A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "57" in upper right corner., Restrike for Bohn's "Supressed plates". Cf. no. 7892 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., On same sheet, verso: Alecto and her train at the gate of Pandaemonium ..., and Printed 1851.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Title etched below image., Unverified attribution to Dent from local card catalog., Publication information from the Library of Congress copy. Cf. LC 3:42., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dissenters -- Symbols: dove of peace -- St. Paul's Cathedral -- Dice and dice-box -- Reference to St. Stephen's Chapel -- Reference to the House of Commons -- Literature: reference to Richard Price's Observations on civil liberty -- Literature: reference to Edmund Burke's A philosophical inquiry into the origin of the sublime and beautiful -- Acts: repeal of the Test and Corporation Acts, March 2, 1790 -- Thirty-nine articles -- Votes: majority 189 on repeal of Test and Corporation Act., and Mounted to 37 x 25 cm.
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title from text below image., First two letters of printmaker's signature form monogram., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., 1 print : etching on wove paper ; plate mark 50.2 x 35.5 cm, on sheet 50.6 x 35.7 cm., and Sheet trimmed to plate mark; mounted to 56 x 37 cm.
Publisher:
Published by Thos. Cornell
Subject (Geographic):
United States.
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Jews, Flags, Clergy, Architecture, Military uniforms, British, and Hand lenses
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Later state, with end of imprint statement re-etched to include publisher's street address. Cf. No. 7628 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- Jews -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., and Mounted on leaf 52 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Clergy, Architecture, Military uniforms, and British
"A complicated design: advocates for religious toleration in a church, the pulpit occupied by Priestley, Price, and Lindsey. The central figure is Price, to whom the clerk standing below has passed up in a cleft stick a paper inscribed: 'The Prayers of this Congregation are desired for the Success of the patriot Members of the national Assembly now sitting in France'. Price takes the paper, and, raising his left hand sanctimoniously, says: "And now Let us fervently pray for the Abolition of all unlimited and limit[ed] Monarchy, for the Annihilation of all ecclesiastical Revenues and Endowments, for the Extinction of all Orders of Nobility and all rank and Subordination in civil Society and that Anarchy and Disorder may by our pious Endeavours prevail throughout the Universe - See my Sermon on the Anniversary of the Revolution" (see BMSat 7629, &c). Priestley leans over the left edge of the pulpit, his right arm raised; flames issuing from his mouth expand into four columns of smoke inscribed respectively 'Atheism' (smaller than the others), 'Deism', 'Socinianism', 'Arianism'. This blast strikes an angel carrying a cross; he flies out of a window (left), looking over his shoulder at Priestley with an expression of horror. Through the window is also seen a church steeple, being pulled down by a rope. Seated in a pew below is Fox (left) who looks up at the preacher, smiling; a similar column of smoke issues from his mouth and rises towards Priestley, inscribed 'Hear hear hear'. Lindsey leans over the right side of the pulpit, holding out 'A Table of the Thirty nine Articles' in a frame, this he tears to pieces. The back of the pulpit, above Price's head, is ornamented with an inverted and irradiated triangle containing the letters 'PPL', the initials of the three preachers. Above it is suspended a marquess's coronet with Lord Lansdowne's beehive crest. On the sounding-board are (left) two books: 'Priestley on civil Government' and 'Price on civil Liberty'. Beside them hangs from the roof a striped flag inscribed 'America' (Price's 'Observations on civil liberty . . .' (1776) had encouraged the Declaration of Independence, see BMSat 5644). On the books stands a small demon. Another demon, wearing the steeple-crowned hat of the puritans of the Commonwealth, sits on an open book (right) inscribed 'a Sermon on the Anniversary of the glorious Revolution'. Beneath the pulpit is a pew running across the church from left to right and containing the clerk's desk. In this sits Fox (left); facing him in profile to the left is Dr. Abraham Rees looking through a large magnifying-glass at a large open volume inscribed 'Bacons liber Regis' and 'Cantuar'. On the clerk's desk is a paper: 'Ye are desired to take Notice That a Vestry will be held on Tuesday to take into Consideration some necessary Reforms both in the Church and State'. Behind and between these two is a shadowy head, partly obliterated by the smoke issuing from Fox, identified as Sir Henry Hoghton. Next him is a woman with the closed eyes and upturned face of an enthusiast; she holds out an open book: 'Margt Nicholson her Book' (see BMSat 6973, &c). Seated in profile to the right is Dr. Kippis. Standing beside him is Lord Stanhope, smiling, his head turned in profile to the left. He tears in half a paper inscribed: 'Acts of Parliamt for the Uniformity of Common Prayer, and Service in ye Church and Administration of the Sacraments'. Beneath his elbow is a paper: 'Heads of a Bill for the Abolition of Tithes and other ecclesiastical Endowm[ents]'. In front of the pulpit the central figure is an exciseman standing with his back to the pulpit and looking over his shoulder at Stanhope with a smile. An ink-bottle is attached to his coat, under his arm is a book inscribed 'Excise'. His folded hands rest on the head of a cane, the tip of which is in a chalice which stands at his feet. Under his foot is a paper: 'Order for the Ministration of the holy Communion'. He is gauging a Communion cup, and is evidently Thomas Paine. Next him (right) in back view, kneeling, is a bishop, with enormous lawn sleeves; he is identified by Miss Banks as Edward Law, Bishop of Carlisle, but an open book in front of him is inscribed 'Watson Tracts', suggesting that he is Watson of Llandaff, cf. BMSat 7419. In the foreground on the left a kneeling man is flinging out the contents of an open chest on which are a bishop's escutcheon, and a female figure with a cross and chalice, probably representing religion. He throws out a large book: 'The Book of Common Prayer' to join a book of 'Homilies'. Beside this lie a mitre, a crozier, a chalice, a communion plate with bread at which rats are nibbling, a paper: 'The Communion of Saints, &c.' Looking over the shoulder of this despoiler of the Church is a bearded Jew, his hands raised in admiration, saying, "O vat fine plaat I vil give you de Monies for it Sar." On the right and in profile to the left sits a soldier, with the lank hair and upward gaze of the enthusiast; he holds his sabre by the scabbard. In his right hand is a steeple-crowned hat. Behind him sits a shadowy worshipper, full face, with upturned head and clasped hands. In the foreground on the extreme right a beadle is seated on the floor asleep. His hat is inscribed 'Oliver Condable St James'. Beside him are a dog and an open book: 'Killing no Murder a Sermon for the 30th of January'. Above the back of a pew on the extreme right is part of the back of a wig, identified as that of the Lord Mayor. A large mace is beside it, and a pillar surmounted by the Royal Arms: the lion is headless and in place of the crown is a puritan's steeple-crowned hat. Through a doorway inscribed 'Sanctum Sanctor[um]' is a three quarter length portrait in an oval frame of Oliver Cromwell. From a gallery in the upper right corner of the design, a ruffianly looking man leans over with a clenched fist, saying, "No Test no Bishops". In his left hand is a paper: 'The Rights of the Protestant Dissenters vindicated a Sermon by Jos Priestley.'"--British Museum online catalogue
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Later state, with end of imprint statement re-etched to include publisher's street address. Cf. No. 7628 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eleven lines of verse below image in two columns, one on either side of title: From such implacable tormentors, fanatics, hypocrites, dissenters ..., Temporary local subject terms: Religious dissenters -- Reference to America -- Allusion to French Revolution -- Magnifying glasses -- Religious reforms -- Excisemen -- Jews -- American flag -- Reference to Cromwell, Oliver, 1599-1658 -- Acts: Repeal of the Test and Corporation Act, March 2, 1790., and Mounted on page 71.
Publisher:
Published by Thos. Cornell, Bruton Street
Subject (Name):
Priestley, Joseph, 1733-1804, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Rees, Abraham, 1743-1825, Hoghton, Henry, Sir, 1728-1795, Kippis, Andrew, 1725-1795, Stanhope, Charles Stanhope, Earl, 1753-1816, Paine, Thomas, 1737-1809, Ellenborough, Edward Law, Baron, 1750-1818, Watson, Richard, 1737-1816, and Nicholson, Margaret, approximately 1750-1828
Subject (Topic):
Clergy, Architecture, Military uniforms, and British
"Dissenters are engaged in burning churches and attacking the clergy. In the foreground a stout bishop on his knees is being kicked and assailed by men with bludgeons; beside him is a book: 'Refutation of Dr Price'. He exclaims, raising his hands, "Murder, fire, thieves". One of his assailants says, "Make room for the Apostle of Liberty"; the other, "God assisting us nothing is to be feared". Under this group is inscribed: 'And when they had smote the Shepherd, the Sheep were scattered'. Behind (right) a Gothic building, from which extends a sign of the Mitre and Crown, is being demolished. Price sits astride on the beam supporting the sign; in one hand is an open book, 'Love of our Country', in the other is a firebrand inscribed 'The Flame of Liberty'. Beneath, two men in steeple-crowned hats are feeding a fire with faggots, whose flame and smoke, inscribed '39 Articles', ascends in a thick cloud. Next the burning building, and on the extreme right, is a porch (over a doorway) in which stands Fox, blowing a horn and pointing down to a placard over the doorway: 'Places under Government to be disposed of. NB, Several Faro and E.O. Tables in good Condition'. An adjacent placard is: 'day next charity sermon by Revd chas Fox'. A group of eager fanatics with lank hair rushes towards the doorway, holding up to Fox money-bags inscribed '30.000', '10.000' and '20.000.' In the foreground (right) are two fanatics struggling for the bag of the Great Seal; one raises a mace inscribed 'Brotherly Love' to strike his opponent; under his foot is a paper: 'Repeal of the Test Act'. In the background (left) is a group of figures engaged in demolishing a church with pickaxes; a rope pulls over the cross on the steeple. Two of this group look towards Price: a parson inscribed 'P------ly' (Priestley) waves his hat, saying, "Make haste to pull down that old Whore and we'll build a new one in its place"; a lean man, fashionably dressed (evidently Stanhope), extends his arms, saying, "Address to Assemblee national"."--British Museum online catalogue
Description:
Titled etched below image., Attributed to Rowlandson by British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement above design: In Fores's Caricature Museum is the compleatest collection in the kingdom. Also the head and hand of Count Struenzee. Admittance 1s., and Mounted to 31 x 43 cm.
Publisher:
Pub. Feb. 20, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Price, Richard, 1723-1791, Priestley, Joseph, 1733-1804, Stanhope, Charles Stanhope, Earl, 1753-1816, and England and Wales.
Subject (Topic):
Dissenters, Religious, Limitation of actions, Axes, Bishops, Churches, and Musical instruments
"Another version, reversed, of BMSat 8132. Paine (right) lies as before, but his legs and feet, which were hidden by straw and by cloud, project from under his coat, and the crisping of his toes indicates agitation caused by his dream. The three headless judges (left) with dependent scrolls are as before, with the addition of a cloud-shaped scroll ascending from the central wig, inscribed: 'Know Villain, when such paltry slaves presume To mix in Treason, if the Plot succeeds They're thrown neglected by - but if it fails Theyre sure to die like dogs! as you shall do.' In place of the prison wall is a glory of rays issuing from a sun in the centre of which are the scales of Justice. This is surmounted by shackles and by a scroll inscribed "The Scourge inexorable, and the tort'ring hour, awaits thee". Beneath are, as before, a gibbet (with the addition of a ladder) and a pillory. Between them are a scourge and birch-rod tied together. The inscriptions on the three scrolls are as before except that in 'Charges' 'Falshoods' takes the place of 'Lies', and to 'Punishments' is added 'Extinction from Society'. The inscriptions on Paine's book, &c, are as before except that the alternative title of 'Common Sense is or convincing Reasons for Britons turning Sans Culottes.' The fleurs-de-lis on the tattered curtain are larger and more conspicuous. Above the bed, in place of the crumbling wall, is an open casement window out of which flies a terrified demon with his tail between his legs; he holds a fiddle, but drops his bow and a sheet of music inscribed 'Ca-ira'. Through the window appear clouds and a full moon."--British Museum online catalogue
Description:
Title etched below image., Reversed version, with some different and some additional elements in the image, of a print with the same title published in November 1792. Cf. No. 8132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Poverty -- allusion to Paine's Common Sense -- Guardian angels -- Vermin: rats -- Writing supplies -- Architectural details: casement windows -- Furniture: straw beds -- Pillories -- Gibbets -- Shackles -- Torture: scourge -- Wigs: judges' wigs -- Trials: pleas -- Charges -- Punishments -- Liberty cap as a nightcap -- Literature: allusion to Paine's Rights of Man -- Symbols: fleur de lis -- Symbols: striped pillow as pro-American sentiment -- Symbols: scales of Justice -- Music: c̦a ira -- Demons., 1 print : etching on wove paper ; plate mark 29.4 x 36.6 cm, on sheet 37 x 50 cm, mounted to 37 x 56 cm., and Watermark: J. Whatman 1811.
Publisher:
Pubd. Decr. 10th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Paine, Thomas, 1737-1809, Fox, Charles James, 1749-1806, and Priestley, Joseph, 1733-1804