A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Verse - "In Bath a wanton wife did dwell,"., What appears to be the same setting of type was also issued with imprint: Sold at no. 42, Long Lane; dated from that address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157. Appearance of woodcut suggests this issue preceded one with imprint., In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 63. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
J. Evans?
Subject (Geographic):
Bath (England)
Subject (Topic):
Repentance, Women, Moral and ethical aspects, Heaven, and Gates
"Design in an oval. Fox with a very melancholy expression, standing with folded arms facing three quarter to left outside a closed and padlocked gate repeating Wolsey's soliloquy from Henry the Eighth. The gate fills an archway, its top being of iron spikes, the padlock is inscribed Fast. The stone arch over the gate is inscribed Treasury. On the stone wall of the Treasury building (left) are torn placards. One is a broadside, 'Last Dying Speech' headed by a print of a man hanging from a gibbet; another is headed "Gamester". Beneath the title is inscribed: "Farewell, a long Farewell to all my Greatness! this is the state of Man, to Day he puts forth the tender leaves of hopes, tomorrow Blossoms & bears all his blushing Honours thick upon him: the Third Day comes a Frost a killing Froast [sic], & when he thinks good easy Man full surely his Greatness is a Ripening, nips his Root & then befalls as I do!"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 29.1 x 20.3 cm., and Mounted on leaf 39 of volume 1 of 12.
Publisher:
Pubd. Augt. 12th, 1782, by H. Humphrey, New Bond Street
"Design in an oval. Fox with a very melancholy expression, standing with folded arms facing three quarter to left outside a closed and padlocked gate repeating Wolsey's soliloquy from Henry the Eighth. The gate fills an archway, its top being of iron spikes, the padlock is inscribed Fast. The stone arch over the gate is inscribed Treasury. On the stone wall of the Treasury building (left) are torn placards. One is a broadside, 'Last Dying Speech' headed by a print of a man hanging from a gibbet; another is headed "Gamester". Beneath the title is inscribed: "Farewell, a long Farewell to all my Greatness! this is the state of Man, to Day he puts forth the tender leaves of hopes, tomorrow Blossoms & bears all his blushing Honours thick upon him: the Third Day comes a Frost a killing Froast [sic], & when he thinks good easy Man full surely his Greatness is a Ripening, nips his Root & then befalls as I do!"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 12th, 1782, by H. Humphrey, New Bond Street
A dog with the heads of Lord North, Charles Fox, and Edmund Burke stands guard in front of a gate inscribed, "Portland" and probably representing the Treasury. The dog's "Coalition" collar is secured with an "Interest" padlock and decorated with the Prince of Wales's feathers. The inscription on its tail refers to a bag of euphorbium thrown in Fox's face by an opponent. Above the gate, Cromwell's face makes the central keystone in the arch. It is flanked by two axes and two masks with devil's horns: the smiling one is Lord Derby; the scowling one Admiral Keppel
Description:
Title from item., Cf. No. 6481 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 27 x 37 cm.
Publisher:
Pubd. as the act directs, by J. Ridgway, Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., Derby, Edward Smith Stanley, Earl of, 1752-1834., Keppel, Augustus Keppel, Viscount, 1725-1786., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Cerberus (Greek mythology), Politics and government, Gates, and Demons
The Duke of Portland, the new prime minister, leans over the gate to "Portland Place" handing down to Fox and North their reward in the form of an enormous bunch of grapes. Fox grasps the whole bunch taking a bite out of it while North, standing on his tiptoes with his arms wide open, cannot reach it. (In the verses below the title, as in other satires on the Coalition, North is the badger.)
Description:
Title from item., Printmaker from British Museum catalogue., Six lines of verse below title: Says the badger to the fox, we're in the right box ..., 1 print : etching on wove paper ; sheet 34.2 x 23.5 cm., Sheet trimmed within plate mark., and Mounted on leaf 57 of volume 1 of 12.
Publisher:
Pubd. April 3d, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
The Duke of Portland, the new prime minister, leans over the gate to "Portland Place" handing down to Fox and North their reward in the form of an enormous bunch of grapes. Fox grasps the whole bunch taking a bite out of it while North, standing on his tiptoes with his arms wide open, cannot reach it. (In the verses below the title, as in other satires on the Coalition, North is the badger.)
Description:
Title from item., Printmaker from British Museum catalogue., Six lines of verse below title: Says the badger to the fox, we're in the right box ..., and Mounted to 43 x 29 cm.
Publisher:
Pubd. April 3d, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Title etched above image., Possibly after Woodward., Sheet trimmed to plate mark., Seven lines of verse below title: Proceed we next unto the old incumbent at his gate ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Incumbents -- Old men -- Male costume: banyan -- Furniture: garden benches -- Architectural details: garden gates -- Spectacles -- Literature: parody on Shakespeare's As You Like It -- Literature: quotation from Richard Graves's The Spiritual Quixote.
Publisher:
Pub. Decr. 1, 1790, by W. Holland, No. 50 Oxford St.
Subject (Topic):
Clergy, Older people, Benches, Garden walls, Gates, Reading, and Eyeglasses
"Soldiers discovering brandy in women's bustles by the Paris gates."--British Museum online catalogue
Alternative Title:
Brandy-rumps detected
Description:
Title etched below image., Questionable attribution by repository: Henry Kingsbury., Sheet trimmed within plate mark., Engraved beneath the title, three lines of explanatory text: Two fashionable females contrived to fill bladders wtih brandy which they substituted for rumps, and thus equipped in the most outré prominence of the mode passed several times unsuspected through the gates of Paris, smuggling no inconsiderable quantity of brandy. The frequency of their excursions caused suspicion among the officers who attempted to touch their garments but were repulsed with affected modesty. They however with the points of their swords [?] pierced what now-a-days is usually made of cork, when lo! a fountain of brandy played from each orifice, to the great diversion of the spectators, and the no small confusion of the Fair ones., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ladies' costumes -- Derrières -- Bosoms., Watermark in center of sheet: L., and In manuscript at top of sheet: 54. On verso: Offset of un-identified musical score.
Publisher:
Pub'd May the [...] 1786 by S.W. Fores, at the Caricature Warehouse, No. E [sic] Piccadilly
Subject (Topic):
Soldiers, French, Military uniforms, Monks, and Gates
