Manuscript on paper containing 1) Lapis philosophorum, seu tinctura phisica, in Latin, followed by an English version. 2) Alchemy, in English and Latin. 3) Astrology, including events predicted for the year 1655. 4) Walter Charleton, Notes extracted from his book. 5) Alchemy, medical recipes, and aphorisms. 6) George Rives, goldsmith, Account of the making of gold from lead at Bath by a certain Mervin in 1651. 7) Dr. Start, Notes taken from his experiments, and other matter. 8) Letter of a divine philosopher
Description:
In Latin and English., Script: Written by a single English hand writing a good cursive sloping slightly to the right., Watermarks: Paper watermarked with a flag with two pennants on a pole, no initials visible, similar but not identical to Heawood 1371-1372., and Binding: Original or possibly slightly later binding of brown calf rebacked, covers with double gold rule at edges, back divided into four compartments by five bands, old (but not original) red morocco label with double border of gold dots and gold rule in second compartment from top, stamped in gold, "ALCHEMY MSS." All edges gilt.
Subject (Topic):
Alchemy, Transmutation (Chemistry), Formulas, recipes, etc, and Astrology
Johannes, de Rupescissa, ca. 1300-ca. 1365 Llull, Ramon, 1232?-1316
Published / Created:
1528
Call Number:
Mellon MS 30
Image Count:
327
Resource Type:
Archives or Manuscripts
Abstract:
Alchemical miscellany, compiled in 1528, perhaps by Niclaus of Sweden, who appears to have signed the last procedure in the volume on f. cclxxxxviiij verso
Description:
Binding: Original blind-stamped brown calf over beveled wooden boards, the sides paneled in vertical patterns of roll tools, two brass catches on upper cover, remains of brass attachments for clasps on the lower; the original backstrip with three raised bands laid down; plain edges; restored by Carolyn Horton, New York, and with a leather title label on the backstrip supplied by her., ff. 322v-346r blank and not scanned. Signatures 2R, 2S, 2T, 2V noted at 329r, 335r, 339r, and 341r, respectively., ff. 348, of which ff. 1-18 are unnumbered, ff. 19- 317 are correctly numbered i-cclxxxxviiij by the scribe, the remaining ff. 318-348 originally blank and unnumbered now partly with later additions, ff. 18 and 322-346 blank, the last leaf serving as the end pastedown., On paper., Script: Very neat and clear gothic cursives, captions by the same hand, written in two parts, the second beginning at f. 201r., Some red sentence-strokes and underlining; red captions and chapter headings with minimal elaboration, carefully laid out on the page, also pen line-fillers at end of each section, as needed for text spacing. A penned brown and red crown as folk symbol at left margin of f. 135r. Infrequent sketches of alchemical vessels in brown or red at side margins, some very slightly trimmed., and Watermarks: 1) a long-stemmed cross above a bull's head; 2) a six-lobed arc above and each lobe surmounted by a three-lobed cross; 3) a crown. All with vertical chain marks, trimmed, not identified.
Subject (Name):
Duveen, Denis I., bookplate, Johannes, de Rupescissa, ca. 1300-ca. 1365. Liber de consideratione quintae essentiae omnium rerum. German, and Llull, Ramon, 1232?-1316
Title from item., Print is a frontispiece to a work by Johann Daniel Mylius published in 1628., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Sumptibus Lucae Jennis I
Subject (Name):
Mylius, Johann Daniel, 1585 or 1586-.
Subject (Topic):
Alchemy, Pharmaceutical chemistry, Rulers, Moon, Sun, Zodiac, Lions, and Allegories
Manuscript on paper of an experimental alchemical compilation, devoted to laboratory procedures
Description:
In German and Latin., Script: Partly written by F.F. Weichenhaan in a clear, sometimes hasty cursive sloping to the right, in Fraktur for the passages in German; the remainder written by Anna Susanna Lieber in a rather loose and pointed Fraktur sloping to the right., Watermarks: Watermarks of the smaller papers at edges and cut, not identified; the paper folded in quarto with a decidely brownish tint and a large, faint watermark in the folds, not identified., Light to very dark brown inks, no color, a few sketches of apparatus in the text. No catchwords, no signatures., Compiled about 1743 by F.F. Weichenhaan, partly from materials written about 1705 by Anna Susanna Lieber., and Binding: Old paper boards with parchment back, a title lettered in brown ink by a modern hand in gothic letters on the backstrip, plain edges.
Fifteen pages of largely diagrammatic drawings, approximately thirty-six in all, depending on how their relationships are interpreted (the text calls for thirty-two), are found from f. 10v to f. 17v, most of them accompanied by labels and the texts of prayers consisting of long series of invented names with exotic sounds written in a minute hand in brown ink, while the designs themselves are throughout in red. The text of the manuscript also includes numerous prayers, some of them consisting of exotic names. and Manuscript on parchment of Apollonius, Ars notoria, sive Flores aurei. A text in which a direct approach to knowledge is sought by means of incantation. The text of the manuscript also includes numerous prayers, some of them consisting of exotic names.
Description:
Binding: Wrapper, probably modern, consisting of a piece of old parchment, perhaps cut from the blank portion of a large document with a fold and some slits, the modern sewing penetrating the back., Capitals in red, blue, or green at paragraph beginnings, mostly plain, but some with slight extensions; a large capital in red and blue with green tracery at beginning. Diagrams and drawings in red ink, mostly accompanied by text in brown, often with the text forming a part of the design, on parts or all of ff. 10v-17v., and Script: Neatly written in Gothica Textualis, mostly very regular and small, sometimes minute, with various additions by similar and later hands.
Subject (Topic):
Alchemy, Incantations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment containing emblematical drawings related to horology and astrology, and astrological tables, each section opening with an elaborate title page
Description:
In Latin, Hebrew, and Greek., Script: Written epigraphically and always with great calligraphic skill in a variety of styles by a single practiced hand, possibly the same which executed the drawings., Each page of the manuscript has a pen-drawn border on the recto side, containing an emblematical drawing, or complex calendrical or horological drawing, executed in pen and heightened with gold and silver., and Binding: Original calf binding, now rather deteriorated, the sides very elaborately gold-tooled in a multiple rectangle pattern, the large innermost rectangle with a series of circles containing floral ornaments, similar half-circles at the edges, the back in compartments with floral decoration; marbled endpapers, plain edges.
In English., Script: Written in a careful cursive hand sloping slightly to the right in a single column 170 x 110 mm without bordering lines or ruling. the text has been partly corrected by another hand and with significant marginalia throughout by this hand in inks of different hues., Watermarks: Paper watermarked with a crowned coat of arms, probably a Dutch paper not certainly identified., Binding: English binding of diced brown Russia leather, a border of gilt dots around the edges of the covers, inside and out, the backstrip in compartments similarly treated, original title label on second compartment from top gold-lettered: "Anonimo Manuscritto di un Vero Adepto." Plain edges. Hinges and corners repaired., Tome 1: 1 smaller leaf 220 x 140 mm inserted after first leaf of index., and Tome 2: 1 smaller leaf 190 x 112 mm inserted after page 157.