Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1780]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 15. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue, description of lettered state
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; Js. Bretherton fec., State before letters. For a later state with artist and printmaker signatures and the publication line "Publish'd 4th March 1780 by Js. Bretherton, New Bond Street", see British Museum online catalogue, registration no.: 1917,1208.2999., Sheet trimmed to plate mark., and Mounted on page 15 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[4 March 1780]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 29. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., Mounted on page 29 of: Bunbury album., 1 print : etching on laid paper ; sheet 29.2 x 28.7 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
Publisher:
Publish'd 4th March 1780 by Js. Bretherton, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[4 March 1780]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 29. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., Mounted on page 29 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 28.9 x 28.6 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
Publisher:
Publish'd 4th March 1780 by Js. Bretherton, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[4 March 1780]
Call Number:
Bunbury 780.03.04.01.3+
Collection Title:
Page 29. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., and Watermark: Edmeads 1799.
Publisher:
Publish'd 4th March 1780 by Js. Bretherton, New Bond Street
"A struggling crowd, partly within and partly without the pit door, a spiked gateway, of Drury Lane Theatre. Men, respectably dressed but of plebeian appearance, stand in the foreground on the outskirts of the crowd or fight their way in, some with sticks. There are a few women; one who has fainted but is in an erect position owing to the crowd, is being revived with smelling-salts. A man is vomiting. In the foreground two lady's hats, the ribbons partly torn off, lie on the ground with shoes and the broken fragments of a shoe-buckle. In the background two ladies and a man are passing through a narrow door into the theatre itself; through the doorway is seen a section of an upper gallery and boxes below it, both crowded. On the exterior wall, above the heads of the crowd, is a playbill ..."--British Museum online catalogue, description of the related print
Alternative Title:
Porte du parterre
Description:
Title from related print, which bears both the English title "The pit door" and the French title "La porte du parterre"., Unsigned and undated; artist attribution and approximate date from those assigned to the related print in the British Museum catalogue. See no. 6769 in the Catalogue of prints and drawings in the British Museum, v. 6., Inscribed on poster in upper center portion of image: By Command of their MAJESTIES. At the Theatre Royal Drury Lane The Grecian Daughter And Euphrasia Mrs Siddons To which will be added The Devil to Pay Tomorrow the Tragedy of Hamlet HAMLET by MR KEMBLE., and Laid down on wove paper with watermark "B. E. & S."
Subject (Geographic):
England and London.
Subject (Name):
Kemble, John Philip, 1757-1823., Siddons, Sarah, 1755-1831., and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Theaters, Crowds, Gates, Doors & doorways, Vomiting, Loss of consciousness, and Signs (Notices)
Title devised by curator., Questionable attribution to Henry Keene (1726-1776), architect and surveyor., and For further information, consult library staff.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
View of a cart being pulled by a horse to the right; buildings and a stone gate are seen in the background
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1805]
Call Number:
Drawings W87 no. 42 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A countryman, with companion horse and dog, stands outside of a city gate pleading with two guardsmen to permit him entry. His plea begins, "Hollo! you Master Whiskers don't keep me here in the cold all night. If you want to know who I am I tell you I am an Elector for Middlesex!" One guard responds, "Elector of Middlesex!! I never heard of that elector before, he must be a great man, open the gates immediately."
Description:
Title and date devised by cataloger. and Artist's signature inscribed in black ink in the artist's hand below image.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Country view with a church at center, its grounds enclosed by a fence with a gate. A tree is seen in the foreground on the right; smaller bushes surround the church on the left. A windmill and a small building sit atop a hill in the distance
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Verse - "In Bath a wanton wife did dwell,"., What appears to be the same setting of type was also issued with imprint: Sold at no. 42, Long Lane; dated from that address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157. Appearance of woodcut suggests this issue preceded one with imprint., In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 63. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
J. Evans?
Subject (Geographic):
Bath (England)
Subject (Topic):
Repentance, Women, Moral and ethical aspects, Heaven, and Gates
"Design in an oval. Fox with a very melancholy expression, standing with folded arms facing three quarter to left outside a closed and padlocked gate repeating Wolsey's soliloquy from Henry the Eighth. The gate fills an archway, its top being of iron spikes, the padlock is inscribed Fast. The stone arch over the gate is inscribed Treasury. On the stone wall of the Treasury building (left) are torn placards. One is a broadside, 'Last Dying Speech' headed by a print of a man hanging from a gibbet; another is headed "Gamester". Beneath the title is inscribed: "Farewell, a long Farewell to all my Greatness! this is the state of Man, to Day he puts forth the tender leaves of hopes, tomorrow Blossoms & bears all his blushing Honours thick upon him: the Third Day comes a Frost a killing Froast [sic], & when he thinks good easy Man full surely his Greatness is a Ripening, nips his Root & then befalls as I do!"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 29.1 x 20.3 cm., and Mounted on leaf 39 of volume 1 of 12.
Publisher:
Pubd. Augt. 12th, 1782, by H. Humphrey, New Bond Street
"Design in an oval. Fox with a very melancholy expression, standing with folded arms facing three quarter to left outside a closed and padlocked gate repeating Wolsey's soliloquy from Henry the Eighth. The gate fills an archway, its top being of iron spikes, the padlock is inscribed Fast. The stone arch over the gate is inscribed Treasury. On the stone wall of the Treasury building (left) are torn placards. One is a broadside, 'Last Dying Speech' headed by a print of a man hanging from a gibbet; another is headed "Gamester". Beneath the title is inscribed: "Farewell, a long Farewell to all my Greatness! this is the state of Man, to Day he puts forth the tender leaves of hopes, tomorrow Blossoms & bears all his blushing Honours thick upon him: the Third Day comes a Frost a killing Froast [sic], & when he thinks good easy Man full surely his Greatness is a Ripening, nips his Root & then befalls as I do!"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 12th, 1782, by H. Humphrey, New Bond Street
A dog with the heads of Lord North, Charles Fox, and Edmund Burke stands guard in front of a gate inscribed, "Portland" and probably representing the Treasury. The dog's "Coalition" collar is secured with an "Interest" padlock and decorated with the Prince of Wales's feathers. The inscription on its tail refers to a bag of euphorbium thrown in Fox's face by an opponent. Above the gate, Cromwell's face makes the central keystone in the arch. It is flanked by two axes and two masks with devil's horns: the smiling one is Lord Derby; the scowling one Admiral Keppel
Description:
Title from item., Cf. No. 6481 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 27 x 37 cm.
Publisher:
Pubd. as the act directs, by J. Ridgway, Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., Derby, Edward Smith Stanley, Earl of, 1752-1834., Keppel, Augustus Keppel, Viscount, 1725-1786., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Cerberus (Greek mythology), Politics and government, Gates, and Demons
The Duke of Portland, the new prime minister, leans over the gate to "Portland Place" handing down to Fox and North their reward in the form of an enormous bunch of grapes. Fox grasps the whole bunch taking a bite out of it while North, standing on his tiptoes with his arms wide open, cannot reach it. (In the verses below the title, as in other satires on the Coalition, North is the badger.)
Description:
Title from item., Printmaker from British Museum catalogue., Six lines of verse below title: Says the badger to the fox, we're in the right box ..., 1 print : etching on wove paper ; sheet 34.2 x 23.5 cm., Sheet trimmed within plate mark., and Mounted on leaf 57 of volume 1 of 12.
Publisher:
Pubd. April 3d, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
The Duke of Portland, the new prime minister, leans over the gate to "Portland Place" handing down to Fox and North their reward in the form of an enormous bunch of grapes. Fox grasps the whole bunch taking a bite out of it while North, standing on his tiptoes with his arms wide open, cannot reach it. (In the verses below the title, as in other satires on the Coalition, North is the badger.)
Description:
Title from item., Printmaker from British Museum catalogue., Six lines of verse below title: Says the badger to the fox, we're in the right box ..., and Mounted to 43 x 29 cm.
Publisher:
Pubd. April 3d, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Title etched above image., Possibly after Woodward., Sheet trimmed to plate mark., Seven lines of verse below title: Proceed we next unto the old incumbent at his gate ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Incumbents -- Old men -- Male costume: banyan -- Furniture: garden benches -- Architectural details: garden gates -- Spectacles -- Literature: parody on Shakespeare's As You Like It -- Literature: quotation from Richard Graves's The Spiritual Quixote.
Publisher:
Pub. Decr. 1, 1790, by W. Holland, No. 50 Oxford St.
Subject (Topic):
Clergy, Older people, Benches, Garden walls, Gates, Reading, and Eyeglasses
"Soldiers discovering brandy in women's bustles by the Paris gates."--British Museum online catalogue
Alternative Title:
Brandy-rumps detected
Description:
Title etched below image., Questionable attribution by repository: Henry Kingsbury., Sheet trimmed within plate mark., Engraved beneath the title, three lines of explanatory text: Two fashionable females contrived to fill bladders wtih brandy which they substituted for rumps, and thus equipped in the most outré prominence of the mode passed several times unsuspected through the gates of Paris, smuggling no inconsiderable quantity of brandy. The frequency of their excursions caused suspicion among the officers who attempted to touch their garments but were repulsed with affected modesty. They however with the points of their swords [?] pierced what now-a-days is usually made of cork, when lo! a fountain of brandy played from each orifice, to the great diversion of the spectators, and the no small confusion of the Fair ones., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ladies' costumes -- Derrières -- Bosoms., Watermark in center of sheet: L., and In manuscript at top of sheet: 54. On verso: Offset of un-identified musical score.
Publisher:
Pub'd May the [...] 1786 by S.W. Fores, at the Caricature Warehouse, No. E [sic] Piccadilly
Subject (Topic):
Soldiers, French, Military uniforms, Monks, and Gates
Heading to a printed broadside that begins: "Pity the sorrows of a poor old man, whose worn-out limbs have borne him to your door ..." The King is shown as a haggard beggar, his clothes torn and a pack on his back. He holds out his inverted crown with his left hand, seeking donations; his right hand grasps the cane he is leaning on. The sign post behind him says "To Bradenburg [sic] House" and points to the right, the direction in which the King travels. Brandenburgh House is seen in the background on the right, the Queen looking sternly out the window at the disheveled King. A sign at the gate to the house says "Beware of steel traps and sping [sic] guns." In the left background is a smaller house labeled "The Cottage".
Description:
Title from letterpress text below image., Date inferred from the depiction of Queen Caroline at Brandenburgh House, where she lived in 1820-21., Sheet trimmed within plate mark on three sides., "Entered at Stationers' Hall. Price one shilling"--Below imprint and above printer's statement., Not in the Catalogue of prints and drawings in the British Museum., Watermark: T. Edmonds 1819., Mounted to 58 x 39 cm., Mounted on leaf 64 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in ink below image.
Publisher:
Published by J. Dawson, Camden Town; and sold by every bookseller and newsman in the kingdom and Printed by W. Smith, King Street, Seven Dials
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
Heading to a printed broadside that begins: "Pity the sorrows of a poor old man, whose worn-out limbs have borne him to your door ..." The King is shown as a haggard beggar, his clothes torn and a pack on his back. He holds out his inverted crown with his left hand, seeking donations; his right hand grasps the cane he is leaning on. The sign post behind him says "To Bradenburg [sic] House" and points to the right, the direction in which the King travels. Brandenburgh House is seen in the background on the right, the Queen looking sternly out the window at the disheveled King. A sign at the gate to the house says "Beware of steel traps and sping [sic] guns." In the left background is a smaller house labeled "The Cottage".
Description:
Title from letterpress text below image., Date inferred from the depiction of Queen Caroline at Brandenburgh House, where she lived in 1820-21., Sheet trimmed within plate mark on three sides., "Entered at Stationers' Hall. Price one shilling"--Below imprint and above printer's statement., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 38 x 25 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and other text from bottom edge., and Mounted on page 39 of: George Humphrey shop album.
Publisher:
Published by J. Dawson, Camden Town; and sold by every bookseller and newsman in the kingdom and Printed by W. Smith, King Street, Seven Dials
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., Plate numbered "4" in upper left corner., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on leaf 67 of James Sayers's Folio album of 144 caricatures.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress., and Mounted on page 87 with one other print.
"The gate of Bedford House (Bedford Square) with the double doors sufficiently open to show a man descending the steps of the house carrying a sack of plunder. On one side of the gate sits the Duke of Bedford, dressed as a jockey and seated on a saddle supported by trestles; he looks down, his face is concealed by his cap, his arms are folded. At his feet is a paper: 'Motion for Peace with France'. On the opposite side sits a sansculotte astride a pile of plunder topped by a bundle of 'Title De[eds] of Estates in -'. His feet rest on money-bags and on a ducal coronet. He wears a bonnet-rouge and grasps a bag inscribed '£1000', looking towards the Duke. A horizontal beam or 'Bedford Level' touches both their heads, from its centre rises an upright against which hangs a plumb-line, exactly vertical. On each gate-post is a double-headed Sphinx (cf. British Museum Satires 8786), one head (left) looks down mournfully at Bedford, another (right), with snaky locks, grins down at his companion."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Fourth of a set of seven prints "Outlines of the Opposition in 1795 ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper left corner, see no. 8639 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Opposition -- Reference to motion for peace with France, 26 January 1795 -- Buildings: Gate to the Bedford House, London -- Bedford Level: Reference to Isle of Ely -- Symbols: Freemasons' level -- Level as symbol of equality -- Reference to the Duke of Bedford's estates -- Sansculottes -- Bonnet rouge -- Emblems: Tricolor cockade -- Male dress: Jockey's dress.
Page 83. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Alternative Title:
Temple Bar du côté du couchant
Description:
Title etched below image., Plate from: Beeverell, J. Les délices de la Grande Bretagne, & de l'Irlande. A Leide : Chez Pierre Vander Aa, MDCCVII [1707], v. 4, opposite page 834., Sheet trimmed within plate mark., Mounted to 32 x 26 cm., Mounted on page 83 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?]., and Note in ink below image, on mounting page: Temple, Ludgate Hill, and St. Pauls, 1730.
"A man rides out of the gateway (left) which leads to the courtyard of an inn, three dogs barking at the heels of his horse. The horse is kicking, the rider has lost his stirrups and clutches the animal's mane. Part of the courtyard is visible showing the body of a high perch phaeton. Above it is the first-floor balcony with a balustrade. Outside the inn (right) are grass and trees."--British Museum online catalogue
Description:
Title from caption below image., Header above the image: Hints to bad Horsemen., Companion print to: Strong symptoms of starting. See British Museum catalogue, v. 6 no. 7610., and Two lines of verse below title: Alas what troubles of betide ...
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 37.0 x 26.5 cm., and Mounted on leaf 36 of volume 2 of 12.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper ; plate mark 34.8 x 24.8 cm, on sheet 40.5 x 27.3 cm., and Mounted to 43 x 30 cm.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
Title from item., Date supplied by curator., Place of publication supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Clysters.
Publisher:
Lith. Lemaine et Fils, 61, r. de Clery
Subject (Geographic):
France
Subject (Name):
Napoleon III, Emperor of the French, 1808-1873. and Peter, the Apostle, Saint.
Subject (Topic):
Heaven, Gates, Saints, Politicians, Monks, Keys (Hardware)., and Politics and government
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
Title from text above and below image., Publication date from unverified data in local card catalog record., and Caption below image continues: ... Ven here's a riglar gate to ride through.
Publisher:
Tregear & Lewis, 96 Cheapside
Subject (Topic):
Donkeys, Horseback riding, Gates, Hedges (Plants), and Accidents
Title from item., Publisher and date supplied by curator., View is of an almshouse and a chapel consecrated to St. Mark (no longer extant), and Pfarre St. Augustine, outside the gates of Vienna., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Austria; St. Mark's Hospital (Vienna).
Publisher:
Johann Andreas Pfeffel
Subject (Geographic):
Austria and Vienna.
Subject (Name):
Pfarre St. Augustin (Vienna, Austria).
Subject (Topic):
Almshouses, Architecture, Croplands, Churches, Gates, and Farming
Leaf 73. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two scenes printed on one sheet, the subjects relate to Bunbury's days as a student at Cambridge. "Pot Fair Cambridge": pots are laid out on tables for sale. A fat divine stumbles backward as dogs fight in the foreground. A seller at right is alarmed as he threatens to fall onto her table. "The College Gate": Three men ride off in different directions after coming through a gate with square brick pillars surmounted by stone vases. Behind the left rider walks a fat divine wearing an academic cap. Through the gateway we are shown a short fat man in a clerical wig standing on a mounting block as a groom approaches with his horse."--Metropolitan Museum of Art online catalog
Alternative Title:
Pot fair Cambridge ; The college gate
Description:
Titles etched below images., Two images on one plate, each with its own title and statement of responsibility., Restrike. For an earlier issue of the plate, published ca. 1790, see Metropolitan Museum of Art online catalog, accession no.: 59.533.1861., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Top image is a reduced copy of no. 4729 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Bottom image is a reduced copy of no. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 73 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
University of Cambridge, and King's College (University of Cambridge). Chapel,
Subject (Topic):
Pottery, Dogs, Students, Teachers, Gates, Horses, and Clergy
A mournful Fox and Burke stand arm in arm outside the gates of Paradise holding their handkerchiefs. Above the gate a stone arch is decorated with satyrs' heads and those of Barré, Shelburne, and Dunning. A reference to the resignation of Fox and Burke after Shelburne's appointment as First Lord of the Treasury in July 1782
Description:
Title etched below image., Signed with the monogram of James Sayers., Nine lines from John Milton's Paradise lost etched in two columns below image, on either side of title: ... to the eastern side of Paradise so late their happy seat ..., 1 print : etching and drypoint on wove paper ; plate mark 27.2 x 22.6 cm, on sheet 29.6 x 24.8 cm., Mounted on leaf 12 of James Sayers's Folio album of 144 caricatures., and Watermark: E & P 1801.
Publisher:
Published 17th July 1782 by Charles Bretherton, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Barré, Isaac, 1726-1802, Dunning, John, Baron Ashburton, 1731-1783, and Milton, John, 1608-1674.
Subject (Topic):
Politics and government, Pensions, Stone walls, and Gates
A mournful Fox and Burke stand arm in arm outside the gates of Paradise holding their handkerchiefs. Above the gate a stone arch is decorated with satyrs' heads and those of Barré, Shelburne, and Dunning. A reference to the resignation of Fox and Burke after Shelburne's appointment as First Lord of the Treasury in July 1782
Description:
Title etched below image., Signed with the monogram of James Sayers., Nine lines from John Milton's Paradise lost etched in two columns below image, on either side of title: ... to the eastern side of Paradise so late their happy seat ..., and Mounted on page 19.
Publisher:
Published 17th July 1782 by Charles Bretherton, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Barré, Isaac, 1726-1802, Dunning, John, Baron Ashburton, 1731-1783, and Milton, John, 1608-1674.
Subject (Topic):
Politics and government, Pensions, Stone walls, and Gates
A mournful Fox and Burke stand arm in arm outside the gates of Paradise holding their handkerchiefs. Above the gate a stone arch is decorated with satyrs' heads and those of Barré, Shelburne, and Dunning. A reference to the resignation of Fox and Burke after Shelburne's appointment as First Lord of the Treasury in July 1782
Description:
Title etched below image., Signed with the monogram of James Sayers., Nine lines from John Milton's Paradise lost etched in two columns below image, on either side of title: ... to the eastern side of Paradise so late their happy seat ..., DeGrey's note below plate mark., and Matted to 49 x 62 cm.
Publisher:
Published 17th July 1782 by Charles Bretherton, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Barré, Isaac, 1726-1802, Dunning, John, Baron Ashburton, 1731-1783, and Milton, John, 1608-1674.
Subject (Topic):
Politics and government, Pensions, Stone walls, and Gates
"Wellington gallops from a well-dressed crowd who pelt him with mud and stones. He rides from a street towards a park gate, where in the distance tiny soldiers march with fixed bayonets. P. 14: N, for the nonsense oft found in the head, Of him, who is not so well tutored as fed-- ..."--British Museum online catalogue
Alternative Title:
N, for the nonsense oft found in the head of him, who is not so well tutored as fed ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 11 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Rosco.
Leaf 50. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A rectangular plot enclosed by palings and gate and surrounded by trees outside an old-fashioned country house (left). The plot has four rectangles of turf set in gravel which a fat man in a dressing-gown with a cloth tied over his head is rolling, a dog running in front. A fatter man in night-cap, shirt-sleeves, and waistcoat (split up the back) holds a pair of dumb-bells, turning to a young woman (left) who is sawing a log of wood supported on trestles. Beside the paling is a dove-cote on a pole."--British Museum online catalogue
Alternative Title:
Passing the worst part of a rainy winter in a country ...
Description:
Title etched below image., Text below title: Passing the worst part of a rainy winter in a country so inveterately miry as to imprison you within your own premises so that by way of exercise ..., Restrike. For original issue of the plate, see no. 10823 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Illustration to James Beresford's Miseries of human life, 1806; see no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 123., and On leaf 50 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 12, 1807, by T. Rowlandson, No. 1 James Street, Adelphi and Field & Tuer
Subject (Name):
Beresford, James, 1764-1840.
Subject (Topic):
Country life, Fences, Gates, Trees, Dwellings, Dumbbells, Obesity, Dogs, Woodcutting, Saws, and Axes
Two women on the right stand next to a wooden gate and look over at a soldier on the left, who is seated on a hummock and holding a rifle
Description:
Title engraved below image., Sheet trimmed within plate mark., Plate from: Angelica's ladies library; or, Parents and guardians present. London : Printed for J. Hamilton and Co.; and Mrs. Harlow, 1794., Illustration to Lord Lyttelton's translation of parts of an elegy of Tibullus., and Mounted on page 103 of: Bunbury album.
Publisher:
Pubd. Decr. 1st, 1794, by W. Dickinson, No. 24 Bond Street
Subject (Name):
Lyttelton, George Lyttelton, Baron, 1709-1773 and Tibullus
Volume 2, page 48. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women standing either side of a gate, looking over to a soldier seated on a hummock and holding a rifle at left, a church tower in the distance; oval design, after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Four lines of verse below title, from Lord Lyttelton's translation of parts of an elegy of Tibullus: With thee my love to pass my tranquil days, how would I slight ambitions painfull praise, by beauty held in strong, but gentle chains, far from tumultuous war, & dusty plains. Lyttelton., Companion print to: Love and jealousy., and Mounted on page 48 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Decr. 1st, 1786, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Name):
Lyttelton, George Lyttelton, Baron, 1709-1773 and Tibullus
Leaf 11. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Gilpin gallops towards a toll-gate (left) which a man runs to open. Beside the gate is a turnstile for foot-passengers."--British Museum catalogue
Alternative Title:
And still as fast as he drew near, 'twas wonderful to view ...
Description:
Title etched above image., Four lines of verse below image: And still as fast as he drew near, 'twas wonderful to view, how, in a trice, the turnpike-men their gates wide open threw., Second plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "2" in upper right corner., and Bound in as leaf 11 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Horseback riding, Toll roads, Gates, and Gatehouses
"Alderman Wood, a dumpy figure with a large head, lies on his back, arms and legs in air, with mud splashing up all round him. He has fallen from a high wall adjoining the gate (left) of Brandenbourg House [cf. British Museum Satires No. 13852]. An angry lion (? in stone), with tail erect, stands on the wall by the gate, looking down at him. Two scrolls hang precariously from the coping: 1821 A Baronet, 1821 A Lord, 1823 A Duke-- 1824 * * * *, 1825 *****. and Expectations.--Wardenship of St Catherines [see British Museum Satires No. 14131, &c], Lord Mayor for Life, Prime Minister, Commander in Chief. A scroll inscribed Cornwall Mines is falling. On the ground beside him are two papers: The Alderman's Rise-- Errend Boy. Shopman. Bagman. Alderman &c &c &c &c &c &c &c, and: Old Wood to be Sold Cheap [cf. British Museum Satires No. 14147]. Through the iron gate are seen the trees and grounds of the house."--British Museum online catalogue
Description:
Title etched below image., Watermark: J. Whatman Turkey Mill 1821., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 106 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Ald. Wood" identified in ink below image; date "19 Sep. 1821" written beneath lower right corner of image. Typed extract of seventeen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England and London.
Subject (Name):
Wood, Matthew, Sir, 1768-1843, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
Subject (Topic):
Death and burial, Humpty Dumpty (Fictitious character), Municipal officials, Falling, Mud, Walls, Gates, Lions, and Scrolls (Information artifacts)
Berthoud, H. (Henry), active 19th century, printmaker
Published / Created:
[not after 1864]
Call Number:
Print00955
Image Count:
1
Resource Type:
still image
Description:
Title from item., Place of publication derived from language of text., Date derived from printmaker's accepted date of death., Inscribed in margin top left: No.134., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Name):
Ecole polytechnique (France). and C.H.U. Pitié-Salpêtrière (Paris, France).
Subject (Topic):
Hospitals, Schools, City & town life, Universities & colleges, and Gates
"The gateway of St. James's Palace. On its flagstaff is a standard bearing Bute's arms with the motto 'Avito viret honore' (cf. British Museum Satires No. 4423). Under the archway a Scotsman in kilt and plaid holds a prancing horse by the tail. Another Scot stands by flourishing a whip and holding in his left hand a saddle with stirrups."--British Museum online catalogue
Alternative Title:
He rules as absolutely and with as much indignity ...
Description:
Title from text below image., Sheet trimmed within plate mark., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 10 (1772), page 265., and Temporary local subject terms: Buildings: St. James's Palace gateway -- Flagstaffs -- Arms: Earl of Bute's arms -- Scotsmen -- The White Horse of Hanover? -- Allusion to the Earl of Chatham's speech on secret influence.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Saint James's Palace (London, England),
Shown before the gate of a castle, Hamlet is supported by two men as the ghost of his father, dressed in armour the knees of which are etched with the masks of Comedy and Tragedy, appears before him
Description:
Title etched below image., Two lines from Shakespeare Hamlet quoted below title: "Still I am called .. unhand me gentlemens [sic]. By heaven I'll make a ghost of him that lets me"., Date based on publisher's address. See Maxted, I. The London book trades, 1775-1800., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Parkyns, George Isham, approximately 1750-approximately 1820, printmaker
Published / Created:
[1 January 1798]
Call Number:
Topos Su962 no. 5+
Image Count:
1
Resource Type:
still image
Abstract:
"An arched gateway the centre, with a smaller arch on the right; three women and a child talking by a wall in the left foreground; a gothic style building on the left behind the wall; a courtyard in the background through the arch"--British Museum online catalogue, description of an earlier state
Description:
Title from caption below image., Artist from British Museum online catalogue., Later state printed from a worn plate; artist's signature has been completely burnished from plate and printmaker's signature partially burnished., Sheet trimmed to plate mark leaving thread margins., Reissue of Plate 6 from: Picturesque views of churches. London, 1791-1792. See British Museum online catalogue., and Window mounted to 34 x 47 cm.
Publisher:
Published Jany. 1, 1798, by T. Simpson, St. Paul's Church Yard, and Darling & Thompson, Gt. Newport Street
A drawing of a design for the gateway with scale to Horace Walpole's home, Strawberry Hill in Twickenham, Middlesex, with pencil sketches of a floor plan and other notes and sketch
Description:
Title from Horace Walpole's ms. note in ink at top right of sheet., Formerly mounted on leaf 57 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [approximately 1760]., and Date based on creation date of album.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Page 121.13. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Description:
Title and statement of responsibility from notes in ink above image, in Horace Walpole's hand., Date of production based on artist's death date., and Mounted on page 121.13 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
