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2.
Encampment on Snake Ridge point where we struck Fremont & Nicholets route

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
Mounted on modern board with three other watercolors, #45: 14-16.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > Encampment on Snake Ridge point where we struck Fremont & Nicholets route

3.
Lake Otujusapah (Black Oak). Coteau du prairie with view of James River in the distance

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
Mounted on modern board with three other watercolors, #45: 14, 16, 19.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > Lake Otujusapah (Black Oak). Coteau du prairie with view of James River in the distance

4.
Sully's Bridge at James River or The bridge that bore us safely over

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
Mounted on modern board with three other watercolors, #45: 14-15, 19.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > Sully's Bridge at James River or The bridge that bore us safely over

6.
Company cook fire

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
On mount with two other illustrations: #46: 1, 3.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > Company cook fire

7.
View of Fort Ripley

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
On mount with two other illustrations: #46: 2-3.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > View of Fort Ripley

10.
Medicine Knoll. From the N.E. with train in advance of the troops

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
On mount with two other watercolors: #44: 7, 22.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > Medicine Knoll. From the N.E. with train in advance of the troops

13.
Fort Ridgely

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
On mount with three other watercolors: #46: 4-5, 9.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > Fort Ridgely

14.
Junction of the Minnesota with the Mississippi at Fort Snelling, view from the hotel

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
On mount with three other watercolors: #46: 5-6, 9.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > Junction of the Minnesota with the Mississippi at Fort Snelling, view from the hotel

15.
View of Travers de Sioux. Taken from opposite side of river (from recollection)

Creator:
Sully, Alfred, 1821-1879
Published / Created:
[ca. 1856]
Call Number:
WA MSS 372
Collection Title:
Over the prairie / by Brevet Major G. W. Patten, U.S. Army
Image Count:
1
Description:
On mount with three other watercolors: #46: 4, 6, 9.
Subject (Geographic):
Badlands (S.D. and Neb.)
Subject (Name):
United States. Army
Found in:
Beinecke Rare Book and Manuscript Library > View of Travers de Sioux. Taken from opposite side of river (from recollection)

18.
Photographs of soldiers and Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians in Indian

Creator:
Soule, William S., 1836-1908
Published / Created:
ca. 1867-1874.
Call Number:
WA Photos 27
Container / Volume:
Box 1
Image Count:
19
Abstract:
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Found in:
Beinecke Rare Book and Manuscript Library > Photographs of soldiers and Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians in Indian Territory

19.
Photographs of soldiers and Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians in Indian

Creator:
Soule, William S., 1836-1908
Published / Created:
ca. 1867-1874.
Call Number:
WA Photos 27
Container / Volume:
Box 2
Image Count:
17
Abstract:
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Found in:
Beinecke Rare Book and Manuscript Library > Photographs of soldiers and Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians in Indian Territory

20.
Photographs of soldiers and Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians in Indian

Creator:
Soule, William S., 1836-1908
Published / Created:
ca. 1867-1874.
Call Number:
WA Photos 27
Container / Volume:
Box 4
Image Count:
14
Abstract:
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Found in:
Beinecke Rare Book and Manuscript Library > Photographs of soldiers and Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians in Indian Territory

21.
Photographs of soldiers and Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians in Indian

Creator:
Soule, William S., 1836-1908
Published / Created:
ca. 1867-1874.
Call Number:
WA Photos 27
Container / Volume:
Box 3
Image Count:
14
Abstract:
Photographic prints that document landscapes, structures, American Indians, and United States soldiers in the vicinity of Fort Dodge, Kansas, and Fort Sill and Camp Supply, Indian Territory, 1867-1874. American Indian tribes depicted in the images include the Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians, Images of Fort Dodge include views of the Arkansas River, and group portraits of soldiers posed in front of the hospital and another building. An image depicts an army officer with a large group of captured Cheyenne Indian prisoners comprised primarily of women and children, An image in the vicinity of Fort Dodge shows the corpse of Ralph Morrison, a hunter apparently killed and scalped by Cheyenne Indians, with Lieutenant Philip Reade of the 3rd Infantry, and John O. Austin, chief of the scouts, attending to his body, December 7, 1868, Images of the landscape in the vicinity of Medicine Creek and the summit of Mount Sheridan near Fort Sill include African American soldiers on foot and horseback, probably members of the 9th and 10th regiments of the United States Cavalry, also known as Buffalo Soldiers, Images of Native American encampments include Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indian camps in the vicinity of Fort Sill. Encampments of identified groups and individuals include the camp of Iron Mountain (Boo-E-Yah-Toyah, Pooh-yah-to-yeh-be) of the Yamparika band (Root Eaters) of the Comanche Indians, and the camp of He Bear (Paro-o-coom) of the Kwahada band (Antelope) of the Comanche Indians. Other encampments include the camp of Spotted Wolf (Ah-cra-ka-tau-nah), an Arapaho Indian leader; the camp of Kicking Bird (Striking Eagle, Ton-ne-on-co, T'ene-angopte), a Kiowa Indian leader, and an image of his individual tipi; the tipi of Silver Brooch (Tosawi, Tosh-a-wah, To-u-wa, Toshaway), a principal chief of the Penateka band (Honey Eaters) of the Comanche Indians, and an encampment of Cheyenne Indians that include an interpreter, Horace P. Jones, Views of Fort Sill include the store of John S. Evans and Company with a group of horses and men, including American Indians, African Americans, and whites; a group of American Indians and whites posed standing and sitting in front of a large log building, with wooden bars over the windows; and a large group of American Indians receiving rations at Camp Supply, Indian Territory, including horses with travois, and white men and women, An exterior portrait of Powder Face, an Arapaho Indian chief, depicts him wearing full war regalia and another exterior portrait shows him with a woman and child, presumably his family, Studio portraits of identified Arapaho Indians include the principal chief Little Raven (Hosa, Young Crow), and an image of his son, Ba-ha-ba. Portraits of other Arapaho leaders include Milky Way (Asa Havi, Esa-habet, Asa-havey), Yellow Bear, and Crooked Left Arm (Shib-o-nes-ta, Shib-o-nester). A portrait of two Arapaho Indian girls depicts Ba-e-tha (Zah-e-cha) and Hack-e-a (Har-ke-i)., Studio portraits of identified Comanche Indians include A-to-ba and Ho-wear (Ho-we-a) of the Yamparika band; and Silver Brooch of the Penateka band; and Horse Back (Champion Rider, Tuh-huh-yet, Nau-qua-hip, Ter-Yer-Quoip) of the Nokoni (Wanderers) band, Studio portraits of identified Comanche Indian women include Chi-wek-kiethe and her sister, Looking-For-Something-Good (Cha-wa-ke), both daughters of Asahaby; and three women identified as Wap-pah, Marn-me (Morn-me), and Qna-moth-kee, who holds an infant, Studio portraits of identified Kiowa Apache Indians include leaders Satank (Set-ankeah, Set-angia, Set-angya, Sitting Bear); Pacer (Tar-say, Peso Essa-queta); Stumbling Bear (Sit-tim-gear); Son of the Sun (Pai-talyi), and Sitting in Saddle (Tau-ankia, Tibone, To-an-key). A portrait of a Kiowa Apache boy is identified as Lone Bear (Tar-Low, Tar-lom). A portrait of a Kiowa Apache Indian couple is identified as Hun-top, the son of Emoke, and A-quin, the daughter of Satank. A group portrait depicts five Kiowa Apache Indian men identified as Poor Buffalo (Haw-taudle), Short Greasy Hair (Odl-Kaun't-say-hah), Buffalo Chap (Hair Portion of Leg, Kaw-tom-te), Never Got Shot (Haun-goon-pau), and Feather Head (A'tah-ladte), Studio portraits of identified Cheyenne Indian women consist of a single portrait of Mon-no-na, and a portrait of two women, Sa-huk and Hat-Pay, and Unidentified American Indian individuals in studio portraits include Arapaho Indian men, Kiowa Indian women, and Comanche Indian women and children
Description:
William Stinson Soule created photographs of American Indians around Fort Dodge, Kansas, in 1867, and at Camp Supply or Fort Sill, Indian Territory, between 1868 and 1874. His brother, John P. Soule, a stereograph photographer and print seller distributed many of these photographs through his company in Boston, Massachusetts., Container list., Portions available on copy prints for use in repository only., and Manuscript captions on mounts.
Publisher:
William Soule
Subject (Geographic):
Fort Sill (Okla.), Fort Dodge (Kan.), Camp Supply (Okla.), Medicine Creek (Okla.), and Oklahoma
Subject (Name):
A-quin., A-to-ba., Austin, John Osborne, 1849-1918., Ba-etha., Ba-ha-ba., Buffalo Chap., Chi-wek-kiethe., Feather Head., Hack-e-a., Hat-pay., He Bear., Ho-wear., Hun-top., Iron Mountain., Jones, Horace Pope, 1829-1902., Kicking Bird, Kiowa Chief, d. 1875., Little Raven., Lone Bear., Looking for Something Good, Comanche Indian., Marn-me., Mon-no-na., Morrison, Ralph., Never Got Shot., Pacer., Poor Buffalo., Powder Face., Qna-moth-kee., Reade, Philip Hildreth, 1844-, Sa-huk., Satank, Kiowa Chief, ca. 1815-1878., Short Greasy Hair., Silver Brooch., Sitting in Saddle., Son of the Sun., Soule, William S., 1836-1908., Spotted Wolf., Wap-pah., Yellow Bear., John S. Evans and Company., United States. Army, United States. Army. Cavalry, 10th., and United States. Army. Cavalry, 9th.
Subject (Topic):
African American troops, Indians of North America, Apache Indians, Arapaho Indians, Cheyenne Indians, Comanche Indians, Kiowa Indians, Soldiers, and African American soldiers
Found in:
Beinecke Rare Book and Manuscript Library > Photographs of soldiers and Apache, Arapaho, Cheyenne, Comanche, and Kiowa Indians in Indian Territory

22.
The attackers

Creator:
Schreyvogel, Charles, 1861-1912, artist
Published / Created:
[1900?]
Call Number:
WA Prints +218
Image Count:
1
Resource Type:
still image
Abstract:
Reproduction of oil painting by Charles Schreyvogel, The attackers. Depicts a scene of four Native Americans on horseback, one with a rifle held over his head, riding away from an attack
Description:
BEIN WA Prints +218: Blind stamped in lower left corner: Copyright 1900 by Theo. Seiz, N.Y. Hand written in lower left corner: Colored by W.W. Hall., Title based on title of original painting., and In lower left corner of print, signed: Chas Schreyvogel.
Publisher:
Theodore Seiz?
Subject (Geographic):
West (U.S.)
Subject (Name):
United States. Army
Subject (Topic):
Indians of North America and War
Found in:
Beinecke Rare Book and Manuscript Library > The attackers

23.
How kola

Creator:
Schreyvogel, Charles, 1861-1912, artist
Published / Created:
[1906?]
Call Number:
WA Prints +212
Image Count:
1
Resource Type:
still image
Abstract:
Reproduction of Charles Schreyvogel's oil painting "How kola." Depicts a scene of battle between Native Americans and U.S. Army troops. Troupers riding directly at viewer with a fallen Native American and horse about to be trampled by trouper on horseback in the foreground
Description:
Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and In hand at bottom left corner of print: Copyright 1901 by Chas Schreyvogel.
Publisher:
Moffat, Yard and Company?
Subject (Geographic):
West (U.S.)
Subject (Name):
United States. Army
Subject (Topic):
Indians of North America and War
Found in:
Beinecke Rare Book and Manuscript Library > How kola

24.
On the skirmish line

Creator:
Schreyvogel, Charles, 1861-1912, artist
Published / Created:
[1906?]
Call Number:
WA Prints +211
Image Count:
1
Resource Type:
still image
Abstract:
Reproduction of Charles Schreyvogel's oil painting "On the skirmish line." Depicts a scene of battle between about a dozen Native Americans on horseback and a dozen U.S. Army troops on foot
Description:
BEIN WA Prints +211:, Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and Written in lower right corner of image: Copyright c. 1900. Hand printed in lower right corner of image: From painting owned by C. M. Butte Hoboken.
Publisher:
Moffat, Yard and Company?
Subject (Geographic):
West (U.S.)
Subject (Name):
United States. Army
Subject (Topic):
Indians of North America and War
Found in:
Beinecke Rare Book and Manuscript Library > On the skirmish line

25.
My bunkie

Creator:
Schreyvogel, Charles, 1861-1912, artist
Published / Created:
[1906?]
Call Number:
WA Prints +215
Image Count:
1
Resource Type:
still image
Abstract:
Reproduction of Charles Schreyvogel's oil painting "My bunkie." Depicts a scene of battle between Native Americans and U.S. Army troops. Three soldiers on horseback in foreground with one soldier being pulled up from the ground by another
Description:
Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and Text in lower left: copyrighted 99.
Publisher:
Moffat, Yard and Company
Subject (Geographic):
West (U.S.)
Subject (Name):
United States. Army
Subject (Topic):
Indians of North America and War
Found in:
Beinecke Rare Book and Manuscript Library > My bunkie

26.
Fight to the finish

Creator:
Schreyvogel, Charles, 1861-1912, artist
Published / Created:
[1912?]
Call Number:
WA Prints +216
Image Count:
1
Resource Type:
still image
Abstract:
Reproduction of Charles Schreyvogel's oil painting "Fight to the finish." Depicts a scene of Native Americans on horseback. Two in close combat foregrounded. Others in background
Description:
BEIN WA Prints +216: Blind stamped in lower left corner: Copyright 1912 by Chs. Schreyvogel., Title from the oil painting on which the print is based., and In lower right corner of print, signed: Chas Schreyvogel copyright 1912.
Publisher:
Moffat, Yard and Company?
Subject (Geographic):
West (U.S.)
Subject (Name):
United States. Army
Subject (Topic):
Indians of North America and War
Found in:
Beinecke Rare Book and Manuscript Library > Fight to the finish

27.
In the canyon

Creator:
Schreyvogel, Charles, 1861-1912, artist
Published / Created:
[1912?]
Call Number:
WA Prints +217
Image Count:
1
Resource Type:
still image
Abstract:
Reproduction of a Charles Schreyvogel oil painting. Depicts a two troopers in a narrow canyon; one on horseback, the other unmounted; pistols drawn, looking back at approaching riders
Description:
BEIN WA Prints +217: Blind stamped in lower left corner: Copyright 1912 by Chs. Schreyvogel., Title devised by cataloger., and In lower right corner of print: Chas Schreyvogel copyright 1912.
Publisher:
Moffat, Yard and Company?
Subject (Geographic):
West (U.S.)
Subject (Name):
United States. Army
Subject (Topic):
Indians of North America and War
Found in:
Beinecke Rare Book and Manuscript Library > In the canyon

28.
[Photograph album].

Creator:
Robertson, Harold L. (Harold Lloyd), 1918-2012, compiler
Published / Created:
[circa 1920s-1960s]
Call Number:
JWJ MSS 351
Image Count:
168
Resource Type:
still image
Abstract:
Photograph album compiled by Harold L. Robertson, containing over 1000 photographs, circa 1920s-1960s, most undated, many with manuscript annotations on versos. Most photographs are black and white, with a few color images, 1940s-1960s. Photographs are of Robertson; his family, friends, and military colleagues; and images made by Robertson and others documenting his experiences in the United States Army. Family photographs include portraits and informal images relating to his childhood in New York City, 1920s-1930s; Vicki Robertson and their children, many made in Harlem, New York City, 1930s-1960s; and Helena Jaroslawzewa Robertson, their wedding, and her family, in Germany, 1950s. Photographs from Robertson's military career include images of military operations and informal images of soldiers, most in the 10th Cavalry Regiment at Fort Riley Kansas, 1930s, including cavalry drill, and the 547th Engineer Combat Battalion in Darmstadt, Germany, 1950s, including bridge building and other military construction. Other photographs date from military service in Italy and Germany during World War II and postwar administrative work in Washington, D. C. Also present are photographs and documents relating to a German shepherd dog trained by Robertson in Germany, 1950s
Description:
Harold L. Robertson (1918-2012), was born in New York City and served in the United States Army, 1930s-1950s. In the 1930s Robertston enlisted in the 10th Cavalry Regiment, a segregated unit of African Americans known as Buffalo Soldiers, and he was later reassigned to the 547th Engineer Combat Battalion, which was desegregated in 1953. During the 1940s-1950s, Robertson was stationed in Germany, where he trained as a noncommissioned officer and was promoted to Master Sargeant. Robertson married Vicki Robertson, circa 1930; she lived in New York City with their children, Harold L. Robertson, Jr. (1942-), Terry Roberson (circa 1945-), and Ronald Robertson (1947-). Robertson married Helena Jaroslawzewa Robertson, a German, in 1960. They lived in Germany and later in Teaneck, New Jersey, where Robertson died in 2012., Annotations in English., Title devised by cataloger., Date of creation supplied by cataloger., Original album disbound for conservation, and album cover discarded. Accompanied by printed images of album pages, showing original arrangement of photographs., and Box 1: printed images of album pages, showing original arrangement of photographs; photographs from pages [3-55]; Box 2: photographs from pages [56-99]; Box 3: photographs from pages [100-145]; Box 4: photographs from pages [146-161].
Subject (Geographic):
Germany., Germany, United States, United States., Italy, Darmstadt (Germany), Harlem (New York, N.Y.), Kansas, New York (N.Y.), and Washington (D.C.)
Subject (Name):
Robertson, Harold L. 1918-2012. (Harold Lloyd),, Robertson, Harold L. 1918-2012 (Harold Lloyd),, Robertson, Harold L. 1942- (Harold Lloyd),, Robertson, Helena Jaroslawzewa, Robertson, Ronald, 1947-, Robertson, Terry, approximately 1945-, Robertson, Vicki, active approximately 1930-1950, United States. Army, United States. Army. Cavalry Regiment, 10th (1866-1950), and United States. Army. Engineer Combat Battalion, 547th
Subject (Topic):
African American officers, African American troops, African American soldiers, Military construction operations, Photographers, African American photographers, African Americans, Segregation, Armed Forces, Non-commissioned officers, German shepherd dog, Training, Interracial marrige, Military bases, Military bridges, Design and construction, Photography, Military, World War, 1939-1945, and History
Found in:
Beinecke Rare Book and Manuscript Library > [Photograph album].

29.
Always fasten safety belt [graphic].

Published / Created:
[approximately 1941-1945].
Call Number:
Poster0661
Image Count:
1
Resource Type:
still image
Description:
Title and publisher from item., Dates supplied by curator., In lower margin: D--L--2., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Directorate of Air Traffic and Safety, and Directorate of Safety Education
Subject (Name):
United States. Army
Subject (Topic):
Aviation, Safety measures, Aeronautics, World War, 1939-1945, and Seat belts
Found in:
Medical Historical Library, Cushing/Whitney Medical Library > Always fasten safety belt [graphic].