"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum catalogue, description of a variant state with different title
Alternative Title:
Cooks, scullions, hear me every mother's son and Fierce as staring Ajax from his seat
Description:
Title etched below image., Printmaker and date of publication from Grego., Variant state, with different title, of a plate issued with the title: Fierce as staring Ajax from his seat, uprose with visage stern the king of meat. Cf. No. 7187 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Literary quotation -- Peter Pindar's The Lousiad.
"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum Catalogue
Description:
Title etched below image., Printmaker and date from British Museum catalogue., Variant state of plate issued with the title: Cooks, scullions, hear me evr'y mother's son. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 204., Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto II. London : Printed for G. Kearsley ..., [1787], Sheet trimmed within plate mark., and Mounted on leaf 72 of volume 2 of 14 volumes.
"Frontispiece from Wolcot's 'Benevolent Epistle to Sylvanus Urban alias Master John Nichols, Printer, . . . 1790'. Nichols (left) has just risen in anger from his chair and looks to the left, resting his clenched fists on two large volumes placed on a small roughly made table, on which is also an ink-pot with pens. These are 'Q. Eliz: Prog:' and 'Anecdotes of Mr B.' [Bowyer]. In the background is Parnassus, with the Temple of Fame, on which is poised a figure of Fame blowing a trumpet. Against the mountain rests a tall ladder up which a dog has scrambled, but is still far from the summit. A man on stilts advances towards the mountain, an 'Essay on Old Maids' projects from his pocket, showing that he is William Hayley; a paper inscribed 'Eudora' falls from him. On the ground are: a letter 'ToMr.N--c--ll'; a book: 'Gentlemans Magazine', and papers; 'Charade', 'Conundrum Riddle', 'Rebus', 'Mr Badcocks Letters'. Beneath the design is engraved:'With anger foaming and of vengeance full, Why belloweth John Nichols like a bull?'"--British museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Frontispiece from: A benevolent epistle to Sylvanus Urban, alias Master John Nichols ... / by Peter Pindar. London : Printed for G. Kearsley, 1790., Temporary local subject terms: Allusion to The Gentleman's magazine -- Mythology: Parnassus -- Figure of Fame -- Temple of Fame., and Mounted to 33 x 21 cm.
Publisher:
G. Kearsley
Subject (Name):
Pindar, Peter, 1738-1819., Hayley, William, 1745-1820, and Nichols, John, 1745-1826
