"Five members of the Opposition watch with admiring surprise 'Ombres Chinoises': figures whose shadows are thrown on a sheet or screen, the scene enclosed in a circle: three fat Dutchmen seated on the sea advance directly towards the spectators. On the shoulders of each sits a French sansculotte soldier, cadaverous and sinister; the central figure wears a cocked hat from which project cannon or trench-mortars, he holds a tricolour flag. The others wear bonnets-rouges; one (left) blows a trumpet, the other (right) beats a drum. The Dutchmen are impassively smoking pipes, two wear French cockades; from the hips of each project the mouths of cannon. The light background of the circle stands out on a tinted ground; above it is a scroll, apparently issuing from the mouth of the trumpet: 'Terror the Order of the Day'. Only the heads and shoulders of the spectators are visible, all in back view except that of Lansdowne on the extreme right, who says "Astonishing effect". The others (left to right) are Fox, looking through a glass as in British Museum Satires No. 8641, Sheridan, Stanhope, and a bishop identified as Watson of Llandaff. Fox says: "what a fine Effect"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Seventh of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., and Temporary local subject terms: Opposition -- Threat of French invasion of Britain -- Reference to the Dutch fleet -- Military: Dutch soldiers -- Sansculottes -- Bonnet rouge -- Musical instruments -- Slogans: "Terror the order of the day."
Publisher:
Published by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lansdowne, William Petty, Marquis of, 1737-1805, and Watson, Richard, 1737-1816
Subject (Topic):
Navies, Dutch, Soldiers, French, Cannons, Trumpets, Drums, Flags, Liberty cap, and Pipes (Smoking)
Drawing of Cornelis Poelenburgh (1594 or 1595-1667), Dutch painter and draughtsman, one of the first generation of Dutch italianates. He worked in the Court of Charles 1.
Alternative Title:
Cornelis Poelenburgh and Cornelius Polenburg
Description:
Title in ink below image in Horace Walpole's hand: Corn. Poelenburgh pictor., Signed in pencil, lower right: G.V., George Vertue, English artist, 1684-1756., Engraved portrait by T. Chambars in Anecdotes of painting in England entitled "Cornelius Polenburg" and identifies the work as a self portrait by the artist: ipse pinxit., and Drawing that was used as a basis for an engraving of Poelenburgh in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 103.
Drawing of Egbert van Hemskirk, Dutch artist, who was also active in England
Alternative Title:
Egbert van Hemskirk
Description:
Title from caption below image., Drawing that was later used in an engraving of John Riley: Anecdotes of painting in England / by Horace Walpole. London : J. Dodsley, 1782, v. 3, p. 122., and George Vertue, English artist, 1684-1756.
Portrait of Henry Cook (1642-1700), Dutch born artist who was employed in England under Abraham Van der Doort (d. 1640) as a copier of the King's paintings in the court of Charles I.
Alternative Title:
Henry Cooke history painter and Henry Cooke
Description:
Title from inscription below image., Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 118., and George Vertue, English artist, 1684-1756.
Portrait of John van Belcamp (ca. 1610-1653), Dutch born artist who was employed in England under Abraham Van der Doort (d. 1640) as a copier of the King's paintings in the court of Charles I.
Description:
Title from inscription below image., Drawing that was later used for an engraving published in :Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 101., and George Vertue, English artist, 1684-1756.
Portrait of Adriaen Hanneman (c.1604-1671), Dutch portrait painter, who lived in London from 1626 until around 1640 when he returned to The Hague. He had a long career painting portraits of exiled English royalists and the Dutch court as well as other wealthy residents of The Hague
Description:
Title from inscription in ink, in 18th century hand, lower left: Adrian Hanneman Pictor, Drawing that was later used for an engraving published in : Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 120., and George Vertue, English artist, 1684-1756.
Drawing of Daniel Mytens (ca. 1590-1674), painter born in Delft in the northern Netherlands. He moved to London in the mid-1610s where his patrons included many members of the royal court and later King James I and Charles I. He returned to The Hague in 1630 where he worked as an art dealer
Alternative Title:
Daniel Mytens pictor magna Britannia Regis
Description:
Title from item., Signed in pencil, lower right: G.V., Drawing that was used as a basis for an engraving of Mytens in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 7. Artist indentified as: Ant. van Dyck pinxt., and George Vertue, English artist, 1684-1756.
Portrait of Adriaen van Diest (1655-1704), born in The Hague, immigrated to England when he was 17 and remained there, active as a landscape painter of views of England in the western parts landscapes, chiefly in the Italian manner
Description:
Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 129., Title from item., Signed in ink, lower right: ob. 1704 Aeta '49. G.V., Inscription in ink, in 18th century hand, lower right below monogram: poss. Mr. Dahl pict., Inscription in ink, in 18th century hand, lower left: se ipse pinx., and George Vertue, English artist, 1684-1756.
Portrait of Cornelis Ketel (1548-1616), Dutch painter, draftsman, poet, and sculptor, born in Gouda in the Netherlands, moved to London in 1573 where he painted portraits until his return to the Netherlands in 1581
Alternative Title:
Cornelis Ketel painter
Description:
Title from item., Drawing that was later used for an engraving published in: Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v.1, opp. p. 137., and George Vertue, English artist, 1684-1756.
Portrait of Gerrit van Honthorst (1592-1656), Dutch painter and draftsman, active in Italy
Alternative Title:
Gerrit van Honthorst pictor
Description:
Title from inscription in brown ink, in 18th century hand, below image: Ger. Honthorst pictor., Drawing that was later used for an engraving published in : Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 110., Signed in graphite, lower right corner: G.V. d., and George Vertue, English artist, 1684-1756.
