"George IV sits on a small stone among tall bulrushes at the water's edge in profile to the left, fishing, his rod being a sceptre. Leaning forward, he looks anxiously at his tautening line. On his head is poised a small but massive crown, a creel hangs at his back; he wears quasi-military dress, white gauntlet gloves, and breeches with jack-boots (cf. British Museum Satires No. 14220). In the foreground, looking up at him, is a kingfisher. In the background, at the water's edge, is a small thatched peasant's cottage behind which is Windsor Castle, on its wooded hill, flying the Royal Standard (cottage and castle being mere symbols). Below the title is a circular garter inscribed Honi. Soit. Qui. Mal. Y. Pense."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Fairburn published a similar print two months later (13 July 1826) entitled "A king-fisher, and a water-wag-tail," which depicts the king fishing alongside Lady Conynham; see Lewis Walpole Library call no.: 826.07.13.01. This later Fairburn print, in turn, was likely a copy of a print of the same scene published by S.W. Fores in June 1826; see no. 15137 in the Catalogue of prints and drawings in the British Museum, v. 10., and Removed from a blue paper mount leaving residue on verso.
Publisher:
Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Windsor Castle,
Leaf 66. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A midshipman, no longer young, in shirtsleeves, sits on a padlocked chest blacking a boot. He looks straight before him with a tragic expression. He wears his regulation top-hat, blue trousers, neatly patched, and waistcoat over a white shirt, and sits on the midshipman's coat which he has taken off. On the ground at his feet are a tray for blacking-brushes, a pot labelled Warrens Blacking 30 Strand, a broken dirk, top-boots, and shoes. Behind are houses on Tower Hill, with the moat. Behind (left) is an alehouse, with a pair of trousers hanging as a sign from a projecting flagstaff. Inset in the title is a group of sextant, telescope, a book: . . . ton More, &c, below the pawnbroker's sign of three balls."--British Museum online catalogue
Alternative Title:
Midshipman on half pay
Description:
Title etched below image., Printmaker from text on earlier state: Engd. & pubd. ... by C. Hunt ..., Restrike, bearing the imprint of the 1827 reissue by Thomas McLean. For original issue of the plate, published 1 June 1825 by Charles Hunt, see no. 14921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 66 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26 Haymarket and Field & Tuer
Subject (Geographic):
Tower Hill (London, England),
Subject (Topic):
Buildings, Sailors, British, Military officers, Boots, Brooms & brushes, Shoe shining, and Shoe polishes
"A midshipman, no longer young, in shirtsleeves, sits on a padlocked chest blacking a boot. He looks straight before him with a tragic expression. He wears his regulation top-hat, blue trousers, neatly patched, and waistcoat over a white shirt, and sits on the midshipman's coat which he has taken off. On the ground at his feet are a tray for blacking-brushes, a pot labelled Warrens Blacking 30 Strand, a broken dirk, top-boots, and shoes. Behind are houses on Tower Hill, with the moat. Behind (left) is an alehouse, with a pair of trousers hanging as a sign from a projecting flagstaff. Inset in the title is a group of sextant, telescope, a book: . . . ton More, &c, below the pawnbroker's sign of three balls."--British Museum online catalogue, description of an earlier state
Alternative Title:
Midshipman on half pay
Description:
Title etched below image., Printmaker from text on earlier state: Engd. & pubd. ... by C. Hunt ..., Reissue, with new imprint statement, of a print published 1 June 1825 by Charles Hunt. Cf. No. 14921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Sheet trimmed within plate mark.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Tower Hill (London, England),
Subject (Topic):
Buildings, Sailors, British, Military officers, Boots, Brooms & brushes, Shoe shining, and Shoe polishes
"Lord Lansdowne sits at a small writing-table, pen in hand, a number of papers before him. Three Jews (left) stand obsequiously on his right, but he turns with his enigmatic smile towards a French post-boy (right), a grotesque dwarfish man with long queue and jack-boots holding his whip and hat, who holds out to him with a cunning smile a paper inscribed: 'My dear Lord Paris 7th Jany 1783 I am happy to hear you have so nearly concluded your Alley Arrangements. The Preliminaries shall be signed coute que coute by the Time you desire, & you may rely on the Courier's arrival on the Eve of the 23d yours truly Billy Paradice [William Eden.]' Under Lansdowne's elbow is a paper inscribed 'Memorandums Pay off the Mortgage on Jesuits Colledge in Berkeley Square - Pay off Solomons any for 500£ pr Annm Inquire what Tayt will take for my Bond for 3000£ given for furniture sold at Christyes'. The foremost Jew holds out to Lansdowne a paper ... On a shelf, inscribed 'Waste Paper', in the upper right corner of the design, are three large bundles of papers: 'Ordnance Estimates', 'State of the National Debt', and 'Civil List'; two piles of documents hang from the shelf. On the wall above Lansdowne's head are two bust portraits: 'John Calvin', wearing a steeple-crowned hat, gown, and bands, and 'Ignatius Loyola', a profile portrait of Burke wearing a Jesuit's biretta as in British Museum Satires No. 6026, &c. 12."--British Museum online catalogue
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Sheet trimmed to within thread margins of plate mark., and Temporary local subject terms: Treaties -- Commerical Treaty with France -- National debt -- Civil list -- Military Ordinance -- Allusion to J. Bond -- Allusion to St. Ignatious Loyola -- Allusion to John Calvin -- French post-boy -- Jesuits -- Allusion to William Eden, 1st Baron Auckland, 1744-1814.
Publisher:
Pubd. March 12th, 1787, by R. Phillips, Southwke., London
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Burke, Edmund, 1729-1797
Subject (Topic):
Jews, Ethnic stereotypes, Tables, Writing materials, Boots, and Whips
"Bergami and the Princess of Wales dance vigorously, hand in hand, her right hand in his left; he flourishes his peaked and tasselled courier's cap and heavy whip. He wears smart postilion's dress with jack-boots, as in No. 14176. The Princess is very décolletée, with quasi-Turkish trousers, patterned with roses. Behind, her coach and four stands in a country road, a man and woman attendant stand by it, watching in astonishment. There is a background of low mountains. Below the title: 'How I'd love you all the day, Every Night we'd Kiss and Play, If with me you'd fondly stray, Over the Hills and far away.'"--British Museum online catalogue
Alternative Title:
Love at first sight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Digit "7" in publisher's street address "27" etched backwards in imprint., Sheet trimmed within plate mark., and Mounted on page 6 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"Bergami and the Princess of Wales dance vigorously, hand in hand, her right hand in his left; he flourishes his peaked and tasselled courier's cap and heavy whip. He wears smart postilion's dress with jack-boots, as in No. 14176. The Princess is very décolletée, with quasi-Turkish trousers, patterned with roses. Behind, her coach and four stands in a country road, a man and woman attendant stand by it, watching in astonishment. There is a background of low mountains. Below the title: 'How I'd love you all the day, Every Night we'd Kiss and Play, If with me you'd fondly stray, Over the Hills and far away.'"--British Museum online catalogue
Alternative Title:
Love at first sight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Digit "7" in publisher's street address "27" etched backwards in imprint., Sheet trimmed within plate mark., 1 print : etching with stipple ; plate mark 27.3 x 22.3 cm, on sheet 27.5 x 22.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 72 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in ink below image; date "14 May 1821" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Leaf 92. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a stout man in military dress in profile to the right. He appears to be marching, his right leg raised, his body thrown stiffly back. In his left hand he flourishes a sabre. His hair is in a long thin stiffened queue and he wears high boots with spurs."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "20" in upper right corner., Second of three plates on leaf 92., and 1 print : etching on laid paper ; plate mark 17.5 x 12.6 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accorg. to act Decr. 24th, 1772, by MDarly, (39) Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Military uniforms, Hairstyles, Daggers & swords, Boots, and Marching
Leaf 92. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a stout man in military dress in profile to the right. He appears to be marching, his right leg raised, his body thrown stiffly back. In his left hand he flourishes a sabre. His hair is in a long thin stiffened queue and he wears high boots with spurs."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "20" in upper right corner.
Publisher:
Pubd. accorg. to act Decr. 24th, 1772, by MDarly, (39) Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Military uniforms, Hairstyles, Daggers & swords, Boots, and Marching
"George IV as the 'Great Babe' lies asleep in his cradle rocked by Lady Conyngham, while Wellington, seated before a pier-glass, places the crown on his own head. The glass reflects the dark emaciated features of British Museum Satires No. 15520. The Duke wears a uniform with boots and sword. On a table below the glass the sceptre and orb lie on a cushion. Lady Conyngham, with a towering coiffure as in British Museum Satires No. 15508, croons: Oh slumber my darling | The time may soon come | When thy rest may be broken | By Trumpet & Drum [the last three words in large letters]. The infant sucks a thumb; a gouty foot projects from the coverlet. On the floor is a line of toys: a sailing boat on wheels, a model of Buckingham Palace reconstructed by Nash as in British Museum Satires No. 15668, a giraffe (see British Museum Satires No. 15425), a Life Guard on a toy horse, a Foot-Guard, a dismantled or unfinished ship resting on a prostrate toy soldier. A napkin on a towel-horse (right) indicates a nursery."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: the character Paul Pry, a man with an umbrella., Date of publication from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Nurseries (Rooms & spaces), Cradles, Toys, Military uniforms, British, Daggers & swords, Boots, and Scepters
"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st Jany. 1778.
Call Number:
Bunbury 778.01.01.03++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue
Description:
Title from text below image., Probably an earlier state of a print in the British Museum with the imprint "Publish'd 11th March 1778." Cf. no. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark, mostly trimmed.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publ'd. May 1st, 1801, by R. Ackermann, N. 101 Strand
"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 45 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 37.9 x 29.1 cm., Printed on wove paper with watermark "J. Whatman"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 64 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Wood," "Brougham," and "Denman" identified in ink at bottom of sheet; date "16 Ap. 1821" written in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
Volume 2, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 57. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Design in a circle. Three men sit by a rectangular supper-table, a grandfather-clock behind them points to XI. The man on the left is having his jack-boots pulled off by a small boy; the boy stands astride his right leg pulling hard, his back to the man, who is scowling and pushes his other booted foot against the boy's back; on the floor are a pair of spurs, a pair of slippers, and a boot-jack. A man (right) wearing a night-cap, but otherwise completely dressed and wearing spurred boots, leans one elbow on the table, his face contorted as if in pain, he holds his hand to his thigh. On the table beside him is a small packet inscribed "Diaculum". In the centre, and on the farther side of the table, the third man leans both elbows on the table, his hair is tousled and his eyes are shut. A man-servant behind, yawning, is carrying off a square box, probably a wig-box, while a maidservant stands on the right, a candle in one hand, a warming-pan in the other, watching with amusement the efforts of the boy to pull off the boot. Three hats hang on the wall; a bottle, a plate, three wine-glasses, and a guttering candle, burnt down to the socket, stand on the table."--British Museum online catalogue
Alternative Title:
Man of feeling
Description:
Title engraved below image., Sheet trimmed to plate mark., Companion print to: Morning, or, The man of taste., Temporary local subject terms: Domestic service: Maid -- Man-servant -- Male hats, 1780 -- Night-cap -- Medical: Packet of 'diaculum' -- Male costume, 1780 -- Jack-boots -- Boot-jacks -- Boot-boy., and Mounted on page 7 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octbr. the 10th, 1781, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Subject (Topic):
Dining tables, Longcase clocks, Boots, Slippers, Boys, Candles, Servants, Women domestics, Hats, Bottles, and Drinking vessels
Title engraved below image., Reissue, with altered imprint statement, of a print originally published 10 October 1781 by J.R. Smith. Cf. No. 5920 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Companion print to: Morning, or, The man of taste., 1 print : stipple engraving with etching on wove paper, hand-colored ; circular image 28.7 cm, on sheet 34.9 x 29.3 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Apl. 5, 1802, by Jno. Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
Subject (Topic):
Dining tables, Longcase clocks, Boots, Slippers, Boys, Candles, Servants, Women domestics, Hats, Bottles, and Drinking vessels
Three men sit by a supper-table, a grandfather-clock behind them points to XI. The man on the left is having his jack-boots pulled off by a small boy; the boy stands astride his right leg pulling hard, his back to the man, who is scowling and pushes his other booted foot against the boy's back; on the floor are a pair of spurs, a pair of slippers, and a boot-jack. A man (right) wearing a night-cap, but otherwise completely dressed and wearing spurred boots, leans one elbow on the table, his face contorted as if in pain, he holds his hand to his thigh. On the table beside him is a small packet inscribed "Diaculum". In the centre, and on the farther side of the table, the third man leans both elbows on the table, his hair is tousled and his eyes are shut. A servant behind, yawning, is carrying off a square box, probably a wig-box, while a maidservant stands on the right, a candle in one hand, a warming-pan in the other, watching with amusement the efforts of the boy to pull off the boot. Three hats hang on the wall; a bottle, a plate, three wine-glasses, and a guttering candle, burnt down to the socket, stand on the table. See related image in the British Museum catalogue
Alternative Title:
Man of feeling
Description:
Title etched below image., Date of publication based on watermark., A copy of no. 5920 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Watermark: W. Pickering & Co. 1816., and With a biographical note in pencil, from John Heiton's Castes of Edinburgh, about Henry MacKenzie of Scotland, author of Man of feeling.
Publisher:
publisher not identified
Subject (Name):
Mackenzie, Henry, 1745-1831.
Subject (Topic):
Boots, Boys, Candles, Dining tables, Drinking vessels, Hats, Longcase clocks, Medicine, Slippers, Servants, Women domestics, and Yawning
Volume 2, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 57. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Design in a circle. Three men sit by a rectangular supper-table, a grandfather-clock behind them points to XI. The man on the left is having his jack-boots pulled off by a small boy; the boy stands astride his right leg pulling hard, his back to the man, who is scowling and pushes his other booted foot against the boy's back; on the floor are a pair of spurs, a pair of slippers, and a boot-jack. A man (right) wearing a night-cap, but otherwise completely dressed and wearing spurred boots, leans one elbow on the table, his face contorted as if in pain, he holds his hand to his thigh. On the table beside him is a small packet inscribed "Diaculum". In the centre, and on the farther side of the table, the third man leans both elbows on the table, his hair is tousled and his eyes are shut. A man-servant behind, yawning, is carrying off a square box, probably a wig-box, while a maidservant stands on the right, a candle in one hand, a warming-pan in the other, watching with amusement the efforts of the boy to pull off the boot. Three hats hang on the wall; a bottle, a plate, three wine-glasses, and a guttering candle, burnt down to the socket, stand on the table."--British Museum online catalogue
Alternative Title:
Man of feeling
Description:
Title engraved below image., Sheet trimmed to plate mark., Companion print to: Morning, or, The man of taste., Temporary local subject terms: Domestic service: Maid -- Man-servant -- Male hats, 1780 -- Night-cap -- Medical: Packet of 'diaculum' -- Male costume, 1780 -- Jack-boots -- Boot-jacks -- Boot-boy., Mounted on page 57 of: Bunbury album., 1 print : stipple engraving and etching on laid paper ; circular image 29.0 cm, on sheet 35.3 x 30.1 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Octbr. the 10th, 1781, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Subject (Topic):
Dining tables, Longcase clocks, Boots, Slippers, Boys, Candles, Servants, Women domestics, Hats, Bottles, and Drinking vessels
Title engraved below image., Reissue, with altered imprint statement, of a print originally published 10 October 1781 by J.R. Smith. Cf. No. 5920 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Companion print to: Morning, or, The man of taste., and Watermark: J. Ruse 1799.
Publisher:
Publish'd Apl. 5, 1802, by Jno. Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
Subject (Topic):
Dining tables, Longcase clocks, Boots, Slippers, Boys, Candles, Servants, Women domestics, Hats, Bottles, and Drinking vessels
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout man seated by a table (left), one hand resting on a book as if sitting for a portrait. He holds a crutch, one gouty foot is bandaged; his hair is tousled, his face ludicrously contorted buy a frown. Four framed prints of men on horseback or leading horses are on the wall, which is also decorated by a pair of clumsy top-boots hanging from a nail. A saddle leans against the wall."--British Museum catalogue
Description:
Title from text below image., Frontispiece to: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Imperfect; artist's signature has been mostly erased from lower left corner of sheet. Missing text supplied from impression in the British Museum., Temporary local subject terms: Medical equipment -- Medical disease -- Male costume: Top boots -- Furniture: Pictures that amplify subject of print., Mounted on page 66 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving with engraving on laid paper ; sheet 22.6 x 20.0 cm., and Imperfect; sheet trimmed to plate mark, and artist's signature has been mostly erased from sheet.
Publisher:
Publish'd Sepr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
"A stout man seated by a table (left), one hand resting on a book as if sitting for a portrait. He holds a crutch, one gouty foot is bandaged; his hair is tousled, his face ludicrously contorted buy a frown. Four framed prints of men on horseback or leading horses are on the wall, which is also decorated by a pair of clumsy top-boots hanging from a nail. A saddle leans against the wall."--British Museum catalogue, description of an earlier state
Description:
Title from text below image., Later state, with artist's signature and imprint statement burnished from plate. For an earlier state with "H. Bunbury Esqr. delint." in lower left and "London, Publish'd Sepr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street" below title, see no. 7231 in the Catalogue of prints and drawings in the British Museum, v. 6., Frontispiece to: An academy for grown horsemen ... London : J. Stockdale, 1812., and Sheet trimmed within plate mark.
Volume 2, page 66. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A stout man seated by a table (left), one hand resting on a book as if sitting for a portrait. He holds a crutch, one gouty foot is bandaged; his hair is tousled, his face ludicrously contorted buy a frown. Four framed prints of men on horseback or leading horses are on the wall, which is also decorated by a pair of clumsy top-boots hanging from a nail. A saddle leans against the wall."--British Museum catalogue
Description:
Title from text below image., Frontispiece to: An academy for grown horsemen ... / by Geoffrey Gambado [pseud.] ... London : W. Dickinson [etc.], 1787., Imperfect; artist's signature has been mostly erased from lower left corner of sheet. Missing text supplied from impression in the British Museum., Temporary local subject terms: Medical equipment -- Medical disease -- Male costume: Top boots -- Furniture: Pictures that amplify subject of print., and Watermark, trimmed.
Publisher:
Publish'd Sepr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Title from item., Date and artist supplied by curator., Place of publication derived from street address., Legend trimmed., Published in Le Charivari, 28 October 1839., Below image: Chez Bauger R. du Croissant 16; Imp. d'Aubert & Cie., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and State cannot be determined.
Publisher:
Chez Bauger R. du Croissant 16 and Imp. Aubert & Cie
Subject (Topic):
Baths, Bathing, Heat, Men, Bathtubs & showers, Boots, and Slippers
Leaf 82. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of a pair of travellers who struggle with slippers during their stay at an inn. One man is helped as he removes his boots with the aid of a boot jack. Another traveller falls backwards from the stairs as his well-used and oversized slippers fall from his feet. A maid carrying a candle and with a bed pan, waits for the men. A well furnished room marked 'Travellers Room' in the background."--Royal Collection Trust online catalogue
Alternative Title:
Miseries of traveling and At an inn, after pulling off your boots, the option of going barefoot the rest of the evening ...
Description:
Title etched below image., Five lines of descriptive text below title: At an inn, after pulling off your boots, the option of going barefoot the rest of the evening or expatiating in a pair of boundless slippers ..., Restrike. For original issue of the plate, published in 1807, see Royal Collection Trust, RCIN 810672., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 82 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Interiors, Taverns (Inns), Slippers, Boots, Stairways, Falling, Accidents, Women domestics, Candles, and Bedpans
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor heaves a donkey over the railing of a small enclosure, holding its fore-legs across his shoulders, so that the beast looks over his head. Another sailor stoops to support the ass's hindquarters on his own back. A paunchy man wearing top-boots, and with a dog, stands (left) in profile to the right., angrily facing the sailor; he says: "Who gave you authority to release that ass from the Pound". The sailor, who is smoking a pipe, answers: "Why look you master - the thing was this - we saw him aground without Victuals d'ye see and so my messmate and I agreed to Cut his Cable and set him at liberty because we have known before now what it is to be at short allowance"."--British Museum online catalogue
Description:
Title etched below image., Artist from British Museum catalogue., One of multiple reissues of a plate first published in 1803(?) by Piercy Roberts. Original imprint statement, "London, Pubd. by Roberts, Middle Row, Holborn," has been completely shaded over with etched lines in lower left corner of design. Plate was reissued by Thomas Tegg in 1812 and again in 1818 (this state), and was possibly first reissued in 1807. See British Museum catalogue., Plate numbered "105" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed within plate mark on top and bottom edges., Watermark: C.[...] 1819., 1 print : etching on wove paper, hand-colored ; sheet 25 x 35 cm., and Imperfect; sheet trimmed within plate mark with loss of plate number.
Publisher:
Pubd. Janry. 1, 1818, by T. Tegg, 111 Cheapside
Subject (Topic):
Boots, Dogs, Pipes (Smoking), Donkeys, Sailors, British, and Staffs (Sticks)
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sailor heaves a donkey over the railing of a small enclosure, holding its fore-legs across his shoulders, so that the beast looks over his head. Another sailor stoops to support the ass's hindquarters on his own back. A paunchy man wearing top-boots, and with a dog, stands (left) in profile to the right., angrily facing the sailor; he says: "Who gave you authority to release that ass from the Pound". The sailor, who is smoking a pipe, answers: "Why look you master - the thing was this - we saw him aground without Victuals d'ye see and so my messmate and I agreed to Cut his Cable and set him at liberty because we have known before now what it is to be at short allowance"."--British Museum online catalogue
Description:
Title etched below image., Artist from British Museum catalogue., One of multiple reissues of a plate first published in 1803(?) by Piercy Roberts. Original imprint statement, "London, Pubd. by Roberts, Middle Row, Holborn," has been completely shaded over with etched lines in lower left corner of design. Plate was reissued by Thomas Tegg in 1812 and again in 1818 (this state), and was possibly first reissued in 1807. See British Museum catalogue., Plate numbered "105" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Sheet trimmed within plate mark on top and bottom edges., Watermark: 1817., and Leaf 46 in volume 2.
Publisher:
Pubd. Janry. 1, 1818, by T. Tegg, 111 Cheapside
Subject (Topic):
Boots, Dogs, Pipes (Smoking), Donkeys, Sailors, British, and Staffs (Sticks)
Title etched below image., Place and date of publication extrapolated from that of book; see British Museum catalogue., One of 14 plates from: Something concerning nobody / edited by Somebody. London : R. Scholey, 1814., Sheet trimmed within plate mark., and Numbered "11".
Leaf 88. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man walking in profile to the right. Under his right arm is a tasselled cane. His left hand rests on the end of the scabbard of his sword. His hair is in a macaroni club. His hat is low with a curved brim. He wears a ruffled shirt and cravat, striped breeches, and spurred riding-boots."--British Museum online catalogue
Description:
Title etched below image., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "v. 5" in upper left corner and "8" in upper right corner.
Publisher:
Publish'd according to act, Octr. 22, 1772, by M. Darly, 39 Strand
Leaf 88. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man walking in profile to the right. Under his right arm is a tasselled cane. His left hand rests on the end of the scabbard of his sword. His hair is in a macaroni club. His hat is low with a curved brim. He wears a ruffled shirt and cravat, striped breeches, and spurred riding-boots."--British Museum online catalogue
Description:
Title etched below image., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "v. 5" in upper left corner and "8" in upper right corner., Second of three plates on leaf 88., and 1 print : etching on laid paper ; plate mark 17.5 x 12.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd according to act, Octr. 22, 1772, by M. Darly, 39 Strand
Leaf 88. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man walking in profile to the right. Under his right arm is a tasselled cane. His left hand rests on the end of the scabbard of his sword. His hair is in a macaroni club. His hat is low with a curved brim. He wears a ruffled shirt and cravat, striped breeches, and spurred riding-boots."--British Museum online catalogue
Description:
Title etched below image., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "v. 5" in upper left corner and "8" in upper right corner., Watermark: countermark I V., Sheet trimmed to plate mark on sides., and 1 print : etching on laid paper ; plate mark 173 x 127 mm, on sheet 190 x 127 mm.
Publisher:
Publish'd according to act, Octr. 22, 1772, by M. Darly, 39 Strand
Leaf 81. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man standing full face in riding dress. His right hand is in his breeches pocket, his left (gloved) holds the right. glove and a walking stick. He wears a small round hat with a knot of ribbon, a plain coat and waistcoat with a cravat and spurred top-boots."--British Museum online catalogue
Alternative Title:
Newmarket macaroni
Description:
Title etched below image., Plate numbered "v. 4" in upper left corner and "7" in upper right corner., First of three plates on leaf 81., and 1 print : etching on laid paper ; plate mark 17.6 x 12.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd according to act Augt. 18, 1772, by M. Darly, 39 Strand
Leaf 81. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man standing full face in riding dress. His right hand is in his breeches pocket, his left (gloved) holds the right. glove and a walking stick. He wears a small round hat with a knot of ribbon, a plain coat and waistcoat with a cravat and spurred top-boots."--British Museum online catalogue
Alternative Title:
Newmarket macaroni
Description:
Title etched below image., Plate numbered "v. 4" in upper left corner and "7" in upper right corner., and 1 print : etching on laid paper ; plate mark 17.6 x 12.7 cm, on sheet 23 x 13.6 cm.
Publisher:
Publish'd according to act Augt. 18, 1772, by M. Darly, 39 Strand
Volume 2, after page 270. Memoirs of Horace Walpole and his contemporaries.
Image Count:
1
Resource Type:
still image
Abstract:
A man in riding dress stands on the right, bending forward to take the hand of a young woman on the left, who leans away from him. He wears spurred top-boots and holds a whip in his left hand; a long queue protrudes from under his hat. The woman has a tall coiffure and holds a fan in her right hand. Two bollards line the walkway they stand upon; the exterior wall of a building is seen behind the pair
Description:
Title etched below image., Imperfect; date at end of publisher's statement has been erased from sheet. Date of publication supplied by curator., Sheet trimmed within plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 22 x 14 cm., and Bound in after page 270 in volume 2 of an extra-illustrated copy of: Williams, R.F. Memoirs of Horace Walpole and his contemporaries. London : Colburn & Co., 1852.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Leaf 86. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing, whole length, in profile to the right is high-shouldered almost to deformity, hollow-chested, and grotesquely emaciated in the face. His hair is in ringlets with a double club. He wears a three-cornered hat, coat, ruffled shirt, and riding-boots. In his right hand is a long tasselled cane."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "23" in upper right corner., Second of three plates on leaf 86., and 1 print : etching on laid paper ; plate mark 17.7 x 12.3 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act Octr. 9, 1772, by MDarly, (39) Strand
Leaf 86. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing, whole length, in profile to the right is high-shouldered almost to deformity, hollow-chested, and grotesquely emaciated in the face. His hair is in ringlets with a double club. He wears a three-cornered hat, coat, ruffled shirt, and riding-boots. In his right hand is a long tasselled cane."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., and Plate numbered "v. 4" in upper left corner and "23" in upper right corner.
Publisher:
Pubd. accordg. to act Octr. 9, 1772, by MDarly, (39) Strand
Leaf 98. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature portrait of a man in profile to the right. He is smiling and holds up in his left hand a coin with a head inscribed "OTHO EMP". In his right hand is a cane with a chased handle. He wears spectacles, a large flowing curled wig, an oddly-shaped cap decorated with a pair of horns like those worn on medieval women's head-dresses, an old-fashioned heavily-trimmed coat, a long brocade waistcoat and boots (which appear to date from the 17th century) with large spurs. His sword has a crescent-shaped hilt. Perhaps intended for Jeremiah Milles (1714-84), Dean of Exeter and president of the Society of Antiquaries 1768-84."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "15" in upper right corner., Temporary local subject terms: Allusion to an Emperor Otto -- Canes -- Curled wig -- Weapons: Sword with a crescent shaped hilt -- Male dress: 17th-century boots with spurs -- Cap with projecting horns., Third of three plates on leaf 98., and 1 print : etching on laid paper ; plate mark 17.5 x 12.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. as the act directs Sepr. 9, 1773, by MDarly, 39 Strand
Leaf 98. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature portrait of a man in profile to the right. He is smiling and holds up in his left hand a coin with a head inscribed "OTHO EMP". In his right hand is a cane with a chased handle. He wears spectacles, a large flowing curled wig, an oddly-shaped cap decorated with a pair of horns like those worn on medieval women's head-dresses, an old-fashioned heavily-trimmed coat, a long brocade waistcoat and boots (which appear to date from the 17th century) with large spurs. His sword has a crescent-shaped hilt. Perhaps intended for Jeremiah Milles (1714-84), Dean of Exeter and president of the Society of Antiquaries 1768-84."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "15" in upper right corner., Temporary local subject terms: Allusion to an Emperor Otto -- Canes -- Curled wig -- Weapons: Sword with a crescent shaped hilt -- Male dress: 17th-century boots with spurs -- Cap with projecting horns., Watermark: Strasburg bend with initials LVG below., and Mounted to 49 x 36 cm.
Publisher:
Pubd. as the act directs Sepr. 9, 1773, by MDarly, 39 Strand
Leaf 104. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
View of a man, full-length, standing among low shrubs while holding a riding whip; he wears a hat, a cravat, and boots with spurs
Alternative Title:
Black legged jockey
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Riding habits -- Whips -- Watch chain and seals., and First of three plates on leaf 104.
"An elderly invalid sits in an arm-chair in profile to the left, looking down, with gaping mouth and face distorted with terror. Round him dance in a circle, holding hands, seven grotesque little naked demons, one wearing large jack-boots. On a round table (right) are a medicine-phial and a book: 'Essay on the Power of Imagination'. The parted curtains of the bed form a background. Cf. British Museum Satires No. 9391, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Imagination -- Furniture: armchairs -- Furnishings: bed curtains -- Medicinal: medicine bottle -- Invalids -- Jack-boots., Temporary local Medical Library subject terms: Demons & devils., and 1 print : etching and aquatint, hand-colored ; sheet 389 x 269 mm.
"An elderly invalid sits in an arm-chair in profile to the left, looking down, with gaping mouth and face distorted with terror. Round him dance in a circle, holding hands, seven grotesque little naked demons, one wearing large jack-boots. On a round table (right) are a medicine-phial and a book: 'Essay on the Power of Imagination'. The parted curtains of the bed form a background. Cf. British Museum Satires No. 9391, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Imagination -- Furniture: armchairs -- Furnishings: bed curtains -- Medicinal: medicine bottle -- Invalids -- Jack-boots., and Temporary local Medical Library subject terms: Demons & devils.
"From the stage of a theatre, two figures address the audience: Charles Fox (left) with a fox's head, holds under his left arm a tray in which are two doll-like infants in swaddling bands; in his right hand is a paper inscribed, "Norton & Fox Sponsors". He is saying: "Discovered by the Secret Committee". In the centre is another man with a wide open mouth, whose head is perhaps intended for that of a dolphin. He holds a paper inscribed "The Child of the People". On the right. of the stage is part of a fountain supported by a satyr. On each side of the stage are two tiers of boxes; in the lower box on the right. Punch is talking to a lady."--British Museum online catalogue
Alternative Title:
Legacy for the House of Commons
Description:
Title etched above image., Dated in the British Museum catalogue from a report in the Oxford magazine, v. 6 (1771), p. 157., and Temporary local subject terms: Theater: boxes -- Architectural details: fountain -- Satyrs (Greek mythology) -- Punch, as member of audience -- Masks: ass's head -- Dolphin's head -- Children: infant foundlings -- Lighting -- Boots: one spurred, one Roman -- Reference to the House of Commons' Secret Committee, April 1771.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806 and Norton, Fletcher, 1716-1789
"Bergami (left), dressed as a courier, stands full-face, arms raised in astonishment; he smiles down compacently at the Princess (right), who is short, fat, very décolletée, and grossly caricatured; she puts her right arm behind his waist, pointing to the right with a coarse grin of invitation. Below the title: 'The Dame was fair; but bold and forward was her mein. Unguarded roved her eye: All soft and delicate she lightly tripped along; the clear texture of her Robe betraying every Limb and adding to the charms it seemed designed to shade. She, free and debonair, hanging round his waist (she could not reach his Neck) with winning kindness thus addressed him. Dear Youth retire with me from Toils and Perils free Leave Honor to the Wretch! Pleasures were made for Thee."--British Museum online catalogue
Description:
Title etched above image., Attributed to Theodore Lane in the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 74 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in pencil at bottom of sheet; date "24 May 1821" written in ink in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Alternative Title:
La Fleur part de Montreuil
Description:
Titles engraved below image, in English and French., Sheet trimmed within plate mark., Verses in English and French below title; English verses begin: "La Fleur kissed their hands round & round again, and thrice he wiped his eyes, and thrice he promised ...", and Mounted on page 25 of: Bunbury album.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Alternative Title:
La Fleur part de Montreuil
Description:
Titles engraved below image, in English and French., Sheet trimmed within plate mark., Verses in English and French below title; English verses begin: "La Fleur kissed their hands round & round again, and thrice he wiped his eyes, and thrice he promised ...", Mounted on page 35 of: Bunbury album., 1 print : stipple engraving with etching in sepia ink on laid paper ; circular image 30.5 cm, on sheet 40.9 x 36.4 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Leaf 94. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing in profile to the right. In his right hand he holds a bridle, a stick is under his left arm. He wears a small looped club, a low hat, plain coat, striped waistcoat, and spurred riding boots."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "3" in upper right corner., For an earlier state without volume number, see no. 5150 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Equestrians -- Small looped club-wig -- Bridles -- Spurred riding boots -- Riding hats., and Third of three plates on leaf 94.
Leaf 79. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man whole length standing in profile to left. He wears the macaroni looped club, coat, waistcoat, and frilled shirt. With this he wears a round hat, loose gloves, and spurred riding boots. In his right hand he holds a rough stick cut from the hedge, in the shape of the cane carried by the Macaroni Provider."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of verse below title: E'en farmers dress and mount their ponies, and all alike, are macaronies., Plate from vol. iv: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "1" in upper right corner., First of three plates on leaf 79., and 1 print : etching on laid paper ; plate mark 17.6 x 12.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act July 24th, 1772, by MDarly, 39 Strand
Leaf 79. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man whole length standing in profile to left. He wears the macaroni looped club, coat, waistcoat, and frilled shirt. With this he wears a round hat, loose gloves, and spurred riding boots. In his right hand he holds a rough stick cut from the hedge, in the shape of the cane carried by the Macaroni Provider."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of verse below title: E'en farmers dress and mount their ponies, and all alike, are macaronies., Plate from vol. iv: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., and Plate numbered "v. 4" in upper left corner and "1" in upper right corner.
Publisher:
Pubd. accordg. to act July 24th, 1772, by MDarly, 39 Strand
Leaf 64. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A nobleman (the Earl of Ancrum) with his hair tied in a long tail, with boots and holding a sword."--British Museum online catalogue
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4687 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "23" in upper right corner., Temporary local subject terms: Macaronies -- Long queue wig -- 'Nivernois' hat with ribands and cockade -- Sabres: Tasselled sabres -- Belts: Sword belt., Second of three plates on leaf 64., and 1 print : etching on laid paper ; plate mark 15.6 x 10.8 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accorg. to act of Parlt. by MDarly, 39 Strand
Leaf 64. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A nobleman (the Earl of Ancrum) with his hair tied in a long tail, with boots and holding a sword."--British Museum online catalogue
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4687 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "23" in upper right corner., Temporary local subject terms: Macaronies -- Long queue wig -- 'Nivernois' hat with ribands and cockade -- Sabres: Tasselled sabres -- Belts: Sword belt., and Partial watermark: L.V.G.
Publisher:
Pubd. accorg. to act of Parlt. by MDarly, 39 Strand
Title from text above images., Five designs on one plate, each depicting a different scene., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Augt. 5th, 1827, by G. Humphrey, No. 24 St. James Street, Piccadilly
Subject (Topic):
Military uniforms, British, Military bands, and Boots
"[Left image]: A stout English soldier pursues with clenched fists two French soldiers, who are emaciated 'petits-maîtres'. They wear long pigtail queues, ruffled shirts, and large top-boots. The Englishman says, "Lower your Topsails Monsieurs"; the Frenchmen say "We are bold Frenchmen". The Englishman is trampling on a French flag which lies on the ground. A British flag is partly visible on the left behind the Englishman. In the distance (right) a party of French soldiers is seen in flight, over them is inscribed, "Run Frogs". [Right image]: A French soldier (left), with clenched fists, kicks the back of a fat English soldier. He says "Begar zee will make you nozv lower your Topsails". The fleeing Englishman looks round to say "I'm an English man of War". In the distance (right) English soldiers with a flag, the words "Run Beef Heads" inscribed over their heads, are in flight. The British flag, inscribed "Discolour'd", lies on the ground. A French flag, inscribed "Lewis le Grand", extends over the head of the victorious Frenchman."--British Museum online catalogue
Alternative Title:
Time past
Description:
Titles etched below images., Two designs etched side-by-side on one plate, each with its own title and imprint statement., and Lewis Walpole Library impression: sheet cut down the middle and the two images matted together.
Publisher:
Pub. by E. Hedges, Jany. 20, 1782, Cornhill and Pub. Jany. 20, 1782, by E. Hedges, Cornhill
Subject (Topic):
Soldiers, British, French, Wigs, Boots, Flags, Military retreats, and Kicking
Volume 1, page 8. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, wearing huge boots, gestures with his arms outspread to the right
Description:
Title and date from those supplied in the British Museum catalog for the print made after this drawing., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Mounted with one other drawing on page 8 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Original design for no. 4746 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Volume 1, page 10a. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, wearing huge boots, gestures with his arms outspread to the right
Description:
Title and date of publication from the British Museum catalogue., Later state, with drypoint additions to design. For an earlier state, see Lewis Walpole Library call no.: 75 B87 770., Mounted on page 10a in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching with drypoint on laid paper ; sheet 12.3 x 8.2 cm., and Sheet trimmed to plate mark.
Volume 1, page 10a. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, wearing huge boots, gestures with his arms outspread to the right
Description:
Title and date of publication from the British Museum catalogue. and Later state, with drypoint additions to design. For an earlier state, see Lewis Walpole Library call no.: 75 B87 770.
A French postillion, wearing huge boots, gestures with his arms outspread to the right
Description:
Title and date of publication from description of an earlier state in the British Museum catalogue., Printmaker from signature on later state: H.B. f., Early state, before background elements, printmaker's signature, and figure's sleeve decoration added in drypoint. For a later state with these additions, see no. 4746 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 115 of: Bunbury album.
Volume 1, page 8. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, whip in hand and wearing huge boots, is seen from behind looking over his right shoulder; a church is visible in the distance
Description:
Title and date from those supplied in the British Museum catalog for the print made after this drawing., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Mounted with one other drawing on page 8 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Original design for no. 4743 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, whip in hand and wearing huge boots, is seen from behind looking over his right shoulder towards the viewer; a church is visible in the distance
Description:
Title, printmaker, and date of publication from the British Museum catalogue., Later state, with position of the figure's head altered and with additional shading added to the foreground. For an earlier state before these changes to the plate, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed to plate mark on three sides., Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink below plate mark: Etched by Mr. Bunbury.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Whips, and Coach drivers
Volume 1, page 10a. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion wearing huge boots is seen from behind, walking away holding his whip
Description:
Title, printmaker, and date of publication from British Museum catalogue., Temporary local subject terms: Postillions., Mounted on page 10a in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching on laid paper ; sheet 12.4 x 8.2 cm., Sheet trimmed to plate mark., and Sheet annotated by Horace Walpole in ink in lower left corner: HW. ipse sc.
Volume 1, page 10a. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion wearing huge boots is seen from behind, walking away holding his whip
Description:
Title, printmaker, and date of publication from British Museum catalogue., Temporary local subject terms: Postillions., Mounted on page 115 of: Bunbury album., and 1 print : etching on laid paper ; plate mark 12.1 x 8.1 cm, on sheet 12.4 x 8.4 cm.
"Satire: a postillion with huge boots holding his whip; a progress proof in pure etching before the addition in drypoint of the horse behind to the right."--British Museum online catalogue, registration no.: 1867,0309.1663
Description:
Title, printmaker, and date of publication from description of a later state in the British Museum catalogue., Early (proof?) state, before figure's queue added in drypoint and before the addition of background and foreground elements. For a later state with these changes to the plate, see no. 4743 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 115 of: Bunbury album.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Coach drivers, and Whips
A French postillion, whip in hand and wearing huge boots, is seen from behind looking forward, away from the viewer; a church is visible in the distance
Description:
Title, printmaker, and date of publication from description of earlier state in the British Museum catalogue., Early state, before position of the figure's head altered and before additional shading added to the foreground. For a later state with these changes to the plate, see no. 4745 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted on page 115 of: Bunbury album.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Whips, and Coach drivers
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, whip in hand and wearing huge boots, is seen from behind looking over his right shoulder towards the viewer; a church is visible in the distance
Description:
Title, printmaker, and date of publication from the British Museum catalogue., Later state, with position of the figure's head altered and with additional shading added to the foreground. For an earlier state before these changes to the plate, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed to plate mark on three sides., Mounted on page 115 of: Bunbury album., and 1 print : etching with drypoint on laid paper ; plate mark 14.5 x 10.1 cm, on sheet 15.1 x 10.7 cm.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Whips, and Coach drivers
"Satire: a postillion with huge boots holding his whip, with a horse behind to the right."--British Museum online catalogue
Description:
Title, printmaker, and date of publication from British Museum catalogue. and Later state, with the figure's queue added in drypoint and with the addition of background and foreground elements. For an earlier state before these changes to the plate, see British Museum online catalogue, registration no.: 1867,0309.1663.
A thin man wearing bedclothes and slippers sits on a stool at right, clenching his fists in obvious pain. Three winged demons harass him, one clutching the back of his collar. A well-dressed doctor, wearing spurred boots and glasses, stands before him on the left; two medicine bottles protrude from his jacket pocket, and he holds a third bottle and glass for the patient. Additional bottles and canisters of medicine sit on the table and floor behind the doctor; a skeleton and skull and crossbones are seen above the table
Description:
Title supplied by curator., Print signed "Robert Cruikshank" in ink in lower left., Date assigned by cataloger., Sheet trimmed within plate mark., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Devils & demons -- Taking medicine.
Publisher:
publisher not identified
Subject (Topic):
Physicians, Sick persons, Stools, Medicines, Bottles, Skeletons, and Boots
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 July 1801]
Call Number:
Bunbury 801.07.01.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on an unidentified man strolling in the countryside carrying a stick."--British Museum online catalogue, description of an earlier state
Alternative Title:
Unknown satirical portrait
Description:
Title supplied from British Museum online catalogue, registration no.: J,6.102. Alternative title from description of an earlier state in the British Museum catalogue., Reissue, with different imprint statement, of a print originally published 23 December 1773. Cf. No. 4762 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on lower edge., Temporary local subject terms: Male costume, 1773 -- Country walking., and Watermark, trimmed: [...] 1799.
Publisher:
Pubd. July 1, 1801, by S.W. Fores, 50 Piccdilly [sic]
Volume 1, page 33. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text on later state., State before title and verses added below image. For the final state, see British Museum online catalogue, registration no.: 1872,0511.128., Sheet trimmed to plate mark., Mounted on page 33 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink below image: Departure of La Fleur from Montreuil in Sterne's Sentimental Journey.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text on later state., Artist and printmaker from text on later state: H. Bunbury Esqr. delint. ; engraved by T. Watson., Early state, before any lettering. For the final lettered state, published 28 May 1781 by Watson & Dickinson, see British Museum online catalogue, registration no.: 1872,0511.128., Sheet trimmed within plate mark., and Mounted on page 23 of: Bunbury album.