Date assigned by curator., For the original drawing by Rowlandson, see: Grego, J. Rowlandson the caricaturist, v. 2, page 422., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title supplied by cataloger, based on title given by Grego for the original drawing.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Part of imprint lightly printed and illegible., and Title devised by curator.
Publisher:
J. Harris
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Eight horizontal strips, each with a publication statement below aquatint border., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Publication information etched below bottom strip., Text below top strip: London, Pub. 1 Decr. 1799, at R. Ackermanns Repository of Arts, 101 Strand where daily are published ..., and Title devised by curator.
Date assigned by curator., Design attributed to Rowlandson by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
A boat crammed with shipwrecked men, with an oar projecting to the right. One man leans his elbows on the gunwale while two of his companions throw a corpse overboard.
Description:
Earliest date for publication based on watermark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark on top and bottom edges., Terminal date for publication based on publisher's street address, which is "Surrey Side, Westminster Bridge" on the lettered state described by Grego; this address was only used by Thomas Palser until 1816. See British Museum online catalogue., and Title, artist, and publisher from lettered state described by Grego.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Palser, Thomas, active 1803-1843, publisher., and Rowlandson, Thomas, 1756-1827, artist.
Not in catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title from earlier state described by Grego, dated 1783.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A kitchen scene. A handsome young cook in her mistress's hat and gown, worn over her own cap and petticoat, with her breast bared, postures in the kitchen before a hanging mirror, holding out a fan. Three amused girls (a woman with two young girls) watch her from behind a door (right). On the floor is a broken dish with a fish on which a cat has pounced, and to the rigth a rolling pin, fork and spoon. A floured pudding is ready for cooking. On the shelves behind her are plates, platters and mugs; above the door, a small keg, wine bottle, and crocks. On the floor near the door are brooms and buckets.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Brooms & brushes., Cats., Interiors., Kitchens., Mirrors., Role reversal., Tableware., and Women domestics.
Imperfect; sheet trimmed within plate mark with partial loss of artist's signature., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
A quaint delineation of a church-interior during service; the pastor, who is somewhat of the Dr. Syntax type, is holding forth. There is a squire's pew, a rosy, sleepy clerk, a large leavening of fat slumberers (among the rest the sexton and pew-opener), a crowded gallery, worshippers both devout and careless, gazers through curiosity, and the usual elements which made up a grotesque-looking country congregation at the end of the last century, including a man with crutches and a peg leg.
Description:
Date of publication scored through on plate but legible. Cf. Grego for date confirmation., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Churches--England--Cornwall., Interiors., lergy., Peg legs. , Religious meetings., and Sleeping.
"Fox stands in the House of Commons, making a speech; in his right hand he holds out a paper: 'Speech on the 'Rights of the P------'; in his left is an 'Explanation of that Speech'. He faces the table on which are piled large folios: 'Statutes at Large', 'Magna Charta', 'Principles of the Constitution', 'Rights of the People'. He says, "all these I'll devour next". Behind him on the ground are two open books: 'Jus Divinum of Kings' and 'Principles of Toryism &c.' The benches behind him are packed with intent listeners, some dismayed, some admiring. North, a bandage over his eyes, sits on the extreme right, next him is Burke. The end of the gallery (left) is visible; listeners hang over to watch Fox."--British Museum online catalogue.
Description:
Attributed to Rowlandson in the British Museum catalogue., Five lines of text below title: Advertisment extraordinary. This is to inform the public ..., and Title etched below image.
Publisher:
S. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain--Politics and government--1760-1789.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Great Britain.--Parliament.--House of commons., Harvey, Francis--Ownership., North, Frederick,--Lord,--1732-1792--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
"One of a set of aquatint copies of Rowlandson's watercolours, all signed 'Rowlandson', see British Museum Satires No. 11111 &c. A pawnbroker's shop, with the (?) street door on the left, and on the right a receiving office, a rectangular opening in a wall, dividing the interior from the lobby in which the customers stand. At this stands a gay young courtesan, tattered but comely, looking at a gap-toothed Jew who holds up the ragged shift or chemise which she has brought. A fat bawd grasping a bottle stands behind her, and pushing through the door is a man with a grotesque profile suggesting decay. A barelegged child with a flat-iron and gridiron stands at the counter looking up at the Jew. In the recess behind the Jew goods are piled on shelves, a saucepan, garments, &c. In large letters next the street door is 'Money Lent', with the sign of three balls."--British Museum online catalogue.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 90. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Reeve and Jones, publishers., and Rowlandson, Thomas, 1756-1827, artist.
Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Numbered in upper right corner of design: 274., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Publisher and date of publication from Grego., Temporary local subject terms: Food -- Cruet -- Night cap., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
"Scene from the Sheridan play, the characters sitting together (suggested to be portraits of Mrs Green and Quick in the roles), the Duenna a portly woman at left with wide open mouth and hands on chest, turning to Isaac who cowers from her."--British Museum online catalogue, description of earlier state.
Alternative Title:
Duenna and Little Isaac
Description:
Date from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Reissue, with imprint burnished from plate, of a print published with the imprint: London, Published April 1, 1784, by I.R. Smith, No. 83 Oxford Street., Temporary local subject terms: Literature: allusion to Sheridan's The Duenna., and Title engraved below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"In a country wash-house an old woman (left) feeds the fire under a large round copper, from which a youth emerges, raising the loose wooden lid. A young woman (right) deluges him with water from a pump. Another young woman, astonished, leaves the pitcher of beer which she has been filling from a beer-barrel to overflow. A cat runs off with a mouse."--British Museum online catalogue.
Alternative Title:
New cure for love
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "E 3" in upper right corner., and Title etched below image.
Publisher:
Pubd. by T. Tegg, N. 111 Cheapside,
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
Date of publication based on publisher's street address. See British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
E. Jackson, No. 14 Marylebone Street, Golden Square
"A realistic study, touched with satire. Two bodies are being dissected. Two men (seated) are at work on the body which forms the centre of the design. Behind the trestle-table the lecturer, wearing dark spectacles, stands, pointing down; round him are grouped students who listen and watch. On the right a man sits with his back to the room, dissecting. An elderly surgeon stands over him chapeau-bras, inspecting the work through an eyeglass. In the foreground (left) a body lying half in a box is being disembowelled by an elderly man who kneels on the ground. He and the anatomists wear aprons and oversleeves. The room has a slightly sloping roof, with a skylight running along its left side. On the right wall in the foreground hangtwo skeletons; in the background (right) a third stands in profile to the left, as if grinning at the scene. The skeleton of a dog (?) hangs from the roof. A bust on a bracket (right) looks down cynically. Two posters are on the right wall: 'Rules to be observed by those Gentlemen who Dissect in -' and 'Prices for Bodys Male Subject - Female Do - Infant -'."--British Museum online catalogue.
Description:
After a design by Rowlandson from ca. 1790. See British Museum catalogue., Date of publication from the British Museum online catalogue, registration no.: 1855,1208.298., and Title from text below image.
Subject (Name):
Alvey, Frederick, active 1837-1850, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Hunter, William,--1718-1783--Caricatures and cartoons., Rowlandson, Thomas, 1756-1827, artist., and Smollett, T.--(Tobias),--1721-1771--Caricatures and cartoons.
"1812" has been added to the publisher's statement in a contemporary hand., "Del." in the statement of responsibilty has been burnished from plate in this state as has a portion of the date "802" in the publisher's statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
"Six doughty doctors standing together in discussion, wearing wigs, tailcoats and carrying tricorne hats and walking canes; one at left thoughtfully taps his mouth with the handle of his cane, one at centre, seen from behind, holds his hat behind his back in both hands, a sword at his side; another at right leans forward solidly, resting his folded arms on his cane."--British Museum online catalogue.
Description:
Date of publication from the British Museum online catalogue, registration no.: 1943,1113.254., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"Two sailors inside the Victory, discussing the fate of Nelson's body; one stands at left, weeping, his hat in his hand, saying, 'Do you know Jack they say as how they mean to put his Honors remains into another ship--- Now I think it d-d hard that as he kept us while he was alive - that we should not be allow'd to keep him now he is dead'. The other sailor sits at right with his arm on Nelson's coffin, which is on a bier under a window, a sailor's hat with a ribbon lettered 'Victory' on top of it; the sitting sailor holds up a cutlass and replies, 'Make yourself easy about that Ben--- here am I watch over the coffin, and depend upon it he never stirs from the Victory, till he arrives in his native country, where there will be plenty to revere, and guard his precious memory, for his monument will be erected in the heart of every Briton.' A cannon behind at left."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Nelson, Horatio Nelson,--Viscount,--1758-1805--Death and burial., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Cannons., Coffins., Sailors--British., and Trafalgar, Battle of, 1805.
From the pulpit a minister wearing eyeglasses (right) reads to his small, mostly asleep congregation a sermon from a pile of papers resting on a pillow: "He brews, ten and twelve!!" A sleepy-looking man with a bulbous nose and carbuncels (foreground, left) looks up and in a speech balloon above is head: And no bad stuff either let me tell you. I should like a to take a mug.
Description:
Date assigned by curator., For similar design see Grego, J. Rowlandson the caricaturist v. 2, page 33., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Eyeglasses. , Preaching., Religious services., and Sleeping.
"Two ladies have descended from their coach, and stand in the road, urinating; one (left) is elderly and ugly, the other young and pretty. The footman stands in back view, also 'laying the dust', as are the pair of horses (right) and a dog. The coachman on his box, turning his back to the party in the road, imitates their example. A signpost (left) points 'To Broadwater'."--British Museum online catalogue.
Alternative Title:
Family on a journey laying in the dust
Description:
Date from Grego. and Title etched below image.
Publisher:
W. Humphrey
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, William, approximately 1740-approximately 1810, publisher., and Rowlandson, Thomas, 1756-1827, artist.
"A hand-coloured print of two men in a well appointed room, closely examining a menu or a bill. A pot bellied cook stands and watches the epicures with satisfaction, a knife hanging from his waist. On the right, a maid and a young boy bring in a platter with two fish which a cat pays close attention to. The maid's face has been drawn with precision and is the least caricatured of the group."--Royal Collection Trust online catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Sherwin, J. K. (John Keyse), 1751-1790, printmaker.
Published / Created:
1787 April 10
Call Number:
Auchincloss Rowlandson v. 3
Image Count:
1
Abstract:
"Seven men (three-quarter length) are grouped round a card-table in a Smithfield tavern. One (right), young and innocent, inspects his cards; beside him an older countryman lies back asleep (right), his dog resting his head on his knee. The other gambler (left), holding his cards, looks at his victim. Three onlookers have crafty expressions. A fat man, smoking, approaches with a bowl of punch. In the bar (left) a fat woman chalks up a score. Coins, a watch, and pocket-book are on the table. A broken mirror and a picture of a horse decorate the walls."--British Museum online catalogue.
Alternative Title:
Countrymen defrauded
Description:
Title etched below image. and Twelve lines of verse below image, six lines on each side of title: Old Trusty with his town made friends ...
Publisher:
I. Read, No. 133 Pall Mall
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"Scene at the door of a rustic inn. Two soldiers (seated) and a handsome girl drink punch together. She stands, wearing the cocked hat and sword-belt of an officer who holds her hand; a child plays with the sword. An old woman chalks up the score. A bugler (left) rides off with a led horse. The sign is the 'King's Head', a profile portrait of George III."--British Museum online catalogue.
Description:
Companion print to: He won't be a soldier., Plate numbered "No. 1" above title., Temporary local subject terms: Buildings: inns -- Serving maids -- Military uniforms: officers' uniforms -- Soldiers: bugler -- Children -- Inns: King's Head -- Pictures: portrait of George III -- Emblems: horseshoe., and Title etched below image.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. Two hideous prostitutes stand at the counter of a gin-shop (or vault), each with a glass. A dog sits at their feet. On the left a third and comparatively handsome woman is drinking. An upturned face with a glass to the lips is on the extreme right. On the other side of the counter a stout man fills a glass from a bottle. Behind him are huge casks, one inscribed 'Booths Best Gin'. The place is brightly lit, with heavy shadows. A bunch of metal grapes hangs from the roof, catching the light."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
Reeve & Jones, No. 7 Vere Strt.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Reeve and Jones, publisher., and Rowlandson, Thomas, 1756-1827, artist.
"A fat 'cit' is being drilled by an officer in his shop, to the admiration of his household. A drummer beats his drum. In the background are large jars of snuff."--British Museum catalogue.
Description:
Companion print to: Soldiers recruiting., Plate numbered "No. 5" above title., Temporary local subject terms: Interiors: tobacco and snuff shop -- Military uniforms -- Shopkeepers -- Dishes: tea service., and Title etched below image.
"A dying and aged man reclines in an arm-chair, facing his lawyer who is writing at a table, evidently on the will; beside him is a treasure-chest. A pretty young woman leans over the scarcely conscious man, taking his chin, while her lover, a young military officer wearing a cocked hat, watches her through an eye-glass from behind the curtains of a bed."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Will of her own
Description:
A copy of a Rowlandson watercolor. See British Museum catalogue., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 408., Date of publication based on earlier state with the imprint "Published by Reeve and Jones, No. 7 Vere Strt., Novr. 1, 1808." See British Museum catalogue., Later state, with a darker and thinner aquatint border replacing a lighter border that had probably worn from the plate. For an earlier state, see no. 11117 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Sheet trimmed within plate mark with possible loss of imprint., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A dying and aged man reclines in an arm-chair, facing his lawyer who is writing at a table, evidently on the will; beside him is a treasure-chest. A pretty young woman leans over the scarcely conscious man, taking his chin, while her lover, a young military officer wearing a cocked hat, watches her through an eye-glass from behind the curtains of a bed."--British Museum online catalogue.
Alternative Title:
Will of her own
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Reeve and Jones, publisher., and Rowlandson, Thomas, 1756-1827, artist.
"A Lapp settlement fills one end of an oblong hall, lit from the roof. Ice or water is bordered by snow-covered mountains or ice-pinnacles painted on the walls. In front of the water are two tents or huts, partly hidden by spectators. In the foreground is a Lapp family, a child holds a cord attached to a high-stepping reindeer decked with ribbons which draws a sledge in which sits a little English boy, holding the reins and held up by a lady. On the left behind a railing are reindeer; spectators are crowded between them and the wall. A woman holds one by the antlers, and raises two fingers towards an elderly husband. Spectators stare, ogle, and flirt. On the walls are reindeer antlers, Lapp garments of fur, &c, low boots with up-turned toes."--British Museum online catalogue.
"Quayside with a sailor leaning on a bollard talking to two prostitutes, one black, one white; in the background two sailing ships and a rowing boat."--British Museum online catalogue.
Description:
Design is similar to that of a Rowlandson print from 1812 entitled "Sea stories." Cf. No. 11960 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Design is nearly identical to that of a print entitled "Batchelor's fare, bread cheese and kisses," which was etched by Rowlandson and published 10 February 1814 by Thomas Tegg. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark on two sides., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him."--British Museum online catalogue.
Alternative Title:
Cries of London ; no. 8 and Hot cross buns, two a penny buns
Description:
Title etched below series title and number.
Publisher:
R. Ackermann's, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher. and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Baked products., Beggars. , Children., Churches., City & town life., Clergy., Peddlers., Vegetables., and Women.
"A young man, his arm around the waist of a coy young woman, whispers in her ear and gestures towards the cover of a wood at left, at the edge of which they stand; in the mid-distance at right, another man rides away from the wood, leading a riderless horse."--British Museum online catalogue, description of earlier print of which this is a copy.
Description:
Irish copy of a print by Rowlandson. Cf. British Museum online catalogue, registration no.: 1935,0522.10.207., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark leaving thread margins., and Title etched below image.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. Three old Jews stand in the street, in close consultation. All wear old-fashioned dress with beards, and long buttoned coats, one resembling a caftan. Behind are the old-fashioned houses of 'Dukes Place'; old clothes hang from a shop inscribed 'Solomon'."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
Reeve & Jones, No. 7 Vere Strt.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Reeve and Jones, publisher., and Rowlandson, Thomas, 1756-1827, artist.
Date of publication inferred from statement of responsibility., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker.
Call Number:
Auchincloss Rowlandson v. 8
Image Count:
1
Abstract:
Falstaff is carried to bed by three men and a woman. To the left his bride arranges her cap in the mirror on a bureau. To the right a maid holds a candlestick and in her other hand a bed warmer. The large bed is covered in bed curtains; the room is decorated with two chairs and two mirrors.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
A view of the interior of a busy English barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (left); beside her, one soldier brushes his britches while another adjusts his helmet. A second woman (center) carries a child on her back as she hands a drink to a soldier who sits on a bunk; a basket of rolls (?) hangs from her arm. A third woman (left) stands at a washing tub wringing out clothes as she looks up approvingly at a young boy dressed as a soldier; beside her a handsome, well-dressed solder holds a baby who smiles at the scene.
Description:
Companion print to: French barracks., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Great Britain.--Army--Barracks and quarters--Caricatures and cartoons., Harvey, Francis--Ownership., Malton, Thomas, 1748-1804, printmaker., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Arms & armament., Barracks--British., Breast feeding., Children., Dogs., Grooming., Laundry., Soldiers--English., and Women.
"A fat and ugly lady (left) and a young and pretty one (right) are being dressed for a Birthday at St. James's. A huge wig decked with feathers and roses is being placed by a maid on the bald head of the elder lady, who stands holding a bouquet and looking in a mirror which reflects a delighted grin. A little black page supports the mirror; he turns to a dog which fawns on him. Another maid fastens in front a false 'derrière', which will distend her dress below the waist, see BMSat 7100, &c. The girl is seated; a friseur dresses her long hair; a man-milliner, 'chapeau-bras', prepares to adjust a 'derrière'; she touches approvingly the dress which an ugly old woman wearing a hat holds out to her. On the floor is a round box containing roses."--British Museum online catalogue.
Description:
Companion print to: Dressing for a masquerade., Reissue, with alteration of date in printmaker's signature and addition of shading and background elements in design. For earlier state published 3 March 1789, see no. 9678 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Birthday at St. James's Palace -- Female costume: Derrières -- Dressing for St. James's Birthday Ball -- Black page -- Hairdressers: Friseur -- Male milliners -- Feathered female wigs., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Hopwood, James, approximately 1752-1819, printmaker.
Call Number:
Auchincloss Rowlandson v. 10
Image Count:
1
Abstract:
"Portrait of Dr. O'Meara, half-length, in profile to the left, one hand resting on a book, dressed in an academic gown with bands at his neck and a powdered bobwig on his head, the interior of a church behind."--British Museum online catalogue.
Alternative Title:
Dr. O'Meara
Description:
Plate from: The investigation of the charges brought against His Royal Highness the Duke of York. London: J. Stratford, 1809. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. An ugly foppish apothecary, with drink-blotched profile, kneels at the feet of a handsome young woman, one hand on his breast, the other pointing to a cloth at his feet on which are spread clyster-pipes, knife, pestle and mortar, and a bottle: 'Elixer of Life Drops'. She stands, making a gesture of surprise. Behind are the curtains of a bed, and a door (right) round which looks an amused man."--British Museum online catalogue, description of an earlier state.
Description:
Date of publication based on earlier state with the imprint "Published by Reeve & Jones, No. 7 Vere Street, Novr. 1, 1808." See British Museum catalogue., Reissue, with alterations to plate; imprint statement has been removed, a new border has been added in aquatint around design, and a border of etched lines has been added around title. For original issue before these changes, see no. 11114 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A man with a prodigious stomach and projecting nose and mouth stands at left in profile, opposite an elderly woman whose profile is shaped to accommodate his, having a crescent face with projecting forehead and chin, her body bent back and curved in at the waist and stomach, with bent knees."--British Museum online catalogue.
Description:
"Man is the only creature endowed with the power of laughter, is he not also the only one that deserves to be laughed at?"--Text below title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
"A pretty young maidservant stands on a doorstep (right) while a man, Irish in appearance, gazes insinuatingly into her face as he fills her bowl with brick-dust from a jar. He has an ass which stands patiently, a double sack pannier-wise across his back and a second jar or measure standing on the sack. The profile of a shrewish old woman looks through the door at the couple, who are intent on each other. A dog barks at the girl. Behind is a street, the nearer houses tall the farther ones lower and gabled. At the doorway opposite a woman appears to be giving food to a poor woman and child. A man and woman lean from the attic windows of adjacent houses to converse. A little chimney-sweep emerges from a chimney, waving his brush."--British Museum online catalogue.
"An untidy shock-headed footman stands letting a tureen slide on to the table so that its contents pour out; in his I. hand is a dish containing a leg of mutton, held so that joint and gravy fall to the floor. He stands between a hideous old woman at the head of the table (rigth) and a comely young one on her right. A fat maidservant follows the footman, holding a dish. Behind the man hangs an elaborately framed bust portrait of a grim-looking man wearing an early eighteenth-century wig. A cockatoo screams from a cage (l.). A dog sits behind the old woman's chair, a cat puts its fore-paws on the table to lap the spilt soup. Below the title: 'Take off the largest dishes, and set them on with one hand, to shew the ladies your vigour and strength of back, but always do it between two ladies, that if the dish happens to slip, the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes. . . . When you carry up a dish of meat, dip your fingers in the sauce, or lick it with your tongue, to try whether it be good, and fit for your masters table - .' [Two quotations from Swift's 'Directions to Servants'.]"--British Museum online catalogue, description of original issue.
Alternative Title:
Directions to footman
Description:
Also issued separately., Five lines of text below title: Take off the largest dishes and set them on with one hand to shew the ladies your vigour and strength of back, but always do it between two ladies that if the dish happens to slip the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes ..., Originally issued with publication date . Cf. No. 10918 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered '273' in upper right corner., Printmaker and date of publication from British Museum catalogue., Text following imprint: Price one shilling col'd., The word 'footmen' in the title was corrected from 'footman' by the etcher. 'A' was struck through and the letter 'E' was inserted above deletion., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
"A skeleton, Death (left), seated on a cannon, his elbows on his knees, faces Napoleon, not caricatured, in a similar attitude on a drum. The 'two Kings' gaze fixedly at each other, Death menacing, Napoleon as if trying to read a terrifying riddle. Death's left foot rests on a cannon-ball, the right on the broken shaft of an eagle. Behind is a symbolical representation of the battle. The Allies advance from the left in regular formation with bayonets levelled at fleeing French soldiers. Four flags, with the eagles of Russia, Prussia, and Austria, and the Swedish cross, are held up by standard-bearers in the third rank: they recede in perspective from left to right. On the left wing are two hussars, riding down the fugitives. The main French army is streaming in wild confusion up and over a hill, diminishing in perspective. Other soldiers, pursued by hussars, flee down a hill behind Napoleon (right). Bodies of Frenchmen lie on the ground."--British Museum online catalogue, description of an earlier state.
Description:
For an earlier state lacking the etched title and serving as the heading to a printed broadside entitled "The two kings of terror," see no. 12093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from Grego., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
"A drinking scene; a drunken man carousing with two women, raising a glass into which Death, a crowned skeleton standing behind him, pours a liquid from a small bottle, a great quantity of steam or smoke rising off; one of the women lies asleep on the floor in front of the table, breasts exposed and a spilling glass in her hand, the other is falling off her chair at left, horrified, having spied Death; a dog and discarded flagon at lower left, a caged bird hanging from the ceiling, barrels of 'Old Tom' behind."--British Museum online catalogue.
Description:
Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue.
"Two men with double butterfly nets chase butterflies in a formal garden with box-edged flower-beds set in gravel. One tramples over a bed of tulips to the horror of two ladies who stand in the doorway (right) and an old man in a night-cap who leans from a first-floor window. The house, like the walled garden, is old-fashioned with mullioned windows, an aged vine against the wall, and an attached glass hothouse. In the background a gardener drops a flower-pot in consternation. Beyond the wall is a church among trees. British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Butterflies., Butterfly nets., Flower gardens., and Greenhouses.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A man in hunting-dress stands on the back of his spirited horse to embrace a young woman who leans from a casement window. An elderly gap-toothed man wearing a night-cap peers from the cottage door with an imbecile gape. The hounds are in full cry beside the horse. A fat parson and a huntsman, much amused, turn in their saddles to watch the embrace. They are passing a village church."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 90., Date of publication based on earlier state with the imprint "Published by Reeve & Jones, No. 7 Vere Strt., Novr. 1, 1808." See British Museum catalogue., Reissue, with changes to copper printing plate; edges of plate have been cut down resulting in loss of imprint statement from bottom edge, a new border has been added in aquatint around design, and a border of etched lines has been added around title. For original issue of the plate before these changes, see no. 11112 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"Five elderly barristers are grouped round an oblong table on which are writing-materials; all wear large tie-wigs. The client sits 'chapeau-bras', hands on knees, in an arm-chair (left), listening with gaping mouth and stupidly eager expression. He appears to be a boorish country gentleman in London dress. The counsel beside him reads from a large document: 'Know all men by these presents'. Another also reads. Two others watch and listen with cynical intentness. The fifth (right), an aged man wearing gauntlet gloves, sits with closed eyes in an arm-chair facing the client. On the wall are pinned legal notices: 'Court of Kings Bench Dn Common Pleas ... [&c.]'. Heavy folios lie open on the floor."--British Museum online catalogue.
Description:
Imprint continues: ... where may be had all Rowlandson's works., Reissue of a plate published by W. Hunter on 21 December 1785. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 173., and Title etched below image.
Publisher:
S. W. Fores, N. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"Troops, crowded in carts, &c, approach Portsmouth, where distant ships are at anchor. In the foreground are country carts drawn by soldiers at a gallop. Other soldiers are in and on a coach, the 'Portsmouth Fly'; a drum and fife are being played on the roof; large flags float from the windows. This is followed by officers in a perch phaeton. Young women take leave of soldiers. A drummer gallops on a donkey with a young bandsman in each pannier. In the middle distance, besides other vehicles, are two of the new four-horsed conveyances for soldiers, who sit as in an Irish jaunting-car, see BMSat 9238. In the foreground (right) is the corner of a small thatched ale-house, 'The Jolly Soldier'. An old soldier with a wooden leg sits fiddling at the door, while the host and his family wave farewell."--British Museum online catalogue.
Alternative Title:
Instance of unexampled speed used by a body of guards
Description:
Title etched below image. and Two lines of text below title: ... consisting of 1920 rank & file, besides officers, who on the 10th of June, 1798, left London ...
Printmaker from the British Museum catalogue., Temporary local subject terms: Trades: booksellers -- Authors -- Spectacles., and Title etched below image.
Publisher:
Willm. Holland, N. 50, Oxford Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., and Rowlandson, Thomas, 1756-1827, artist.
"Lunardi, slim and handsome, walks diagonally towards the spectator from the right, supported on a staff, his left hand held out as if begging. On his back is his collapsed balloon, a large bundle from which project a net and two oars or propellers. His dress is fashionable but ragged. In the background are trees and a church."--British Museum online catalogue, description of earlier state of similar composition.
Alternative Title:
Itinerant aeronaut
Description:
Eight lines of verse below title: Behold an hero comely tall and fair! His only food phlogisticated air! ..., Later state, with plate shortened on bottom edge resulting in loss of imprint. Cf. No. 6858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Printmaker and date from earlier state in British Museum catalogue., and Title from caption below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Lunardi, Vincent,--1759-1806--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title and series number etched below image.
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue.
Description:
Companion print to: A penny barber. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 257., Companion print to: A penny barber., Date of publication inferred from imprint on earlier state: Pubd. as the Act directs June 20, 1789, by Mrs. Lay, on the Steine, Bright-helmstone. Cf. No. 7604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Plate numbered "63" in upper right corner., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Barbershops--England., Shaving equipment., Signs (Notices), and Wigs.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-41
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"A brothel scene. The fat bawd (left) leans back in an arm-chair in a drunken sleep; the contents of a glass in her right hand pour over a dog; a bottle on the ground at her feet spills its contents. There are three couples of revellers, the three women all pretty; one puts her arms round the neck of a man who waves his hat in one hand while with the other he pours the contents of a punch-bowl on to the sleeping woman's head. Another sits on the knee of a very young military officer while she snatches off the wig of the third man (right), old and ugly, who is dallying with the third young woman. The room is lit by a candle-sconce on the wall (left)."--British Museum online catalogue, description of a later state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 145., CtY-BR, Printmaker from signature on later state: Engrav'd by W.P. Carey., Probably an early (proof?) state before printmaker's signature added., Publication information based on later state with the imprint "London, Publishd. June 24, 1784, by I.R. Smith, No. 83 Oxford Street." Cf. No. 6719 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed within plate mark with possible loss of imprint statement., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Riviere & Son Binding., Rowlandson, Thomas, 1756-1827, artist., and Smith, John Raphael, 1752-1812, publisher.
"The instrumentalists are closely grouped round the armchair of the father of the family, a stout man in old-fashioned dress, who sits full face singing loudly, an open music book on his knees, his feet supported on the bar of his chair. His very fat wife sits beside him (right) blowing a trumpet to the grotesque inflation of cheek and neck. The eldest daughter (left) plays the double-bass; behind her stands a girl beating a tambourine. The younger children flank the design: a fat little girl (left) plays the triangle, looking up at her sister's tambourine. On the right a little boy sits at his mother's feet beating a large kettle-drum and shouting; he sits on two large volumes: 'Doctor Burneys Musical Travels [i.e., The Present State of Music in France and Italy ... 1771', and 'The Present State of Music in Germany . . . [etc.]', 2 v. 1773]. Mother and daughters are fashionably dressed; the daughters are comely. A howling dog seated on the extreme left adds to the impression of violent noise."--British Museum online catalogue.
Description:
Caption in design: Musick has charms to sooth the savage breast, to soften rocks, and bend the knotted oak. and Title etched below image.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a copy of a Rowlandson watercolor. See nos. 11111-7 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Publisher:
Reeve & Jones, No. 7 Vere Strt.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Reeve and Jones, publisher., and Rowlandson, Thomas, 1756-1827, artist.
"A Thames pair-oar wherry, with two passengers, a man and woman, is about to collide with a sturdier boat in which are three men and a stout trollop, whose shouts and gesture shock the passengers in the wherry. The river is wide, with trees on the opposite shore and a sailing-barge in the middle distance."--British Museum online catalogue, description of variant state.
Alternative Title:
Freshwater salute
Description:
Date from Grego., For variant state with artist's signature, see no. 9464 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Rowlandson attribution from artist's signature on variant state: Rowlandson delt., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"A fat lady, much décolletée, whose hair is blazing, in her frantic gestures has overturned a chair; tea- and coffee-things lie on the ground. Screaming servants rush in from the right, headed by two footmen; one holds up a table-cloth to fling over her head, but is hampered by his companion, a negro, who flings the liquid contents of a (?) large flowerpot in her face, but stands on the cloth. A fat cook follows; a pretty young woman kneels on the ground throwing up her arms, a dog howls. Four older servants look through the doorway. Two candles, the cause of the disaster, blaze on the chimneypiece where a clock shows that it is 2.25."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Miss Fubby Fatarmin's wig caught fire
Description:
"Price one shilling coloured."--Lower right corner of design., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 255., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12147 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "212" in upper right corner., Reissue, with beginning of imprint statement burnished from plate., Text following title: Vide Bath guide., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1846, publisher.
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Geographic):
France--Foreign opinion, British.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Fuchs, Eduard,--1870-1940--Ownership., Fuchs, Eduard,--1870-1940--Stamp., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Cats., Children., Couples. , Dance., Dogs., and Interiors.
