V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
Ill-matched couples dance facing each other; all are burlesqued. On the right a very tall man watches the assembly. The room is decorated with two sets of curtains and a large wall sconce lit with candles
Description:
Title etched below image., Questionably attributed to William Heath in local card catalog record., Later state; former plate number "394" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. June 8, 1817, by T. Tegg, 111 Cheapside. Cf. Lewis Walpole Library call no.: 817.06.08.01+., Plate numbered "189" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 43 in volume 3.
Publisher:
Thomas Tegg
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Couples, Dance, Dandies, British, and Waltz
Title supplied by curator., Date derived from date of original work., Place of publication based on Dürer's country of residence., Copy after Dürer., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Sex Behavior.
Publisher:
publisher not identified
Subject (Topic):
Sex, Interpersonal relations, May-December romances, Couples, Purses, and Horses
Radere tonsorem decet, haud deglubere metum and A cure of folly
Description:
Title from item., Alternate title supplied by curator., From: Johann de Bry, Emblemate saecularis, Francofort: J.T. and J.I. de Bry, 1596., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Barbers & Barber surgery; Barber shops, interior., and Number rubbed out at lower left.
A later print designed and etched to look like the woodcut that appeared on the title-page of a pamphlet of the same title. The image shows "Iohn and Mary Champian" described within image as "Presbyterian" and "Anabaptist", respectively, at the moment when Mary, holding the severed head of their baby in her right hand, points at the rest of the body with the left. John (on the left) raises his hands at the horror. At Mary's feet is the knife lying in foreground. The mother allegedly killed the child rather than have it christened
Alternative Title:
Bloody news from Dover
Description:
Title and publication date based on the and Original woodcut appeared on the title-page of the anonymous pamphlet: Bloody newes from Dover : being a true relation of the great and bloudy murder, committed by Mary Champion (an Anabaptist) who cut off her childs head, being 7 weekes old, and held it to her husband to baptize ... [London?] : [publisher not identified], printed in the yeare of discovery, Feb. 13. 1647.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Baptism, Anabaptists, Children, Couples, and Homicides
"Portrait of Jack Adams, known as "the cunning man of Clerkenwell Green", an astrologer, at a table casting a horoscope, a tobacco pipe tucked into his belt. A woman wearing a torn cap and collar, and over whose head is written "the queene of slutes", stands behind him touching his shoulder asking him to tell her fortune. In the lower right corner, the head and shoulders of a man appear; he holds out his hat with his left hand and with the right offers coins to the astrologer, asking "Is she a princess". On the table, as well as the horoscope on which Adams writes, is an inkwell with another quill, an almanack lettered "Poor Robin's Path to Knowledge" and a horn-book; on the wall behind hangs a medal with the head of a man in a turban; two shelves are partly concealed by a curtain, the top shelf has books and a fool's wand with a horse's head and the shelf below has children's toys, a drum and spinning tops with whips."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum catalogue., According to the British Museum catalogue: According to Stephens the subject is John Carleton who married the notorious imposter Mary Carleton, "the German princess", in 1663., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Adams, Jack, active 1664, and Carleton, John, 1645-
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., and On page 21 in volume 1. Plate trimmed to: 14.1 x 7.7 cm.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: "This said the high, outragious Mettle, Of Knight, began to cool and settle ...", and Numbered "10" in upper right corner.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: This said the high, outragious Mettle, Of Knight, began to cool and settle ..., and Sheet trimmed within plate mark.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: This said the high, outragious Mettle, Of Knight, began to cool and settle ..., Sheet trimmed within plate mark., and On page 31 in volume 1. Plate trimmed to: 26.8 x 43.1 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
Hudibras has arrested the fiddler with a wooden leg and is leading him to prison (seen on the left) while Ralpho attaches his violin to the stocks; a ragged child with a hoop, a well-dressed woman, and two young man look on.
Description:
Title engraved below image., Printmaker, state, publisher, and date from Paulson., Caption on either side of title, begins: "This said the high, outragious Mettle, Of Knight, began to cool and settle ...", and On page 31 in volume 1. Plate trimmed to: 26.5 x 34.5 cm.
Publisher:
Philip Overton and John Cooper
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, Children, Couples, Criminals, Games, Horses, People with disabilities, Violins, Women, Stocks (Punishment), and History
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne and turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
King Henry the eighth and Anne Bullen
Description:
Title etched below image., Title from Paulson: King Henry the eighth and Anne Bullen, State, date, and publisher from Paulson., The caption from 1st state erased or stopped out and replaced with a quote from Allan Ramsay in letterpress beginning: "See here the Great, the daring Harry stands, Peace, Plenty, Freedom shining in his Face ...", Sheet trimmed within plate mark., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547,, Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536,, Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne, turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
Here struts old pious Harry, once the great reformer of the English church and state ...
Description:
Title from Paulson: King Henry the Eighth and Anne Bullen., Added title from the first two lines from first of the seven couplets in three columns below image., Printmaker, publisher, state, and date from Paulson., Imperfect impresson; sheet trimmed within plate mark with loss of text and image along right side., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne, turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
Here struts old pious Harry, once the great reformer of the English church and state ...
Description:
Title from Paulson: King Henry the Eighth and Anne Bullen., Added title from the first two lines from first of the seven couplets in three columns below image., Printmaker, publisher, state, and date from Paulson., Imperfect impresson; sheet trimmed within plate mark with loss of text and image along right side., The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20., Ms. note in Steevens's hand below print: See Nichols's book, 3d edit p. 167., and On page 50 in volume 1. Sheet trimmed to: 49.3 x 37.3 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
A christening scene: A group of full length figures stands around a table covered in a cloth on which sits a bowl of water. Behind it stands a clergyman in bands, wig, gown, holding child; pretty young woman stands to the left, older woman sits in a chair to the right with a man standing over her. A small child in the foreground reaching for the bowl of water, upsets it, spilling the water over the front of the table. On the left, "Sr Foling" primps in front of a mirror
Description:
Title from Paulson., Fourteen lines of verse in three columns: " Behold Vilaria lately brought to Bed, Her cheeks now Strangers to their rosy Red, Lanquid her Eyes, yet lovely she appears; And oh! what fondness her Lord's Visage wears! The pamper'd Priest, in whose extended Arms, The female Infant lies with budding Charms, Seeming to ask the Name e'er he baptise, Casts at the handsom Gossops his wanton Eyes, While gay Sr. Fopling, an accomplish'd Ass, Is courting's won dear Image in the Glass: The Midwide busied too, with mighty Care, Adjusts the Cap shews Innocency fair, Behind her stands the Clerk, on whose grave Face Sleek Abigal cannont forbear to gaze, But Master, wihtout thought, poor harmless Child, Has on the Floor the Holy-Water spill'd, Thrown down the Hat; the Lap-Dog gnaws [the] Rose; And at the Fire the Nurse is warming Cloaths. One Guest enquires the Parson's Name; says Friendly, Why, don't you know Sir? 'tis Hyp- Doctor H-y., Paulson indicates that "Price [illeg.] follows imprint, but does not mention 'London". Different states?, Sheet trimmed within plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., See reference in: Paulson, R. Hogarth's graphic works (1st ed.), p. 310-311., and On page 12 in volume 1. Ms. note in Steevens's hand: Given me by the Revd Dr. Lort.
Publisher:
Sold by J. Sympson at the Dove in Russell Court, Drury Lane, Lo[...]on
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Couples, Dandies, Dogs, Nannies (Children's nurses), and Preachers
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title etched at top of image., Date based on other work by Van der Gucht., Quotation from book I, line 203 of Virgil's Aeneid etched below image: Forsan et haec olim meminisse juvabit. Virg., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Scots opera / 171., and On page 52 in volume 1.
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title, state, and date from Paulson., Third state: Scene number has been removed but traces remain., Sheet trimmed to plate mark with loss of last two character's in printmaker's name., Ms. note in Steevens's hand above: Cocu Imaginaire / 171., and On page 52 in volume 1.
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., "Price two Shillings & 6 pence."--Below design, on the right corner mostly burnished out., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., Companion print to Hogarth's Before, published on the same date., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Plate 26. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., "Price two shillings & 6 pence"--Below design, on the right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
