"Another version, reversed, of BMSat 8132. Paine (right) lies as before, but his legs and feet, which were hidden by straw and by cloud, project from under his coat, and the crisping of his toes indicates agitation caused by his dream. The three headless judges (left) with dependent scrolls are as before, with the addition of a cloud-shaped scroll ascending from the central wig, inscribed: 'Know Villain, when such paltry slaves presume To mix in Treason, if the Plot succeeds They're thrown neglected by - but if it fails Theyre sure to die like dogs! as you shall do.' In place of the prison wall is a glory of rays issuing from a sun in the centre of which are the scales of Justice. This is surmounted by shackles and by a scroll inscribed "The Scourge inexorable, and the tort'ring hour, awaits thee". Beneath are, as before, a gibbet (with the addition of a ladder) and a pillory. Between them are a scourge and birch-rod tied together. The inscriptions on the three scrolls are as before except that in 'Charges' 'Falshoods' takes the place of 'Lies', and to 'Punishments' is added 'Extinction from Society'. The inscriptions on Paine's book, &c, are as before except that the alternative title of 'Common Sense is or convincing Reasons for Britons turning Sans Culottes.' The fleurs-de-lis on the tattered curtain are larger and more conspicuous. Above the bed, in place of the crumbling wall, is an open casement window out of which flies a terrified demon with his tail between his legs; he holds a fiddle, but drops his bow and a sheet of music inscribed 'Ca-ira'. Through the window appear clouds and a full moon."--British Museum online catalogue
Description:
Title etched below image., Reversed version, with some different and some additional elements in the image, of a print with the same title published in November 1792. Cf. No. 8132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Poverty -- allusion to Paine's Common Sense -- Guardian angels -- Vermin: rats -- Writing supplies -- Architectural details: casement windows -- Furniture: straw beds -- Pillories -- Gibbets -- Shackles -- Torture: scourge -- Wigs: judges' wigs -- Trials: pleas -- Charges -- Punishments -- Liberty cap as a nightcap -- Literature: allusion to Paine's Rights of Man -- Symbols: fleur de lis -- Symbols: striped pillow as pro-American sentiment -- Symbols: scales of Justice -- Music: c̦a ira -- Demons., and Mounted to 35 x 42 cm.
Publisher:
Pubd. Decr. 10th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Paine, Thomas, 1737-1809, Fox, Charles James, 1749-1806, and Priestley, Joseph, 1733-1804
"Pitt steers a small boat, 'The Constitution', with a single sail, a Union pennant flying from the mast, through huge waves between a high rock (left) and a whirlpool whose circumference is an inverted crown which merges in the swirling water. He is in profile to the right, gazing fixedly at a castle on a promontory (right) among still waters, which flies a flag inscribed 'Haven of Public Happiness'. Britannia, a buxom young woman, sits in the boat, her hands raised in alarm, her head turned towards the rock, on the summit of which is a large bonnet-rouge with a tricolour cockade on a post within a ramshackle fence. Spray dashes against Scylla; beside the rock and in the foreground (left) three sharks with human heads closely pursue Pitt's boat: Sheridan, Fox, and Priestley (good profile portraits), their eyes fixed menacingly on the boat. They are: 'Sharks'; 'Dogs of Scylla'."--British Museum online catalogue
Alternative Title:
Vessel of the Constitution steered clear of the Rock of Democracy and the Whirlpool of Arbitrary Power
Description:
Title etched below image., Caption below image, under the heads of Priestley, Fox and Sheridan: Sharks, dogs of Scylla., Sheet trimmed within plate mark on lower edge., and Temporary local subject terms: Flags: union pennant -- Constitution as a boat -- Boats -- Cap of liberty as bonnet rouge -- Allusion to the French Revolution -- Crowns: royal crown inverted as a whirlpool -- Cap of Liberty -- Symbols: tricolor cockades -- Allusion to Scylla abd Charybdis (Greek mythology) -- Literature: George Canning, 1770-1827, The Pilot that Weathered the Storm -- Waves -- Fortresses.
Publisher:
Pubd. April 8th, 1793 by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Priestley, Joseph, 1733-1804, and Sheridan, Richard Brinsley, 1751-1816
"Fox, as a beggar, holds out his bonnet rouge to the door of the 'Crown & Anchor' tavern to catch the shower of dishonoured paper which the talons of the Devil are scattering; smoke and flames issue from the doorway. Fox, unkempt and unshaven, his tattered coat and breeches scarcely covering his naked body, has an expression of desperate eagerness; he holds under his coat a dagger which drips blood. From his coat-pocket project a dice-box and cards, the Knave of Clubs uppermost (cf. BMSat 6488). Behind him are his needy followers: Sheridan (a pair of pistols in his coat-pocket), M. A. Taylor, and Horne Tooke immediately behind him, also clutching concealed daggers and holding out their bonnets rouges. Close behind these are Hall the apothecary, Priestley, and Lord Stanhope, whose attitudes show that they too are clasping daggers and proffering caps for alms. From Hall's pocket protrude a syringe and a medicine-bottle labelled 'W. Pitt.' Three other heads are indicated. The Devil's words issue from the door among flames: "Dear Sir | Seldom have I experienced more heart-felt pleasure | "than now in executing the wishes of my Committee; - I flatter | "myself you will not be displeased with the convincing proof of the | "esteem of so many & so honorable persons; who far from imagining they | "are about to confer any obligations upon you, will think themselves | "honoured & obliged by your acceptance of their endeavours to be | "grateful for your unremitted efforts to effectuate | the Grand Object they have so deeply at heart." Fox answers: "Dear Sir - You will easily believe, that it is not | "mere form of words when I say, that I am wholly at a loss how | "to express my feelings upon the Charity which you are now in so kind a | "manner showering upon me, - In my wretched situation, to receive such a proof | "of the esteem of the Committee, - to be reliev'd at once from Contempt & Beggary! | "for such as me, to receive a Boon which even the most disinterested would think their | "lives well spent in obtaining! is a rare instance of felicity, which has been reserved for me; - | "It is with perfect sincerity that I declare, that in no other manner in which a Charity | "could have been bestow'd upon me, would have been so highly gratifying to every feeling | "of my heart, - I accept, therefore, with the most sincere gratitude, the bounty of the Committee | "and consider it as an additional obligation upon me, to adhere strictly to whatever mea- | "-sures the Committee may find it convenient to pursue; & to persevere thro' thick and thin | "in That line of conduct, to which alone, I am conscious, that I am indebted for this, as | "well as for every other mark of their approbation. - " Sheridan says: "Make haste, Charley! - make haste! - make haste! - for I long to have my turn come on; - I have been a Greek Emigrant a hell of a while, & relief could never come more seasonable: - and here's our "little Chicken" wants to peck up a little corn; & our old friend Blood & Brentford, the orthodox Parson, swears he has a right to a Particle; heres Glysterpipe expects to be paid for purging Administration; & old Phlogistick the Hackney Schoolmaster, expects some new Birmingham halfpence - besides ten Thousand more, with empty pockets, & hungry bellies, lads fit for any enterprize! who only want engagement; - but cannot get a Crust, before you are served! make haste Charley! - make haste! make haste." Over the tavern door is inscribed 'Whig Club'. The papers pouring into Fox's cap are inscribed 'Forged Notes' (twice), 'Swindlers Notes', 'Jews Bonds', 'Bankrupts Notes', 'Country Bank' (twice), 'Gamblers Notes', 'Blue & Buff Bonds', 'Forfeited Mortgages'."--British Museum online catalogue
Alternative Title:
Blue and buff charity and Patriarch of the Greek clergy applying for relief
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Allusion to the French Revolution -- Emblems: tricolored cockades -- Male costume: bonnet rouge -- Taverns: Crown and Anchor -- Weapons: daggers -- Subscriptions: subscription for Fox, 1793 -- Architectural details: doorway -- Gambling: cards and dicebox -- Allusion to the Whig party -- Banknotes -- Devil.
Publisher:
Pubd. June 12th, 1793, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Stanhope, Charles Stanhope, Earl, 1753-1816, and Hall, Edward, active 1784-1793
"The King and Queen, seated on the throne (left), receive with astonished horror a deputation from Turkey. An arrogant Turk stands proffering a large rolled document with pendent seals on which are crescents: 'Powers for a new Connexion between the Port, England & France'. Beside him (left) another Turk grovels on the ground. Fox and Sheridan, kneeling with crouching humility, hold up the long cloak of the Turkish emissary; their bonnets-rouges are decorated with crescents. Behind them Priestley bows low (right). Turks with spears and banners stand behind him. To a spear topped with a crescent is attached a tricolour flag inscribed 'Vive la Republique'. Pitt, a naked mannikin, one foot on the royal dais, clutches the King's knee in terror: a chain from his wrist is attached to a royal crown lying on the ground. Behind him, and beside the throne, stands Dundas in Highland dress, tall and impassive, holding a pike. The King and Queen are much caricatured: the King stares, biting his fingers and clutching the Queen; she puts her fan before her face but looks through its sticks (as in BMSat 9528) at the Turks. The three elder princesses (not caricatured) peep from behind the throne on the extreme left."--British Museum online catalogue
Alternative Title:
Final resource of French atheists
Description:
Title etched below image., Temporary local subject terms: Turkish ambassador -- Crowns -- Thrones -- Male costume: bonnet rouge -- Female costume: fans -- Pets: Pitt as a monkey -- Turks -- Royal princesses., and Incomplete images of two prints on verso: The Monster Broke Loose, or, A Peep into the Shakespeare Gallery and The Vulture of the Constitution.
Publisher:
Pubd. Decr. 26th, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Priestley, Joseph, 1733-1804, and Melville, Henry Dundas, Viscount, 1742-1811
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 46 x 34 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
Title from item., Printmaker from state published by Bentley & Co., 1 July 1791, for The Attic miscellany, with the title: Doctor Philogiston, the Priestley politician or the political priest!, Plate from: Carlton House magazine, November 1794., Above image: Engraved for the Carlton House magazine., Cf. No. 7887 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Sermons -- Opposition: members of the opposition.
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
A bull in the guillotine awaits the fall of the blade. The executioner is depicted as a skeleton with Lord Stanhope's face. The sacrifice is supervised by Lord Lansdowne (as Janus) in a throne behind an altar on which rests the Magna Charta and the Bill of Rights. The Duke of Grafton on the right sets fire to these documents while Dr. Priestley looks on.
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 32.9 x 25.2 cm, on sheet 35.7 x 27.4 cm., and Mounted on leaf 64 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain, France, and England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Priestley, Joseph, 1733-1804
Subject (Topic):
John Bull (Symbolic character), Janus (Roman deity), Politics and government, Foreign relations, Altars, Guillotines (Punishment), Skeletons, and Clothing & dress
"A large and plebeian crowd is being addressed from three roughly made platforms, one being in the middle distance, another in the background. In the foreground (right) a man, supposed to be Thelwall, leans from his rostrum in profile to the left, shouting, with clenched fists, and raised right arm. Behind him stands a ragged barber, a comb in his lank hair, holding out a paper: 'Resolutions of the London Corresponding Society'. Next him, a man with the high-crowned hat and bands of a dissenting minister holds a tattered umbrella over the orator. A man on the steps leading to the platform, wearing a bonnet-rouge (the only one in the crowd) has a vague resemblance to Fox. From the next platform (left) a butcher, supposed to be Gale Jones, bawls at the crowd with raised right arm. Beside him stand a man holding a scroll inscribed 'Rights of Citizens'. The third orator is a tiny figure (Hodgson) with both arms raised. All the platforms are surrounded by crowds, and hats and arms are being waved by those addressed by the butcher. In the foreground (left) a man sits holding out for signature a document which is supported on a barrel of 'Real Democratic Gin by Thelwal & Co.' Three little chimney-sweepers stand round it, one of whom, holding a pen, has just made his mark on the 'Remonstrance', below the signatures of 'Jack Cade', 'Wat Tyler', 'Jack Straw'. All wear caps with the name of their master on a brass plate (according to the Chimney-Sweepers' Act of 1788); this is 'Thelwall'. A fat woman sells a dram to one of the crowd. Another presides over a portable roulette or E.O. table, a 'teetotum', inscribed 'Equality & no Sedition Bill'; three barefooted urchins are staking their pence. The heads in general do not appear to be portraits, but in the centre of the design, with his back to the woman selling drams, is Priestley, caricatured, standing with folded arms facing Thelwall. There is a landscape background with trees up which spectators have climbed. ..."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text, running on both sides of title: "I tell you, citizens, we mean to new-dress the Constitution and turn it, and set a new nap upon it." Shakspeare., and Mounted to 30 x 40 cm.
Publisher:
Pubd. Novr. 16th, 1795, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Thelwall, John, 1764-1834, Jones, John Gale, 1769-1838, Priestley, Joseph, 1733-1804, Hodgson, Richard, 1760-1816, and London Corresponding Society.
Subject (Topic):
Freedom of the press, Meetings, Petition, Right of., Sedition, Political crimes and offenses, Butchers, Chimney sweeps, Crowds, Podiums, Political parades & rallies, and Working class
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Philosophers -- Scientific lectures -- Maps: globes -- Cabalistic signs -- Phials.
Publisher:
Pubd. March 28th, 1796, by H. Humphrey, No. 37 New Bond Street
Subject (Geographic):
England
Subject (Name):
Walker, A. 1730 or 1731-1821 (Adam), and Priestley, Joseph, 1733-1804
