Title from item., Date supplied by curator., Place of publication derived from street address., Above image: Actualités 26., Published in Le Charivari, 1 February 1866., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
A. de Vresse, Edr. r. Rivoli, 55 and Lith. Destouches, 28 r. Paradis Pre
Subject (Topic):
Vaccination, Smallpox, Agricultural laborers, Couples, Cows, and Pails
"Extravagantly dressed pedestrians promenade beside (?) the Serpentine. Almost all are arm-in-arm, an exception being an ugly and complacent woman whose face is covered by a long transparent lace veil. The women walk leaning back, as in BM Satires 14438; they point their toes as if at a dancing class, drawing up their skirts, but these are less long. A fashion for stripes for women's dresses and for trousers is apparent, and for patterned materials with scalloped flounces, furbelows, ribbons, and over-trimmed hats. Curled hair frames the face and rests on the shoulders. Waists are still wasp-like for both sexes. Men wear checked neck-cloths with high collars. Much play is made with eye-glasses and canes. Hessian and top-boots are corrugated, spurs are oddly absent. The women wear very flat slippers, tied at the ankle. Beyond the water are trees."--British Museum online catalogue
Description:
Title from caption below image., Numbers "3" and "5" in "1835" in imprint have been overwritten with "24" in ms., and Reissue of no. 14725 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 10; originally published July 8, 1824, by G. Humphrey.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Title, date, and publisher from item., Poster advertises a biographical film about the first widely known transexual American., Text in part : "I couldn't live in a man's body." "Did the surgeon's knife make me a woman of a freak?" Sex with a woman was strange and impossible ..., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
United Artists Corporation
Subject (Name):
Jorgensen, Christine, 1926-1989.
Subject (Topic):
Transsexuals, Gender reassignment surgery, Couples, Kissing, and Children
An elderly man plays a harp on a hillside surrounded by couples and children. In the distance are mountains and a tower
Alternative Title:
Harpist in the mountains, the Welsh bard
Description:
Title from the first line of the four-line poem printed below the image., Title continues: "... That not a mountain rears his head unsung. And many an amorous, many a humourous lay, which many a bard had changed many a day.", Sheet trimmed within plate mark., and Frontispiece to: Jones, E. Bardic Museum. Musical and poetical relicks of the Welsh Bards, v. 2. London : For the author, 1802.
Publisher:
Published according to act of Parliament Feb. 20, 1802 by Ed. Jones, in Lord Steward's Court-Yard, St. James's Place
Subject (Topic):
Children, Couples, Harps, Mountains, and Musicians
An elderly man plays a harp on a hillside surrounded by couples and children. In the distance are mountains and a tower
Alternative Title:
Harpist in the mountains, the Welsh bard
Description:
Title from the first line of the four-line poem printed below the image., Title continues: "... That not a mountain rears his head unsung. And many an amorous, many a humourous lay, which many a bard had changed many a day.", Sheet trimmed within plate mark., Frontispiece to: Jones, E. Bardic Museum. Musical and poetical relicks of the Welsh Bards, v. 2. London : For the author, 1802., Mounted on leaf 9 of volume 8 of 14 volumes., 1 print : etching on wove paper, hand-colored ; sheet 23.3 x 19.4 cm., and Sheet trimmed within plate mark with loss of imprint and verses.
Publisher:
Published according to act of Parliament Feb. 20, 1802 by Ed. Jones, in Lord Steward's Court-Yard, St. James's Place
Subject (Topic):
Children, Couples, Harps, Mountains, and Musicians
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching on wove paper, black and white ; sheet 36 x 45.4 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 23 of volume 2 of 14 volumes.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
Title etched below image., Place of publication and date from item., Below title: In Holland's Exhibition Rooms may be seen the largest collection of caricatures in Europe, Admittance one Shilling., From the British Museum catalogue: Richard Perry, a surgeon and apothecary of Bristol, eloped (to Gretna Green) with Clementina Clarke, an heiress of fifteen. On 4 April the Bow Street magistrates advertised £1,000 reward for securing Miss Clarke and returning her to Bow Street or to Miss Selina Mills, the governess at Bristol, Perry (who was passing as Captain Inglefield) and his confederates (his apprentice Salmon and Elizabeth Baker) to be apprehended for felony. 'Lond. Chronicle', 24 March, 8 April, &c., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Marriage & Married life; Apothecaries; Surgeons; Anecdotes.
Publisher:
Pubd: April 17. 1791. by W. Holland No. 50. Oxford St.
Subject (Topic):
Elopement, Abduction, Physicians, Couples, Firearms, Crimes, and Judges
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title etched at top of image., Date based on other work by Van der Gucht., Quotation from book I, line 203 of Virgil's Aeneid etched below image: Forsan et haec olim meminisse juvabit. Virg., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Scots opera / 171., and On page 52 in volume 1.
Leaf 5. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two couples dancing a reel. The ladies wear the monstrous feathered coiffures then fashionable, see British Museum Satires No. 5370, &c. The man on the left is short, ungainly, and very fat, he walks rather than dances. The other man dances with energy, one arm raised. All wear gloves."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., State without plate number. For a variant state with "5" etched in upper left corner, see no. 5374 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., and On leaf 5.
Title etched below image., Text below title: "I wish I hadn't bought the tickets!", Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"The Prince of Wales, Mrs. Fitzherbert (three quarter length figures), and Fox are seated at a rectangular table playing cards. Fox, who is full face, sits behind the table between the Prince (left) and his partner (right). He has taken three tricks, and holds one card above his head, about to play it, looking fixedly at Mrs. Fitzherbert. His other hand is under the table. His opponents hold two cards, and have taken no tricks. The profiles of the Prince and his partner are blank, except for the eyelashes of the concealed eye of each. Fox's features, especially his eyes, are marked and swarthy. Above his head, and between two pilasters which decorate the wall, is a picture of a fox running off with a goose, while a bystander lashes at him with a whip; in the background is a windmill."--British Museum online catalogue and The picture of a fox running off with a goose, while a bystander lashes at him with a whip amplifies the subject; the title is a reference to the song "Black Jack.".
Description:
Title etched below image., Sheet trimmed within plate mark., Publisher's statement following imprint: Where may be seen the completest collection of caricatures &c. in the kingdom. Admittance one shilling., and Watermark.
Publisher:
Pub. Oct. 24, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806
A fashionably dressed young woman (left) stands before a very large bear (left) dressed in a military uniform, wig, and tricorne hat. She strokes his chin with her left hand as she gently clasps the tip end of the spear that the bear holds in his left hand
Description:
Title from caption etched below image., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. as the Act directs Jany. 10, 1782 by T. James, No. 14 Castle Strt. Oxford Market
Subject (Geographic):
England
Subject (Topic):
Bears, Clothing & dress, Couples, Military uniforms, British, and Wigs
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[5 February 1772]
Call Number:
772.02.05.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed woman sitting behind a table is taking a necklace out of a box; she has three large black spots on her face. She looks with disdain at her enraged husband in old-fashioned clothes and a nightcap, sitting next to her, his fists clenched and despair on his face. In his lap lies a pair of breeches he is sewing; above on the wall of their meagre abode hangs a small stag's head with antlers
Alternative Title:
City tailor's wife dressing for the Pantheon
Description:
Title engraved below image., Later state, with plate reworked to include an altered publication line and changes to the design. For an earlier state published by William Humphrey that has an advertisement placard present on the back wall among other differences, see Lewis Walpole Library call no.: 772.02.05.02+., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 5th Feby. 1772 by Heny. Parker at No. 82 in Cornhill, London
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[5 February 1772]
Call Number:
772.02.05.02+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed woman sitting behind a table is taking a necklace out of a box; she has three large black spots on her face. She looks with disdain at her enraged husband in old-fashioned clothes and a nightcap, sitting next to her, his fists clenched and despair on his face. In his lap lies a pair of breeches he is sewing; above on the wall of their meagre abode hangs an advertisement placard next to which is drawn a small stag's head with antlers
Description:
Title engraved below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 5th Feby. 1772 by W. Humphrey, St. Martin's Lane
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Sitting rooms -- Tables -- Wine -- Firescreens -- Mantels.
A party of two well-dressed couples, the women holding umbrellas, are caught in a wind and rain storm as they travel in a open carriage. A coachman and footman attend the party
Description:
Title etched below image., Sheet trimmed to plate mark on one side., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published August 8th, 1826 by T. Gillard, 40 Strand
Title from caption below center image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Feby. 1831 by S. Gans, 15 Southampton St., Covt. Garden
Subject (Topic):
Freemasonry, Courtship, Couples, and Eating & drinking
A lady sits at her dressing table, her elaborate mountain of hair being combed by her equally coiffed hair-dresser who stands behind her. The lady turns to see her husband who has just entered the room in riding dress, his whip upraised. Behind him in the doorway, the housemaid, winking at the viewer, raises two fingers above his head. Two portraits hang on the wall in the background
Alternative Title:
Hint to the husbands and Dresser properly dressed
Description:
Title from item. and A reduced copy of no. 5467 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; tentatively attributed by George to P. Dawe.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the act directs
Subject (Geographic):
England
Subject (Topic):
Cuckolds, Couples, Hairdressing, Dressing tables, Boudoirs, and Clothing & dress
Title engraved below image., Plate numbered '207' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female costume, 1794 -- Trades: hairdressers.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
"A girl, in profile to the left, seated on the box-seat of a four-wheeled cart drawn by a pair of horses. She is receiving a driving-lesson from a man who sits behind her on the edge of the cart in which is a sheaf of straw. On the side of the cart is a board inscribed "Tom Longtrot's Academy for Young Ladies. Driving taught to an Inch, Ladies compleatly finish'd in a fortnight, for Gig, Whiskey, or Phaeton: Single Lesson half a Crown, Five for half a Guinea". The girl holds whip and reins very awkwardly, the hind wheel passes over one of a litter of small pigs which is with a sow in the foreground. A short stout citizen (left) clutches a post or mile-stone in alarm at the prospect of being run over. The driver wears an elaborate hat with feathers and a muslin dress, very unlike the dress of the fashionable women-whips of the day, cf. BMSat 6114. Beneath the title is engraved, "Hammersmith Turnpike", and,"When once the Women taken the Reins in hand, 'Tis then too true, that Men have no command." Behind the cart the upper part of the toll-house appears, with the head of a grinning spectator, probably the toll-keeper. By the toll is a large rectangular Georgian house with a square pillared porch inscribed "WILL-SON". This is the inn, The Bell and Anchor, at the corner of Blyth Road close to Olympia"
Alternative Title:
Morning visit to Betsy Cole
Description:
Title engraved below image., Sheet trimmed., Date of publication from British Museum catalogue., Below title: Hammersmith Turnpike., and Date erased from this impression.
Publisher:
Printed for and sold by Carington Bowles at No. 69 in St. Pauls Church Yard London
Title from caption below image., Artist from signature on companion print in the British Museum catalogue., Date of publication based on that of the print from which this design was copied. See no. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Description based on imperfect impression; sheet trimmed within plate mark and artist's signature erased from lower left corner., Design consists of ten figures arranged in two rows., A companion print to no. 7229A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Window mounted to 27 x 37 cm.
Volume 2, page 55. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A strip design of ten couples in different stages of the minuet, All dance in silence; the expressions of the male dancers denote anxiety, determination, or complacency. All are intended to be ugly, or awkward, or both, but the figures have charm, and even in some cases a certain grace. ... None of the men suggests a parson, most are lean and none corpulent by eighteenth-century standards."--British Museum online catalogue, description of a variant state
Description:
Title etched below image on second and third plates., Variant state, lacking the text "Bos, Fur, Sus, atque Sacerdos" above image on second plate. Cf. No. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheets trimmed within plate mark., A single design on four plates., Text in Latin below title, etched on second and third plates: Longa Tysonum Minuit Quid Velit et possit rerum concordia discors. Horace., Mounted on page 55 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink beneath Latin text: Tyson was Master of the Ceremonies at Bath.
Publisher:
Publish'd June 25th, 1787, by W. Dickinson, engraver, Bond Street
"A sailor walking (right to left) arm in arm with a young woman, her right arm in his left. He wears striped trousers, and carries a cane. She wears a ribbon-trimmed hat, short petticoat with an over-dress draped above it at the back, and an apron. Behind are steps leading to a sea-wall, with ships. On the left are trees."--British Museum online catalogue
Description:
Title from item., Imperfect; sheet trimmed and date erased from this impression., Date of imprint from British Museum catalogue., and Numbered in lower left of plate, 459.
Publisher:
Printed for & sold by Carington Bowles ... No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Couples, Sailors, British, Military uniforms, and Clothing & dress
"A soldier and a woman in deshabille swapping clothes; the woman standing hands on hips on the left wearing the sword and tricorn; the man sitting demurely on the right holding a fan and wearing a bonnet; tea-tray and four poster bed behind, a dog jumping up at a parrot on the left and a book open on the floor inscribed 'Ovid's Metamorphoses done into English';"--British Museum online catalogue
Alternative Title:
Transmutation of sexes
Description:
Title from item., Sheet trimmed within plate line., and Publication date from British Museum catalogue. Date burnished from plate.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Couples, Cross dressing, Soldiers, Military uniforms, British, Boudoirs, Tableware, Furniture, Pets, and Clothing & dress
"Two lovers embrace within a small shed inscribed 'Strong Box' supported on a pole; a tailor with huge shears is about to cut the pole, saying, "I'll upset the basket". The open doors of the shed are 'Modesty' and 'Chastity'. Behind is sketched an equestrian statue with a railing, indicating a London square. On the right is a room, flanked on the left by a high folding screen on which are bills with the titles of chap-books or songs relating to tailors, the uppermost being 'The Brighton Taylor' (see BMSat 6942, &c). In the room five men with horns sprouting from their heads approach a (?) lawyer sitting at a writing-table, who says, "Say & seal, I say said & sealed". One stands on a three-legged stool, two legs of which have been replaced by moneybags, each inscribed '£2,500'. He says: "Joys that none but a married man can know - would that there was a Taylor here to measure them, but it would cost five thousand - " [Other inscriptions have not been transcribed.] An old man with a crutch looks round the screen at the lovers, saying, "D------d good Trade Ill go & get married too."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Adultery -- Cuckolds -- Divorce: crim con damages -- Trades: tailors -- Lawyers -- Barbers -- London square., Watermark: J Whatman 1794., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Divorce, Adultery, Barbers, Couples, Hugging, Lawyers, and Tailors
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Plate numbered "147" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark., and Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Plate numbered "147" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71., 1 print : etching on wove paper, hand-colored ; plate mark 34.7 x 24.8 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 88 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A small ugly man trots (left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum online catalogue, description of an earlier state
Alternative Title:
Hen peck'd husband and Hen pecked husband
Description:
Title etched below image., Later state, with first half of imprint statement burnished from plate., Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Date of publication based on complete imprint on earlier state: London, Pub. Apr. 24, 1807 by T. Tegg, Cheapside., Plate numbered "147" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 69-71., 1 print : etching on wove paper, hand-colored ; sheet 34.7 x 24.2 cm., and Mounted on leaf 46 of volume 8 of 14 volumes.
"A small ugly man trots (walking left to right) deprecatingly beside his wife, a large, over-dressed, scowling termagant, on their Sunday outing. He carries her umbrella, cloak, pattens, and a bundle in a check handkerchief. She holds a fan. An elderly man (right) walking in the opposite direction looks angrily at the couple; he swaggers in front of his pretty young wife, who appears pregnant and walks carrying a little girl and an umbrella. Behind them is an inn with the sign: 'The Old Swant [sic] Ordinary on Sunday'. A couple sit on a bench."--British Museum catalogue
Alternative Title:
Hen peckd husband and Hen pecked husband
Description:
Title etched below image., Sheet trimmed within plate mark., Variant state without plate number. Cf. No. 10909 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and The last 'p' in 'Nincompoop' was erased, but remnants are visible.
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes ... On the table below the window (left) is a bowl labeled "Pease porridge" and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man's coat is hung on the back of the chair to the right of the hearth
Description:
Title from note in artist's hand above image., Artist name from dealer's description., Study (or copy) for a print of the same title that was published July 1801 by W. Holland. Not reversed., and John Nixon (ca. 1750 - 1818), city merchant and amateur watercolourist (topography) and designer and maker of satirical prints; honorary exhibitor in RA between 1781 and 1815.
Subject (Topic):
Bed, Boxes, Candlesticks, Canopy beds, Cats, Corsets, Couples, Fireplaces, Flatulence, Single women, and Sleepwear
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes ... On the table below the window (left) is a bowl labeled "Pease porridge" and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man's coat is hung on the back of the chair to the right of the hearth
Description:
Title etched above image., Artist attribution from dealer's description., and Study for a print of the same title that was published July 1801 by W. Holland.
Publisher:
Pub'd by Wm. Holland, Oxford street
Subject (Topic):
Bed, Boxes, Candlesticks, Canopy beds, Cats, Corsets, Couples, Fireplaces, Flatulence, Single women, and Sleepwear
Four scenes in one plate, each with a separate title, each showing a marital or courtship scenes with monkeys and cats and pictures on the walls that amplify the domestic scene
Description:
Title from caption below image., Text following imprint: Folios of caricatures lent for evening., Sheet trimmed to plate mark on two sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Nov. 26, 1810 by S. W. Fores, 50 Piccadilly
Subject (Topic):
Cats, Couples, Courtship, Fighting, Spouses, Draperies, Fireplaces, Interiors, and Monkeys
The scene is the interior of a gothic church, with a view of part of a lateral gallery, the tower arch, and west door (on the right). The foreground and the gallery are filled with couples, in general elderly, ugly, and fashionably dressed, in conversation or bowing to each other. An unicorn on a monument holding an escutcheon is conspicuous. On the right the congregation is crowding towards the open door
Description:
Title etched below image., Numbered 'Plate 80' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Year in imprint erased from this impression.
Publisher:
Published by Allen & Co., 15 Paternoster Row
Subject (Topic):
Churches, Clothing & dress, Couples, Interiors, and Monuments
"Scene in a neat parlour or music room, with open square piano and lyre-back chairs. A middle-aged termagant, coquettishly dressed, has overturned her chair and stands with raised fist, shrieking at a very young man in riding-dress. He sits (left) with hat and riding-switch beside him, bewildered and passive; his dog takes cover under his chair, looking sideways at an aggressive cat which arches its back against its mistress. A cockatoo screams from its perch. On the piano, which is inscribed Row Maker, is an open music-book: Blow High. Blow Low; on the floor is a book open at Wake to Ecstacy the living Lyre. Behind the woman's head is a convex wall-mirror, topped by a carved eagle which looks fiercely down. This is flanked by two sea-scapes: Calm (left), ships becalmed, and Storm (right), a ship struck by lightning and about to be submerged in towering waves."--British Museum catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Pictures in image amplify subject of the print., and Sheet trimmed within plate mark.
"George IV drives Lady Conyngham in a four-wheeled pony-chaise. He is chubbily obese, in loose trousers and braided jacket, wearing a cap poised on his naturalistic curls (cf. British Museum Satires no. 14637). He turns to the enormously corpulent lady. Both overweight the little chaise, and the very small ponies strain desperately. Behind and on the extreme left is the head of the horse ridden by an attendant. They have just passed a gate with a small octagonal lodge. The drive is bordered by a paling; in the background are stags."--British Museum online catalogue
Alternative Title:
Ponies posed
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark: J. Whatman 1824.
Publisher:
Pub. March 28, 1824, by S.W. Fores, 41 Picadilly [sic], London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Title from item., Attributed by Grego to Rowlandson and Woodward., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Pastimes: skipping.
Publisher:
Pubd May 20th, 1800, by R. Ackermann, N.101 Strand
Title etched below image., Two lines of verse below title: A sly kiss he steals, but there's no harm in that though it makes her poor heart to go to pit-a-pat!!, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Octr. 1, 1828 by John Fairburn, Broadway, Ludgate Hill
Title from caption etched above image., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Copy of no. 4079-4 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Bedchamber -- Furnishings: bed curtain -- Emblems: Scotch bonnet for Lord Bute -- Wall mirror -- Female dress: stays., and Mounted to 31 x 44 cm.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772 and Bute, John Stuart, Earl of, 1713-1792
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "315" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. Febry. 20, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12403 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "269" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed with plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 276., and Watermark: Charles Wise.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; former plate number "315" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pubd. Febry. 20, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12403 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "269" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed with plate mark on three sides., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 276., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.4 x 25.1 cm, on sheet 41.8 x 25.6 cm., and Leaf 88 in volume 4.
"In a bare room with a raftered roof couples are energetically dancing, holding hands behind their backs, or above their heads. The women, with one exception, are young and handsome, the men ugly and plebeian. A seated fiddler plays with closed eyes (right). Through a doorway partly covered with curtains the bride and bridegroom are seen embracing. On the wall is a placard: 'They dance in a round, cutting capers and ramping. A mercy the ground did not burst with their stamping.The floor is all wett, with leaps and with jumps, while the water and sweat, splish splash in their pumps'."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "315" in upper right corner., Imperfect; sheet trimmed within plate mark with loss of plate number from upper right. Plate number supplied from impression in the British Museum., Watermark: J. Larking., and Mounted on leaf 7 of volume 13 of 14 volumes.
Publisher:
Pubd. Febry. 20, 1814, by Thos. Tegg, No. 111 Cheapside
A street scene with a row of buildings in the background, a man who is having his boots polished by a boy crouched before his bench turns to an elegantly dressed lady. He hold his hat and cane in his rights hand and offers a coin to the woman
Description:
Title etched below image.
Publisher:
Published 1st Novr. 1797 by Laurie & Whittle, No. 53 Fleet Street, London
"Illustration to a song engraved in three columns below the title: A scene on the shore, with a frigate in the offing. A grotesque naval officer, with wooden leg and black patch over one eye, takes the wrist of a young sailor of feminine appearance who holds a pistol. In the background (right) a dead sailor lies across the body of a woman. The song relates that Billy Taylor was taken by a press-gang; his sweetheart dressed as a sailor to follow him, but discovered his inconstancy with 'a lady gay', and shot him With his fair one in his hand. The last verse:'When the Captain com'd for to hear on't He werry much applauded her for what she'd done, And quickly he made her the first Lieutenant, Of the Gallant - Thunder Bomb.'"--British Museum online catalogue
Alternative Title:
True and lamentable ballad call'd Billy Taylor
Description:
Title below image, at head of verses., Plate numbered '367' in the lower left corner., From the Laurie & Whittle series of Drolls., One line of text above design: (Sung by Mr. Bannister, of Drury Lane Theathre, Mr. Fawcett, and Mr. Emery, of Covent Garden. &c &c &c.), and Ten numbered stanzas of verse below title: Billy Taylor was a gay young fellow, full of mirth and full of glee, and his heart he did diskiver, to a lady gay and free ...
Publisher:
Publish'd Sepr. 24, 1804 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Couples, Eye patches, Homicides, Military officers, British, Peg legs, Sailors, Sailing ships, Signs (Notices), and Taverns (Inns)
Caption title., Place and date of publication based on provence: formerly bound in a collection of chapbooks published in Lichfield in the 1770s., First line: Miss Pure, a very neat and clean-heeled Filly, from Black Mary's Hole, near London ..., A broadside with a simple woodcut above the title, advertising the services and skills of woman, Miss Jenny Foreyard, Cleopatra Tickleback, Diana Trapes, Polly Trim, Jenny Spruce, and Lucy Pleasant., Not in ESTC., and Broadsides printed on laid paper and mounted in an album bound in red, quarter-leather morocco with Cockerell-marbled boards and vellum corners, with black-leather, gilt-stamped spine label. For further information, consult library staff.
A couple stand in their nightclothes in horror as they look on their bed which is in flames. An overturned table with a lit candle appears to be the cause of the fire, the other contents, a book, a rosary, a watch and chain, and spectacles are also on the floor. To the right is a dressing table with a mirror, scissors and comb; above, hangs a framed painting
Description:
Title and series title from caption below image., "Pl. 9"--Upper right corner., Ninth plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 19 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
An angry, bare-breasted young woman in a night dress and cap enters the door of a sitting room from a bedroom (seen through the open door on the right). She scowls at the white-haired man relaxed in an armchair in front of a fire; he smokes a pipe and holds a goblet of wine in his left hand as he leans back in the chair, his feet resting on the grate of the roaring fire; at his elbow a table with a lit candle, carafe, jug, spoon, and book "Miseries of Human Life". One dog sleeps near a gun propped up against the mantel piece; a hunting cap hangs on back wall. Another dog looks at the woman from under the table at the man's side and barks. A large cat that has come in with the woman hisses back at him. A book on the mantel is titled "Rule a wife and have a wife"; the painting above the mantel "Mr. Pantons grey mare ranter out of doll tearsheet." In front of the and to the right are a bootjack and discarded boots pants; a clock hangs on the wall above a tiered table
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 54 of volume 8 of 14 volumes.
Publisher:
Pubd. May 25, 1806, by R. Ackermann, N. 101 Strand
Title from caption below image., Tentatively attributed to G. M. Woodward in unverified card catalog record., Description based on imperfect impression; sheet trimmed within plate mark., The Lewis Walpole Library Impression 1: Mounted on verso of Lot 18. Part of the Townland of Annaghcorbib. The estate of Mrs. Eliza Felicia West, situate in the County of Galway. Ordnance sheet 100 made by order of the Commissioners for the Sale of Incumbered Estates in Ireland, by Hodges & Smith, 104 Grafton Street, Dublin, [n.d.]., Companion print: A man and his wife!!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female dress: hats -- Shoes: pattens -- Pets: small poodle?, and Mounted to 38 x 31 cm.
A very fat gentleman on the left paying court to an ugly old lady on the right; both are seated with the gentleman with a small dog beneath his chair and a cat near his feet; the lady is holding a fan and wearing the towering hairstyle of the period. Behind them draperies are pulled aside revealing shelves of books
Description:
Title etched below image., Place of publication follows publisher's street address., Numbered in lower left of plate: 382., Variant of George 4557, without verses below design, but with imprint date present., and Contemporary pencil ms. notation identifying subjects: Mr. Mason & Mrs. Montague.
Publisher:
Printed for & sold by Carington Bowles ... No. 69 in St. Pauls Church Yard
Subject (Geographic):
England
Subject (Name):
Montague, Elizabeth Robinson, 1720-1800. and Mason, William, 1725-1797.
Subject (Topic):
Clothing & dress, Hairstyles, Couples, Interiors, Bookcases, Dogs, and Cats
A couple walk arm-in-arm as they gaze at each other. He, a dandy, carries a walking stick in one hand and a monocle in the other; he wears pants with wide bottoms and a large top hat. She wears a short dress with a large floral hem and a very large hat also decorated outlandishly with flowers
Alternative Title:
Fashions for summer
Description:
Title from caption above and below image. and Publication date from local card catalog record.
A young couple face each other as they begin to dance in a hall lighted by a wall sconce with a mirror and a chandelier. Behind them an older woman looks on.
Description:
Title from caption below image., Publication information from unverified data from local card catalog record., Four lines of verse below title: "While graceful Marian leads the gay Quadrille", "What new sensations Henry's boson fill," "An introduction gained, the youth advances" "And hope she's disengaged the two next dances.", Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Bowing, Clothing & dress, Couples, Dance parties, and Etiquette
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
In a rustic bedroom, a pretty, buxom young woman kneels before an open chest in which is hidden a handsome young soldier. As she holds open the lid of the trunk the two kiss, unaware that an ugly old man glares at them through a open, casement window and unaware that she has upset the full chamber pot at her feet. Beside the trunk are a hat filled with fruit, a bottle of eau de vie, and a mouse in a trap
Alternative Title:
Corporal Casey got into the wrong box
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 30, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11642 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed to plate mark on top edge., and Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 194-5.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
In a rustic bedroom, a pretty, buxom young woman kneels before an open chest in which is hidden a handsome young soldier. As she holds open the lid of the trunk the two kiss, unaware that an ugly old man glares at them through a open, casement window and unaware that she has upset the full chamber pot at her feet. Beside the trunk are a hat filled with fruit, a bottle of eau de vie, and a mouse in a trap
Alternative Title:
Corporal Casey got into the wrong box
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 30, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11642 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed to plate mark on top edge., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 194-5., 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 34.8 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 22 in volume 1.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
In a rustic bedroom, a pretty, buxom young woman kneels before an open chest in which is hidden a handsome young soldier. As she holds open the lid of the trunk the two kiss, unaware that an ugly old man glares at them through a open, casement window and unaware that she has upset the full chamber pot at her feet. Beside the trunk are a hat filled with fruit, a bottle of eau de vie, and a mouse in a trap
Alternative Title:
Corporal Casey got into the wrong box
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Novr. 30, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11642 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed to plate mark on top edge., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 194-5., 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 35 cm, on sheet 25.8 x 36.9 cm., and Mounted on leaf 26 of volume 11 of 14 volumes.
A caricature of a couple, shown full-length, dancing awkwardly. A lanky man attempts to dance with a corpulent woman but steps on her dress hem in the process
Description:
Title written in ink below image., Attributed to William Heath by curator., and William Heath, English caricaturist and illustrator, 1795-1840.
A couple sit in two chairs, the man with his back to his wife is asleep with his hands resting on his large belly. The woman thin and with a forelorn look on her face sits in a large comfortable chair, looking out, her book at her side and a handkerchief in her hand
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"In the centre of the design is an open grave from which a hand raises a wand topped by miniature antlers. It divides Lady Graves (left), youthful and handsome, from Cumberland, in the uniform of the Royal Horse Guards (Blues). They advance towards each other, he with arms outstretched. The title (her words) continues: 'Then come my love TO TIHS' [sic] (his words)."--British Museum online catalogue
Alternative Title:
Alas there is no happiness on this side the grave!!! : - Then come my love to this and Resurrectionist
Description:
Title etched below image; alternative title etched above image: The resurrectionist., Later state, with text added above image; for an earlier state lacking this text, see no. 16012 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., Imprint continues: ... sole pub. of W. Heaths etching., and Sheet trimmed within plate mark.
Publisher:
Pub. Feb. 1st, 1830, by T. McLean, 26 Haymarket ...
Subject (Name):
Graves, Mary Paget, Lady, 1783-1835 and Ernest Augustus, King of Hanover, 1771-1851
An angry wife (left) with her hair tied up in a kerchief throws the contents of a chamber pot in her husbands face as she hammers him on the head with a small pick. The rotund husband with breeches untied winces in pain; in his left hand is a large stick. The cat clinges to his leg in terror. On the wall hangs a picture of "Patient Grin[?]".
Description:
Title etched below image., Possibly by Woodward. Cf. Labourers in the vineyard!! / Woodward del., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., Reissue of no. 12138 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Apr. 28, 1813, by H. Humphrey., Temporary local subject terms: Election balls -- Lighting: Chandeliers., and Numbered in ms. at top of sheet: 67.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Topic):
Ballrooms, Balls (Parties), Chandeliers, Couples, Dance, and Musicians
In a well-furnished room Tom and Kate waltz gracefully. Logic, at the piano (right), looks over his shoulder at the pair with a delighted grin. Jerry sits on a couch, with a second courtesan (Sue). Both women wear evening dress with long gloves. On a table are decanters, fruit, &c. There are wide folding doors flanked by pictures that amplify the subject
Description:
Title from caption below image., Publication information from British Museum catalogue., Illustration to: Egan, P. Life in London, page 250., Sheet trimmed within plate mark., and State without imprint statement. Cf. No. 14334 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Sherwood, Neely, & Jones
Subject (Topic):
Couples, Courtesans, Dance, Musicians, Parlors, and Pianos
An accident between a carriage and gentleman's cart on a city street
Description:
Title from heading above image., Two lines of dialogue below image: Well good fellow it is of no use saying anything about it now, but it was a magnificent smash, Julia, was it not?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Topic):
Accidents, Couples, Carriages & coaches, Carts, and City & town life
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and Bound in Horace Walpole's copy of Analysis of beauty along with State 3 of Plate 1. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand below print: See Mr. Nichols'sbook, 3d edit, p. 325., and On page 164 in volume 2. Sheet trimmed to: 39.1 x 50.8 cm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and 1 print : etching and engraving, on laid paper ; sheet 385 x 504 mm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State and date from Paulson., Ms. note in pencil in Steevens's hand above print: 3rd Impression., and Formerly on page 166 in volume 2. Removed in 2012 by LWL conservator.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 165 in volume 2.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image. and State from Paulson.
A shepherdess greets a young man (left) who sits on the bank of a river under a tree. She is shown full length walking towards the right and holding a crook decorated with vegetation; two sheep drink from the river beside her
Description:
Title engraved below image. and Plate numbered '220' in lower left corner.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Couples, Sheep, Shepherdesses, Staffs (Sticks), and Rivers
An image of two couples who appear to be dancing. The couple on the left includes a short, stocky man and a large buxom woman. The man is standing on his toes looking up to the woman while she gazes beyond his head. The couple on the right includes a lanky gentleman who is holding onto the index figure of a woman wearing a large plume in her hair
Alternative Title:
Precision & ease and Ardour and dignity ; Precision and ease
Description:
Titles written in ink below each image., William Heath, English caricaturist and illustrator, 1795-1840., and Sheet has a long crease down the center.
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
Abroad and at home
Description:
Two distinct designs on one plate each titled separately., Sheet trimmed within plate mark., and Mounted to 35 x 26 cm.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
Abroad and at home
Description:
Two distinct designs on one plate each titled separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 14 x 19.2 cm., Imperfect, top design only., and Mounted at the top of leaf 44 of volume 8 of 14 volumes.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
Abroad and at home
Description:
Two distinct designs on one plate each titled separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 14.2 x 19 cm., Imperfect, lower half of design only., and Mounted at the bottom leaf 44 of volume 8 of 14 volumes.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi
Leaf 54. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
At home and abroad ; Abroad and at home
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature. A single imprint statement is etched in lower left corner of top image., Restrike. For original issue of the plate, see nos. 10809 and 10810 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 66., and On leaf 54 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi [i.e. Field & Tuer]
Title from item., Date supplied by curator., In lower left corner is a logo with: TG, V.D. Control Poster No. 5, 1 S.C., In lower margin center: "Easy" but Deadly., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., 1 print : etching with stipple ; plate mark 350 x 247 mm., and Hand-colored.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., and Watermark: J. Whatman 1822.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.8 cm, on sheet 41.8 x 25.6 cm., and Leaf 95 in volume 4.
Illustration to Gay's 'A Beggar's Opera' from 'Inchbald's British Theatre'. An interior scene with a Peachum and Polly administering a drink to Mrs. Peachum, who is lying back with her eyes closed in a chair, having had a fit at learning about the marriage of Polly and Macheath; a fireplace with a fire screen and mantel with jars seen in the background at the right
Description:
Title engraved above image., Caption below image: "Polly- Give her another glass, sir. Act 1. Scene 1.", Publication date from proof in the British Museum online catalogue, registration no.: 1854,0513.487., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd by Longman & Co.
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Couples, Fireplaces, Interiors, and Loss of consciousness
Page 3. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man and woman sit facing each other beside the counter, which stretches across the design; he holds a jelly-glass and puts a spoonful to her mouth; she sits with open mouth and folded arms, a closed fan in one hand. A third customer leans on the counter, holding a jelly-glass and admiring through a lorgnette his own reflection in a mirror; this is the centre of the wall behind the counter, dividing two sets of shelves on which are neatly ranged canisters, glasses, packets, &c. A shop-girl (right) also gazes at the pair. All are fashionably dressed."--British Museum online catalogue
Description:
Title etched below image., After an original drawing by Isaac Cruikshank in the Huntington Library., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., Plate numbered "219" in lower left corner., Mounted to 32 x 26 cm; pasted beneath is a 1750s newspaper clipping advertising "How's Chocolate and Jelly House in Half-Moon-Court joining to Ludgate"., and Mounted on page 3 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Published 4th June 1798 by Laurie & Whittle, 53 Fleet Street, London
Title etched below image., Attributed printmaker supplied by curator, and is also known as Paul Pry., Date derived from printmaker's date of death., Place of publication derived from street address., Above image: Phrenology No. 1; Sketches of Science., In lower left margin: [Man with umbrella] Esq DM., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pub by T McLean 26 Haymarket where Political and other Caricatures are daily Publishing
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 48 in volume 3.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
Title from item., Date supplied by curator., Publisher derived from other posters containing "VDgraphic"., In margin lower left: VDgraphic-7., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[between 1750 and 1790]
Call Number:
Folio 75 C697 770
Image Count:
1
Resource Type:
still image
Abstract:
An elderly man, with balding head and a beard, dressed in a long coat lined with fur, is sitting on a bench next to a table and holding in his hand a conical drinking glass. To the right, a younger woman is sitting behind the table and smiling while looking at her companion. In front of her stands a large pot or a bowl filled with soup. Next to the bowls stands a large ceramic jug. The woman is dressed in the 17th-century Dutch manner. On the wall behind her hangs a fish
Description:
Title engraved below image., Publication date reworked state in the British Museum online catalogue. See Museum number 2010,7081.1674., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., No. 50 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., 1 print : mezzotint on laid paper ; sheet 15.2 x 11.3 cm., and Sheet trimmed to plate mark.
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[between 1750 and 1790]
Call Number:
765.00.00.59 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
An elderly man, with balding head and a beard, dressed in a long coat lined with fur, is sitting on a bench next to a table and holding in his hand a conical drinking glass. To the right, a younger woman is sitting behind the table and smiling while looking at her companion. In front of her stands a large pot or a bowl filled with soup. Next to the bowls stands a large ceramic jug. The woman is dressed in the 17th-century Dutch manner. On the wall behind her hangs a fish
Description:
Title engraved below image., Publication date reworked state in the British Museum online catalogue. See Museum number 2010,7081.1674., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"An elderly couple kept awake in their double bed by fleas."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed with partial loss of imprint. Mounted on leaf 33 of volume 8 of 14 volumes.
Publisher:
Pubd. April 4th, 1806, by T. Rowlandson, N. 1 James St., Adelphi
Subject (Topic):
Bedbugs, Bedrooms, Beds, Couples, Fans (Accessories), and Sleepwear
"An undergraduate leans from a bow window holding a rope attached to a basket containing a gaily dressed courtesan. In its descent it has knocked down the Proctor, who sits on the pavement, the woman falling on top of him. A 'bull-dog' with a constable's staff flashes a lantern on the window and on the woman; another stands just behind. An undergraduate watches from roudnd the corner of the building (right); a well-dressed couple hurry down the side street, looking back with interest."--British Museum catalogue
Alternative Title:
Oxford bull-dogs detecting brazen smugglers
Description:
Title from caption below image., Plate from: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., and Sheet trimmed within plate mark.
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
Octr. 28, 1777.
Call Number:
777.10.28.01+
Image Count:
1
Abstract:
A very corpulent couple facing left, promenade arm in arm. The gentleman, behind the woman, wears a military coat, ruffled shirt and a tricorne hat with a bow on the front. He carries a walking stick, and the pommel of his sword is just visible behind the voluminous dress of his wife, whose face is nearly hidden in an enormous calash hat of the period
Alternative Title:
Captain Calipash and Mrs. Calipee
Description:
Title from item., Trimmed within plate mark., Signed in lower left image M.D. i.e. Matthias Darly?, MD of publisher's name form a monogram., and Numbered '35' in ink on upper mount.
An engraving showing a very tall military officer (full-length) walking towards the right, a cane under his right arm. By his sife is a very short, fat lady. Both are dressed in the fashion of the day
Alternative Title:
Captain Conquest and his baggage waggon
Description:
Title engraved below image.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside, as the act directs
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Couples, Dandies, British, Military uniforms, Obesity, and Staffs (Sticks)
An engraving showing a very tall military officer (full-length) walking towards the right, a cane under his right arm. By his sife is a very short, fat lady. Both are dressed in the fashion of the day
Alternative Title:
Captain Conquest and his baggage wagon
Description:
Title engraved below image., Imprint from state described in the British Museum catalogue., Plate numbered '5' in upper right corner., Cf. No. 4604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark.
Publisher:
Robt. Sayer & J. Smith?
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Couples, Dandies, British, Military uniforms, Obesity, and Staffs (Sticks)
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., Date '1785' in lower right corner of image., 1 print : etching on laid paper, hand-colored ; sheet 21.7 x 30.6 cm., Sheet trimmed within plate mark on top edge., and Mounted on leaf 27 of volume 2 of 14 volumes.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., and Date '1785' in lower right corner of image.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., Date '1785' in lower right corner of image., 1 print : etching, hand-colored ; sheet 21.0 x 29.3 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
In a large room, the left side being a cobbler's workshop, the right a kitchen, a cobbler sits on a bench, before an open window, his hammer in hand. Behind him, on a table are dishes and food, and to the right a woman in an apron cooks with a large frying pan over the hearth grate. On the walls are displayed a number of tools, shoemaker's lasts, flatirons and tableware. An equestrian print with a portrait of the Duke of Cumberland on horseback hangs above the mantlepiece, and a bird in a cage hangs over the cobbler. A stairway is partially visible in the background, and a dog and cat sleep on the floor in the foreground
Alternative Title:
Cobbler's hall
Description:
Undated reissue, with publisher's name changed, of a print first published by Carington Bowles most likely in 1778. Cf. Catalogue of prints and drawings in the British Museum, v. 5, p. 786: Key to ... mezzotints issued by Carington Bowles., Date of publication inferred from paper and from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. See Plomer., and Numbered in plate: 380.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
Title etched below image., Sixth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Painters (Artists), Artists' materials, Courtship, Couples, Kissing, Military uniforms, and British
Title from caption below image., Plate from book: Joe Lisle's play upon words, pub by Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
