Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1780]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 15. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue, description of lettered state
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; Js. Bretherton fec., State before letters. For a later state with artist and printmaker signatures and the publication line "Publish'd 4th March 1780 by Js. Bretherton, New Bond Street", see British Museum online catalogue, registration no.: 1917,1208.2999., Sheet trimmed to plate mark., and Mounted on page 15 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[4 March 1780]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 29. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., Mounted on page 29 of: Bunbury album., 1 print : etching on laid paper ; sheet 29.2 x 28.7 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
Publisher:
Publish'd 4th March 1780 by Js. Bretherton, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[4 March 1780]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 29. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., Mounted on page 29 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 28.9 x 28.6 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
Publisher:
Publish'd 4th March 1780 by Js. Bretherton, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[4 March 1780]
Call Number:
Bunbury 780.03.04.01.3+
Collection Title:
Page 29. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"'Three French girls before a castle gate', standing in the line with books under their arms, the girl at left with her hands under her apron, looking at the ground, the central figure with a half-open fan and a posy of flowers tucked into her dress and the third with flowers on her bonnet, at right a figure on horseback enters the gate, a guard beside; circular design after Bunbury."--British Museum online catalogue
Alternative Title:
Three girls before Medieval gate
Description:
Title supplied by cataloger., Sheet trimmed within plate mark., and Watermark: Edmeads 1799.
Publisher:
Publish'd 4th March 1780 by Js. Bretherton, New Bond Street
"A struggling crowd, partly within and partly without the pit door, a spiked gateway, of Drury Lane Theatre. Men, respectably dressed but of plebeian appearance, stand in the foreground on the outskirts of the crowd or fight their way in, some with sticks. There are a few women; one who has fainted but is in an erect position owing to the crowd, is being revived with smelling-salts. A man is vomiting. In the foreground two lady's hats, the ribbons partly torn off, lie on the ground with shoes and the broken fragments of a shoe-buckle. In the background two ladies and a man are passing through a narrow door into the theatre itself; through the doorway is seen a section of an upper gallery and boxes below it, both crowded. On the exterior wall, above the heads of the crowd, is a playbill ..."--British Museum online catalogue, description of the related print
Alternative Title:
Porte du parterre
Description:
Title from related print, which bears both the English title "The pit door" and the French title "La porte du parterre"., Unsigned and undated; artist attribution and approximate date from those assigned to the related print in the British Museum catalogue. See no. 6769 in the Catalogue of prints and drawings in the British Museum, v. 6., Inscribed on poster in upper center portion of image: By Command of their MAJESTIES. At the Theatre Royal Drury Lane The Grecian Daughter And Euphrasia Mrs Siddons To which will be added The Devil to Pay Tomorrow the Tragedy of Hamlet HAMLET by MR KEMBLE., and Laid down on wove paper with watermark "B. E. & S."
Subject (Geographic):
England and London.
Subject (Name):
Kemble, John Philip, 1757-1823., Siddons, Sarah, 1755-1831., and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Theaters, Crowds, Gates, Doors & doorways, Vomiting, Loss of consciousness, and Signs (Notices)
Title devised by curator., Questionable attribution to Henry Keene (1726-1776), architect and surveyor., and For further information, consult library staff.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
View of a cart being pulled by a horse to the right; buildings and a stone gate are seen in the background
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1805]
Call Number:
Drawings W87 no. 42 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A countryman, with companion horse and dog, stands outside of a city gate pleading with two guardsmen to permit him entry. His plea begins, "Hollo! you Master Whiskers don't keep me here in the cold all night. If you want to know who I am I tell you I am an Elector for Middlesex!" One guard responds, "Elector of Middlesex!! I never heard of that elector before, he must be a great man, open the gates immediately."
Description:
Title and date devised by cataloger. and Artist's signature inscribed in black ink in the artist's hand below image.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Country view with a church at center, its grounds enclosed by a fence with a gate. A tree is seen in the foreground on the right; smaller bushes surround the church on the left. A windmill and a small building sit atop a hill in the distance
Description:
Title and date from local card catalog record., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Later version of a ca. 1782 print after Robert Dighton entitled: A master parson returning from duty. Cf. No. 6154 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Verse - "In Bath a wanton wife did dwell,"., What appears to be the same setting of type was also issued with imprint: Sold at no. 42, Long Lane; dated from that address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157. Appearance of woodcut suggests this issue preceded one with imprint., In four columns with the title and woodcut above the first two; the columns are not separated by rules., Mounted on leaf 63. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
J. Evans?
Subject (Geographic):
Bath (England)
Subject (Topic):
Repentance, Women, Moral and ethical aspects, Heaven, and Gates
"Design in an oval. Fox with a very melancholy expression, standing with folded arms facing three quarter to left outside a closed and padlocked gate repeating Wolsey's soliloquy from Henry the Eighth. The gate fills an archway, its top being of iron spikes, the padlock is inscribed Fast. The stone arch over the gate is inscribed Treasury. On the stone wall of the Treasury building (left) are torn placards. One is a broadside, 'Last Dying Speech' headed by a print of a man hanging from a gibbet; another is headed "Gamester". Beneath the title is inscribed: "Farewell, a long Farewell to all my Greatness! this is the state of Man, to Day he puts forth the tender leaves of hopes, tomorrow Blossoms & bears all his blushing Honours thick upon him: the Third Day comes a Frost a killing Froast [sic], & when he thinks good easy Man full surely his Greatness is a Ripening, nips his Root & then befalls as I do!"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 29.1 x 20.3 cm., and Mounted on leaf 39 of volume 1 of 12.
Publisher:
Pubd. Augt. 12th, 1782, by H. Humphrey, New Bond Street
"Design in an oval. Fox with a very melancholy expression, standing with folded arms facing three quarter to left outside a closed and padlocked gate repeating Wolsey's soliloquy from Henry the Eighth. The gate fills an archway, its top being of iron spikes, the padlock is inscribed Fast. The stone arch over the gate is inscribed Treasury. On the stone wall of the Treasury building (left) are torn placards. One is a broadside, 'Last Dying Speech' headed by a print of a man hanging from a gibbet; another is headed "Gamester". Beneath the title is inscribed: "Farewell, a long Farewell to all my Greatness! this is the state of Man, to Day he puts forth the tender leaves of hopes, tomorrow Blossoms & bears all his blushing Honours thick upon him: the Third Day comes a Frost a killing Froast [sic], & when he thinks good easy Man full surely his Greatness is a Ripening, nips his Root & then befalls as I do!"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 12th, 1782, by H. Humphrey, New Bond Street
A dog with the heads of Lord North, Charles Fox, and Edmund Burke stands guard in front of a gate inscribed, "Portland" and probably representing the Treasury. The dog's "Coalition" collar is secured with an "Interest" padlock and decorated with the Prince of Wales's feathers. The inscription on its tail refers to a bag of euphorbium thrown in Fox's face by an opponent. Above the gate, Cromwell's face makes the central keystone in the arch. It is flanked by two axes and two masks with devil's horns: the smiling one is Lord Derby; the scowling one Admiral Keppel
Description:
Title from item., Cf. No. 6481 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 27 x 37 cm.
Publisher:
Pubd. as the act directs, by J. Ridgway, Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., Derby, Edward Smith Stanley, Earl of, 1752-1834., Keppel, Augustus Keppel, Viscount, 1725-1786., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Cerberus (Greek mythology), Politics and government, Gates, and Demons
The Duke of Portland, the new prime minister, leans over the gate to "Portland Place" handing down to Fox and North their reward in the form of an enormous bunch of grapes. Fox grasps the whole bunch taking a bite out of it while North, standing on his tiptoes with his arms wide open, cannot reach it. (In the verses below the title, as in other satires on the Coalition, North is the badger.)
Description:
Title from item., Printmaker from British Museum catalogue., Six lines of verse below title: Says the badger to the fox, we're in the right box ..., 1 print : etching on wove paper ; sheet 34.2 x 23.5 cm., Sheet trimmed within plate mark., and Mounted on leaf 57 of volume 1 of 12.
Publisher:
Pubd. April 3d, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
The Duke of Portland, the new prime minister, leans over the gate to "Portland Place" handing down to Fox and North their reward in the form of an enormous bunch of grapes. Fox grasps the whole bunch taking a bite out of it while North, standing on his tiptoes with his arms wide open, cannot reach it. (In the verses below the title, as in other satires on the Coalition, North is the badger.)
Description:
Title from item., Printmaker from British Museum catalogue., Six lines of verse below title: Says the badger to the fox, we're in the right box ..., and Mounted to 43 x 29 cm.
Publisher:
Pubd. April 3d, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Title etched above image., Possibly after Woodward., Sheet trimmed to plate mark., Seven lines of verse below title: Proceed we next unto the old incumbent at his gate ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Incumbents -- Old men -- Male costume: banyan -- Furniture: garden benches -- Architectural details: garden gates -- Spectacles -- Literature: parody on Shakespeare's As You Like It -- Literature: quotation from Richard Graves's The Spiritual Quixote.
Publisher:
Pub. Decr. 1, 1790, by W. Holland, No. 50 Oxford St.
Subject (Topic):
Clergy, Older people, Benches, Garden walls, Gates, Reading, and Eyeglasses
"Soldiers discovering brandy in women's bustles by the Paris gates."--British Museum online catalogue
Alternative Title:
Brandy-rumps detected
Description:
Title etched below image., Questionable attribution by repository: Henry Kingsbury., Sheet trimmed within plate mark., Engraved beneath the title, three lines of explanatory text: Two fashionable females contrived to fill bladders wtih brandy which they substituted for rumps, and thus equipped in the most outré prominence of the mode passed several times unsuspected through the gates of Paris, smuggling no inconsiderable quantity of brandy. The frequency of their excursions caused suspicion among the officers who attempted to touch their garments but were repulsed with affected modesty. They however with the points of their swords [?] pierced what now-a-days is usually made of cork, when lo! a fountain of brandy played from each orifice, to the great diversion of the spectators, and the no small confusion of the Fair ones., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ladies' costumes -- Derrières -- Bosoms., Watermark in center of sheet: L., and In manuscript at top of sheet: 54. On verso: Offset of un-identified musical score.
Publisher:
Pub'd May the [...] 1786 by S.W. Fores, at the Caricature Warehouse, No. E [sic] Piccadilly
Subject (Topic):
Soldiers, French, Military uniforms, Monks, and Gates
