls', and a bottle labelled 'Black Dose Bitters' which stand on a paper: 'Prescription Taxation Decline of Trade National debt Want of Free Trade &c &c &c &c'. On the boarded floor is Wellington's syringe inscribed 'Injection of Injuries'. On the wall are a pair of pistols, 'Firing Irons', and a sabretache and bayonet inscribed respectively 'Pill Box' and 'Lancet'. J. B.'s dog (right) angrily befouls a chest inscribed 'Medecines Wise remedies Property Tax'."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as John Phillips in the British Museum online catalogue, registration no.: 1868,0808.9158., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Politics, British -- The Lancet.
Publisher:
Pub. March 8, 1830, by S. Gans, 15 Southampton St., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, George IV, King of Great Britain, 1762-1830, Peel, Robert, 1788-1850, George IV, King of Great Britain, 1762-1830., Peel, Robert, 1788-1850., and Wellington, Arthur Wellesley, Duke of, 1769-1852.
Subject (Topic):
John Bull (Symbolic character), Finance, Public, Property tax, Politicians, Physician and patient, Phlebotomy, Dogs, Costume, History, Hypodermic syringes, Pails, Bayonets, Handguns, and Urination
"George IV, with a swathed and gouty leg, stands in front of the throne, supported by Lady Conyngham and a crutch, his arm round her shoulder. Peel stands partly hidden by a curtain and immediately behind Wellington, his mouthpiece; he speaks into a speaking-trumpet, the stem of which passes from Wellington's ear to his mouth from which the trumpet projects. From this mouthpiece issue the words: I feel happy in being allowed thro any medium, however degrading to communicate my expressions of sincere devotion TO-- The King interrupts him: PLACE--hat will do Arthur, always keep between me and that fellow -- he rings such a peil in our Ears. Lady Conyngham turns to the King, pointing to the trumpet: This is a contrivance of my own -- I hate the sight of him & now your M-y can keep him at a distance. She wears a towering coiffure of loops of hair decorated with flowers. Beside Peel: To join with Christian Jew or Turk In doing any dirty Work."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 174.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"Twelve reduced copies (hand-coloured woodcuts), crude and sometimes simplified, of caricatures, arranged in three rows of four, each in a border, having an additional title above the design, the original title (except in No. 9) being below. The original of 11 is not in the Museum. The designs are copied in British Museum Satires No. 15782, or, otherwise, from it. [1] No. 15732, reversed. Above: ''Tis all vel at Vindsor'. Inscription: 'Does jarvey [Wellington] mean to start on his own account? Them leaders seem tohave it all their own way'. [2] No. 15731, reversed. Above: 'Achilles' [cf. No. 14409]. Inscription: 'Ready to start, your Honour'. Reproduced, Hindley, Life and Times of Catnach, p. 214. [3] No. 15734, reversed and altered: Peel holds, not a cage, but a rat by the tail. Above: 'Orange Pe--l' [cf. No. 15390]. Inscription: 'He made each felley turn his coat | And caught each rat by the tail'. [4] No. 15733. Above: 'The Cunning Hen'. The inscription is as the original, but continues, 'or they'll bolt with the coach'. [5] No. 15749, reversed and with the same inscription. Above: 'Paddy Whack!' [6] No. 15736, reversed and altered. Above: 'The Oeld 'un'. His foot is on the Catholic [Bill]. Inscription: 'I drove the Long Tail Blacks [cf. No. 15658] for fifty years. I drove your dad, your honour'. [7] No. 15737, reversed and altered. Above: 'A Kow-Cumber'. Inscription: 'I say, Jemmy All-Weather [see 8], keep your eye on them fellies of the Sovereign--they're arter no good: See they dont prig our luggage. That coach is their own, they think'. [8] A copy of No. 15752, reversed. Above: 'A Man of All-Weathers'. Inscription: 'I was once a bright lad, | But now I'm a Cad'. [9] A copy of No. 15703, reversed and altered; title: 'The Man wot missed his mark'. Above: 'Once in Batter sea | NoW-in-Chelsea'. His paper is headed 'Anti-Catholicism'. On the rock are scrawled two duellists, aiming at each other. Inscription: 'Death's heads and marrow bones, are now my portion'. [10] A copy of No. 15756, reversed and without the letter. Above: 'A drive from Dublin'. Inscription: 'One kick from the leader floor'd me'. [11] 'The Man wot owns the Vestminster'. Above: 'Long Franky'. Burdett stands in profile to the left, knees flexed, regarding a small framed picture of a giraffe (see No. 15425). Inscription: 'I used to go by the John Bull, now I goes by the Sovereign'. (The radical M.P. for Westminster as a supporter of the Ministry, cf. N0.16058.) [12] 'John Bull, broke down'. Above: 'The Last Stage'. Probably based on No. 15743. J. B. stands in profile to the right, bowed under a bulky sack inscribed 'Taxation'; he rests both hands on a stout stick, inscribed 'Trade', which breaks under his pressure. (See No. 15799.)"--British Museum online catalogue
Description:
Title from text at top of sheet., Date of publication from the British Museum catalogue., One line of quoted text below title: "All the world's a stage, and all the men and women merely players.", "Price 2s."--Lower left corner., and Folded and laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Printed and published by T. Rockliffe, 65 Ratcliff Highway
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Conyngham, Elizabeth Conyngham, Marchioness, -1861, O'Connell, Daniel, 1775-1847, Eldon, John Scott, Earl of, 1751-1838, George V, King of Hanover, 1819-1878, Wetherell, Charles, Sir, 1770-1846, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Anglesey, Henry William Paget, Marquis of, 1768-1854, and Burdett, Francis, 1770-1844
"An ancient Gothic church in the middle distance stands on a grassy hill inscribed 'Protestant Ascendency'; under the hill (left) is a cave, 'Cave of Catholic Ascendency', in which are barrels of 'Gun . Pow[der]'. A fat bare-footed friar walks away from the cave towards the picture-plane, carrying a lighted candle, and slyly laying a train of powder on the road to the cave. Standing round the church is a crowd of country people, listening to a parson who holds out to them a 'Petition to Parliament'. They are unconscious, not only that the ground beneath them is mined, but that men (right) are tugging at a rope looped round the steeple, which is about to crash. The rope-pullers are in the foreground (right); at the extreme end is Wellington with his back to the church, straining hard. Next is Peel, wearing an orange waistcoat (cf. British Museum Satires No. 15690) badly stained by the rope; Brougham, a broom-girl dressed as in British Museum Satires No. 14769, is next, with Mackintosh in Highland costume beside him. In front of them is Burdett, very tall and thin, holding up his hat and shouting 'Down with it--never mind the People' [see British Museum Satires No. 16058]. In front is O'Connell, in wig and gown, shouting, 'By St Patrick I've got the Rope over at Last.' Behind these principals are more men, tugging at a second rope. On a green field topping a cliff behind the church-breakers is Eldon wearing a smock and guiding a plough; he turns to shout to the petitioners by the church, who will be crushed by the falling tower: 'Look to your selves People.' Along the horizon (left) is a Papist procession with lighted tapers, the Host, crosses, a grotesque Pope, and figures under a canopy. It approaches St. Paul's whose dome rises above the sky-line. On the extreme right is the Monument (see British Museum satires no. 15688, &c.) in flames."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
Publisher:
Pub. March 19, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, Leo XII, Pope, 1760-1829., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Mackintosh, James, Sir, 1765-1832, Burdett, Francis, 1770-1844, O'Connell, Daniel, 1775-1847, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Churches, Caves, Crowds, Monks, and Vandalism
John Bull, supported by Peel, lies on the ground while Wellington uses a crossbar to force into his mouth a piece of paper entitled "Catholic emancipation. John Bull shouts "Murder! if you get it down it will ruin by consitution." Wellington dressed as a doctor except for cavalry boots, responds "Hold him fast, Bob, I'll soon make him swallow it. there it goes Johnny you wil be quite a different man after this."
Alternative Title:
Dr. Arther & his man Bob giving John Bull a bolus and Dr. Arther and his man Bob giving John Bull a bolus
Description:
Title from item., Sheet trimmed to plate mark on top., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., and Advertisement following subtitle: "Political & other caricatures daily pub[lished]."
Publisher:
Pub. April 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and England.
Subject (Name):
Peel, Robert, 1788-1850 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politics and government, Catholic emancipation, John Bull (Symbolic character), Drugs, Dosage forms, Mortars & pestles, Medicines, Politicians, and Physicians
An obese John Bull depicted as a yokel in a smock, claps his hands to egg on a terrier with the head of Eldon who holds a rat with the head of Wellington in his teeth. John Bull says, "Thats right Old Boy, give it em what they thougth you had lost all your teeth. Give it' em Scott & lot." Other rats with human heads scurry away in terror, one with the head of Peel (?) has been flung into the air. John Bull stands in the doorway to the barn. The Church spire in the distance behind him is propped up by two beams, one of which is labelled: Prop
Alternative Title:
Iohn Bulls famous old dog Billy astonishing the varment and John Bulls famous old dog Billy astonishing the vermin
Description:
Title etched below image., A figure of 'Paul Pry' is an artist's device used by William Heath., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed within plate mark resulting in partial loss of imprint., Printseller's announcement following publication statement: Political & other caricatures daily pub., 1 print : etching on wove paper, hand-colored ; plate mark 26 x 37.3 cm, on sheet 29.3 x 43.2 cm., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Catholic emancipation, Hunting dogs, and Rats
An obese John Bull depicted as a yokel in a smock, claps his hands to egg on a terrier with the head of Eldon who holds a rat with the head of Wellington in his teeth. John Bull says, "Thats right Old Boy, give it em what they thougth you had lost all your teeth. Give it' em Scott & lot." Other rats with human heads scurry away in terror, one with the head of Peel (?) has been flung into the air. John Bull stands in the doorway to the barn. The Church spire in the distance behind him is propped up by two beams, one of which is labelled: Prop
Alternative Title:
Iohn Bulls famous old dog Billy astonishing the varment and John Bulls famous old dog Billy astonishing the vermin
Description:
Title etched below image., A figure of 'Paul Pry' is an artist's device used by William Heath., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed within plate mark resulting in partial loss of imprint., Printseller's announcement following publication statement: Political & other caricatures daily pub., and The date of imprint '1829' has been written in mss.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Catholic emancipation, Hunting dogs, and Rats
A Cardinal-Legate with attendant clergy gives absolution to Lyndhurst, Peel, and Wellington who kneel before a throne on a dais, their hands in prayer. Lyndhurst has the Purse of the Great Seal under his knees and the mace on the floor beside him. Attendant clergy include two obese monks or friars, one of whom holds a candle, the other a grotesque image of the Virgin. Also in attendance is a Jesuit who holds a triple cross and claps a rosary and a thin, sly-looking priest who also holds a candle
Description:
Title etched below image., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., Publication date from British Museum catalogue., and "Pl. 2"--Upper right corner.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Church of England
Subject (Topic):
Relations, Catholic Church, Catholic Emancipation, Cardinals, Monks, Podiums, and Priests
"Above the design: '"Take heed, have open eyes; for thieves do foot abroad [sic]. Shakespeare' ['Merry Wives', II. i] 'Render unto Seizer those things which are Seizers.' A bishop (right), wearing apron and shovel-hat, brandy-faced and scowling, walks to the right, using a cane. Dodging behind are Wellington and Peel as ragged pickpockets. The Duke wears a cap, a dilapidated military coat, and old white trousers; twitching a handkerchief from the bishop's coat-tail pocket he says: 'I say Bob-I'll have a dash at the Parsons now.' Peel, dressed as the "Cad" of BM Satires No. 15734, &c, says: 'Odd Rat 'em-I'm afeard on 'em.' The bishop claps his hand over his breeches pocket and scowls; he says: 'Two very suspicious looking fellows-dodging me about-I hope they are not going to pick my pocket.'"--British Museum online catalogue and A bishop wearing an apron walks to the right. Behind him Wellington and Peel dressed as pickpockets pull a handkerchief from his pocket
Description:
Title etched below image., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., and Publisher's advertisement following imprint: "Sole publisher of Paul Pry caricatures."
Publisher:
Pub June 2d, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
"After the title: 'Dedicated to the enlightened and temperate Protestants of the united Kingdoms--.' The 'Bugabo' is held up by an Irishman in the centre of the design: a huge sheaf of straw to which is tied a mask inscribed 'Inquisition' with glaring eye-balls and fanged mouth; from the sheaf project a cross and a lighted church candle. The Irishman peeps from behind it, saying, 'Hurra! by Jasus! a'rnt I a comeing.' He terrifies a crowd of 'old women' (right) who flinch, flee, and fall. The foremost is Eldon, wearing a cap over a Chancellor's wig, and holding a 'Petition of the Old Women of Petty France Westmr against Catholic Emancipation' [cf. BM Satires No. 15716]. He says: 'Avaunt and quit my sight! Hence! Horrible shadow Hence! Hence without Hesitation!!' A little boy exclaims: 'D'ont be frightened Mother! why i'ts only straw!' A woman, holding a big birch-rod, to show that she is (?) Joseph Birch, M.P. for Nottingham, exclaims: 'Oh! this is the consequence of that fatal Thursday! O that I could give them their deserts I'd make them remember Birch!!' Of the remaining six women, one exclaims 'Indeed Sir it was not me that cried No Popery'; two others wear ducal coronets: Cumberland (moustached) says: 'Only let me catch you in Cumberlan thats all!' Newcastle (unrecognizable) adds: 'Aye or at Newcastle we'd make Pickle Salmon of him.' On the extreme left are Wellington and Peel; the Duke, who is in uniform with cocked hat, sword, and boots, says to Peel: 'That many would be frightened at straws is no more than I anticipated my worthy Colleague! -- but depend upon it they will find the Hearts of his Majestys Catholic Subjects contain as much Honor Loyalty and Gratitude as those of their fellow Countrymen of a different persuasion --and in time they will find I have made no Mistake!!' Peel, who walks hat in hand, carrying a box of 'Candi[ed] Peel', answers: 'It is with this conviction I have candidly acknowledged my change of former sentiments assured that your measures as leader of His Majesty's Government will prove as conducive to the Peace and Happiness of these realms as your Tactics when Leader of his Armies.'"--British Museum online catalogue
Alternative Title:
Bugabo for old women and children
Description:
Title from caption below image., Printmaker and date from British Museum catalogue., Text following title: Dedicated to the enlightened and temperate Protestants of the united kingdoms., Sheet trimmed to plate mark., Temporary local subject terms: Irishmen -- Reference to Inquisition -- Emblems -- Cross -- Church candles -- Grotesque masks -- Chancellor's wigs -- Ducal coronets -- Birch, Joseph, fl. 1829., and Numbered in ms. at top of sheet: 172.
Publisher:
Pubd. 1829 by J. Chappell, Royal Exchange
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Newcastle, Henry Pelham Fiennes Pelham Clinton, Duke of, 1785-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April 1829]
Call Number:
829.04.00.17+
Image Count:
1
Resource Type:
still image
Abstract:
"George IV, seated on the throne, watches a display of jovial fraternization between John Bull and Pat, who dance, holding hands, each holding up a hat decorated respectively by rose and shamrock. A lanky garland of (thornless) roses and giant shamrocks drapes the crown on the back of the throne; one end is held up by Wellington (right), on the King's left, the other by Peel on his right, so that the King is framed by it. John Bull is an obese and drink-blotched "cit", with a snuff-box inscribed 'Irish' in his waistcoat pocket. Pat is a ragged Irish peasant, his bare legs swathed by twisted straw; his shillelagh lies on the ground; he looks with a broad but appraising grin at J. B., who sings: "Together reared together grown, Oh! let us now unite in one, Let friendship rivet the decree, Nor bigots sever Pat and Me!!!" Two discomfited 'bigots' depart on the left; one is a gouty parson using a crutch, with a 'Petition against Concession' hanging from his pocket, cf. British Museum Satires No. 15661, &c. The other is a Catholic bishop in robe and mitre. They say: 'It's time for us to be off.' Above their heads flies a figure of Discord, her hair consisting of snakes which spit flame towards J. B. The King, with extended arm, says: 'No more let Bigotry distract the Nation, Nor Priestcraft nurture lawless passion, Henceforth let rage and tumult cease, As brothers live and die in peace!!!'"--British Museum online catalogue
Alternative Title:
Glorious march of intellect
Description:
Title etched below image. and Watermark: J. Budgen 1823.
Publisher:
Pubd. April 1829 by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Subject (Topic):
John Bull (Symbolic character), Anti-Catholicism, National characteristics, Irish, Irish question, Gout, Ethnic stereotypes, Thrones, Crowns, Dance, Obesity, Roses, Shamrocks, Crutches, Clergy, Petitions, Bishops, and Miters
"George IV (left), plainly dressed in frogged coat with fur collar, sits in an arm-chair regarding Wellington with surprise. The Duke, dressed as a carpenter, approaches him from the right, bending forward and raising his paper cap which is shaped like a coronet. He is in shirt-sleeves with a high-collared waistcoat, and an apron over his own strapped white trousers. In his left hand is a saw. He says: 'I begs pardon your honor, but I can't stand it no longer--There's my foreman Bob, and Chancery Jack, as we calls him, are fighting instead of minding their work--The vagabonds von't be easy 'till I bundles 'em out.' He watches the King with wary intentness. On the wall behind him is a small picture of 'Bob & Chancery Jack': Peel and Lyndhurst (in his Chancellor's robes) facing each other in a pugilistic encounter."--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Numbered in ms. at top of sheet: 179.
Publisher:
Pub. by S. Gans, 15 Southampton Street, Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
"Peel stands directed to the left holding a dome-shaped wire cage containing rats; his left hand is on his hip. He wears a small battered hat, once a topper, a collar and stock, patched greatcoat with sheepskin collar and many pockets; loose boots to the calf. A document projects from his coat-tail pocket. Above his head: 'I turns my hand to any thing now I ketches Rats like winking.'"--British Museum online catalogue
Description:
Title etched below image., Plate signed in bottom left-hand corner using William Heath's device: A man with an umbrella., and Cf. Heath, W. The man wot drives the sovereign, which shows Wellington as a coach driver, also publisher in 1829 by MacLean.
Publisher:
Pub. April 1829 by T. McFat, 26 Straw-market [i.e. T. McLean, 26 Haymarket]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Peel, Robert, 1788-1850
Subject (Topic):
Catholic emancipation, Animal traps, Newspapers, and Ratcatchers
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Ireland; a comet formed by Daniel O'Connell riding a broom at upper left, four lesser figures including Brougham (with a broom) seated behind him, light streaming behind; William IV as a spider at the top of the comet's stream; at lower right, figures burnt by the tail of the comet: Queen Adelaide and Tories including Wellington, Peel (dropping his rat-trap); an observer looking through a telescope at upper right; at lower left, across the water, an Irishman with a rake dancing for joy."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Text below title: It appears, "Non fumum ex fulgore sed ex fumo dare luco"., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., With the number "10", likely incomplete and missing the final digit, in brown ink in lower left portion of design., Mounted on blue paper backing; pasted on verso of mount is a small portrait engraved by J. Rogers that is trimmed in half, as well as another small engraved portrait that is complete: Mr. T. Cooke as Cohenberg / J. Kennerley delt. ; J. Rogers sculp., and No. 107.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
O'Connell, Daniel, 1775-1847, Wellington, Arthur Wellesley, Duke of, 1769-1852, William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Peel, Robert, 1788-1850
Subject (Topic):
Politicians, Comets, Brooms & brushes, Telescopes, and Fire
"William IV stands, very erect and stern, in profile to the right, holding at arm's length a birch-rod inscribed 'Reform'. Behind him, as ushers, on the extreme left, Brougham and Grey stand in consultation. The King says to a body of discomfited schoolboys (right): 'Get you gone and never let me see your faces again till you are Reformed'. The boys are (left to right) Wellington, wearing a peaked cap and an old, over-large, military coat, and carrying a bag, walks hand in hand with Peel who wears an ill-fitting policeman's tunic and holds a slate on which is scrawled the figure of a policeman (see British Museum satires no. 15768, &c). Beside and behind them are Sadler and Wetherell. In front of Peel walks Twiss with a book under his arm; next him is the small Sugden wearing a pinafore. Taller than the others are Hunt wearing a hunting-cap and holding ajar of his blacking (see British Museum satires no. 16575) and Sir R. Wilson wearing a smock and a cap and holding a slate inscribed 'Bob Wilson'. Wellington to Peel: 'Oh Bobby--Bobby what shall we do now?' Wetherell, looking back, says (as late M.P. for Boroughbridge, cf. British Museum Satires No. 16602): 'I am afraid I shall never be admitted into the school again'. Hunt: 'Who would have thought I should have been Hunt-ed out already'. Wilson: 'Its a shocking bad Job' [cf. British Museum Satires No. 16646]."--British Museum online catalogue
Alternative Title:
Headmaster turning out the incorrigibles
Description:
Title etched below image., Signed with Henry Heath's monogram in lower right corner., and Month of publication from the British Museum catalogue.
Publisher:
Pubd. 1831 by S. Gans, Southampton Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Peel, Robert, 1788-1850, Grey, Charles Grey, Earl, 1764-1845, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sadler, Michael Thomas, 1780-1835, Wetherell, Charles, Sir, 1770-1846, Twiss, Horace, 1787-1849, Sugden, Edward Burtenshaw, 1781-1875, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Taxation, School principals, School children, and Punishment devices
"Wetherell (left), an invalid in dressing-gown and night-cap, reclines in an arm-chair, exhausted but laughing. Facing him stands Eldon in deep dejection, saying, with both hands raised, 'Poor Boroughbridge! how is it with you?' Cumberland, on the extreme right, stands behind Eldon, covering his face with his handkerchief; he says: 'Facetious to the last!--It is quite affecting!' Horace Twiss leans on the back of Wetherell's chair; Chandos, dressed as a woman, stoops over the patient; both are smiling. Wetherell: 'All over my friends! just in time to hear my "last speech and dying words"! But dont look so grave about it, I assure you we treat the matter in our house as if it was an excellent joke--to be sent out of the world with a dose of Russell's purge"! is so droll; & then, we are to have such a merry funeral'. On a commode is a bottle labelled 'Russell's purge'. Peel, smiling, and Goulburn, holding a handkerchief to his face and leaning on Peel, watch from the background."--British Museum online catalogue, description of the original version of the print
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., Probably a piracy of a print published 7 March 1831 by T. McLean. The publisher S. Gans was known to issue piracies of McLean prints; see British Museum online catalogue., For the original version of the print, see no. 16602 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., and Imperfect; sheet trimmed with loss of imprint statement from bottom edge. Imprint supplied from impression in the John Johnson Collection, Bodleian Library, University of Oxford, shelfmark: Political Cartoons 5 (101).
Publisher:
Pub. by S. Gans, Southampton Street, Strand
Subject (Geographic):
Great Britain
Subject (Name):
Wetherell, Charles, Sir, 1770-1846, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Buckingham and Chandos, Richard Plantagenet Temple Nugent Brydges Chandos Grenville, Duke of, 1797-1861, Twiss, Horace, 1787-1849, Peel, Robert, 1788-1850, Goulburn, Henry, 1784-1856, Russell, John Russell, Earl, 1792-1878., and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Commodes, Crying, Deathbeds, Government officials, and British
"Wetherell (left), an invalid in dressing-gown and night-cap, reclines in an arm-chair, exhausted but laughing. Facing him stands Eldon in deep dejection, saying, with both hands raised, 'Poor Boroughbridge! how is it with you?' Cumberland, on the extreme right, stands behind Eldon, covering his face with his handkerchief; he says: 'Facetious to the last!--It is quite affecting!' Horace Twiss leans on the back of Wetherell's chair; Chandos, dressed as a woman, stoops over the patient; both are smiling. Wetherell: 'All over my friends! just in time to hear my "last speech and dying words"! But dont look so grave about it, I assure you we treat the matter in our house as if it was an excellent joke--to be sent out of the world with a dose of Russell's purge"! is so droll; & then, we are to have such a merry funeral'. On a commode is a bottle labelled 'Russell's purge'. Peel, smiling, and Goulburn, holding a handkerchief to his face and leaning on Peel, watch from the background."--British Museum online catalogue
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., and Series title and number at top right.
Publisher:
Published by Thos. McLean, 26 Haymarket and Printed by C. Motte, 25 Leicester Sqre
Subject (Geographic):
Great Britain
Subject (Name):
Wetherell, Charles, Sir, 1770-1846, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Buckingham and Chandos, Richard Plantagenet Temple Nugent Brydges Chandos Grenville, Duke of, 1797-1861, Twiss, Horace, 1787-1849, Peel, Robert, 1788-1850, Goulburn, Henry, 1784-1856, Russell, John Russell, Earl, 1792-1878., and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Commodes, Crying, Deathbeds, Government officials, and British
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A huge pot rests directly on a fierce fire from blazing bank-notes. The scene is outside the Bank of England, the façade being on the extreme right. From it porters are carrying huge stacks of 'Notes' to add to the flames. The pot is inscribed 'Bank Pot' [twice], and 'Cash Payments at the Bottom of this Pot', where it is badly cracked owing to the fire. The pot is filled with Bank Directors, whose heads and arms emerge. They shriek: "I am in a Stew"; "I am sure the Pots Crackd," and "Take care it don't Break." A fashionably dressed man ascends a ladder leaning against the pot (right); he shouts to those inside "have you found the Gold." The fire is being stirred up by (?) Peel; Vansittart, in his Chancellor of the Exchequer's gown, uses a mace to push the man up the ladder. Huge clouds of smoke ascend from the fire covering much of the design; they are inscribed 'Smoke' and 'Cash Payments Smoke'. Two spectators stand on the left, watching the hurly-burly. One, a 'cit', says: "There's a pretty Kettle of Fish." The other, a countryman in a smock, answers: "Lord bless you they ban't Fish they be all paper"."--British Museum online catalogue
Alternative Title:
Directors in a stew
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Plate numbered "356" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 68 in volume 5.
Publisher:
Pub. June 22, 1819, by T. Tegg, 111 Cheapside
Subject (Geographic):
England.
Subject (Name):
Bank of England., Vansittart, Nicholas, 1766-1851, and Peel, Robert, 1788-1850
"On a grassy plateau projecting from a rocky mountain are Wellington, Peel, and an old woman, as doctor-accoucheur, apothecary, and nurse. Where mountain joins plateau there is a shallow cavity in which is a tiny mouse, 'Emancipation'. On the top of the mountain is a royal crown from which float the words: 'Its our Royal Will & pleasure to be delivered.' Wellington, in profile to the right, holds with silent concentration huge 'Ministerial Forceps'. The nurse sits on a low seat holding a spoon and a steaming bowl of 'Political Caudle'. A large open book against her knees, 'THE TIMES', and a large watch (indicating the clock device above the leading article) show that she personifies "The Times". She looks up at Wellington with bleary bonhomie, saying, 'Oh! the dear creature, how many will accompany it to Ireland, to spend thier money--no doubt Dublin will become more fashionable than Paris--now Doctor never mind the windy warfare of those Gentlemen above!' She refers to three "winds": heads issuing from clouds below the mountain-top, each inscribed 'Faction', which blow blasts towards the cavity where the mouse emerges. The centre and principal head is Eldon's; the one on the left says to the third: 'Blow away Wind-chelsea kill the Brat.' The third (Winchelsea) answers 'Aye, Aye, or Cripple it.' Peel, standing behind Wellington, holds up a big medicine-bottle; he says: 'I used to think that Paliatives were the right Medicine, but the Doctor has convinced me something more active is wanted.' In the foreground, standing just below the plateau, are the heads and shoulders of spectators. On the left are two frenzied bishops; one (? Howley) holds up a crozier to which is attached a little 'No Popery' flag; he bellows: 'Brethren, Brethren, Mother Church is in danger.' The other holds up a large mitre extinguisher-wise towards the mouse, shouting: 'Oh the imp, if we catch it we'll Burke it!' [see British Museum Satires No. 15707, &c.]. As a pendant to the bishops are two non-Anglican ministers. One, evidently Irving, in gown and bands, as in British Museum Satires No. 15658, stands with raised arms as if in the pulpit, declaiming, 'The Sword of the Lord, and of Gideon, peradventure we may destroy this fiend of Satan.' Beside him is a minister of lower status, with lank hair and a large 'Book of Faith' under his arm. He says: 'A beast of the bottomless Pit--a beast of the Seven Hills--a horned beast with fire and sword.' Facing him is a startled yokel who asks: 'Pray Sir what sort of a beast be it?' In the middle distance (left), behind the bishops, O'Connell, in wig and gown, stands on the side of the mountain, addressing a band of his followers just below him. They ask him questions, to each of which he answers 'Yes' with a bland gesture: [1] 'I say Dan, will Mancipation make the Prates grow?' [2] 'Dan, shall we get plenty of Whiskey?' [3] 'Will bogs breed Pigs & shall we all wear warm wigs & silk cloaks like you Dan?' On the opposite flank of the mountain (right), much higher up and on a smaller scale, stands Cumberland, in hussar uniform, with a handkerchief to his eye; he addresses a body of dismayed clerics, only one of whom is characterized: 'No doubt this will become a Popish Country, that is if they get the loaves & fishes.'"--British Museum online catalogue
Alternative Title:
Much ado about nothing
Description:
Title etched below image., Questionable attribution to Seymour from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Apothecaries -- Crowns -- Forceps -- Spoons -- Dishes -- Bowl -- Mice -- Croziers -- Popery -- Mitres -- Ministers -- Barristers' wigs -- Military Uniforms: Hussar's., Temporary local Medical Library subject terms: Midwives and Accoucheurs -- British politics., and 1 print : etching ; plate mark 247 x 345 mm.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Howley, William, 1766-1848, Irving, Edward, 1792-1834, O'Connell, Daniel, 1775-1847, and Ernest Augustus, King of Hanover, 1771-1851
Subject (Topic):
Clergy, Bishops, Physicians, Pharmacists, Nurses, Clocks & watches, and Medicines
"On a grassy plateau projecting from a rocky mountain are Wellington, Peel, and an old woman, as doctor-accoucheur, apothecary, and nurse. Where mountain joins plateau there is a shallow cavity in which is a tiny mouse, 'Emancipation'. On the top of the mountain is a royal crown from which float the words: 'Its our Royal Will & pleasure to be delivered.' Wellington, in profile to the right, holds with silent concentration huge 'Ministerial Forceps'. The nurse sits on a low seat holding a spoon and a steaming bowl of 'Political Caudle'. A large open book against her knees, 'THE TIMES', and a large watch (indicating the clock device above the leading article) show that she personifies "The Times". She looks up at Wellington with bleary bonhomie, saying, 'Oh! the dear creature, how many will accompany it to Ireland, to spend thier money--no doubt Dublin will become more fashionable than Paris--now Doctor never mind the windy warfare of those Gentlemen above!' She refers to three "winds": heads issuing from clouds below the mountain-top, each inscribed 'Faction', which blow blasts towards the cavity where the mouse emerges. The centre and principal head is Eldon's; the one on the left says to the third: 'Blow away Wind-chelsea kill the Brat.' The third (Winchelsea) answers 'Aye, Aye, or Cripple it.' Peel, standing behind Wellington, holds up a big medicine-bottle; he says: 'I used to think that Paliatives were the right Medicine, but the Doctor has convinced me something more active is wanted.' In the foreground, standing just below the plateau, are the heads and shoulders of spectators. On the left are two frenzied bishops; one (? Howley) holds up a crozier to which is attached a little 'No Popery' flag; he bellows: 'Brethren, Brethren, Mother Church is in danger.' The other holds up a large mitre extinguisher-wise towards the mouse, shouting: 'Oh the imp, if we catch it we'll Burke it!' [see British Museum Satires No. 15707, &c.]. As a pendant to the bishops are two non-Anglican ministers. One, evidently Irving, in gown and bands, as in British Museum Satires No. 15658, stands with raised arms as if in the pulpit, declaiming, 'The Sword of the Lord, and of Gideon, peradventure we may destroy this fiend of Satan.' Beside him is a minister of lower status, with lank hair and a large 'Book of Faith' under his arm. He says: 'A beast of the bottomless Pit--a beast of the Seven Hills--a horned beast with fire and sword.' Facing him is a startled yokel who asks: 'Pray Sir what sort of a beast be it?' In the middle distance (left), behind the bishops, O'Connell, in wig and gown, stands on the side of the mountain, addressing a band of his followers just below him. They ask him questions, to each of which he answers 'Yes' with a bland gesture: [1] 'I say Dan, will Mancipation make the Prates grow?' [2] 'Dan, shall we get plenty of Whiskey?' [3] 'Will bogs breed Pigs & shall we all wear warm wigs & silk cloaks like you Dan?' On the opposite flank of the mountain (right), much higher up and on a smaller scale, stands Cumberland, in hussar uniform, with a handkerchief to his eye; he addresses a body of dismayed clerics, only one of whom is characterized: 'No doubt this will become a Popish Country, that is if they get the loaves & fishes.'"--British Museum online catalogue
Alternative Title:
Much ado about nothing
Description:
Title etched below image., Questionable attribution to Seymour from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Apothecaries -- Crowns -- Forceps -- Spoons -- Dishes -- Bowl -- Mice -- Croziers -- Popery -- Mitres -- Ministers -- Barristers' wigs -- Military Uniforms: Hussar's., Temporary local Medical Library subject terms: Midwives and Accoucheurs -- British politics., and Numbered in ms. at top of sheet: 171.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Howley, William, 1766-1848, Irving, Edward, 1792-1834, O'Connell, Daniel, 1775-1847, and Ernest Augustus, King of Hanover, 1771-1851
Subject (Topic):
Clergy, Bishops, Physicians, Pharmacists, Nurses, Clocks & watches, and Medicines
King William drives a chaise with Queen Adelaide at his side. The two horse heads are those of Wellington and Peel, both with bits in their mouths. The King marks: How suprised Brother George would be to see me Drive the bits of Blood wot he could not manage
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., On same sheet, verso: A total eclipse., and Watermark: Smith & Allnutt 1829.
Publisher:
Pubd. by O. Hodgson, 10 Cloth Fair and Dean & Munday Lithographers, Threadneedle St.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
William IV sculls a randan under the arch of a bridge with Wellington at the stern and Peel in the bow. He looks over his shoulder at the other two and says, "Come look a head." Wellington responds, "Bound apprentice to a waterman I larnt a bit to row." All are wearing loose white shirts with knotted scarves, resembling sailors
Description:
Title etched below image., Sheet trimmed within plate mark with a partial loss of signature., Printseller's announcement following publication statement: Election caricatures executed for gentlemen in 3 hours., and Window mounted to 26 x 35 cm.
Publisher:
Pub. 21 July 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Great Britain Parliament
Subject (Topic):
Elections, 1830, Politics and government, Row boats, and Rowing races
Wellington drives a large new coach pulled by three horses with human heads. He is dressed in a a triple-caped greatcoat and broad brimmed hat and flicks the long whip with skill on the backs of the horses depicted with the heads of John Bull and on either side, stock characters of an Irishman and Scotsman wearing traditional hats. They ride on a road labelled "national debt' as the horses hoves sink in the mud labelled "sinking fund." Peel rides behind in the conductor's seat. One of the four curtains on the windows of the omnibus is pulled aside to reveal George IV about to kiss Lady Conyngham. The splash board of the new omnibus is painted with the gold initials 'GR' and a crown
Alternative Title:
Omnibus
Description:
Title etched below image., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: sole publisher of WH's etchings.
Publisher:
Pub. Oct. 15th, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholics, Catholic emancipation, Debts, public, John Bull (Symbolic character), Economic conditions, Buses, and British
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[23 June 1832]
Call Number:
Folio 75 G750 832 no. 7
Image Count:
1
Resource Type:
still image
Abstract:
"The head and fore-paws of a bull-dog, its Collar inscribed 'John Bull', extends into the design from the right. Its left paw presses down a rat with the head of Wellington, who looks up in anguish at the dog's angry jowl. Behind are other frightened rats with human heads: a bloated bishop, Peel, Wetherell, Eldon, Cumberland, and two others. The rats have been robbing the barn of ears of wheat."--British Museum online catalogue
Description:
Title from text below image; series statement at top of image., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum catalogue., Wood engraving with letterpress text., Text following series statement: Political, satirical, and humourous. Price one penny., Text below title: Reform yourselves, or my method may not suit you., Publisher's advertisement in a panel below title: Chubb's edition of the Reform Bill is just printed, price 3d., containing every clause and schedule as in the original edition ..., Additional publisher's advertisement at bottom of sheet: All the numbers of John Bull's picture gallery will be re-printed next week and may be had at the publisher's, W. Chubb, 48 Holywell Street, Strand, London., and A copy after of no. 16647 in v. 11 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
W. Chubb
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Wetherell, Charles, Sir, 1770-1846, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George V, King of Hanover, 1819-1878, and Tory Party (Great Britain)
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[February 1831]
Call Number:
831.02.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Grey as schoolmaster stands on a low dais in profile to the right, addressing nine schoolboys (Tories); he holds an open book, 'Reformers First Primer', and leans on his desk, saying, 'Say after Me I Shou'd Reform Thou Shoudst Reform He Shoud Reform We Shou'd Reform You Shou'd Reform They Shou'd Reform'. Behind him is the front portion of an ornate chair, as in the French print. Brougham stands full-face, as usher, holding a big birch-rod (see British Museum Satires No. 15535). Four pupils sit on the front bench behind them is another row of four; Wellington stands behind on a stool (invisible) wearing a fool's cap, like an extinguisher, decorated with bells. He holds a torn primer, and with his fingers to his mouth says 'I Can't Reform'. Peel is the only boy who looks at Grey. The pupils are ill-drawn and badly characterized; two are Lyndhurst and Goulburn, wearing spectacles. All (except Lyndhurst, who is in wig and gown) wear boyish dress, with white neck-frills or collars, some wearing pinafores."--British Museum online catalogue
Alternative Title:
Conjugation of the verb To reform
Description:
Title from text below image., Digit "3" in year "1831" in imprint is printed backwards., and Numbered in ms. at top of sheet: 213.
Publisher:
Pub. Feb. 1831 by S. Gans, Southampton St., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Grey, Charles Grey, Earl, 1764-1845, Peel, Robert, 1788-1850, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Goulburn, Henry, 1784-1856
Subject (Topic):
Politicians, Lecterns, Teachers, Books, Reform, Students, Chairs, and Fools' caps
Title from caption below image., Sheet trimmed within plate mark on upper edge., Temporary local subject terms: Tories -- Dissolution of Parliament -- Policemen -- Scarlett, Sir James York, 1799-1871., and Numbered in ms. at top of sheet: 240.
Publisher:
Pub. May 2d, 1831, by T. McLean, 26 Haymarket
Subject (Name):
Peel, Robert, 1788-1850, Londonderry, Charles William Vane, Marquis of, 1778-1854, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, and Ellenborough, Edward Law, Earl of, 1790-1871
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of Paul Prys caricatuers, none are original without McLeans name., Sheet trimmed within plate mark., Temporary local subject terms: Popery -- Reference to Constitution -- Ornate staves -- Personification of Hibernia -- Emblems -- Pope's triple crown., and Numbered in ms. at top of sheet: 170.
Publisher:
Pub. June 5th, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Eldon, John Scott, Earl of, 1751-1838
"A mail-coach inscribed 'Sovereig, Windsor and London', with high-stepping horses, is driven, left to right, by Wellington, who wears fashionable coaching dress with multiple-caped coat and broad-brimmed hat. He has just passed a rival coach, 'the Humbug & Co London Windsor', which has overturned, after colliding with a roadside post inscribed 'Emancipation'. An alarmed face looks out of the window; the traces have broken, the front wheels are off; the driver, Eldon, has fallen on his back on to the prostrate wheelers. The Duke of Cumberland falls head first from the frail dickey; another man (? Winchilsea) falls from the roof, which is stacked high with bulky petitions, one inscribed 'Old Womans Petition']; a paper also falls to the ground inscribed 'Bigotry, Ignorance, Intolerance, Loaves, Fishes, Pensions, Places'. Behind Wellington, on "The Sovereign", sit four men: Brougham, in barrister's wig and holding a brief-bag, a bishop, Burdett, a judge (probably Lyndhurst). The guard is Peel, who stands up, horn in hand, to say to the Duke: 'I say governor we've done em up at last, they will never recover themselves any more.' Wellington, looking over his shoulder, answers: 'No No, they are quite done up that post has smash'd them.' The inside passengers are George IV and Lady Conyngham; he leans out to watch the catastrophe, saying with a smile, 'Floored by George.' She says: 'Aye Aye George we've gotten a Coachman now vot is up to a thing or two, and knows vot is vot.' Brougham: 'Why the concern has been in a bad way some time they say that it is so rotten that all the Rats abandoned it.' The bishop: 'Its lucky they had few passengers.' Burdett: 'No wonder they upset they had too much rubbish on the roof'. The coach flies a flag inscribed 'True Patriotism Honor Truth Liberality'; it is decorated with the Royal Arms: shamrock and roses. There is a background of trees dominated on the right by Windsor Castle."--British Museum online catalogue
Description:
Title from caption below image., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 210.
Publisher:
Published by J. Field, 65 Quadrant, Piccadilly
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Winchilsea, George William Finch-Hatton, Earl of, 1791-1858, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
