In a well-furnished parlor, a woman (left) sits playing at a harpsichord as she turns to gaze with admiration at young military officer who looks at her with intimacy; an older officer to her left scowls at them, his hand in the breast of his vest. On the right another young woman leans her head in her hand, a bored, annoyed look on her face; her elbow is resting on a table on which sits her sewing basket; in her right hand she holds a scissors, her arm thrown back over the back of the upholstered chair. On the floor at her feet is a book "Tirumph of temper." A dog sits at her feet looking up at her. On the back well is a portrait of old woman. On the mantel is a sculpture of a roman chariot and horses
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 24.7 x 33.8 cm., Sheet trimmed within plate mark., and Mounted on leaf 61 of volume 8 of 14 volumes.
Publisher:
Pubd. July 14, 1807, by T. Rowlandson, No. 1 James S[t]., Adelphi
In a well-furnished parlor, a woman (left) sits playing at a harpsichord as she turns to gaze with admiration at young military officer who looks at her with intimacy; an older officer to her left scowls at them, his hand in the breast of his vest. On the right another young woman leans her head in her hand, a bored, annoyed look on her face; her elbow is resting on a table on which sits her sewing basket; in her right hand she holds a scissors, her arm thrown back over the back of the upholstered chair. On the floor at her feet is a book "Tirumph of temper." A dog sits at her feet looking up at her. On the back well is a portrait of old woman. On the mantel is a sculpture of a roman chariot and horses
Description:
Title etched below image., The year of publication in lower right corner is etched over "1807.", In lower left corner of design: Rowlandson 1812. "1812" is etched over "1807.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 14, 1812 by T Rowlandson, No. 1 James S[t]., Adelphi
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Carington Bowles?
Subject (Topic):
Clergy, Courtesans, Interiors, Sofas, Mirrors, and Draperies
A young woman stands weeping beside a sofa, holding a handkercheif to her eye. On the floor is a letter. The room is decorated wtih a dado (Adam urn design), sofa, curtains, and patterned rug
Description:
Title etched below image., Number '135' in lower left corner of plate., Four lines of verse in two columns below title: Oh! fatal day when to my virtues wrong, I fondly listen'd to his flattering tongue. But oh! more fatal moment when he gain'd, that vile consent whcih all my glory staind., and Temporary local subject terms: Dado -- Framed picture.
Publisher:
Printed for Robert Sayer, Map and Printseller, No. 53 Fleet Street, as the act directs
Subject (Topic):
Floor coverings, Wallpapers, Draperies, Rugs, and Sofas
"The Prince lies in bed, 'in extremis'; Thurlow, Pitt, and Richmond stand behind a curtain (right), the first with a dagger raised to strike, Pitt clutching a dagger. On the other side of the bed Liberty with her cap and staff clasps her hands in supplication for the preservation of the Prince; behind her stand Fox, Burke, North, and (?) Sheridan in similar attitudes. In the foreground (left) Time advances with his scythe towards the Prince; he has mown down a man who falls backwards holding on his shoulder a naked African with a broken spear (? Death). The African, about to fall, clutches the head of an apothecary seated on the ground. Rays of light fall diagonally on the Prince; clouds extend over him and his would-be assassins. Resting on the clouds is a scroll inscribed: '1800 \ Glory, \ Conquest, \ Submission of \ America - Perfidy of France \ respecting the Treaty'. Above the Prince's head are his feathers and 'Ich Dien'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 17 of volume 2 of 12.
Publisher:
Pubd. June 16, 1787, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Burke, Edmund, 1729-1797
Subject (Topic):
Death (Personification), Beds, Draperies, Daggers & swords, Liberty, Liberty cap, Time, and Scythes
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., and Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet., and 1 print : etching, hand-colored ; plate mark 245 x 346 mm.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
"A section cut from British Museum Satires No. 11888, with alterations. The King (apart from the removal of the coral and bells), Lord and Lady Hertford, and Yarmouth are as before, though the former Hertfords now stand for Conynghams (see British Museum Satires No. 13847), and Yarmouth (presumably) becomes Lord Francis Conyngham. The other adjacent figures are removed. The pavilion is still inscribed 'He[rtford] Nursery'. The design extends from the middle of the left support of the pavilion, which is however removed, except for the head and shoulder of the woman supporting the drapery, to the right edge of the right support of the pavilion, which is as before, with satyrs, infant Bacchus, and nude women; the emblem of fool's cap, &c., is unaltered. The King says to Lady Conyngham: "My dear Coney you are my life, my soul, my only Joy if business did not call me from hence--I would never leave you, what with my Wife and the Cabinet together I have no peace except in your dear arms." She answers: "Really my love you give way to fear take another glass--you have nothing to dread, we shall soon dispose of that vile woman--in my arms you are safe, continue with me at the Nursery, and we will soon form a new Cabinet if it is necessary." The antlered Lord Conyngham, grovelling on the ground behind his wife, says: "I have got into snug quarters, Lady C-- knows how to manage him--he is welcome to occupy my premises as long as he pleases.""--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Printed on watermarked paper., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Lady Conyngham," and "George IV" identified in pencil at bottom of sheet; date "1821" written in ink in lower right corner. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876
"The King (left), plainly dressed, sits on a chair on a dais, a pillar and curtain indicating the throne. He angrily addresses a band of Ministers (and others) who are encircled by a ribbon inscribed The Bond of Union; the end of this is held by the Pope (right). Raising a document inscribed Coronation Oath he exclaims: Is that your only Bond of Union? Is that the flimsey Thread that Ties this hetrogenous [sic] Mass. What? have ye hid your base designs beneath the Cloak of Secrecy? Think ye to Catch your Sovereign off his guard? to tempt him to forget his Solemn Oath? and by one desperate Stroke, destroy the Church & Constitution too?!! begone, and instantly give place to honest Men. Lady Conyngham peeps from behind his chair, saying, I do exceedingly Fear & Tremble. The nine Ministers, closely tied together, advance menacingly, each raising a cross in the right hand. The Pope, triumphant and sinister, also holding a cross, says: Strike My Son's Now or never!! The four nearest the picture plane are (left to right) Canning, Brougham, Burdett, and Lansdowne with Scarlett just behind him; the other four are partly hidden and poorly characterized. Lansdowne is copied from satires of 1806-7, when he was Chancellor of the Exchequer: he is dwarfish, and held up by the 'Bond', his legs dangling. Three say respectively: No bolting when you come to the Scratch; Nine to one will certainly be more--than a Match for him; Stick together. Above them flies a demon holding the firebrand of Discord, while Harmony, a winged child (right) holding a lyre, flies off discomfited."--British Museum online catalogue
Alternative Title:
Symptoms of dictating, cabaling, conspiring, overawing &c. &c.
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 32 x 46 cm.
Publisher:
Pub. May 16, 1827, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Canning, George, 1770-1827, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, Scarlett, James, Sir, 1769-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Leo XII, Pope, 1760-1829
Subject (Topic):
Thrones, Columns, Draperies, Ribbons, Crosses, and Demons
